Tortoise: Classic or Dud

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All traces. The guitarwork is unblues (as opposed to ANY rock guitarwork) -- focused on tone and duration rather than harmonics, tune, et cet. The rhythms are unblues -- not a 4/4 with downbeats on 1 and 3 to be found. The melodic figures, such as they exist, owe no debt to the blues tradition -- they're not minor so much as modal. I find this quite unique.

Sterling Clover, Wednesday, 1 August 2001 00:00 (twenty-four years ago)

Maybe that's why I like them. I tend to want my music scrubbed as free from blues as is reasonable to expect from a blues- derived genre like rock.

Nitsuh, Wednesday, 1 August 2001 00:00 (twenty-four years ago)

Nitsuh -- rilly? Why's that? (In this vein, the velvets had the short period where they banned blues riffs fromt he band. Well, relatively long period. It helped them resist the claptonizing invasion, granted, but never destroyed the fact that Booker T and Green Onions were pretty damn similar at some fundamental level. That goes twice for Sister Ray.)

Sterling Clover, Wednesday, 1 August 2001 00:00 (twenty-four years ago)

I don't know, Sterling. I think it has something to do with my very earliest musical influences being new wave (a pretty blues-free idiom) at ages 4-6, and then a lot of oldies (in the 50s vocal-group doo-wop sense) for a few years after that. I grew up fairly anti- rock, never really understanding why my fellow middle-schoolers liked Guns 'n' Roses or Bon Jovi or really anything more rock than pop. I got over this around age 13 or so, as I really started listening to music in an exploratory way, but that anti-rock (or anti- bluesy rock, anyway) feeling has lingered. Hence lots of arguments, as a teenager, about why many of my friends liked Smashing Pumpkins and I didn't: it was the stadium-rock guitar that was turning me off.

Never understood Zeppelin, or the Stones, or anything with that up- front blues/rock feel. Well, I understand it now, and can enjoy it, but it's not a formative influence like it is with most people.

Nitsuh, Wednesday, 1 August 2001 00:00 (twenty-four years ago)

i love tortoise. im not going to justify myself, even though im scared to be so bold.... i really like them. i especially like the stuff they did that even tortoise fans HATE ie not the 1st 2 albums.....

am i a dickhead

ambrose, Thursday, 2 August 2001 00:00 (twenty-four years ago)

just managed to get to a computer, gareth..it was hell out there, all those toroise tour 7"s and nice cover artwork.... in fatc i love ALL the horrid wishy washy boring 'nice' artists on the archtypal boring, wishy washy etc label THRILL JOCKEY!

sam prekop, have my babies!

brokeback! i luv yr noodley bass nonsense.

er, and all the other ones.

anyway, thrill jockey do have the lonesome organist who is well good.

oh, im gonna fight my corner a bit re tortoise. many people here nad everywhere think they are very boring....well, many people here (maybe the same) luv missy elliott and her '....so addictive'. well i am listening to it now (1 pound from russia....) and i think THAT is pretty boring.

er i dont know what that proves, but im just a bit bored myself, of snide hipster posturing......i guess everyone likes having a common

, Thursday, 2 August 2001 00:00 (twenty-four years ago)

Would depend on yer definition of post-rock there, Sterling. Are they further away from the blues than Seefeel? Limit it to just Thrill Jockey and we're talking a whole 'nother matter.

Tim, Thursday, 2 August 2001 00:00 (twenty-four years ago)

Maybe that's why I like them. I tend to want my music scrubbed as free from blues as is reasonable to expect from a blues- derived genre like rock.

Have you tried black-metal? It's a lot more amusing than Tortoise, and there's no blues at all!

Kris, Thursday, 2 August 2001 00:00 (twenty-four years ago)

Well, you got me there. I never thought of seefeel as postrock. Laika, on the other hand.

