― Shakey Mo Collier, Wednesday, 22 September 2004 16:33 (nineteen years ago) link
― morris pavilion (samjeff), Wednesday, 22 September 2004 16:36 (nineteen years ago) link
― mark p (Mark P), Wednesday, 22 September 2004 16:37 (nineteen years ago) link
I bet puffy would like to think his importance to the genre has been that impressive.
― djdee2005 (djdee2005), Wednesday, 22 September 2004 17:13 (nineteen years ago) link
― Shakey Mo Collier, Wednesday, 22 September 2004 17:20 (nineteen years ago) link
― ryan kuo (ryan kuo), Thursday, 23 September 2004 02:13 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 02:16 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 02:19 (nineteen years ago) link
― ryan kuo (ryan kuo), Thursday, 23 September 2004 02:20 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 02:21 (nineteen years ago) link
― ryan kuo (ryan kuo), Thursday, 23 September 2004 02:22 (nineteen years ago) link
― Symplistic (shmuel), Thursday, 23 September 2004 02:27 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 02:28 (nineteen years ago) link
Anyway, how can anyone who produced "Victory" have "lowered the standards of production"?
― Jacob (Jacob), Thursday, 23 September 2004 02:39 (nineteen years ago) link
― Tim Finney (Tim Finney), Thursday, 23 September 2004 03:18 (nineteen years ago) link
― dave q, Thursday, 23 September 2004 04:12 (nineteen years ago) link
Bullshit. Without him, we don't get Biggie's Ready to Die -- perhaps the best of all hip-hop records -- we don't get Mary J. Blige, we don't get Black Rob and we don't get Bad Boys For Life, which is great.
Puffy is very, very smart. He has an ear for what the public wants and he understands what party music should feel like. Granted, some of his shit truly is some of the corniest music ever made. But it all comes from the place and it all somehow connects.
And I don't think he's a great producer so much as recognizing and fostering the great works of others and in matching voice to beat and aesthetic to more aesthetic. Hence, this is why Ready to Die works so well. Those beats fit both Biggie and the subject matter damn-near perfectly. With another rapper, they might not work as well.
One other thing to admire about Puffy: Even if Bad Boy went away (and lots of wolks dream of said scenario), he'd still make a shitload of money. The guy has real foresight into what the black community wants to consume. Choosing to make Raisin in the Sun his Broadway show as an actor took real balls, but he's pulled it off and has helped the show become significant to the continuing appreciation and nurturing of black culture. Plus, he can out real estate the white folks out in the Hamptons. AND he brought Mase out of retirement; pretty good considering Puffy's materialism and fueding with Suge probably brought Mase to God in the first place.
All in all, not bad for a cheesy, cheesy motherfucker who once hit a guy over the head with a bottle and allegedly shot at a guy for tossing money in his face. :-)
― Chris O., Thursday, 23 September 2004 04:25 (nineteen years ago) link
isn't that an Easy Mo Bee track? I don't have the liners w/ me so I can't confirm.
― djdee2005 (djdee2005), Thursday, 23 September 2004 04:55 (nineteen years ago) link
e.g. Stevie Wonder
― Jacob (Jacob), Thursday, 23 September 2004 08:29 (nineteen years ago) link
― Dan Perry '08 (Dan Perry), Thursday, 23 September 2004 15:34 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 15:38 (nineteen years ago) link
lamest reasoning ever.
― Shakey Mo Collier, Thursday, 23 September 2004 16:52 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 17:02 (nineteen years ago) link
― mark p (Mark P), Thursday, 23 September 2004 17:07 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 17:18 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 17:25 (nineteen years ago) link
How'd you make your money? And can you convince people your attitude is worth spending $17.99 over and over and over again? :-)
And Black Rob is really good. Very underrated. Whoa!
― Chris O., Thursday, 23 September 2004 21:34 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 21:41 (nineteen years ago) link
Which is self-evidently so much worse than the one boring, indistinct 60s funk, 8-bar phrase looped thru the entire song that all the respectable hip hop producers peddle.
Don't confuse talent with taste Shakey.
