Nothing on 20/20 is as jarring to me as ending Friends with "Transcendental Meditation"
― Lee547 (Lee626), Friday, 19 August 2011 14:34 (fourteen years ago)
YEah that's such a WTF - I'm thinking of just swapping TM with I Went To Sleep on my HD. But really, Cabinessence on the same album as Bluebirds Over The Mountain is JUST WRONG!
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 14:36 (fourteen years ago)
The Nearest Faraway Place is by Bruce Johnston - weird!
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 14:37 (fourteen years ago)
"I Went To Sleep on my HD"
For a second, I thought that was the title of the song.
― Mark G, Friday, 19 August 2011 14:38 (fourteen years ago)
Maybe there's no proper sequence. Never Learn Not to Love to Our Prayer is pretty bad.
― skip, Friday, 19 August 2011 14:46 (fourteen years ago)
> I'm thinking of just swapping TM with I Went To Sleep on my HD
Exactly what I did. (well not on HD)
"The Nearest Faraway Place" is actually one of my favorite BB instrumentals. The piano intro is a bit too shmaltzy, but once the song gets going it's excellent stuff that's up to Brian's level. The section from about 40 seconds in through 1:40 is amazing - reminds me alot of the middle section of "Summer Means New Love" from SD(&SN), but may be even better. Bruce's first songwriting on a BB record.
― Lee547 (Lee626), Friday, 19 August 2011 14:59 (fourteen years ago)
I went to sleep was a friends outtake anyway iirc?
― iatee, Friday, 19 August 2011 15:00 (fourteen years ago)
but yeah in my ideal world that's the friends tracklist
― iatee, Friday, 19 August 2011 15:02 (fourteen years ago)
I REALLY LOVE Summer Means New Love for the record, although I don't know if I cut it from my ballot at last min.
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:03 (fourteen years ago)
> I went to sleep was a friends outtake anyway iirc?
correct.... which is why it's a popular swap. It feels like the perfect album closer for it.
I decided early on to allot once space on my ballot for one of their oft-overlooked instrumentals, and picked "Summer Means New Love" over my other contenders - "Let's Go Away For Awhile", "The Nearest Faraway Place", or a one of the Smile instrumentals.
― Lee547 (Lee626), Friday, 19 August 2011 15:11 (fourteen years ago)
one space
this is worth tracking downhttp://991.com/newGallery/Beach-Boys-Beach-Boys-Instru-479141.jpgor you could compile it yourself if you've got all the records, i suppose.
― tylerw, Friday, 19 August 2011 15:13 (fourteen years ago)
#9
http://static.rateyourmusic.com/album_images/b3555773ec14254f8911bd8a1593cce1/118152.jpg
Heroes and Villains - Smiley Smile374 points, 16 votes
https://www.youtube.com/watch?v=_lkk8Cku4p8https://www.youtube.com/watch?v=5RNuoJw0PsM
― iatee, Friday, 19 August 2011 15:13 (fourteen years ago)
Anyone else vote for Vegetables in any significance? It was my 5th
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:14 (fourteen years ago)
not my favorite track but suchhhh a dope single cover
― iatee, Friday, 19 August 2011 15:14 (fourteen years ago)
oh and also "Diamond Head" which is pretty cool - so Hawaiian sounding, it's like my mind drifts off to the island just from hearing it.
― Lee547 (Lee626), Friday, 19 August 2011 15:14 (fourteen years ago)
i would love a beach boys' instrumentals album. I wonder what the tracklisting is?
i voted for Diamond Head - fantastic mixtape fodder.
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:15 (fourteen years ago)
I'm not too mad about Heroes & Villains. Don't like the descending vocal line at all. I do like the "under arrest/in the canteena" bit on one of the versions though.
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:16 (fourteen years ago)
Which version of "VegeTables" was Paul McCartney on? And is that celery or carrots?
I like it but not top 20
― Lee547 (Lee626), Friday, 19 August 2011 15:16 (fourteen years ago)
1. Moon Dawg2. Misirlou3. Stoked4. Honky Tonk5. Surf Jam6. Let's Go Trippin'7. The Roking Surfer8. Boogie Woodie9. After The Game10. Shut Down, Part II11. Denny's Drums12. Carl's Big Chance13. Let's Go Trippin (Live)14. Summer Means New Love15. Let's Go Away For Awhile16. Pet Sounds17. Fall Breaks Adn Back To Winter (Woody Woodpeckers Symphany)18. Passing By19. Diamond Head20. The Nearest Faraway Place
― tylerw, Friday, 19 August 2011 15:16 (fourteen years ago)
the rocking surfer rules
― hard abs of extracted value (crüt), Friday, 19 August 2011 15:18 (fourteen years ago)
yeah, i actually really like all those early surf rock things.