Sterling Clover, Thursday, 2 August 2001 00:00 (twenty-four years ago)

Nitsuh, it's interesting that you bring up Smashing Pumpkins here, who I've always considered to be pretty damned un-bluesy. Corgan's guitar playing is often very modal - "Quiet" is in, like, F# Phrygian, dude! Seriously, though, I think you're a lot like my roommate in this respect, who says he pretty much despises blues influences. But I think it might be the arena-rock posturing that turns him off even more than the blues influences. He says that hair metal, and most 70s stadium rock, actually make him feel physically ill. What do you think about that stuff? BTW, I do like a lot of Tortoise's stuff, although I don't feel much personal connection with it at all. It's fascinatingly clinical, if that makes any sense. My favorite Tortoise track is #2 off Millions...

Clarke B., Tuesday, 7 August 2001 00:00 (twenty-four years ago)

one year passes...
reviving to counter the tortoise hating:

tortoise albums = inconsistent;
tortoise singles = great (the duophonic "gamera", the first two singles, the tortoise vs. autechre remixes, the jim o'rourke remixes).

the japanese digest compendium that blends the original tracks with rhythm resolutions and clusters remixes is the high point for me, "djed" is incredibly dense in sound.

anything done with bundy k. brown i've found to enjoy.

TNT lost me (although the nobukazu takemura remix is incredible), haven't heard anything since. i think that jeff parker is a good guitarist in theory, but his stylistic methods (volume pedal and overt jazzisms) were off-putting and eventually turned me off to the band.

gygax!, Friday, 17 January 2003 19:41 (twenty-three years ago)

overt jazzisms

Parker is a member of the AACM, you know.

gygax! whaddaya think of Pullman?

hstencil, Friday, 17 January 2003 19:44 (twenty-three years ago)

reviving to counter the tortoise hating

A nobly doomed effort.

Ned Raggett (Ned), Friday, 17 January 2003 19:56 (twenty-three years ago)

i thought he was great in Lost Highway...

*raspberry*

you know, I never heard pullman but I really liked that Directions In Music thing with doug scharin. haha, wasn't chris brokaw also in that band? drums or guitar?

and Ned, why don't you go flounce off?

gygax!, Friday, 17 January 2003 20:00 (twenty-three years ago)

i think millions... is a great album. it's overflowing with new ideas and new collisions and really seems to be the product of a bunch of good rock'n'roll musicians all of a sudden falling in love with the possibilities of dub, jazz, and electronic manipulation.

everything afterwards, while still often enjoyable, just seems like smooth-jazz noodling in comparison.

arjun (arjun), Friday, 17 January 2003 20:07 (twenty-three years ago)

haha, wasn't chris brokaw also in that band?

No, but Ken "Don't Call Me Bundy" Brown was.

hstencil, Friday, 17 January 2003 20:10 (twenty-three years ago)

i saw them at that thrill jockey party at hackney ocean in september. i thought they were the most boring, audience-hating bunch of retards. it was such a predicable, routine performance.

and the audience wasn't much better. standing their stroking their chins and furrowing their brows. i was trying to fucking dance, dammit!

fields of salmon (fieldsofsalmon), Friday, 17 January 2003 20:53 (twenty-three years ago)

i can't say i really like, nor listen, to tortoise much any more (just put on the Gamera single - not too bad), but they were a major stepping stone in my musical knowledge back in the day.

near the end of college, listening to lots of "college rock" (pavement et al.), i discovered tortoise, and it really blew the door open for discovering non-rock bands that are amazing and influential. while not necesarilly introducing me to lots of styles, they made me really interested in new territories -- dub, kraut rock, prog, electronic, minimalist composers like steve reich and terry riley, ennio morricone, glitch [through label mates oval], more out forms of jazz.

i think after a while the whole post rock scene became very same-y, especially from the second generation of post-rock bands, who's influences were tortoise, rather than all of the aforementioned styles tortoise borrowed from.

i once met the band, while they were Tom Ze's back up band, and they were complete assholes

and Standards was a big steaming pile of dog doo

JasonD (JasonD), Friday, 17 January 2003 20:57 (twenty-three years ago)

oh, and after really getting into the styles of music which Tortoise built their sound around, i realized it's been done way better 30 years earlier

JasonD (JasonD), Friday, 17 January 2003 21:10 (twenty-three years ago)

i saw them at that thrill jockey party at hackney ocean in september. i thought they were the most boring, audience-hating bunch of retards. it was such a predicable, routine performance.
and the audience wasn't much better. standing their stroking their chins and furrowing their brows. i was trying to fucking dance, dammit!

