Seriously, is there anything better than the Pet Shop Boys?

Btw. I have finally got to buy all those 2001 reissues and oh my are those "Further Listening" CDs great!

I guess I will burn myself "Further Listening" CDs to go with "Nightlife" and "Release" too, as they were never part of the rerelease series.

Myself and NI of this parish saw them in Manchester Sunday last and they were better than i've ever seen them. In amongst a feast of retina-searing staging and and
All The Big Hits there was 2 astonshing mid sections. One with Neil T in a tuxedo doing stripped down versions of 'Do I Have To?' and 'King's Cross' (complete with the black and white Derek Jarman 'Rent' footage from the 1989 tour as a backdrop) and another 'Please' album section of proto New York house featuring 'Why Don't We Live Together' and 'Two Divded By Zero'. All of this was produced by Stuart Price for the gigs.

From an oldskool fan's point of view it was as if i'd sat and written down what i might like them to do on this tour and they went 'yeah okay then!' while NI described it as 'the best concert i've ever seen'. Seriously is there *anything* better than the Pet Shop Boys?

another 'Please' album section of proto New York house featuring 'Why Don't We Live Together' and 'Two Divded By Zero'. All of this was produced by Stuart Price for the gigs.

waaant

the live album is coming out early 2010 produced by s price esquire so looks like you'll GET it!

This Bobby Orlando cover is one of my favorite songs, because it has all the satisfaction of a dance song but is equally strong in creating a character and story.

https://www.youtube.com/watch?v=ErBt7UZzg2o&feature=PlayList&p=C4E4B26685C0FD16&playnext=1&playnext_from=PL&index=43

Glasgow show was amazing.

that Bobby O cover is so great, one of my top 5 songs by them. there's a few crummy versions though, glad that's the proper one.

and yes, what a SHOW it was the other night. makes me think how dare the likes of oasis and kings of leon just clamber onstage and go through their 4/5 piece motions. i would love to read an interview with stuart price about what he did, how far his involvement went, etc

CD/ DVD package out tomorrow:

http://hmv.com/hmvweb/displayProductDetails.do?ctx=280;0;-1;-1;-1&sku=312181

rats.

http://www.petshopboys.co.uk/news/2234

13 September 2010

Ultimate Pet Shop Boys

On November 1st Parlophone will release "Ultimate Pet Shop Boys", a "comprehensive greatest hits collection", featuring 19 hit singles in chronological order from "West End girls" to "Love etc." The Special Edition version will feature a DVD containing a series of classic BBC TV performances from "Top Of The Pops" and other shows recorded over the last 25 years as well as Pet Shop Boys' celebrated Glastonbury Saturday night headline show from June which the Daily Telegraph judged to be "one of the most spectacular Glastonbury moments ever".

_____

:/

http://images.childcostumes.com/billion-dollar-baby.jpg

There's so better than anyone else that sw00ds and I have begun another podcast, looser than our Roxy/Ferry chat three years ago. The first chapter concentrates on Electric and The Gay Thing.

http://rockcritics.com/2013/11/14/pet-shop-boys-critically-1/

the second chapter, which sw00ds hopes to post this week, has Chris Mol@anphy as special guest, discussing the Boys' peripatetic American chart fortunes.

excited to listen to this!

I've said this elsewhere, on other PSB threads, but it needs to be reiterated: Relentless is the best thing the Pet Shop Boys has ever done. Seriously, go back and listen to it. Exceptional.

Pet Shop Boys - Exceptionally

At last a name for the box set.

And we're live! Chris Mol@anphy, sw00ds, and I discuss "the monumental, if short-lived, American chart run."

http://rockcritics.com/2013/11/21/pet-shop-boys-critically-3/

not actually live.

but very introspective actually

yeah Relentless is amazing. it was especially so, getting it the day of release with VERY; EIGHTEEN new tracks in an amazing limited edition sleeve!

Why does this sound like a transmission from space? Not sure I can make it through this but the topic is fascinating to me.

