Ashlee Simpson: Emo or Oh no?

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"at it"

Sang Freud (jeff_s), Monday, 14 November 2005 18:00 (twenty years ago)

I can think of scores of red state and teenybop acts who don't make good punk, who don't pull it off. Just because some such acts DO pull it off doesn't mean there's none who don't. (And obviously lots of great punks aren't red state or teenybop at all. Even if the latter do it better now, which they may, that doesn't mean they always did.)

Anthony, whether you hear punk in Ashlee or not (I don't see how the statement quoted in your first post in any way DEPENDS on thinking Ashlee has any punk in her), how exactly do Alex's comments on this thread NOT suggest that he "can't conceive of someone from Ashlee's social demographic making punk, because someone like Ashlee can't possibly have the attitudes that makes one a punk, can't possibly understand"? "Ashlee Simpson is a living, breathing Mr. Potato-Head, all trussed up in conventionally 'punk' finery, but her music, her message, her aspirations for stardom are strictly teen pop to the bone AND. NOTHING. MORE"? "Just because "punk" might arguably mean many things, doesn't mean it means everything. Gloppy, cookie-cutter, glossy, sickly, candy-colored, slickly-produced teenybopper radio fodder it does NOT mean"? "Teen pop", "aspirations for stardom," "teenybopper radio fodder", "trussed up in conventionally 'punk' finery" --sorry, but that IS her social demographic. I'm not even saying I necessarily agree with Frank's statement there; I'd have to give it more thought. And like Sang Freud (and Frank) I am *glad* Alex is on this thread; he makes the discussion *better,* and he exemplifies an important point of view. Hell, he might even be *right*, for all I know. But if his dismissals on this thread aren't an example of thinking punk from Ashlee's demographic is impossible, they're certainly a pretty good imitation.

xhuxk, Monday, 14 November 2005 18:13 (twenty years ago)

>The future punk rock, if there is to be any, won't be caught dead calling itself "punk rock."

But I guess what I'm saying is that if we're so sure about the future, maybe we'll be blindsided when it doesn't turn out like that at all.

Sang Freud (jeff_s), Monday, 14 November 2005 18:15 (twenty years ago)

I wasn't saying these people do not exist, I'm saying that Sang Freud's is no more pompous. And I totally disagree that this conversation is better because everybody's repeating their "what is punk?" tropes from the bottom up.

'Twan (miccio), Monday, 14 November 2005 18:18 (twenty years ago)

>Where's a thread on a conservative artist who crosses genres and is *bad* ad it?<

Rolling 2005 Country Thread

People write as much there about what Big & Rich, Broooks and Dunn, Montgomery Gentry etc (and countless other such acts) do wrong as about what they do right. None of those acts get a free ride, and neither does anybody else. Doesn't seem uncritical to me at all.

xhuxk, Monday, 14 November 2005 18:19 (twenty years ago)

>what I'm saying is that if we're so sure about the future, maybe we'll be blindsided when it doesn't turn out like that at all. <

Well, yeah -- see what Frank said about Latin freestyle in 1987 (which he mentions above). I think that was part of his point. But hey, being blindsided might be part of the fun, you know?

xhuxk, Monday, 14 November 2005 18:22 (twenty years ago)

I love that Rolling Country thread dearly, and have picked up on an enormous amount of great music because of it (and you, so, thanks!). But maybe I read it with a different set of eyes. There, the term "NPR" is used as a pejorative. Not that NPR-type artists (there *I* go!) don't occasionally get praised, but it's as if they need to make a mammoth effort to do so, and they never rise as far up the flag pole as the conservatives. Never. The Steve Earle hate is a thing to behold.

