you are the burden of my generation / i sure do love you, let's get that straight
^^another great half-spoken delivery
― horseshoe, Thursday, 19 August 2010 17:29 (fifteen years ago)
It's like it's written from the POV of his Annie Hall character, doing just fine in the mid eighties, attending a party at Sydney Pollack's.
― Gucci Mane hermeneuticist (Alfred, Lord Sotosyn), Thursday, 19 August 2010 17:29 (fifteen years ago)
"I Know What I Know," that is.
"lasers in the jungle somewhere" pops into my head all the time
― max, Thursday, 19 August 2010 17:30 (fifteen years ago)
a loose affiliation of millionaires and billionaires and baaaby
― horseshoe, Thursday, 19 August 2010 17:30 (fifteen years ago)
sorry i'll stop this is what the inside of my head is like
that whole verse:
And I believe these are the days of lasers in the jungle,Lasers in the jungle somewhere,Staccato signals of constant information,A loose affiliation of millionairesAnd billionaires and baby,These are the days of miracle and wonder,
― max, Thursday, 19 August 2010 17:31 (fifteen years ago)
xp!!
xxxxp ^^^ also "the bomb in the baby carriage was wired to the radio"
― Les centimètres énigmatiques (snoball), Thursday, 19 August 2010 17:31 (fifteen years ago)
she said losing love is like a window in your heartand everybody sees you're blown apart, everybody feels the wind blow
Separating these two seems wrong (also I don't remember that "and" being there)
― Ground Zero Mostel (Hurting 2), Thursday, 19 August 2010 17:31 (fifteen years ago)
<3
― horseshoe, Thursday, 19 August 2010 17:31 (fifteen years ago)
i know this album so well its scary, like the back of my hand
there's no "and"
― horseshoe, Thursday, 19 August 2010 17:32 (fifteen years ago)
And don't cry baby, don't cry, don't cry, don't cry
― Les centimètres énigmatiques (snoball), Thursday, 19 August 2010 17:32 (fifteen years ago)
the bomb in the baby carriage line is great because that whole verse is setting this scene and that line is like boom it's over here's the chorus.
― call all destroyer, Thursday, 19 August 2010 17:32 (fifteen years ago)
'everybody sees youre blown apart'
― NOT FUNNY NEEDS MORE GUCCI (deej), Thursday, 19 August 2010 17:32 (fifteen years ago)
staccato signals a pulse of information
(am i remembering right??)
― NOT FUNNY NEEDS MORE GUCCI (deej), Thursday, 19 August 2010 17:33 (fifteen years ago)
i thought it was constant
― horseshoe, Thursday, 19 August 2010 17:34 (fifteen years ago)
love the sounds of the lines & twists & turns in meaning they make vs your expectations of how a lyric 'should' resolve
― NOT FUNNY NEEDS MORE GUCCI (deej), Thursday, 19 August 2010 17:34 (fifteen years ago)
I see losing this album is like a window in your heart
― Gucci Mane hermeneuticist (Alfred, Lord Sotosyn), Thursday, 19 August 2010 17:35 (fifteen years ago)
ha i just realized i always heard that line as "oozing love"
― max, Thursday, 19 August 2010 17:36 (fifteen years ago)
that's crazy max
― horseshoe, Thursday, 19 August 2010 17:37 (fifteen years ago)
also gross
mixed metaphors are beneath Simon.
― Gucci Mane hermeneuticist (Alfred, Lord Sotosyn), Thursday, 19 August 2010 17:37 (fifteen years ago)
(yeah, lyrics are a smidge off -- I googled, copied, cut some line breaks; ah well)
― Bag Smart, Street Stupid (Eazy), Thursday, 19 August 2010 17:38 (fifteen years ago)
― Ground Zero Mostel (Hurting 2), Thursday, August 19, 2010 1:31 PM Bookmark Suggest Ban Permalink
― horseshoe, Thursday, August 19, 2010 1:31 PM Bookmark Suggest Ban Permalink
― horseshoe, Thursday, August 19, 2010 1:32 PM Bookmark
Exactly, and that's the point of the line -- the window in your heart is what allows everyone to see that you're blown apart and feel the wind blow.
And that's probably my favorite line in the song.
― Ground Zero Mostel (Hurting 2), Thursday, 19 August 2010 17:40 (fifteen years ago)
on the 2002 tour the t shirts had
It's a turn-around jump shotIt's everybody jump startIt's every generation throws a hero up the pop charts
on them. but that's not from this song.
