Pearl Jam - C or D?

there is something effortlessly masculine about pearl jam. maybe this quality is crucial to the riddle of their fratservative appeal?

http://nogoodforme.filmstills.org/images/EddieVedderAnthonyKiedisKissing.jpg

For sure, the band is not afraid of guitar solos and drum fills. Those things are sort of by default "masculine."

also masculine: kissing a dude in a backwards baseball cap. (to be fair, grohl probably rocked the backwards cap, too, but then again foo fighters is almost on mascu-parity with pearl jam)

That's Anthony Kiedis, by the way.

When Rolling Stone ran the photo someone wrote a letter: "Please cancel my subscription."

didn't jeff ament regularly rock the backwards cap? i have the impression he sometimes wore a fur cap for some reason.

http://userserve-ak.last.fm/serve/_/5073/Jeff+Ament.jpg

Ugh – he probably smells like an unwashed Pekinese.

may your first hat be a masculine hat...

I saw Pearl Jam cover Fugazi's "Suggestion" once in '93 or '94.

xp http://sowhat.no.sapo.pt/kiss.jpg

http://flavorwire.com/207658/here-is-a-video-of-kurt-cobain-and-eddie-vedder-slow-dancing

was this at the event where axl rose demands satisfaction from kurt over a courtney snap?

I love that clip

yes (to Philip)

Matt Cameron's solo demo that became "The Fixer" is so cool to hear, i had no idea how much of that song came directly from him

matt's brought so much to the band... hope he never goes back to soundgarden full-time, much as i loved soundgarden.

and that clip of eddie and kurt is wonderful - cannot wait to see this movie...

Cameron has definitely helped bring the band together as a unit, especially in their songwriting. Good collaborative vibes. And he sings great harmonies, too. Love the Cameron.

Matt Cameron's great but so much more suited to Soundgarden imo (although since both bands are older and not as constantly active as they used to be i see no reason why he can't juggle both). i feel like he fits into Pearl Jam's social dynamic more than their music, i'm still constantly comparing how he plays songs from the first 5 albums to the studio versions and often not favorably.

Matt Cameron's solo demo that became "The Fixer" is so cool to hear, i had no idea how much of that song came directly from him

Most of the verses and chorus, according to that new coffee table book. Vedder transformed it into a pop song.

if you listen to "Need To Know" on the PJ20 soundtrack, it's pretty much the music that's the same, the vocals don't much at all like what ended up as "The Fixer"

wrrrrrrrororororroror /yarl

Mr Veg stumbled onto this and we watched some of it last night. It's pretty great!

My favorite thing about their South American shows is that they always frontload the setlist with all the songs they know the crowd chants the best to...like they even chant the guitar break in Do The Evolution and Eddie just rolls right along with it

Anyway, good show, no surprises on the setlist but they look like they're having fun

https://www.youtube.com/watch?v=orgWG3clWlo

Never been more than a casual fan, but just watched PJ20 on Netflix. Kinda hard not to admire the way they've done it as a band.

It's not that this band is incapable of writing a memorable tune, they just don't have enough great ones IMO. Too many songs/riffs that are not quite there.

i disagree but w/e

So much of this band is not quite there, but its ability to connect despite that sort of redefines "there." It's almost as if it's never been able to go the full R.E.M., whether by design or by default, but usually does fine with what it has.

you're gonna have to define "the full R.E.M." here

Hmm. I guess PJ has yet to abandon hard rock? They've never had to release a "return to rockin'" album. In some ways, the electric guitars and big drums are like a comfort blanket, but maybe they prevent the band from doing more interesting things.

Just spitballin' here.

PJ always had much more of a default meat and potatoes hard rock thing than R.E.M., though. plenty of quiet songs and acoustic shows, but those were always clear deviations from the rockin' norm. Eddie goes off with his ukulele if he wants to do something quiet.

I do think it's true that they could stand to take a few more chances - they've not released an even mildly "experimental" (by mainstream rock band terms) record since, I dunno, Binaural? I did appreciate how snappy the last one was, mind.

Pearl Jam's default hard rock may not have hindered the group but may have hampered it. What made REM so great was its ability to make an album like Out of Time or Automatic the norm. Pearl Jam has yet to release its own paradigm shifting album, but it may be too late for that.

Like, you can hear the band (or at least Vedder?) pushing against constrictions, but it's subtle, unlike REM, or Radiohead, or even U2, who have made radical reinvention the norm.

fwiw there's definitely a pretty wide perception that the more offbeat sounds on the albums from Vitalogy through Binaural were too out there for most of their audience and deliberately pared down their fanbase, and every album since then has had lots of 'their most radio-friendly/Ten-like album in x years' reviews.

https://www.youtube.com/watch?v=1-QYAWXK7fo

How many other acts with a "pared down" fanbase can fill the places this band does? I'd counter that PJ is one of the few bands (like I guess Wilco?) which has somehow kept its old fans onboard despite it all. There are still Wilco fans who go most nuts for "AM" stuff.

the offbeat stuff in the old days was more Eddie being pissed off and contrarian than experimental. and it was more annoying than anything

Now that the band are so tight & chill, I'd be interested to hear what they could do, experiment-wise

yeah PJ's shunning stardom was kind of a 'playing the long game' survival mechanism -- i do wonder if they'd be playing to bigger crowds, or even crowds as big, now if they'd kept making videos and never made any remotely weird records or fought ticketmaster etc.

it's a shame Matt Cameron seemed to push them into slightly new territory at first and then settled into something more predictable, which i'm sure will just continue now that he's got Soundgarden to do their Soundgarden-y time signature stuff with again.

how is Automatic For The People a paradigm shifter -- fully articulate lyrics to pin down the mope?

btw PJ has been killing it with ballads for at least fifteen years.

I dunno, I kind of prefer PJ as a barnburner rock band than, well, whatever they were in the early years. I've long wanted to just make a mix of their punchy uptempo songs for car listening. Maybe today's the day.

yeah, i was surprised when "Off He Goes" killed the No Code poll or whatever, i think the slower and more lyric-driven the more their songwriting weaknesses become apparent.

we really should do a PJ trax poll someday -- they don't feel like 'ilm darlings' but there's enough fans on here to make it worthwhile and the catalog is certainly deep enough

I'd be into that.

"Off He Goes" sounds to me like Vedder attempting to write his own version of this, written by one of his idols:

https://www.youtube.com/watch?v=lfjNRz-ZoBM

always sounded like a Neil pastiche to me but that's perceptive, hadn't heard that song before. Eddie's Finn fandom is definitely one of the coolest underestimated influences of his.

I was the big Crowded House fan in my crew, so hearing Eddie and the boys do other Finn Bros stuff like "I See Red" persuaded a couple to check out the House comp..

btw PJ has been killing it with ballads for at least fifteen years.

at first i thought i agreed with ship but i guess my favorite songs off their records are almost always ballads or ballad-ish. "low light," "light years" (albeit this one fights mightily with ultimate pj barnburner "insignificance"), "thumbing my way," "nothingman," etc.