I saw them at the NYC show, and it was no good either. I've seen them a bunch live, tho, and that was the first time they were truly sucky. And I've danced during those other shows, too (and unlike Out Hud, they did not command me to!).

i once met the band, while they were Tom Ze's back up band, and they were complete assholes

hehehehe, well I can see that. Was that when Ze played Park West? I was at that show. Anyway, McEntire's kinda shy, which makes him seem aloof (I don't think he played with Ze). Herndon is kinda bratty sometimes. But Doug, Bitney and Jeff are some of the nicest guys I've known, ever. ESP. Doug. That man is totally a saint. Unpretentious, down-to-earth, willing and able to chat about anything/everything in a really cool way. If most "hatas" got to meet Doug and just talk with him for five mintues, their icy hearts would melt. Or not. I say that tho 'cause a lot of the hating has little to do with the music, and much to do with a (mis)perception of their personalities.

and Standards was a big steaming pile of dog doo

No disagreement here, bro-dy. Don't know why I own this.

hstencil, Friday, 17 January 2003 21:41 (twenty-three years ago)

Really liked the first LP and the "Gamera" 12" and the "Why We Fight" 7". And the first remix LP. Everything else I have forgotten about.

mosurock (mosurock), Saturday, 18 January 2003 00:07 (twenty-three years ago)

Hstencil you have back-up: I think Donut Bitch, during his whirlwind tour of the U.S., accidentally wound up chatting with some very nice guys by the Empty Bottle (one of whom turned out to be Doug).

nabisco (nabisco), Saturday, 18 January 2003 00:21 (twenty-three years ago)

Dud. At a certain moment when post-hardcore / stagnating "indie rock" was tapped out, Tortoise came along and made every bad choice in moving beyond their roots. The choice to go instrumental; the academic "appreciation" for and "tasteful" emulation of a swath of very safely canonical-type avant-garde/underground/jazzish/dubby musics, each becoming drained of its life-blood when brought into the Tortoise mix; the pretentious "professionalism" of the band (whose members each seemed to want to be known as instrumental "players" in their own right); the deliberate "professionalism" of the production (from within the band itself); the feigned "unprofessionalism" of the TNT cover art; the messing with Stereolab (see above); the patent lack of fun in both their recordings and their live shows; the god-awful live cover version of the Art Ensemble of Chicago;---ACK ACK ACK! Yeah, they really bug the hell out of me. I sense that their intentions are generally good and yet the result is so bad--maybe that's what really bothers me. I mean it seems like they genuinely care about the music they like and which influences them, they have laudable DIY tendencies in wanting to also be repsonsible for the production side (thinking of McEntire here), they have some kind of ambition to push themselves into new directions--and yet, and yet all these bad things people say about them seem true, and I don't enjoy them a whit. So right but SOOOO wrong.

arch Ibog (arch Ibog), Saturday, 18 January 2003 03:55 (twenty-three years ago)

and Ned, why don't you go flounce off?

Shan't.

Ned Raggett (Ned), Saturday, 18 January 2003 04:06 (twenty-three years ago)

the god-awful live cover version of the Art Ensemble of Chicago

Oh jeez ... what AECO tune did they butcher?

Mr. Diamond (diamond), Saturday, 18 January 2003 07:42 (twenty-three years ago)

Oh jeez ... what AECO tune did they butcher?

"Theme de Yo Yo", sans vocals, natch. It was ARGGGH-ifying.

arch Ibog (arch Ibog), Saturday, 18 January 2003 15:58 (twenty-three years ago)

"Theme de Yo Yo", sans vocals, natch

Natch.

Mr. Diamond (diamond), Saturday, 18 January 2003 19:39 (twenty-three years ago)

That soundtracky sounding song on Millions... has got a pretty nice ambience to it, but the rest... eh.. pretty boring.

Ian Johnson, Sunday, 19 January 2003 22:53 (twenty-three years ago)

seven months pass...
I'm not that familiar with their other albums, but I listened to TNT again the other night and had forgotten just how pretty it is.