Sang Freud (jeff_s), Monday, 14 November 2005 18:32 (twenty years ago)

>Not that NPR-type artists (there *I* go!) don't occasionally get praised, but it's as if they need to make a mammoth effort to do so, and they never rise as far up the flag pole as the conservatives<

Well, if the Duhks or Donna the Buffalo or Patrica Vonne or the Warsaw Village Band or Dallas Wayne or Bill Kirchen (all of whom I like, and praise on that thread) (and who, first off, are in some ways MORE conservative than the Nashville acts you've decided to rope together as "conservative" for some reason I don't quite get) made as good an album as Miranda Lambert's, they might rise farther up the pole. I'm still not sure what your point is. That people there tend to prefer pop country to alt country? Well, some do. I do! But that doesn't mean I accept the former or criticize the latter blindly, or that I don't like lots of the latter better than lots of the former. (And there are people on there who like alt-country way more than I do. Edd Hurt and Don Allred defend it quite often, it seems to me.)

xhuxk, Monday, 14 November 2005 18:43 (twenty years ago)

>how exactly do Alex's comments on this thread NOT suggest that he "can't conceive of someone from Ashlee's social demographic making punk, because someone like Ashlee can't possibly have the attitudes that makes one a punk, can't possibly understand"?<

and ...

>"Teen pop", "aspirations for stardom," "teenybopper radio fodder", "trussed up in conventionally 'punk' finery" --sorry, but that IS her social demographic<

So, he's being accused of bias? It's not that he just thinks that Ashlee Simpson - 'trussed up in etc.' with her 'teenybopper radio fodder' - happens to stink; it's that he couldn't possibly conceive of someone like her ever doing something good?

Tim Ellison (Tim Ellison), Monday, 14 November 2005 18:47 (twenty years ago)

Well, can he? (Alex, can you? I'm curious.)

(And people defend Steve Earle on there too, come to think of it!)

xp

xhuxk, Monday, 14 November 2005 18:49 (twenty years ago)

Alex is nursing his migraine by dipping his head into scalding-hot melted-down Tiffany records.

Alfred Soto (Alfred Soto), Monday, 14 November 2005 18:53 (twenty years ago)

>it's that he couldn't possibly conceive of someone like her ever doing something good? <

But either way, this question should really end "punk," not "good," Tim. The question is whether Alex could possibly conceive of someone like her ever doing something punk (whether it's good or not).

xhuxk, Monday, 14 November 2005 18:56 (twenty years ago)

Norman, sorry I was being such a jerk to you upthread. Interview is over, I feel better. And I actually agree with a lot of the things you say when you're criticizing the posting styles of some of ILX's favorite creeps and punks. Anyway, I don't sit around thinking of you as a passive-aggressive goody two shoes. (And there are worse things to be than a goody two shoes anyway.)

Passive aggressively yours,

Frank

Frank Kogan (Frank Kogan), Monday, 14 November 2005 20:11 (twenty years ago)

Sang Freud, I only had time to skim what you said, but I think I agree with a lot of it.

And Alex, I think you have a lot to teach me. I just wonder how to drag your knowledge out of you.

Frank Kogan (Frank Kogan), Monday, 14 November 2005 20:14 (twenty years ago)

I'm being such a goody two shoes now, aren't I. La la la, sunshine and sugar.

(Back to the day gig.)

Frank Kogan (Frank Kogan), Monday, 14 November 2005 20:15 (twenty years ago)

"Her music is *better* than punk, because it's bringing punk to a place where there are still some unconverted to preach to. Even better if the artist is reddish rather than bluish, mallish as opposed to boho."

Pure projection, and wrong. NO ONE actually thinks this. come on now, we are ten years past both Dookie and Nevermind, for God's sake. It's been done, and much better.

"Hell, [Alex] might even be *right*, for all I know."

He is.

JD from CDepot, Monday, 14 November 2005 20:36 (twenty years ago)

I'm sorry, but I'm going to have to recuse myself from this thread. I'm busy attempting to explain my comment about how the failed hotel bomber window in Jordan deserves to be pistol whipped over on ILE.

Parting comment: Ashlee Simpson's is simply not Punk Rock. If an alien from another world appeared and earnestly asked to be shown examples of Punk Rock, would you cite Ashlee?