― piscesx, Thursday, 19 August 2010 17:40 (fifteen years ago)
"everybody sees you're blown apart" followed by "everybody feels the wind blow" is genius; i get chills every time. it's partly the music at that moment, but still.
― horseshoe, Thursday, 19 August 2010 17:41 (fifteen years ago)
Only just realized the double meaning of "national guitar" in the first line
― Ground Zero Mostel (Hurting 2), Thursday, 19 August 2010 17:45 (fifteen years ago)
what's the double meaning?
― call all destroyer, Thursday, 19 August 2010 17:48 (fifteen years ago)
i thought it was a straight ref to resonator guitars
1) Reference to National brand guitars2) the delta as a blues capital is kind of like a 'national' guitar of the united states -- sort of loose and abstract I guess but it occurred to me
― Ground Zero Mostel (Hurting 2), Thursday, 19 August 2010 17:53 (fifteen years ago)
ok that's funny, i think i heard it that way when i was a kid before i knew what a reso guitar was--glad it has occurred to others!
― call all destroyer, Thursday, 19 August 2010 17:56 (fifteen years ago)
My misheard Paul Simon line from childhood is "You don't have to be cordouroy."
― Bag Smart, Street Stupid (Eazy), Thursday, 19 August 2010 18:03 (fifteen years ago)
Agree about the "double meaning" of National guitar. Don't see how you could possibly read it as just one thing or the other at all.
"as if i didn't know that, etc." is a pretty powerful turnaround and gets my vote
Favorite lines from the whole record are the
Staccato signals of constant information,A loose affiliation of millionairesAnd billionaires and baby,
He is surrounded by the sound The soundCattle in the marketplace Scatterlings and orphanages He looks around, aroundHe sees angels in the architecture Spinning in infinity He says Amen! and Hallelujah!
despite not being very religious myself : )
― kkvgz, Thursday, 19 August 2010 18:20 (fifteen years ago)
Don't see how you could possibly read it as just one thing or the other at all.
you could not know what a National guitar is
― congratulations (n/a), Thursday, 19 August 2010 18:23 (fifteen years ago)
― max, Thursday, 19 August 2010 17:36 (49 minutes ago) Permalink
looool me too
― NOT FUNNY NEEDS MORE GUCCI (deej), Thursday, 19 August 2010 18:26 (fifteen years ago)
xp: okay, good point.
― kkvgz, Thursday, 19 August 2010 18:31 (fifteen years ago)
Well that's one way to lose these walking blues: diamond on the soles of your shoes.
― SongOfSam, Thursday, 19 August 2010 18:44 (fifteen years ago)
diamondS! (sorry)
― SongOfSam, Thursday, 19 August 2010 18:45 (fifteen years ago)
best line(s) in that song is "she said honey take me dancing/but they ended up by sleeping in a doorway/by the bodegas and the lights on upper Broadway"
― horseshoe, Thursday, 19 August 2010 18:47 (fifteen years ago)
hurting OTM. that line has haunted me for much of my life. unfair that it's not only broken up but listed twice, ensuring a tragic split of the votes.
― all yoga attacks are fire based (rogermexico.), Thursday, 19 August 2010 18:51 (fifteen years ago)
as if i'd never noticed the way she brushed her hair from her forehead
because I've noticed that too; or to put it a little differently, because the cadence of the last seven words brushes her hair, as though he is going through the motions of brushing her hair with his voice: air brushing, if you will.
― Euler, Thursday, 19 August 2010 18:52 (fifteen years ago)
yes that's true!
― horseshoe, Thursday, 19 August 2010 18:53 (fifteen years ago)
word painting
"Ghosts and empty sockets" would probably be my runner-up, from this song.
― kkvgz, Thursday, 19 August 2010 18:57 (fifteen years ago)
One of the most perfectly crafted songs I know of. Just gorgeous. Gives me chills every time, even now.
― ImprovSpirit, Thursday, 19 August 2010 21:25 (fifteen years ago)
"she said honey take me dancing/but they ended up by sleeping in a doorway/by the bodegas and the lights on upper Broadway"
yeah this for sure!! the way the syllables dance off each other is so flawless -- my favorite rappers work the same way
― NOT FUNNY NEEDS MORE GUCCI (deej), Thursday, 19 August 2010 21:45 (fifteen years ago)
to join the chorus: one of my favorite, favorite songs. it was then, twenty-some years ago, and still is now. there isn't a bad line in it, and at least half are beautiful, so hard to choose over the rest. finally went with "as if i didn't know that..." because it's the point on which the song hinges, opening from the specifics of a moment onto a larger field of emotion and association. but it's one among many, and probably too safe a choice besides.