― Tim Finney (Tim Finney), Thursday, 23 September 2004 21:43 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 21:46 (nineteen years ago) link
Of course a lot of people take the opposite view, decrying the way "Every Breath You Take" - a stalker song - is turned into a bittersweet memorial to Biggie. So there is *some* recontextualisation/juxtaposition going on. I agree that it's not terribly convincing or compelling (at least from my perspective) but it seems as though the track's success encourages people to upgrade it from being a not-great-track into THE WORST THING THAT EVER HAPPENED TO HIP HOP. Which is bullshit.
― Tim Finney (Tim Finney), Thursday, 23 September 2004 22:05 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 22:10 (nineteen years ago) link
-- lemin
The only thing Puffy produced on that was the intro.
Puffy is a great businessman and...and I think I'll leave it at that.
― oops (Oops), Thursday, 23 September 2004 22:14 (nineteen years ago) link
I like the way Kelefah Sanneh put it last year, reviewing the Bad Boys II soundtrack:
"This is P. Diddy's new album, whatever that means. He raps on three of the songs, takes a co-producer's credit on five and talks on a few more; he's also listed as one of the CD's executive producers. He's a mogul, not a musician: he doesn't make songs, he makes choices. And much of the time he makes good ones...
All pop stars are brand names, but P. Diddy exists almost exclusively as a brand name. It may be hard to figure out what he does, but CD's associated with him are invariably worth listening to and are often very good. Maybe that seems like the least we can ask of him, but isn't it really the most?"
― bugged out, Thursday, 23 September 2004 22:27 (nineteen years ago) link
Why don't you guys just read stock reports instead of listening to the radio?
― Shakey Mo Collier, Thursday, 23 September 2004 22:40 (nineteen years ago) link
perhaps in another way prefiguring kanye! (just kidding ... kind of)
puffy's a 'colloborator'; maybe he doesn't flip all the samples and program the beats himself; REGARDLESS, this does not mean that he fails to contribute musically, and i mean that literally -- affecting the notes/chords/rhythm what have you. i think that it comes out more in the 'feel' of the music though. like in hypnotize, his interjections kinda push the song along and project a feeling of the type of cool that biggie is describing lyrically. his role in the recording process i'd wager was something other than just 'rapper' or 'beatmaker'. and i don't think that what i just attempted to describe is unrelated at all to his so-called business acumen.
― jake b. (cerybut), Thursday, 23 September 2004 23:15 (nineteen years ago) link
PLEASE STOP BASHING THESE EARLY 90s-WORSHIPPING STRAWMEN NOBODY LOVED MY FAVORITE MUSIC WHEN IT WAS AROUND AND NOW ALL THE CRITICS ARE BASHING IT PLEASE STOP.
(And shakey's response proves it!)
― djdee2005 (djdee2005), Thursday, 23 September 2004 23:17 (nineteen years ago) link
― oops (Oops), Thursday, 23 September 2004 23:19 (nineteen years ago) link
But millions of people thought Every Breath You Take was a sweet, romantic song before Puffy regurgitated it.
― oops (Oops), Thursday, 23 September 2004 23:20 (nineteen years ago) link
I don't understand the rest of yr point about 90s strawmen and what have you, I'm not even sure what you're referring to as your "favorite music".
― Shakey Mo Collier, Thursday, 23 September 2004 23:21 (nineteen years ago) link
― Shakey Mo Collier, Thursday, 23 September 2004 23:23 (nineteen years ago) link
"It may be hard to figure out what he does, but CD's associated with him are invariably worth listening to and are often very good. Maybe that seems like the least we can ask of him, but isn't it really the most?" -KS
And the second part referred to Tim Finney holding Puffy up against the canonized rap that was never actually accepted by any sort of canonmakers.
― djdee2005 (djdee2005), Thursday, 23 September 2004 23:23 (nineteen years ago) link
"he doesn't make songs, he makes choices. And much of the time he makes good ones..."
WHICH IS EXACTLY what everyone's trying to say in this thread, shakey.
― djdee2005 (djdee2005), Thursday, 23 September 2004 23:26 (nineteen years ago) link
Hey, did anyone mention Making the Band? Puffy was pure genius in that.
