The producer known as ACTRESS and his r&b concrète

some of this sounds cool on an actress tip

http://soundcloud.com/lukid/preview-of-spitting-bile-ep

Sounds good--nice turning-the dial/soundbite preview segues. I recall Lukid's "Boxing Club" 12" from last year sounding particularly great, too.

As far as Actress + Lukid = Thriller goes, I'm enjoying their brand-new Radiohead remix (v. similar to Actress' "Surfer's Hymn" Panda Bear remix from earlier this year):

http://soundcloud.com/radiohead/radiohead-give-up-the-ghost

much prefer actress to lukid

I fell for the thread title bait, but there's nothing even remotely concrete about any of the tracks I listened to???

explain

not saying this is my favourite titled thread but it has been painstakingly elaborated on upthread

it just sounds like synthesizers and drum machines. I didn't hear any "real" sounds or noises integrated into the work in any way. He might be sampling youtube videos or something, but the end result isn't any more "concrète" than any other music that has been made using a sampler since 1980.
xp

it has been painstakingly elaborated on upthread

not really. people were like "oh he samples stuff from youtube. ok, concrète. cool"

so you would say that a requirement for music concrete is the use of environmental sound?

the last single harrier attk and some of the tracks released on twitter are the most 'sonically adventurous' things he has done

well, I don't want to make any requirements or dredge up an obsolete 60-year-old debate on musique concrete vs. electronic music. I just don't hear anything in this music that makes me think "concrete" in any way. Every track seems to contain synthesizers. Now maybe those are actually samples of motors or something pitch-shifted and layered to sound like synth pads, but if the end result just sounds like plain-ol electronic music, I don't really see the point in labeling it "concrete."

xp

yeah its kinda a lame thread title trinket to get the spesh addled vagrants like yrself thru the door, all counts towards the admission stats tho

― Rockcrit from the Tuoms (nakhchivan), Wednesday, 29 December 2010 07:26 (7 months ago)

not saying u are a vagrant, obviously

well ithink a quick skim of the article on wikipedia will clear it up for you wk

it strikes me that you have a very narrow view of what is musique concrete that doesn't even hew to what even Pierre Schafer described as the basis of musique concrete

don't take it the wrong way, nothing personal, you just don't understand what musique concrete is and you have obviously not read and understood the thread

Thank you, come again

maybe you should learn a little more about musique concrete than what you're getting from a quick skim of wikipedia

well you might be interested to know that I have recently reread not one, not two, but THREE whole books about it

ugh plz somebody delete my posts in this thread fucking embarrassing shit ugh

i read in an interview that this dude was working as a foley artists before he made it in the techno game

and he records shit on a minidisc cuz of the low sample rate

Very late to this party as is my style, but a few thoughts after an initial 5-6 spins:

> "Hubble" is amazing, and quite unlike anything else I've heard. I can't remember if I read this somewhere or dreamt it (hopefully the latter), but I want to say that Actress called it "a study of 'Erotic City'"...

> The cut-up vocal tracks make me queasy, and it's a similar queasiness to seeing an unhealthily skinny girl walking really fast.

> I wish the album had more BASS throughout it; it sounds emaciated in parts, as if it had been gutted of bass rather than just built without bass as a foundation. This probably relates to my queasiness above.

> I do understand very much why so many people call this a grower and have given it many listens trying to "get it"... It's an almost painfully drawn-in-on-itself sounding record, a decisive statement of a very esoteric aesthetic; it almost feels as if its creator is autistic. I'm not sure if there's anything to "get," though, but I'm also not sure that matters.

Haha, I love this post, Clarke. Bit more Actress banter here: FACT's 20 albums for 2011 including the whole thing about Erotic City.

Andy Stott's recent album Passed Me By is operating in a similar vein, but with BASS

I like that Stott record; it's really solid. I think it's perhaps getting a little over-hyped in certain circles, but I enjoy it a lot. There's in immersiveness to it, however, that puts it in an entirely different ballpark than Actress for me. (Maybe that "immseriveness" is just bass!) Also, Actress's beats are sometimes skittery in a way Stott's aren't--not like drill-and-bass "wheeeee drum programming!" skittery, and not "purposefully degraded" skittery (like Burial's can feel... It's like a five-espressos skittery, as if he's playing his drum machines live (not quantized) but he can't stop shaking and twitching.

Dunno if there's a better thread for this sort of thing, so I'll just park this post here for the moment: the new Patten album GLAQJO XAACSSO is really fucking good. Similar kind of knee-capped beats to Actress and it's also seemingly been built out of all these odd off-cut samples that he's possibly fished out of the scraps bin. Where it is different is that it feels a whole lot lusher and denser. In some places it's kind of reminiscent of Disco Inferno in that you feel like you're trying to deal with this whole rush of sonic information all at once, you need to really stretch your ears wide-open to fit all of the sounds in. Well worth hearing imo.

https://www.youtube.com/watch?v=FgHdw5HZrn8

plenty of good Actress this year > Lauren Halo remix, Panda Bear remix, Harrier ATTK / Gershwin, Parallel World. There is also a Honest Jons ad for an Actress meets Shangaan electro thing.

The Adultswim interview with Actress that recently got posted is worth watching--I don't think he's ever really been interview on camera before, has he?
http://video.adultswim.com/unclassified/actress-interview.html

Yeah there's this one...

https://www.youtube.com/watch?v=4ot_u5_o5vY

It's not as good as the adult swim one though.

Looking forward to his new album, whenever that's coming out.

i dig that patten track

He did a remix of Kasabian. It's kinda good!
https://www.youtube.com/watch?v=HpkjL4m9oyE&

Patten's album was mentioned upthread. I listened to it all the way through and thought it was pretty useless, but what did you guyses think?

agreed

just too left-footed for me to get down with, though i felt the same way about the entire genre of dubstep at first and now i'm a convert

before i check out the Kasabian remix i need to know if there's any Kasabian in it

https://www.youtube.com/watch?v=CrxoT4u5mcc

whoa, there is a new full-length?

RIP Actress

Getting lots of good reviews so far btw

blah, not on Spotify or whatever yet

https://www.youtube.com/watch?v=S4Wa7UN01eY

And it's really lovely, he's given in to his pretty side.

psyched for the set tonight for unsound

RIP
rest in peace
fassy get the coffin
then dem get the wreath

(no homophobe)

excellent album

like

https://www.youtube.com/watch?v=YWO7YZ-gZqk

Yeah, that is good but that whole Shangaan Shake series is all about that one Theo Parrish remix imo, that thing is a killer.

I spent a lot of time a lil while ago unsuccessfully trying to work that electro 2 track into a set