Jordan (Jordan), Wednesday, 17 September 2003 15:31 (twenty-two years ago)

I agree with the folks who sight their singles and remixes -- and yes, i too frequent albums from Keith Jarret (not boring, but rather, emotionally paced). Nobody has yet mentioned the In The Fishtank E.P. completed with the Ex -- see "Pleasure As Usual" for an engagingly vocal amalgam of the two.

christoff (christoff), Wednesday, 17 September 2003 16:15 (twenty-two years ago)

They're one of the most organic bands I can think of right now, in terms of sound-textures and composition. Like, I've yet to hear them play something that sounds out of place within the context of each piece. They're all very good at playing into each other (as opposed to playing off of each other). I also have never been too keen on Standards, but otherwise they're the fuckin' poo diggitty as far as I'm concerned. They're wonderful morning-sex music.

nickalicious (nickalicious), Wednesday, 17 September 2003 16:42 (twenty-two years ago)

Standards is my favourite that I own to be honest.

dog latin (dog latin), Wednesday, 17 September 2003 21:36 (twenty-two years ago)

i'm listening to the 6th song on the directions in music album... wow.

anyone listened to this lately? i think it's aged much better than the tortoise stuff.

gygax! (gygax!), Thursday, 18 September 2003 06:30 (twenty-two years ago)

mixwise, this song is the perfect bridge between tortoise's "his second storey island" and "gamera"/"goriri" (i'm pretty sure both bundy brown-era tortoise material)...

the drone dissolving into the concrete then the emergence of the acoustic passages and finally the abstract jungle beats into reverse synth bleeding.

gygax! (gygax!), Thursday, 18 September 2003 06:38 (twenty-two years ago)

my woman used to love that Directions in Music album, but i sold it......sux to be her

JasonD (JasonD), Thursday, 18 September 2003 06:43 (twenty-two years ago)

The four minutes or so of Djed leading up to the tape fuck-up, or whatever one chooses to call it, are utterly classic IMO. Too bad it wasn't a standalone song.

Damian (Damian), Thursday, 18 September 2003 11:01 (twenty-two years ago)

These days, I'm constantly taken aback by how many new jazz albs these days borrow bits and pieces of the Tortoise 'sound' (Jaga Jazzist are the most obv example)

Andrew L (Andrew L), Thursday, 18 September 2003 17:42 (twenty-two years ago)

If Tortoise were actually a jazz band, I think they might be the Brian Blade Fellowship (or maybe it's just the Jeff Parker crossover talking).

Jordan (Jordan), Thursday, 18 September 2003 18:06 (twenty-two years ago)

three months pass...
TNT is indeed very pretty - I am listening to it right now and it is stunning.

jed (jed_e_3), Friday, 2 January 2004 19:34 (twenty-two years ago)

They do I cover of Robert Ashley's In Sara mumble mumble mumble? That's a little intriguing..

Rockist Scientist, Friday, 2 January 2004 19:37 (twenty-two years ago)

yeah i wondered was that a cover or "inspired by" or what - in fact it was someone mentioning sara mumble mumble in another thread today that made me dig this out again.

jed (jed_e_3), Friday, 2 January 2004 19:39 (twenty-two years ago)

I haven't heard it, but saw that they did it and the title had to be more than a coincidence. (I describe it the way I do partly because I can't remember the exact wording of the title, but Ashely does do I lot of mumbling. I like his speaking style though, overall. I once overheard him talking at a music festival event: "That is [pause] sublime." The way he said it was wonderful)

Rockist Scientist, Friday, 2 January 2004 19:44 (twenty-two years ago)

Aha - i have never heard it and now i want to. The tortoise versione is called "In Sara, Mencken, Christ and Beethoven there were Women and Men" as opposed to "...there were Men and Women" in the Ashley version.

jed (jed_e_3), Friday, 2 January 2004 19:49 (twenty-two years ago)

It's not really great or anything, but worth hearing. My favorite Ashley doesn't seem to be available on CD. It's Perfect Live/Private Parts: The Bar.