― tylerw, Friday, 19 August 2011 15:19 (fourteen years ago)
This run:
14. Summer Means New Love15. Let's Go Away For Awhile16. Pet Sounds17. Fall Breaks And Back To Winter (Woody Woodpeckers Symphony)18. Passing By19. Diamond Head20. The Nearest Faraway Place
is all time! Might make this comp and splice in a few Stack-O-Tracks too. You must hear Here Today and Let Him Run Wild in instrumental form if you haven't already...
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:21 (fourteen years ago)
every time that dadblamed HEEEEROES AND VIIIILLAINS theme comes up on one of the Smile tracks it sorta bugs me.
― dell (del), Friday, 19 August 2011 15:23 (fourteen years ago)
Cabinessence on the same album as Bluebirds Over The Mountain is JUST WRONG!
"Let Him Run Wild" on the same album as "Amusement Parks U.S.A." is even wronger!
(even if they were recorded around the same time....)
Actually "'Cassius' Love vs. 'Sonny' Wilson" leading into "The Warmth of the Sun" is the worst sequencing WTF ever on a Beach Boys record
― Lee547 (Lee626), Friday, 19 August 2011 15:23 (fourteen years ago)
i always thought the sequencing on Endless Summer was terrible - upbeat song/ballad/upbeat song/ballad etc.
― brownie, Friday, 19 August 2011 15:26 (fourteen years ago)
xpost Yeah, but I can parse those for some reason. I dunno - early Beach Boys stuff, this was before albums had come to represent artistic statements as opposed to just a jumble of songs. 20/20's sound is all over the board - psych symphonies next to country-rock and it just doesn't work.
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:27 (fourteen years ago)
20/20 sounds like a rarities album
― iatee, Friday, 19 August 2011 15:27 (fourteen years ago)
Surf's Up, those old times are over now
this seems to come up a lot for some reason but uh, that is not what the term "surf's up" connotes. Surf's up means "time to go surfing, the waves have reached a good size"
just FYI
― that mellow wash of meh (Shakey Mo Collier), Friday, 19 August 2011 15:28 (fourteen years ago)
it's a double-entendre
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, 19 August 2011 15:28 (fourteen years ago)
If "A Day in the Life" could get substantial radio play, I don't see any reason why "Surf's Up" couldn't have been a successful followup single.
Yeah, "A Day in the Life" never got substantial radio play, it was way to long, and besides it was banned because of the 'drug reference'. Also "ADITL" is an awesome ensemble performance and "Surf's Up" is pretty much a solo spot. Really too minimal to be a pop single.
― Telephoneface (Adam Bruneau), Friday, 19 August 2011 15:31 (fourteen years ago)
love Carl's Big Chance.
Despite my comment about liking the 10-minute versions of H&V I didn't vote for it - Good Vibrations, Surf's Up and Cabinessence are a better summary of that period with better ideas and tighter execution. There's a kernel of greatness in H&V but the best explanation for why that session spun out of control may be that the hooks just aren't that good.
xp Shakey Mo - with dog latin in that I thought they were trying to have it both ways.
― skip, Friday, 19 August 2011 15:33 (fourteen years ago)
alright so I have 18 albums ballots that I still need to tally
if anyone wants to send me one asap they can still be included
still have no idea what the best way to distribute points would be
― iatee, Friday, 19 August 2011 15:33 (fourteen years ago)
Mannnnnn, do I wish I'd been reading this thread day by day, LOVE all the discussion here about the individual songs and the Spotify playlist is blowing my mind. Great stuff, y'all.
Lee547, are you new to ILX? I don't recall seeing your name around before but I've been enjoying your posts on this thread!
I really, really like "Heroes and Villains," one of the strongest lyrics of that period IMO and a really catchy melody. And the strange, haunted-Western vibe rubs up against the beachy vocals of the verses so interestingly. I mean, this is some sort of ghost story, right? And also a meditation on growing up... or something? I wish it were more "finished" - the abrupt transitions don't work as well as they could, they seem like mistakes rather than intentionally crafted surprises. And there's just something muddy/dirty about the sound of some sections - if it punched harder it'd be quite a monster. But boy is it cool.
― Doctor Casino, Friday, 19 August 2011 15:34 (fourteen years ago)
5/4/3/2/1 seems a bit extreme ratio-wise, otoh is pretty straight-forward
― iatee, Friday, 19 August 2011 15:35 (fourteen years ago)
if it punched harder it'd be quite a monsteractually some of the live versions might do the trick for you -- i've heard a few where they really lean into the song. i think it became a bit of a crowd pleaser as time went on.
