So this was kinda boring, yeah? Moreso than anything else they've done; the audience polarization aspect was the most interesting bit. New single not bad though.
― Raymond Cummings, Wednesday, 15 February 2012 05:21 (fourteen years ago)
What new single?
― Moka, Wednesday, 15 February 2012 05:58 (fourteen years ago)
Lotus Flower and Codex are the only songs I can be bothered listening to any more.
― Inevitable stupid samba mix (chap), Wednesday, 15 February 2012 21:51 (fourteen years ago)
Separator!
― Sick Mouthy (Scik Mouthy), Wednesday, 15 February 2012 21:53 (fourteen years ago)
I feel it was an ok effort but the reason I didn't like it that much was because of its length. Even Ok Computer or Kid A would have felt like less important if they'd removed say the last two tracks of each, per example.
If they had released the album with Daily Mail / Staircase or Supercollider / The Butcher instead of releasing them as separate singles it would have made more of an impact on me. Since Radiohead became more 'artsy' and experimental their songs became hit or miss, so the more songs they cram in there, the better. It's all about first impressions, no? I would have rated the album an 8 instead of a 6 if Supercollider and the Daily Mail were on it. Even Staircase sounds better to me than some of the songs that did made it.
― Moka, Wednesday, 15 February 2012 22:59 (fourteen years ago)
Give Up The Ghost! That's an amazing song. I still totally rate the last 5 songs on this album.
Though I do actually wish Staircase (but not Daily Mail which is blah) and Supercollider were on it.
― White Chocolate Cheesecake, Wednesday, 15 February 2012 23:06 (fourteen years ago)
Ok remember that a year ago I posted a link to rearrange the tracklist in accordance to the newspaper version? ( http://www.oesquema.com.br/trabalhosujo/2011/02/28/the-king-of-limbs-newspaper-album-ou-codex.htm#comment-21810 )
Well, I was thinking about using this rearranged tracklist and adding supercollider and staircase in there to make it a 10 track album. daily mail and butcher I feel like they disrupt the overall aesthetic of the album and I'm fine with leaving them as b-sides. I was also thinking of removing Feral completely and adding Staircase in there because it sounds great in between lotus flower and little by little. Without removing any of the original tracks this is what I came up with. I think it sounds fantastic. Give it a try and tell me what you think:
1) “Lotus Flower”2) “Feral”3) "Staircase"4) “Little By Little”5) “Codex”6) “Give Up the Ghost”7) " Supercollider"8) “Morning Mr Magpie”9) “Bloom”10) “Separator”
― Moka, Thursday, 16 February 2012 06:21 (fourteen years ago)
Just had a quick listen to the Basement sessions and eff me if they aren't a zillion times better than the studio album. I just don't like the majority of KOL - too many experiments that don't work, like bad IDM. Bloom is the prime example - listening on good headphones makes it sound WORSE because you can hear all the horrible production clicks and it sounds like a CD skipping (not in a good way).
― The Invisible Superstars (dog latin), Thursday, 16 February 2012 09:59 (fourteen years ago)
The King of Limbs is by far Radiohead's best EP.
― Melissa W, Thursday, 16 February 2012 13:34 (fourteen years ago)
RONG. That's How Am I Driving.
Wow, but atease really hate this record, don't they?
― White Chocolate Cheesecake, Thursday, 16 February 2012 13:56 (fourteen years ago)
I only ever listen to the Basement recordings at this point. So much so that I actually ripped them myself, edited out the studio chatter, and arranged into a playlist so I can basically pretend it is the record.
― Simon H., Thursday, 16 February 2012 14:07 (fourteen years ago)
ha, that's great. willing to share?
― willem, Thursday, 16 February 2012 14:10 (fourteen years ago)
that sounds awesome.
― tmi but (Z S), Thursday, 16 February 2012 14:15 (fourteen years ago)
love the cheapness of king of limbs, sounds homemade, like they made u a demo tape
― mod flanders (m bison), Thursday, 16 February 2012 14:15 (fourteen years ago)
Yes, homemade is a good way of putting it. It sounds very organic, the accretions of time, like it grew that way, shaggy and slightly mossy.
― White Chocolate Cheesecake, Thursday, 16 February 2012 14:20 (fourteen years ago)
Wait, maybe that's ~Thom Yorke's hair~ I'm thinking of?