Alex in NYC (vassifer), Monday, 14 November 2005 20:37 (twenty years ago)

If your answer is "yes," that you'd be committing an interplanetary travesty, and a pistol-whipping would invariably be in order.

Alex in NYC (vassifer), Monday, 14 November 2005 20:37 (twenty years ago)

failed hotel bomber window in Jordan

wiDow

Alex in NYC (vassifer), Monday, 14 November 2005 20:38 (twenty years ago)

If an alien from another world appeared and earnestly asked to be shown examples of Punk Rock, i wd point to alex's heroically changeless mr.dadrock-gets-uptight declamations down decades of ilm, and say, "punk is the OPPOSITE OF THAT"

mark s (mark s), Tuesday, 15 November 2005 19:40 (twenty years ago)

then the alien would say "BUT YR STANCE IN RE mr ALEX IS SURELY CHANGELESS ALSO" and i wd say "and that's punk also"

mark s (mark s), Tuesday, 15 November 2005 19:42 (twenty years ago)

and then the alien wd say "oh NOOO i don't get it :(:(:(" and would sigh vastly as i started to claim that haha THAT IS EVEN MORE PUNK

mark s (mark s), Tuesday, 15 November 2005 19:44 (twenty years ago)

i like to think that if im dealing with an alien, id have more important things to talk to him about than punk rock.

JD from CDepot, Tuesday, 15 November 2005 19:44 (twenty years ago)

"please give me an example of punk rock"

"not until you explain why bad things happen to good people!"

'Twan (miccio), Tuesday, 15 November 2005 19:47 (twenty years ago)

"Twenty years from now, I sincerely doubt anyone's going to still be discussing the arguable merits of..."

= i. i want my zimmer frame and i WANT IT NOW
= ii. haha if ilm has demonstrated ANYTHING it is that in 20 years time we will still be discussing the merits of EVERYONE

i.&ii. are nicely contradictory hence mark s = punk-as-fuck

mark s (mark s), Tuesday, 15 November 2005 19:50 (twenty years ago)

"ok let me get this straight, you have flown 8 billion light years just to put that probe up my butt and YOU'RE askin ME abt punk rock"

in communion (my second favourite film EVAH) christopher walken discovers the aliens DISCO DANCING

mark s (mark s), Tuesday, 15 November 2005 19:53 (twenty years ago)

I was thinking about this thread while glancing through the Listings in this week's New Yorker and realizing that Alex, in his writing job for them, has to be very clear and concise and specific and can't go around calling Ashlee Simpson "punk rock" just because it's an interesting idea to try on. Whereas Chuck and Frank, in writing for the Voice, can test the boundaries and play with readers' expectations a bit more.

jaymc (jaymc), Tuesday, 15 November 2005 20:02 (twenty years ago)

In other words, perhaps Alex's "alien from another planet" = New Yorker reader?

jaymc (jaymc), Tuesday, 15 November 2005 20:04 (twenty years ago)

DUN DUN DUN

s1ocki (slutsky), Tuesday, 15 November 2005 20:24 (twenty years ago)

"they're already here!"

s1ocki (slutsky), Tuesday, 15 November 2005 20:24 (twenty years ago)

punk sucks

detoxyDancer (sexyDancer), Tuesday, 15 November 2005 21:10 (twenty years ago)

OMG Mark: Eustace Tilly!

jaymc (jaymc), Tuesday, 15 November 2005 21:17 (twenty years ago)

If by "emo," you mean trite, "confessional" lyrics, shout-sung with "feeling" over generic MOR rock music, then yes, Ashlee is super-emo.

schwantz, Tuesday, 15 November 2005 22:34 (twenty years ago)

I feel better already.

Ned Raggett (Ned), Tuesday, 15 November 2005 22:39 (twenty years ago)

Alex, in his writing job for them, has to be very clear and concise and specific and can't go around calling Ashlee Simpson "punk rock" just because it's an interesting idea to try on.

In other words, I'm not allowed to muck around with FACTS, specifically the FACT that Ashlee Simpson in NO WAY Punk Rock.