Pushing through despite the sound, enjoying the commentary. Always On My Mind was huge in the South before the PSB's version, both Elvis and Willie Nelson versions.

if the sound is flawed, let me know so we can fix it. I thought it sounded fine to me this morning.

The links to download MP3s are broken – they all point to part 1. (The inline player works correctly.) But this is nice!

Links fixed!

thanks!

Okay, my entry to the whole podcast project is up, thanks to Scott and Alfred again for the invite!

http://rockcritics.com/2013/12/02/pet-shop-boys-critically-5/

Here’s the third in our series of PSB podcasts. This time Alfred Soto and I are joined by Ned Raggett to discuss Pet Shop b-sides, which leads into a discussion of: PSB’s Alternative (their double-disc b-sides collection); Sonic Youth vs. Pet Shop Boys; Diane Warren; Mick Jagger; Simon Reynolds… and much, much more!

specifically, Mick Jagger covering "Opportunities."

Downloaded these for listening on my commute and currently on the Woods/Soto/Molanphy discussion. Great stuff!

Two parts in, this is a great discussion.

Any love for "We All Feel Better In the Dark"? For me it's a highlight of the catalogue and a great moment in the Performance film, like Depeche Mode's "Waiting for the Night" rewritten as a quietly seductive club track.

Nice catch! Tbe songs were recorded during the same era.

it is my understanding that everyone loves "We All Feel Better in the Dark", although unless you're talking about the downtempo Disco 2 mix I don't see how you could associate it with being quiet

We all sound better in the dark

Speak up I can't see you

You don't think it has kind of a quiet and secretive feel, like something going on behind the scenes? It's no "Shameless" after all.

generally speaking sirens don't ever strike me as quiet and half of the song has sirens blaring over it, not to mention the screamed "GET DOWN!" sample or the heavily-filtered staccato off-beat synth line or the counterpoint syncopated sample on the verses

It splits the difference, in the end. Everything Dan notes is spot on, but it sounds like it's trying to be furtive/in the shadows (of course!) in the middle (or to the side?) of something chaotic.

supposedly it was originally "We All Look Better In The Dark" but then i'm sure you all know that. a better title either way imo.
it's worth it just for the way Chris says ".. and the beat is dead loud".

so how's speaking of sounding better in the dark, how's the quality of these recordings?

All of the voices come through just fine, even on my less than stellar car speakers, but the parts where Scott (I'm assuming) mixes in songs with your discussions drown out your voices and are in general really hard to listen to. Not that there are a lot of these, and not that they last all that long anyway, but still.

Their musical about the life of Alan Turing premieres tomorrow night as part of their orchestral show for the BBC Proms. Hopefully on iPlayer to listen to afterwards.

http://www.theguardian.com/music/2014/jul/20/pet-shop-boys-alan-turing-enigma-proms-tribute-interview

I was there last night. The first half the concert - an orchestral medley of their 80s material, followed by four songs rearranged by Angelo Badlamenti and sung by Chrissie Hynde, was fantastic, especially when Tennant came on and duetted with Hynde during 'Rent'.

The Turing piece was mediocre really, most pop musicians just don't have the musical vocabulary to be able to write a 45min orchestral piece that stands up and they were no exception, the spoken word and choral bits were clunky, and the whole effect was a bit Murray Gold. The one genuinely emotionally resonant bit was the disembodied voice of Gordon Brown apologising for the government's treatment of Turing.

Chrissie Hynde still looks cool as fuck on stage btw.

the whole effect was a bit Murray Gold

Oh dear. (I wouldn't go that far, I admit! While the effect was more in-the-moment than lingering, I appreciated the attempt at interpretive biography.)

That said, yeah, those opening pieces with Hynde. "Vocal!"

Listening to this now. Would pay $$ to see an entire show of PSB orchestral duets with Chrissie Hynde.

does anyone on here rep for Nightlife? I just can't get into that one (outside of "You Only Tell Me You Love Me When You're Drunk")

Yep!

It's uneven but the first 3 tracks are really solid.
The other good ones are "Drunk", "Radiophonic", "Boy Strange", and "In Denial".

iPlayer link, good 'til mid-August.