― bugged out, Thursday, 23 September 2004 23:28 (nineteen years ago) link
And for what it's worth I love a lot of late 80s/early 90s hip-hop. But I wouldn't describe it as "indistinct 60s funk, 8-bar phrase looped thru the entire song". That description does not fit Ice Cube/NWA, Digital Underground, the Jungle Bros., Stetsasonic/Prince Paul productions, Public Enemy, etc.
x-post
― Shakey Mo Collier, Thursday, 23 September 2004 23:29 (nineteen years ago) link
― djdee2005 (djdee2005), Thursday, 23 September 2004 23:43 (nineteen years ago) link
I did! I did!
We should also mention the infamous line "I don't write rhymes/ I write checques." It's a brilliant line, and evidence of his genius, unless of course he paid someone to write it for him.
― Symplistic (shmuel), Friday, 24 September 2004 00:12 (nineteen years ago) link
― jake b. (cerybut), Friday, 24 September 2004 00:37 (nineteen years ago) link
also, 'in depth', hfkaghisdnvibxcbvisdofhpiosdoadfjisdjopfdfoiopdfsdmfs fsdf sdnj
― jake b. (cerybut), Friday, 24 September 2004 00:41 (nineteen years ago) link
No I don't think this stuff is bad djdee, I just think that there's no reason why it's inherently better-made than, say, "I'll Be Missing You". Simply looping an 8-bar sample is pretty standard practice for a lot of hip hop, and I don't think that strictly speaking the sample being pop or well-known makes the practice stupider or easier. My point was that it's as easy to make a stawman out of Illmatic (even though Illmatic is better than "I'll Be Missing You").
"And the second part referred to Tim Finney holding Puffy up against the canonized rap that was never actually accepted by any sort of canonmakers."
This however is untrue. Perhaps it wasn't praised to the high heavens at the time but as soon as dirty south came along a lot of this stuff was retrospectively canonised.
― Tim Finney (Tim Finney), Friday, 24 September 2004 01:03 (nineteen years ago) link
― peter $.//, Friday, 24 September 2004 01:06 (nineteen years ago) link
No I'm not. Just saying his ability to read the public's tastes and his ear for what works in that context is its own kind of genius. Musically, the guy is average. Dude, I'm not that stupid. ;-)
My point, though, is that he's not the WORST thing to ever happen because of the artists and sounds he's fostered.
― Chris O., Friday, 24 September 2004 01:38 (nineteen years ago) link
― Dan Perry '08 (Dan Perry), Friday, 24 September 2004 02:09 (nineteen years ago) link
― djdee2005 (djdee2005), Friday, 24 September 2004 02:25 (nineteen years ago) link
"I gave you extra cheese, made you hotter than the west indies, you wanted ice so I made you freeze."
― manthony m1cc1o (Anthony Miccio), Friday, 24 September 2004 05:56 (nineteen years ago) link
― jake b. (cerybut), Friday, 24 September 2004 08:19 (nineteen years ago) link
― Dan Perry '08 (Dan Perry), Friday, 24 September 2004 11:07 (nineteen years ago) link
― Fritz Wollner (Fritz), Friday, 24 September 2004 12:32 (nineteen years ago) link
Yeah, that about sums it up. I don't question hitmaking. I accept it -- and kind of admire it.
But once in a while, Puffy does get it very right. Is launching Biggie, the LOX, Craig Mack, Mase and Mary J a bad thing?
― Chris O., Friday, 24 September 2004 13:18 (nineteen years ago) link
i was just talking about Shyne two days ago. i realized that I'd forgotten the precise details of that night at Club New York, i.e when Puffy and J.Lo were fleeing the scene, and Puffy was offering his driver his pinky ring in exchange for taking the fall, where was Shyne?
― You've Got to Pick Up Every Stitch (tracerhand), Friday, 24 September 2004 15:20 (nineteen years ago) link
― oops (Oops), Friday, 24 September 2004 15:50 (nineteen years ago) link
― Dan Perry '08 (Dan Perry), Friday, 24 September 2004 15:57 (nineteen years ago) link