les rallizes denudes rfi

(if anyone here has it etc etc x 100000000000000)

ah, stephen cooper, where are you? you emailed me and we chatted for a while and now you're gone 4evah!

there are a couple of things labelled variously "mass studio demo" or "mars studio demo" that are somewhat different - one features two versions of "romance of black grief" (i think) that are surprisingly subtle and have some nice tape-delay messing about. the other (september 9th, 1980) is atypical rallizes stuff with some noisy guitar.

the "red" cdr is pretty good, too, but as with all rallizes stuff they generally just did the same batch of songs again and again.

slsk!

thanks, your null fame; btw, are you on slsk? cos i'm d/ling rallizes stuff from someone whose user name isn't all that far from yours.

Eclipse [Iskra 001]
Axis Another Revolvable Thing 1 [Offbeat ORLP-1005]
Axis Another Revolvable Thing 2 [Offbeat ORLP-1009]

- Holly

1. Strong Out Deeper Than the Night (no, it is not supposed to be "strung")
2. Reapers of the Night

yeah if anyone has this stuff and is up for tape trading. gimme gimme email.

They are the japanese grateful dead but like better than that. hopefully some shit will appear some day.

QBICO Label:

OUT NOW QBICO 09/10

ARTHUR DOYLE/TAKASHI MIZUTANI/SABU TOYOZUMI- Live in Japan, 1997 (QBICO 09/10) 2LP folder cover, Qbico 09: black&red vinyl (very few pink&black or brown vinyl)/Qbico 10: black&yelloworange, liner notes by Ilya Monosov, cover artwork by Qbico, 450 copies only. $25.
26 copies only with hand-made covers, numbered from A to Z, price: $59 each

Arthur Doyle- tenor sax, flute, voice/Takashi Mizutani- electric guitar/Sabu
Toyozumi- drums

Rec. live November 14, 1997 @ Manda-la2, Tokyo, Japan

info at http://qbic.web.planet.it/QBICO%20RECORDS.htm

Anyone interested in Japanese psych/scuzz should seek the Gaseneta disc on PSF. 1978-era total punk garbage guitar that influenced High Rise later (who apparently shared some music on a cassette release with Gaseneta). Imagine speed-psych acid mothers minus the reverb, with a lot grottier production and a guy plowing through solos ultra-fast with gloves on...hits the spot for me!

got this last night: its pretty good in a sort of blue humans vein (I suppose its more to do with instrumentation and the fact that doyle is there). I'll have to hear this a few more times before i can say more on it.

The fact that I first thought it was "subtle" only shows the depth of my guitar-noise jadedness. It pretty much singes your eyebrows off. The tempo is slower overall. There is a very cool one-chord blues vamp that sounds a bit like John Lee Hooker on moonshine & ayahuasca, and though it claims to all be from one source, I suspect it may not be. THere are differences in sound, songs fade a bit too slowly, revealing the beginning of the next song to have actually been another one.

Thanks for the report on the Doyle disc Julio.........

Also, Ed is already out of High Or Die. Happy hunting.

Wild Party 1975 (quite possibly the most intense guitar noise barrage in human history)
Studio & Soundboard 1975-1978
France Demo Tape
Red
Blue

you might want to avoid Mars (or Mass) Demo. Pretty pedestrian...

maybe i'm missing the point, having only heard '77 live, but i can't help that thinking people can get a bit overexcited when something is a) japanese b) noisy and c) hard to find.

unless you start explaining the 'pointlessness' of it all and in what way it 'misreads' psychedelia you will end looking a fule.

you are gonna have to give me examples of this. I think what rallizes do (two guitars feeding back and virtually bleeding into each other) with constant bass/drum pattern is something that no band I've heard of sounds like.

what is so 'hackish' abt their 'bluesy' guitar solos? You see, they are lifted from the blues but its not menat to be exactly like blues and so what if the bass parts are lifted from hendrix. The only thing you can say abt bass parts is that they are repeating pattern. Its mixed high up and it heightens the 'body blow' effect but its something to hang onto as they throw these formless guiatr shapes for 10 + minutes, same with the drums, which sound competent to me.