If an alien from another world appeared and earnestly asked to be shown examples of Punk Rock, i wd point to alex's heroically changeless mr.dadrock-gets-uptight declamations down decades of ilm, and say, "punk is the OPPOSITE OF THAT"

I've never claimed to be the embodiment of Punk Rock.

Alex in NYC (vassifer), Wednesday, 16 November 2005 00:28 (twenty years ago)

Well, The New Yorker sucks hairy doodoo and hasn't had a punk on staff since Ring Lardner died.

In any event, this thread has been terrific and has helped me greatly in pulling my thoughts together; especially thank you to Cunga and to Phil for your descriptions of the Ashlee image.

Also, thanks to me for suckering mark s back onto ILX.

Frank Kogan (Frank Kogan), Friday, 18 November 2005 04:25 (twenty years ago)

Well, I'm not on the staff either.

Alex in NYC (vassifer), Friday, 18 November 2005 04:33 (twenty years ago)

yes this thread was super.

now let us never speak of it again.

'Twan (miccio), Friday, 18 November 2005 04:34 (twenty years ago)

But the thread is incomplete of course, due to the usual ILX fadeout.

I know that someone might jump on that and tell me that you can't separate your aesthetic perceptions from your background and your psychological makeup, but what would someone be trying to establish by saying something like this?

Tim, someone (i.e., me) isn't trying to "establish" anything but rather trying to cajole, incite, inspire, badger you folks into saying why you hear a particular piece of music in a particular way. And that involves (1) describing what's going on in the music when you hear glossiness or rawness of punk or whatever, and (2) what's going on in your life that makes you hear glossiness or rawness or punk (esp. when other people are hearing something else).

Maybe social categories are aesthetic categories; it doesn't really matter to me which you use to explain the other; it does matter that you make an effort to explain - that is to say that you make an effort to communicate your experience and your ideas and that you make an attempt to explore where those experiences and ideas come from and why you in particular have and hold them. Of course, you can just spend your time stating an opinion and holding it against all comers. That's what a lot of ILX threads are, basically.

Frank Kogan (Frank Kogan), Friday, 18 November 2005 05:04 (twenty years ago)

so does she take it up the ass in jail or what?

latebloomer (latebloomer), Friday, 18 November 2005 05:33 (twenty years ago)

I just downloaded "La La" and listened to it a few times. For people like myself and I would imagaine a decent number of others on here, I think you hear stuff like this and, as you follow it a little bit, you're thinking, "OK, now they're trotting out this cliche; now that cliche." And you just zone out! It's understandable; you experience so much crap music that is just dud-dud-dud that you don't always recognize when a particular use of a cliche is kind of transcendent in some way.

Tim Ellison (Tim Ellison), Friday, 18 November 2005 05:57 (twenty years ago)

or change the radio station before you realize that particular use of a cliche is kind of transcendent, etc.

Tim Ellison (Tim Ellison), Friday, 18 November 2005 06:08 (twenty years ago)

Actually, having read Sang Freud's posts more closely, I agree with very little that he says, though I think he's interesting. But I often don't get his point. Ashlee lives in a blue state, by the way; I suppose she represents the red states to you, though I wouldn't know if it's the red teenyboppers that have taken to her music more than the blue teenyboppers; I assume it's the preps-in-training more than the goths- or skaters-in-training, but I don't know that for a fact. But how would Ashlee be "bringing punk to a place where there are still some unconverted to preach to"? Unconverted to what? If you're converting someone to punk, are you converting him/her to "You're gonna cry, cry, cry, come on and let me see you cry"? To "Baby oh baby burn my heart/Baby oh baby burn my heart/Fall apart babe fall apart"? Why do you assume that some of Ashlee's audience might not be there already, you know, just by being alive (wherever "there" is)?

So, everyone who votes blue is a punk, and therefore is not eligible for "conversion"?

