George Harrison: Search & Destroy

Classic tune no one's mentioned: Cheer Down.

Destroy: every album b/w Dark Horse and Cloud Nine.

Never mentioned: his production work on Ringo's ace "It Don't Come Easy" and co-writing the fantastic "Photograph"; also, his solo on Belinda Carlisle's "Leave A Light On."

Verdict: With some all-too-obvous exceptions, the man needs collaboraters.

Oh, and as for G.Harrison's lyrics...

(From Love you to)
"I'll make luv to you..
If you want me toooo"

Dawn: Knock yourself out, why don't you...

F that!

George wrote "Something" when he was only 25 years old! It and "Here Comes the Sun": 2 of the greatest Beatles tunes ever, period.

Give Me Love

(but, yeah, I like "This Song" a lot too.)

"If Not for You" is another great one off that album. His voice was perfectly suited to sing those lyrics.

My fave track off ATMP though is I Live for You, another great melody.

I've been reading a few George interviews recently. I really like the turn of phrase he had and his gently cynical perspective.

and no one else on Earth has that sweet sound he got on the slide roundabout 1969.

and no one else on Earth has that sweet sound he got on the slide roundabout 1969 onwards.

The only other one of his I have is Living In The Material World which is one of those records that almost mechanically alternates between tracks that make you want to put it on and tracks that make you keep flipping past in the bin. "Don't Let Me Wait Too Long" is probably the best thing on there, would have slid in to ATMP very very nicely. And of course "Give Me Love (Give Me Peace On Earth)" which is short on lyrics but is lovely and head-sticky, and I like his vocal on it, so hey.

One night I randomly caught the drag-racing-themed video clip for the later "Faster" on VH1 Classic. That's probably worth hearing at least once - the "Faster than a bullet from a gun!" line is really cool, unfortunately the song overall is really aimless and dull. I fear that probably describes a lot of the 70s and 80s Harrison, which is why I haven't really delved much further, and this thread isn't giving me much inspiration to. Surely ILX has at least one rabid defender of Extra Texture?

Oh, and as for his Beatles work: his own compositions are about an even mix of very good ("Taxman," "Something," "Savoy Truffle") and embarassingly bad ("I Need You," "Piggies"). His guitar playing on the other hand is consistently essential, and fun to listen for because you can hear it getting better and better with each successive album. Get to Revolver and he pretty much epitomizes what I think rock guitarists should play like and sound like. Not such a fan of the slide stuff later on but it has its moments.

Unheralded greatness: George as backing vocalist! He's the Michael Anthony of the 60s, the absolutely essential ingredient in so many songs I don't know how to pick an example. "I'm Down" is probably the best use of him as the straight man. His lead vocals are sometimes awkward, sometimes so perfect you can't imagine the song without them - see "Don't Bother Me," "Love You To." Also check "Roll Over Beethoven" as it appears on Live At The Hollywood Bowl, where he has McCartney putting some enthusiasm into backing him up, it's great.

In short - I think the conventional wisdom is right. One great album (near excellent), inconsistent as a songwriter outside of that, but very consistently perfect as guitarist and team-member where-ever he appears.

omg I love love love this song

Thank you, Tim! Don't know if it's because of the horns, acoustic 12 string, sad lyrics or what, but this song has always been my favorite from ATMP.

xpost: kyle, I think this was not George (Martin's) shining moment. I like the slow tremelo Harrison used here, but it seems to be overplayed with at the console. wtf do I know? I do enjoy the song though.

For point of comparison, check out "Another Girl," where he tears it up on the same kind of call-and-response gap. "For I have got" BRANDOWN DA DOWN DOWN... etc. Now obviously "I Need You" is a different sort of song but it just feels as if so little energy was brought to bear on it. In George's defense, I would suspect that this was more for lack of interest from the other Beatles/George Martin than from himself...

Title song from Dark Horse LP
"You" from Extra Texture
whole 33 1/3 LP
whole s/t LP from 1979
"Blood from a Clone" and "All Those Years Ago" and "Teardrops" from Somewhere in England LP (and I wish they'd put out those four tracks that got edited out when the record company had him rework the album - "Lay His Head" and those)
whole Gone Troppo LP

but "love you to" is one of the songs that absolutely spoils revolver for me. the lyric "make love all day long/make love singing songs" makes me laugh uproariously!

Actually, Tim, I believe "Yes It Is" also employs a volume pedal. And I'm pretty sure "Love You To" does as well.

Nice to see the fantastic "What Is Life" get so much love here.

yeah - that lyric's obviously ridiculous when you can get the whole thing over in 20 minutes maximum, including foreplay, right?

My guess is that George was already becoming well-immersed in Indian art and traditions by this time. In Indian art you can indeed see conjoined couples singing to each other. And the Kama Sutra, of course...

Not mentioned so far: Search: his lead playing on a lot of the Hamburg album, really tough jagged lines, like he's using a razor blade instead of a pick, the best he ever sounded.

That lyric reminds me of those mid-late 90s sex instruction shows that were suddenly everywhere on UK TV, with presenters like Toyah Wilcox (no, really) saying things like:

"Why not try singing to your partner when you make love?

It used to popular in indian culture - we're trying to bring it back."

Happy birthday, bro!

https://www.youtube.com/watch?v=VI4xzwvaTWU

Been listening to some of the albums I never loved. I think, even when it's not my favorite stuff, he didn't really indulge in just creating filler. Like on Extra Texture, I feel like I kinda get what he was going after with those songs and that there always seems to be some degree of musicality to the compositions that I find interesting at least.

Somewhere in England sounding pretty good to me lately.

I'm surprised no chatter over the Living in the Material World box set. The songs have never sounded so crisp. Maybe his best backup band too?

This tune
Has nothing bright about it

That is all, Alfred.

I was so young
When I was born

hmm...

https://totalterra247.com/2025/05/04/good-news-netflix-has-officially-announced-the-release-of-a-groundbreaking-new-documentary-series-spotlighting-of-george-harrison-a-story-of-grit-glory-and-brotherhood-espn-reports/?fbclid=IwY2xjawKHCe5leHRuA2FlbQIxMABicmlkETE2TmpHeFNSZlA2WmhiRUVmAR4vdzTD7I4XmkhQvZd806txF-I_oS7xzeOa0c9VSU9hqIjuybBPbKDL5oP4Cg_aem_dqHbmWgM2IG3NbVZy0n3yw

Errm, where did you come across that website?

Facebook hence the "hmm"

Jesus didn't realise FB algo had got quite that shit.

I saw one for Elvis Costello - same template. Bots I guess?

I read right down to the bottom in horror where it said

"Want a viral trailer title, social teaser, or thumbnail caption for this?"

LOL I've become my mother apparently.

wrack my brain indeed

Yeah, plus: how could that brisk 712-part Scorsese documentary on Harrison ever be topped?

I wish they'd pick a more ridiculous act for these hoaxes, like R.E.O. Speedwagon.

I would watch a seven-hour REO Speedwagon doc.

A 90 minute "special episode" devoted entirely to Kevin's changing hairstyles

I would watch a seven-hour REO Speedwagon doc.

Crap, beaten

There's room for everybody's hair jokes in this Speedwagon

See? Endless possibilities had said hoaxer gone in that direction.

From now on, I'm putting excessive periods into R.E.O. Speed.wagon.