― a CRASBO is a "criminally related" ASBO (contenderizer), Thursday, 19 August 2010 21:49 (fifteen years ago)
human trampoline. Just love that line. I bet it's a tough one to cover, he always makes his phrasing seem so natural but it's so tough to carry across convincingly. That whole record just fits so many syllables with such ease.
― owenf, Thursday, 19 August 2010 22:04 (fifteen years ago)
idk i think his skill is in managing to be really evocative w/ the smallest parts "the child of my first marriage" is such a banal line but it also paints a massive backstory and dovetails so well w/ the forehead hair brusher l8r
― plax (ico), Sunday, 22 August 2010 21:41 (fifteen years ago)
Automatic thread bump. This poll is closing tomorrow.
― System, Tuesday, 24 August 2010 23:01 (fifteen years ago)
the last line in this song always kills me. i'm not sure why.
― we wanted lime (mike a), Wednesday, 25 August 2010 04:42 (fifteen years ago)
Automatic thread bump. This poll's results are now in.
― System, Wednesday, 25 August 2010 23:01 (fifteen years ago)
poor boys, pilgrims with families and we are going to graceland 0
^^ i dont know that this line got "robbed" buts another one where he has perfect delivery
― max, Wednesday, 25 August 2010 23:02 (fifteen years ago)
maybe he should have worked new york city into the line somehow.
― got electrolytes (The Cursed Return of the Dastardly Thermo Thinwall), Wednesday, 25 August 2010 23:05 (fifteen years ago)
she comes back to tell me she's gone 0
The declarative sentence loses.
― Gucci Mane hermeneuticist (Alfred, Lord Sotosyn), Wednesday, 25 August 2010 23:11 (fifteen years ago)
i'd just like to point out that there is a tie for first place here
― all yoga attacks are fire based (rogermexico.), Wednesday, 25 August 2010 23:54 (fifteen years ago)
Reading these lyrics out, they read like Dan Bejar lyrics.
― altered boners (rennavate), Thursday, 26 August 2010 07:05 (fifteen years ago)
Which is unfortunate, because I love that line.
― Brad Nelson (BradNelson), Thursday, 26 August 2010 07:16 (fifteen years ago)
This thread has sparked a total renewed interest in this album, appreciating the lyrics like never before. Thinking I might go through some of them with my advanced TELF students next week.
― rhythm fixated member (chap), Friday, 27 August 2010 23:16 (fifteen years ago)
I remember my mom asking me to explain the lyrics to the Myth of Fingerprints to her when I was 13
― I drink your milksteak (Shakey Mo Collier), Friday, 27 August 2010 23:47 (fifteen years ago)
Something I wrote about this song last year.
― scott pgwp (pgwp), Saturday, 28 August 2010 16:01 (fifteen years ago)
https://www.youtube.com/watch?v=JPFESqwh0ks
― max, Tuesday, 7 February 2012 17:33 (fourteen years ago)
omg
― horseshoe, Tuesday, 7 February 2012 17:39 (fourteen years ago)
btw i have never seen this:
In 1988, Simon released a video for the song to promote his greatest hits compilation, Negotiations and Love Songs. The video features an introduction by rappers Big Daddy Kane and Biz Markie. The video depicts adults interacting with the youth of an inner city schoolyard where they dealt drugs. It shows Simon playing basketball and baseball with the children, and it also features basketball player Spud Webb, baseball legend Mickey Mantle, and football coach/commentator John Madden giving tips to young athletes.[1]
― max, Sunday, August 22, 2010 5:29 PM (1 year ago) Bookmark Flag Post Permalink
(thats re: me and julio)
https://www.youtube.com/watch?v=O859wd7H6h8
― horseshoe, Tuesday, 7 February 2012 17:45 (fourteen years ago)
like i said before this was sort of the first "adult" album i started to kind of understand, it made me almost feel older, like some weird vicarious sense of 'mono no aware' when i was 11. and an epic song.
― omar little, Tuesday, 7 February 2012 19:58 (fourteen years ago)
Me and Julio video is hilarious.
Graceland doc looks a little too polite, but in any case this is my all-time favorite album so I'll watch.
― scott pgwp (pgwp), Wednesday, 8 February 2012 00:43 (fourteen years ago)
wow cool!
― Exile in lolville (Alfred, Lord Sotosyn), Wednesday, 8 February 2012 00:47 (fourteen years ago)