― White Chocolate Cheesecake, Thursday, 16 February 2012 14:21 (fourteen years ago)
The Airbag EP has some great tracks on it but the tracks don't really mesh into a nice whole. Also Palo Alto is on there, and Palo Alto shouldn't be on anything.
― Melissa W, Thursday, 16 February 2012 15:17 (fourteen years ago)
Aw, I like "Palo Alto." If only for that crazy mean guitar tone.
― Simon H., Thursday, 16 February 2012 17:38 (fourteen years ago)
OMG Melissa we can no longer be friends. Palo Alto is not just one of my favourite guitar tones but also contains some of my favourite Thommist lyrical images of all time - "in a beautiful bombshell I throw myself into my work!" but also the maniacal boredom with which he repeats that "I'm ok how are YOU!" line so that it almost sounds like a threat.
Also I love the artwork / packaging so so much and also the story of Thom and Stanley getting hold of an EMI marketing research questionnaire and ~customising~ it in their special way, I just love it as an object as well as the music on it.
Also Meeting In The Aisle is still my favourite RH song ever but we've been through this before.
How can you not like Palo Alto o_0
― White Chocolate Cheesecake, Thursday, 16 February 2012 17:48 (fourteen years ago)
ya Palo Alto is p all time amazing
― I have one thing to say: "Roxanne Shanté" (Stevie D(eux)), Thursday, 16 February 2012 18:03 (fourteen years ago)
I love Meeting in the Aisle, but Palo Alto is just annoyingly sing-songy in its melody. I know it's supposed to be, but it goes too far for me to be able to enjoy actually listening to it.
― Melissa W, Thursday, 16 February 2012 20:01 (fourteen years ago)
Ok fair enough, because that is exactly what I love about it. It's got this real nursery rhyme, playground chant aspect to the melody, especially of the choruses that really highlights and brings to the foreground the repetitive and almost nonsensical aspects of ritual interrogative conversation especially in a workplace environment.
It's also one of those songs that totally sounds like he was describing when he wad talking about getting thoughtworms/earworms (obviously he didn't use thoughtworm as a phrase but he totally described a thoughtworm) and then he said words to the effect of "yeah I get them stuck in my head until I put them in a song, then they're out of my head and into YOUR head hahahahahahaha" ::maniacal Thom giggles::
Also Jesus Christ the textures on that song, did Jonny mic up a malfunctioning radiotelescope or what?
― White Chocolate Cheesecake, Thursday, 16 February 2012 20:25 (fourteen years ago)
I keep moving from city to city and I always find myself singing along Palo Alto in my first days in the place even tho I don't even have it in my ipod and I've only listened to it on the Meeting People dvd.
― Moka, Thursday, 16 February 2012 20:29 (fourteen years ago)
this clip
https://www.youtube.com/watch?v=UZ4lMdFYOtU
― Moka, Thursday, 16 February 2012 20:30 (fourteen years ago)
Did we actually had a poll for this album? I'm just looking at two banned threads and one joke poll.
― Moka, Sunday, 4 August 2013 20:44 (twelve years ago)
Either way we should make one with the 4 b-sides included.
― Moka, Sunday, 4 August 2013 20:45 (twelve years ago)
i never really got into this i guess
― markers, Sunday, 4 August 2013 22:03 (twelve years ago)
good album. it feels quite a minor entry in their catalog though and I think that's because of its relatively short length. If they'd put The Daily Mail, Supercollider, etc. on it then I think it'd be seen as heftier.
― arctic mindbath (President of the People's Republic of Antarctica), Sunday, 4 August 2013 23:22 (twelve years ago)
Heft is what i go to Beethoven for - I actually rank TKOL just below Kid A, my favorite. Many of their albs are bloated where TKOL does what it sets out to, does it well and moves on not a minute too late.
― recordin' mofo (rattled), Monday, 5 August 2013 01:24 (twelve years ago)
I don't understand the hate for TKOL, the grooves that they achieve in here are excellent, they've been trying to hit this plateau for almost two decades. This is the first album where the band feel in full control of what they wanted to do, the interviews with the band sort of confirm it, they feel relaxed and happy. This might be the first RH record where Thom's interviews aren't unnecessarily cryptic.
― Moka, Monday, 5 August 2013 05:32 (twelve years ago)
have i said this? live from the basement tkol > tkol
― emo canon in twee major (BradNelson), Monday, 5 August 2013 06:40 (twelve years ago)
Serious lol at the idea of any album being improved by adding The Daily Mail to it.