― tylerw, Friday, 19 August 2011 15:37 (fourteen years ago)
Did A Day in the Life not get played on the radio? I was under the impression that quite a few album tracks from Pepper were staples on AM radio. That could easily be wrong though.
― skip, Friday, 19 August 2011 15:37 (fourteen years ago)
RE "Cabinessence" (I'm late commenting as usual):
I think it's the song that benefits most from the context of the 'complete' smile
― iatee, Friday, August 19, 2011 8:17 AM (51 minutes ago) Bookmark
^^This. I voted for "Cabinessence," but until I heard the finished "SMiLE" in 2004 I enjoyed it more as a curiosity than as a great song. It's one of the highlights of the record, but it doesn't hit you anywhere near the same way out of context. Which is why the following comments are also OTM:
20/20 Is such a shame of an album - so many great songs rubbing up against each other in such a horrible way.
― Why'd You Wanna Tweet Me So Bad? (dog latin), Friday, August 19, 2011 8:25 AM (43 minutes ago) Bookmark Suggest Ban Permalink
it really is a train wreck of sequencing.
― skip, Friday, August 19, 2011 8:29 AM (39 minutes ago) Bookmark
I've never liked 20/20 anywhere near as much as Friends, even though the songs on 20/20 are by and large stronger. They just don't fit together at all the way they're presented on the record. Including two of the worst pieces of shit Bruce Johnston ever inflicted on the group wasn't the wisest move, either.
― Melle Mel and the Coconuts (thewufs), Friday, 19 August 2011 15:38 (fourteen years ago)
haha otm
― iatee, Friday, 19 August 2011 15:39 (fourteen years ago)
Does "Passing By" count as an instrumental? It doesn't have lyrics, but it certainly has vocals
The sad thing about those early albums is that by combining any two consecutive albums and picking only the best tracks, you could have made one strong artistic statement that holds together as an album. They were trying to release like 3 albums a year which is ridiculous. Yeah you might sell a few more albums at the time, but over time strong albums gain good reputations and sell better, and you could still have had a new album every 9 months.
I dunno, somehow 20/20 flows despite the wildly different sources and styles - Bluebirds is on the other side of the album as Cabinessence, so I don't find it jarring. "Bluebirds" sounds fine after "I Can Hear Music" and feeds into "Be With Me" just fine. OK, having a Manson song feed into "Our Prayer" just ain't right...
I never saw much continuity between Cabinessence (or H&V) and Vegetables either.
I've been here a year or two. Changed the number once or twice. glad to know someone enjoyed my posts. And that I turned someone on to "Girls on the Beach"....
― Lee547 (Lee626), Friday, 19 August 2011 15:39 (fourteen years ago)
I think I was the only voter for passing by
― iatee, Friday, 19 August 2011 15:40 (fourteen years ago)
here's a good live heroes and villainshttps://www.youtube.com/watch?v=sQGzRNYcKuY
― tylerw, Friday, 19 August 2011 15:40 (fourteen years ago)
"Heroes and Villains" benefits tremendously from its proper context on SMiLE, too.
― Melle Mel and the Coconuts (thewufs), Friday, 19 August 2011 15:40 (fourteen years ago)
also otm
― iatee, Friday, 19 August 2011 15:41 (fourteen years ago)
haha I'm finding so much good stuff on youtube
https://www.youtube.com/watch?v=nFeMd3HRtTg
― iatee, Friday, 19 August 2011 15:43 (fourteen years ago)
you guys I'm holding the last results hostage until someone helps me figure out the album voting
― brownie, Friday, August 19, 2011 9:26 AM (14 minutes ago) Bookmark
Definitely not OTM, dude.
― Melle Mel and the Coconuts (thewufs), Friday, 19 August 2011 15:45 (fourteen years ago)
I have always enjoyed Brian Wilson's characterization of the chorus in "Cabinessence" as "the most rockin' waltz ever"
oh yeah love that Same Song clip - the expression on Brian's face is so great
― that mellow wash of meh (Shakey Mo Collier), Friday, 19 August 2011 15:45 (fourteen years ago)
20/20's sound is all over the board - psych symphonies next to country-rock and it just doesn't work.
But is that what bothers you, or is it more just knowing that they were from different times and places and never intended to be presented together? I'm asking because there are plenty of great albums with divergent styles placed next to each other that somehow work. Sometimes that's part of the appeal, the all-over-the-map ethos (White Album anyone?)
― Lee547 (Lee626), Friday, 19 August 2011 15:47 (fourteen years ago)