I don't think I've heard a Steve Earle song in my life, but I'll guess that one of the reasons that Montgomery Gentry might come across as "more punk" than Earle is that they're bullies and creeps and he apparently isn't a bully or a creep. (Nowadays Montgomery is dressing his creepiness in unctuousness and piety, which makes it even creepier.) Also, my guess is that Earle doesn't rock as hard as they do. That seems to be the general opinion. By the way, Montgomery Gentry are punk way way way way WAY more often than Ashlee is. I hadn't given a thought to Ashlee's being punk until I heard "I Am Me" a couple of weeks ago and read posted on this thread that her image apparently has something to do with punk as conceived by who knows who. Montgomery Gentry don't have punk in their image. They merely act like punks. (And I don't think anyone called them "punk" at all until a couple of days ago, when for half a sentence I did, when the discussion here spilled briefly back onto the Rolling Country thread. But I'm not seeing enough of the board these days, so you may be right, that they're being touted as punks.)

What in the world is "punk traditionalism"? What's a punk tradition? Killing your girlfriend? Dyeing your hair pink and purple? (I once saw Todd Rundgren with rainbow hair, in 1974. What a punk!)

I don't see Ashlee as doing much in the way of transgression either. So what?

"it sure looks and sounds like punk is something Ashlee picked up at the mall."

Again, so what? Where's she supposed to pick it up, in a whorehouse?

Frank Kogan (Frank Kogan), Friday, 18 November 2005 06:18 (twenty years ago)

Well, The New Yorker sucks hairy doodoo and hasn't had a punk on staff since Ring Lardner died.

pauline kael, j.d. salinger, james thurber = more punk than ashlee simpson

J.D. (Justyn Dillingham), Friday, 18 November 2005 06:25 (twenty years ago)

and i kind of want to add william shawn to that list.

J.D. (Justyn Dillingham), Friday, 18 November 2005 06:25 (twenty years ago)

>someone (i.e., me) isn't trying to "establish" anything but rather trying to cajole, incite, inspire, badger you folks into saying why you hear a particular piece of music in a particular way. And that involves (1) describing what's going on in the music when you hear glossiness or rawness of punk or whatever, and (2) what's going on in your life that makes you hear glossiness or rawness or punk (esp. when other people are hearing something else).

it doesn't really matter to me which you use to explain the other; it does matter that you make an effort to explain - that is to say that you make an effort to communicate your experience and your ideas and that you make an attempt to explore where those experiences and ideas come from and why you in particular have and hold them. Of course, you can just spend your time stating an opinion and holding it against all comers. That's what a lot of ILX threads are, basically.<

Frank, do you realize how preachy and self-righteous this sounds?

Looking back at your posts on this thread, I don't see as that you've done any of this either! Where does your idea that a song like "La La" is good come from? Why do you in particular think that this is so? What's going on in your life that makes you hear it as "good?"

Tim Ellison (Tim Ellison), Friday, 18 November 2005 07:29 (twenty years ago)

Yay!

Alex in NYC (vassifer), Friday, 18 November 2005 07:31 (twenty years ago)

Montgomery Gentry are punks how Count Bishops were punks, or maybe Dr. Feelgood. (Maybe even Sham 69 or 4 Skins, come to think of it. But more r&b.) I wonder if Albini's heard them. He might like them. (And I swear I wrote that before I just remembered that both MG and Albini cover "Just Got Paid" by ZZ Top. Actually, he might LOVE them.)

Montgomery Gentry also remind me of the Ramones:

"You Beat Your Brat (I'll Beat Mine)"

xhuxk, Friday, 18 November 2005 14:20 (twenty years ago)

(Then again, at their New York show at BB Kings last Friday, MG seemed totally smiley and good-natured. When they played "Just Got Paid," which was great, and I pushed through the not-nearly-punk-enough and too-tall-to-see-through crowd {described by Tom Briehan as largely "tanned, khaki-clad exurban businessmen"} toward the front of the stage, and one woman warned me that somebody might punch me in the face for it, and I patted her shoulder and told her "thanks for the concern," I was being at least as punk as MG were, if not more.)

xhuxk, Friday, 18 November 2005 14:49 (twenty years ago)


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