Defend The Indefensible: Rick Wakeman

I'll take that road over the Time and a Word road any day, thanks. At least it's not, well, boring as piss.

And I DID upgrade my browser -- AMG just doesn't work on Safari that well (no cookies, apparently). It's only when I look at it on my PC that I remember how much the new version blows.

that he's the most down-to-earth yes-man is nice, but kinda beside the point -- isn't the POINT of yes that they're NOT down-to-earth? if i had to spend time with a yes-er, i'd actually rather spend time talking w/ jon anderson (even if 99.999% of what would come outta his mouth would be new agey malarkey) or drinking w/ chris squire.

this 1984 concept-album sounds pretty interesting, at least as kevin describes it. chaka khan -- SCREAMING orwell vocals?!? how could you NOT wanna hear that?!?

If you honestly think that Hendrix was all about technique and not songwriting, then you simply can't have properly listened to him. In three years, Jimi recorded far more worthwhile music than Wakeman managed in thirty.

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But that Rick Wakeman story is true - I had an old biography of his which tells the tale.
It was the "Tales from topographic oceans" tour and during one interminable song, Rick mouthed to his keyboard roadie - who sat under the stage keeping his Moogs in tune - that he fancied a curry later. Said roadie mishears and disappears for fifteen minutes, returning with a big bag of curry, rice, popadums, bhahis etc, which Rick proceeds to eat during a drum solo. Chris Squier was annoyed about it at the time, but Jon Anderson enjoyed it so much he came over and shared a popadum and bhaji.

(It didn't help that Rick was the only non-veggie in the band at the time so he couldn't really share the chicken vindaloo with the others).

Sorry, X-post again.

-- Rob M (durutti24...), October 23rd, 2003.

Macrobiotic, dude. Macrobiotic.

I can't fucking believe the shit that the keyboardist on the glorious Yes Album is taking. Joe v OTM - what he played was perfect for those songs, whereas Wakeman could sometimes be really intrusive and overbearing. The organs and the jam on "Good People"! The organ riff on "Starship Trooper"! Also Moraz deserves major props.

Despite Wakeman's flaws, mind you, no one who played "South Side of the Sky" and "Siberian Khatru" is anything close to indefensible. He did get some classic sounds out of the keyboard - I love his bits on "And You and I" and nick is right about the synth float on "Heart of the Sunrise". And I'm surprised Ned doesn't even like "Long Distance Runaround".

(which nonetheless has an amazing first couple of minutes....as if Propaganda/ZTT had appeared 10 yrs earlier as mid-70's south american prog-rockers !)

That's three chords — and Kaye didn't even write them.

this along with Wives, and King Arthur are 3 wonderfully OTT albums for when your 14>16 and haven't discovered Foetus/ON-U Sound yet

.. then to be hidden deep in the archive forever after.

he was also one of the first Rock stars to ever respond to a sad fanboy letter ..

i'm revealing wayyyy too much here .. but hey ..

and live in 1984 Braford St Georges hall - he was quality (again, i was still within the predefined 14-16 years of age)

but damn - when the dude is bad he is seriously bad .. 'rock-n-roll prophet' album .. WTF ..

and while Tony Kaye was sort of neutral, I like that Hammond sound he got on "Yes Album," and "Yours is No Disgrace" does utilize the I-IV-VII progression (I think it's B-flat pedal tone with B-flat/E-flat-B-flat 7 sus 4 there) well.

It's sorta goofy.

A MONKEY, eh. Apparently you've never heard Kaye on 9012Live: The Solos.

Give it up for the white-haired wonder!

http://www.dhc.net/~krobert/yes/a_rick_2.jpg

I admit I haven't heard Rick's solo LPs, but only because I don't want to.

I have nothing against Tony Kaye. I do, however, find the notion of praising his abilities to be patently ludicrous on its face. The guy stayed out of the way — that's it, folks.

I should note, however, that Robert Fripp once gave Bill Bruford a writing credit for choosing not to interrupt an improvisation by playing. Perhaps he learned such restraint from his time spent in Yes with The Indomitable Tony Kaye!

Listen to 90125. The man added practically nada to the situation.

Most conservative thing I've seen him actually say: "hoodies should be shot on sight". That was on Grumpy Old Men at a time when lots of young people were wearing hooded sweaters, some were using it to hide their face, it was associated with criminality and old people were terrified of them. Probably a cringey phase for many youngsters.

grumpy old men did brexit >:(

(= true with and without caps and quote marks)

perhaps had prog not been so thoroughly devalued, brexit never would have happened

either way rick is to blame

He was asked to appear in Mighty Boosh but turned it down, don't know why.

He was at an awards ceremony for cats recently. Mostly talks about his diet and animal cruelty on twitter.

Love this so much
https://www.youtube.com/watch?v=SdDpuT5stnk

grumpy old men did brexit >:(

(= true with and without caps and quote marks)

plus there's GasTank, which was this wretched rock prog from the early days of ch4. Wakeman and some other keyboard player were the presenters. It was terrible stuff. All long blues jams, yurgh.

― Pashmina (Pashmina), Tuesday, November 16, 2004 1:40 PM (fourteen years ago)

This is of course all on Youtube now, it's really bad (warning: 50 mins video):

https://www.youtube.com/watch?v=GRvDoFGfWoE

I've never heard of this programme! I wonder if it was Not For Viewers In Scotland.

I remember watching it at the time but that was down in t'smoke, think yourself lucky you were spared the sight of an increasingly sloshed Tony Ashton banging out pub piano while Alvin Lee or someone of that ilk farted out a generic blues-rock solo. In fact Rick seemed the odd man out, what with his rococo synth fanfares and wizardly cape.

Living in Ayrshire a the time, I remember it took absolutely ages for C4 to get to us.

Hope Big World Cafe reached you.

'Anne Of Cleeves' on 'Six Wives ... '
is an absolute massive tune.

* Cleves *

to be fair this whole album is absolutely everything i love re PROG.
i rarely enjoy vocals in prog, so this album hits the spot more than most when the need for excess arises.

https://www.vanityfair.com/style/2020/06/the-stranger-than-fiction-secret-history-of-prog-rock-icon-rick-wakeman

Journey To The Centre Of The Earth is pretty great, especially the "save me!" and "praise god!" bits. Quite a departure from Six Wives.

ooh yes.
and to think its a live album.
the logistics/planning before the recording.

Some of the songlike parts are quite sweet too. "Forests from far gone time, no living man has seen, A private pre-historic world, for you and I a dream".

I heard this a couple of times more than 30 years ago, almost all I remember is "an embryo at birth". He's fine in Yes, but Wakeman is probably the one "big name" of 70s prog whose solo work does nothing for me.

So far I love his first two albums, I've got the next three at least.

I'd bail before the new age period if I were you

When asked about his personal favorites, he said the first 3 and A Suite Of Gods. So I feel I should at least try the latter.

As part of Slapstick Festival, musical great Rick Wakeman presents a hilarious and heartfelt journey through the moments where music meets comedy.

From André Previn’s all the right notes to Bill Bailey’s Bach mash-ups, Rick counts down his favourite onscreen clips and live moments that hit the funny bone. With live piano, witty stories, and plenty of behind-the-scenes insight, he celebrates the genius of Morecambe & Wise, Monty Python and more.

Blending sharp humour with musical mastery, this is an evening of laughter, nostalgia and virtuosity from one of Britain’s most beloved entertainers.

Tell us the "ordered a curry during a live performance of Topographic Oceans" story again Rick, it never ceases to raise tears of mirth