Rockist Scientist, Friday, 2 January 2004 20:03 (twenty-two years ago)

the Ashley piece is a setting of the poem by John Barton Wolgamot. the Tortoise piece could be a direct reference to the poem, who knows.

Rockist: 'The Bar' is available on the three disc version of Perfect Lives, but it's a slightly different recording. That is an exceptional piece. He should get a whole thread, I'm an Ashley fanatic.

(Jon L), Saturday, 3 January 2004 00:14 (twenty-two years ago)

I want the original recording though. I think I heard the new one and didn't like it. (I'm very reactionary about recordings of old experimental favorites.) At least I still have my vinyl copy in storage.

I didn't know the Ashley piece was based on someone else's poem.

Rockist Scientist (rockistscientist), Saturday, 3 January 2004 01:26 (twenty-two years ago)

you're right, the original 'The Bar' is better. it's a fantastic record. don't know what's holding up the CD reissue, it'd fit on one disc with ashley's 'music word fire' disco 12" (which many people hate, but I don't).

and the only thing the tortoise piece has in common with the ashley piece is the namedrop. still no need to listen to tortoise.

(Jon L), Saturday, 3 January 2004 01:43 (twenty-two years ago)

Is that "Music Word Fire" the one that goes something like I coo coo you coo coo, etc. I don't think I liked it at first, but I think I got to like it.

But I bought some later Ashley that didn't hook me in, so I've kind of backed off from his work. (I can't think of the title right now, but it was a large-scale opera type thing.) Also, "The Bar" is really my favorite part of that Perfect Lives work.

I guess one of us should start an Ashley thread. You know more than I do, but if you start one some time, I'll chime in, maybe think of something new to say (maybe not).

Rockist Scientist (rockistscientist), Saturday, 3 January 2004 01:54 (twenty-two years ago)

next time I gain the courage to start another thread that'll sink to the bottom three posts later, it'll be an Ashley thread. but I'm unreliable, I've crossed the threshhold and I can even appreciate most of the operas. But 'Automatic Writing', 'The Wolfman', and the hidden secret 'Yellow Man With Heart With Wings'.

didn't mean to be anti-Tortoise above, they certainly were better than many things in the 90's.

(Jon L), Saturday, 3 January 2004 02:16 (twenty-two years ago)

ubuweb has a PDF of Wolgamot's poem online here, along with the liner notes. I have the Cramps edition, had never read the story behind the poem; wow.

(Jon L), Saturday, 3 January 2004 02:55 (twenty-two years ago)

CHARMING

a (waterface), Wednesday, 16 July 2025 12:23 (ten months ago)

Bundy K. Brown's remix "Not Quite East of the Ryan" is a pretty good deep Tortoise cut to check out.

earlnash, Friday, 18 July 2025 03:18 (ten months ago)

Y’all got me out here listening Beacons of Ancestorship for the first time in forever on my evening walk

Clever Message Board User Name (Raymond Cummings), Friday, 18 July 2025 21:52 (ten months ago)

At a TNT-era gig in Kalamazoo (or maybe it was Detroit), a person in the crowd kept yelling "Play all night!" Near the end of the set, between songs, John Herndon deadpanned "This next one is called 'All Night.'" No reaction from the crowd or the band, who just went into "The Suspension Bridge at Iguazu Falls" or whatever.

Andy K, Saturday, 19 July 2025 21:02 (ten months ago)

ha, I saw Tortoise in Kalamazoo in 1998. I don't remember that bit, but I believe it.

jaymc, Saturday, 19 July 2025 21:06 (ten months ago)

Jeff Parker solo >>>

you have to be avant-garde and stupid at the same (flamboyant goon tie included), Sunday, 20 July 2025 06:58 (ten months ago)

three months pass...

Enjoying this new album.

Toshirō Nofune (The Seventh ILXorai), Sunday, 26 October 2025 21:52 (seven months ago)

Still only 3 tracks from it available on Tidal. :(

Noob Layman (WmC), Sunday, 26 October 2025 21:57 (seven months ago)

The IA website says they are holding it until Nov 11 for streaming services. Would love to know if that works as a tactic.