― Matt DC, Monday, 5 August 2013 08:51 (twelve years ago)
why not, Matt?
― arctic mindbath (President of the People's Republic of Antarctica), Monday, 5 August 2013 10:00 (twelve years ago)
Xxpost yeah the LFTB version is loads better
― Pingu Unchained (dog latin), Monday, 5 August 2013 10:43 (twelve years ago)
i'm not crazy about TKOL, i feel like "in rainbows" is the best thing they've done. when i feel like listening to radiohead i put on in rainbows. it just exudes more of warmth and accessibility that a lot of the others. despite being a radiohead stan in my college years, nowadays i feel like i almost flat out don't like ok computer, the bends, HTTT, or TKOL.
― marcos, Monday, 5 August 2013 13:13 (twelve years ago)
Agreed. It's the version of these songs that I still reach for.
― doug watson, Monday, 5 August 2013 13:57 (twelve years ago)
this is still a very good, very interesting album (which has a much stronger second-half).
― Daniel, Esq 2, Saturday, 1 March 2014 17:30 (twelve years ago)
It's interesting and good but I still can't particularly get into it.
― I wish to incorporate disco into my small business (chap), Saturday, 1 March 2014 18:05 (twelve years ago)
i went through the typical arc. loved it; began recognizing its flaws (lack of hooks, some meandering, interesting ideas that don't always yield interesting songs); returned to it a few years later and realize, again, it's damn good.
― Daniel, Esq 2, Saturday, 1 March 2014 18:08 (twelve years ago)
I don't remember where I read/heard this but someone somewhere said something about the title being a double reference: the obvious reference is the tree, but the secondary reference is the influence of dubstep. Considering the sound of a couple of the album's tracks ('Feral' most prominently and obviously) and the remix project that followed, this seems more than a little plausible.
I didn't read this whole topic, so sorry if someone's already mentioned this upthread.
But yes, King of Limbs is very high in my favorite Radiohead albums list. Arguably #2.
― Austin, Saturday, 1 March 2014 19:38 (twelve years ago)
it's one of the most interesting radiohead discs. a big, interesting left-turn.
it's been three years! when's the next disc coming out? overdue.
― Daniel, Esq 2, Saturday, 1 March 2014 19:48 (twelve years ago)
Definitely a grower this one, the only track I'm not into at all now is Feral.
Three years to creep up on you is a hell of a slow-burner though.
― the joke should be over once the kid is eaten. (chap), Thursday, 3 April 2014 11:37 (twelve years ago)
And it's not like I didn't listen to it for two years, stuck it on one day and was like 'actually this is quite good'. They are one of my favourite bands and I have been actively trying to crack it since it came out.
― the joke should be over once the kid is eaten. (chap), Thursday, 3 April 2014 11:42 (twelve years ago)
i put it on this week for the first time in quite awhile and had the same reaction. it comes off much better without the weight of 'new radiohead album!' expectations. the second half is really lovely (codex!).
― festival culture (Jordan), Thursday, 3 April 2014 12:53 (twelve years ago)
the only part i'm not into (still) is the offbeat guitars on 'little by little', it just seems unnecessarily awkward.
― festival culture (Jordan), Thursday, 3 April 2014 12:54 (twelve years ago)
Wow. I thought 22 listens was a long time to persist with something one didn't really like. Three years is... wow.
― Branwell Bell, Thursday, 3 April 2014 12:57 (twelve years ago)
Well it's not like I hated it or anything, always thought there were nice and interesting moments. And I'd maybe listen to it once every two weeks or something.
― the joke should be over once the kid is eaten. (chap), Thursday, 3 April 2014 13:16 (twelve years ago)
That wasn't a sarcastic "wow" - I'm actually quite impressed with that as a listening exercise, and an example of how music can grow on you.
― Branwell Bell, Thursday, 3 April 2014 13:18 (twelve years ago)
If it was pretty much any other band I probably wouldn't have bothered.
― the joke should be over once the kid is eaten. (chap), Thursday, 3 April 2014 13:19 (twelve years ago)
Yeah, I completely understand that sentiment. That if you love everything else by an artist, except that *one* work, you would be more prepared to delve into it and figure out what made it tick.
(I still feel a bit bad about choosing not to make that effort with AMOK when it didn't click. But I also felt like that was an album I could force myself through repetition to like, but never really love.)
― Branwell Bell, Thursday, 3 April 2014 13:23 (twelve years ago)