And song isn't their strong point but its a mix of song and jamming. its psych rock so you're gonna get that.

i think people have overintellectualized responses to this band, i really do. if it was just a tape of your brother-in-law's pick-up band you'd probably toss it in the bin (but discreetly, so as not to offend the brother-in-law). i will, however, give les rallizes denudes another chance just so i'm not guilty of condeming something without trying to understand it first.

When its done well, its exceptional.

heh.

funny you should mention neil young bcz just on wednesday i got hold of the 'red' and 'green' CDRs and I got reminded of Neil Young (guitars not as distorted as live 77, basically comes down to that). I think the blue cheer connection come from the use of distortion whereas the velvets comes from the use of repeating basslines and drum patterns.

but yeah, its a lot of things.

that note says they still are

Well, sounds like they will be? Oh well, just gotta be patient.

I'd be surprised if the one they just pulled is that Double Heads September one. The track running times are different for one thing. And the label (advised by surviving members) was convinced it was a recording they'd never heard before. I'd expect them to be au fait with previously circulated bootlegs.

a previously unknown show between Sept 11 & Oct 29 would be very nice yes

Octember 32nd

BLOW-OUT Festival, Jigokudani Monkey Park (audience: the monkeys chilling in the hot springs)

1. Death Upon Thing
2. Explosion In The Dark
3. Grab The Sword By The Blade
4. AAAAAAAAARGH!
5. The Last One (eighty minute version)

lol

OMG

lol Ned

If someone can whip up some appropriate bootleg album art I feel we can create a real prank here.

hey StanM you were right, the Japanese label confirmed it is the 11 Sep 1980 date and will be officially released soon

ok! no previously unknown show then, too bad.

The collection of a typical Les Rallizes Dénudés fan. pic.twitter.com/Ej9gbAaWEa

— Temporal Drift (@Temporal_Drift) June 3, 2024

Around the 63' mark of The Last One from that show, the bassline drops out of the mix suddenly and gives way to an enormous squall of signature Mizutani feedback more rapturous than any I've heard in the LRD catalogue. One of my buddies is friends with a monkey who was at that show. He managed to get a setlist while the band was breaking down their gear and got it signed by Mizutani.

Damn that's one hip monkey.

New '76 show now up for preorder!

https://lesrallizesdenudes.bandcamp.com/album/jittoku-76

Great show - and it sounds a lot better than the old bootlegged version (starting at 51:37 here: https://www.youtube.com/watch?v=FWJE8RIi_90 )

Love Temporal Drift for doing the lord's work with this stuff!

That sounds really good, even just the 45-second sample. Might even buy the 2CD edition.

Me oh my, I picked up the Azuba Demo Tape '85 for a song the other day and damn does it sound good! Found it used at the record store--moments like this are the idealized fantasy that drove me to get into collecting records a few months ago and which, upon beginning the obsession, I thought would never actually happen.

Mizutani lays off the fuzz on this one for the most part and it really brings out another dimension to their sound. A dimension which, to be sure, is identifiable beneath the torrent of fuzz on other records, but which can stand on its own, too. There's a real swagger to the basslines, a sort of ominous plodding that almost reminds me of a scene from Twin Peaks or some other Lynch work.

Azabu but yes :-)

Whoops, ty

Jittoku '76 is out - tremendously improved over the version that circulated before

"Azuba Demo Tape '85"

Beautiful shit

fwiw just got an email from Temporal Drift that they will have "some very special news to share" tomorrow for Bandcamp Friday. the photo appears to be a t-shirt with the Jittoku '76 cover art. maybe just LRD merch, but I wouldn't mind more material.

Guessing merch but we'll see.

Another "lost album" on the way. Are Temporal Drift starting to scrape the barrel?

https://lesrallizesdenudes.bandcamp.com/album/disque-4-76-studio-et-live

there's only so much available, they can't keep finding unexpected recordings forever

Counterpoint: they might.

dunno, this sample sounds pretty good to me — scrape that barrel!

That's right

Yeah I have no problems with more things surfacing. Why the hell not? It's not like they've even formally released everything that was already released as a bootleg, for instance.

Anyway, new one released yesterday and all.