Position Position, Monday, 27 October 2025 01:31 (seven months ago)

Link: https://www.intlanthem.com/news/tortoise-announce-touch-new-album-out-october-24-bfxef-kktth

Position Position, Monday, 27 October 2025 01:32 (seven months ago)

Yeah, that’s kinda standard practice for this label now, even on bandcamp the full album doesn’t usually stream for a few weeks after release. Which is fine, I just wish I had notice that the physical copy I preordered months ago would have shipped by now.

better than ezra collective soul asylum (jon /via/ chi 2.0), Monday, 27 October 2025 01:36 (seven months ago)

Did you buy from bandcamp? At least you get a download when you buy the LP or CD from there.

Toshirō Nofune (The Seventh ILXorai), Monday, 27 October 2025 17:56 (seven months ago)

"Elka" is a highlight for me on first, somewhat distracted listen

I guess I'm one of the few fans who really liked The Catastrophist, and once again the stuff on here that I'm drawn to the most--again, just one listen in so far--is the stuff that sounds the least like attempts, unwitting or not, to recapture past Tortoise glories (and to be clear, I love past Tortoise glories)

Paul Ponzi, Monday, 27 October 2025 19:52 (seven months ago)

Elka is fantastic

Toshirō Nofune (The Seventh ILXorai), Monday, 27 October 2025 22:05 (seven months ago)

Portland folks: there's a listening party this Wednesday at Daydream (2615 SE Clinton). They already did another listening event at Mono Space, both of these (appropriately) playing it through fancy-ass sound systems.

the way out of (Eazy), Monday, 27 October 2025 22:17 (seven months ago)

I liked The Catastrophist too. Not necessarily my favorite of theirs, but I did like it. I've only heard one song from the new one - holding off until the whole thing is available to me.

Super bummed I missed their LA show at The Broad a week or so back...

sctttnnnt (pgwp), Monday, 27 October 2025 23:22 (seven months ago)

in Tortoise sideproject news: a track off Pullman's new record showed up on Bandcamp and it's great:

https://pullman.bandcamp.com/track/weightless

imperial frfr (Steve Shasta), Monday, 27 October 2025 23:41 (seven months ago)

Oh wow, there’s a band I haven’t thought about in roughly 25 years

sctttnnnt (pgwp), Tuesday, 28 October 2025 02:48 (seven months ago)

https://www.washingtonpost.com/health/2025/11/10/obamacare-aca-premiums-rising-shutdown/
ACA health care premiums are rising. These 8 Americans showed us how much.

Tortoise member included in these 8 Americans

Noob Layman (WmC), Saturday, 8 November 2025 15:07 (seven months ago)

huh, i didn't know McCombs was married/partnered to (former Chicago Reader editor) Kiki Yablon

jaymc, Saturday, 8 November 2025 15:17 (seven months ago)

does an ilxor want two tickets to see them tonight at the bowery ballroom? spoiler: no jeff because he has a family emergency. I saw the show last night and it was good but not feeling inspired to do it again.

pitted (blue6ave), Saturday, 15 November 2025 21:00 (six months ago)

Finding the new one very addictive, surprisingly so. Had listened a fair bit in the run up to seeing them at the Barbican last weekend (matinee performance, v civilised and they were terrific I thought) and had assumed the second I walked out I'd be 'great, enjoyed that, that's my burst of Tortoise for another few years' but I keep putting it on.

woof, Wednesday, 26 November 2025 16:14 (six months ago)

four months pass...

A friend put "Promenade a Deux" on a compilation CD for me and it just caught me in the right way, the other evening. I had felt a bit "I'm not sure I need anymore Tortoise" but it sounded great.

djh, Monday, 30 March 2026 15:55 (two months ago)

three weeks pass...

Actually, the whole album sounded magnificent last night (as a soundtrack to drunk washing-up).

djh, Sunday, 26 April 2026 08:06 (one month ago)

One always needs more Tortoise. Especially as their most recent album was ever so good.

King GrimSon (Pfunkboy of ILX), Monday, 27 April 2026 08:10 (one month ago)


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