Best Line in "Graceland"

has anyone ever covered this song? seems like it would be hard to sing, tho simon makes it sound easy.

Willie Nelson, who handled the conversational cadences well but the arrangement is meh.

casiotone for the painfully alone did a cover iirc

yeah the following the river line is amazing and he has a way with simple declarations like that--see verse 1 of hearts and bones as well

as if i didn't know that, as if i didn't know my own bed

is what I picked too. Can't talk about this record enough imo

Grace Jones needs to make this the title cut of her comeback, Graceland.

love this song so much

voted for the first line

you know what is a great line from this album is "Sad as a lonely little wrinkled balloon" from "Crazy Love." also all the other lines in that song

She said, "Don't I know you from the cinematographer's party?"

^^^
I was going to mention that one.

love the youtube comments for this - I like Ladysmith Black Mambazo. But whenever I see them I think it takes ten men to take the place on one Art Garfunkel. Art is God.

you are the burden of my generation / i sure do love you, let's get that straight

^^another great half-spoken delivery

It's like it's written from the POV of his Annie Hall character, doing just fine in the mid eighties, attending a party at Sydney Pollack's.

"I Know What I Know," that is.

"lasers in the jungle somewhere" pops into my head all the time

a loose affiliation of millionaires and billionaires and baaaby

sorry i'll stop this is what the inside of my head is like

that whole verse:

And I believe these are the days of lasers in the jungle,
Lasers in the jungle somewhere,
Staccato signals of constant information,
A loose affiliation of millionaires
And billionaires and baby,
These are the days of miracle and wonder,

xp!!

xxxxp ^^^ also "the bomb in the baby carriage was wired to the radio"

she said losing love is like a window in your heart
and everybody sees you're blown apart, everybody feels the wind blow

Separating these two seems wrong (also I don't remember that "and" being there)

<3

i know this album so well its scary, like the back of my hand

there's no "and"

And don't cry baby, don't cry, don't cry, don't cry

the bomb in the baby carriage line is great because that whole verse is setting this scene and that line is like boom it's over here's the chorus.

'everybody sees youre blown apart'

staccato signals a pulse of information

(am i remembering right??)

i thought it was constant

love the sounds of the lines & twists & turns in meaning they make vs your expectations of how a lyric 'should' resolve

I see losing this album is like a window in your heart

ha i just realized i always heard that line as "oozing love"

that's crazy max

also gross

mixed metaphors are beneath Simon.

(yeah, lyrics are a smidge off -- I googled, copied, cut some line breaks; ah well)

she said losing love is like a window in your heart
and everybody sees you're blown apart, everybody feels the wind blow

Separating these two seems wrong (also I don't remember that "and" being there)

― Ground Zero Mostel (Hurting 2), Thursday, August 19, 2010 1:31 PM Bookmark Suggest Ban Permalink

<3

― horseshoe, Thursday, August 19, 2010 1:31 PM Bookmark Suggest Ban Permalink

there's no "and"

― horseshoe, Thursday, August 19, 2010 1:32 PM Bookmark

Exactly, and that's the point of the line -- the window in your heart is what allows everyone to see that you're blown apart and feel the wind blow.

And that's probably my favorite line in the song.

on the 2002 tour the t shirts had

It's a turn-around jump shot
It's everybody jump start
It's every generation throws a hero up the pop charts

on them. but that's not from this song.

"everybody sees you're blown apart" followed by "everybody feels the wind blow" is genius; i get chills every time. it's partly the music at that moment, but still.

Only just realized the double meaning of "national guitar" in the first line

what's the double meaning?

i thought it was a straight ref to resonator guitars

1) Reference to National brand guitars
2) the delta as a blues capital is kind of like a 'national' guitar of the united states -- sort of loose and abstract I guess but it occurred to me

ok that's funny, i think i heard it that way when i was a kid before i knew what a reso guitar was--glad it has occurred to others!

My misheard Paul Simon line from childhood is "You don't have to be cordouroy."

Agree about the "double meaning" of National guitar. Don't see how you could possibly read it as just one thing or the other at all.

"as if i didn't know that, etc." is a pretty powerful turnaround and gets my vote

Favorite lines from the whole record are the

Staccato signals of constant information,
A loose affiliation of millionaires
And billionaires and baby,

He is surrounded by the sound
The sound
Cattle in the marketplace
Scatterlings and orphanages
He looks around, around
He sees angels in the architecture
Spinning in infinity
He says Amen! and Hallelujah!

despite not being very religious myself : )

Don't see how you could possibly read it as just one thing or the other at all.

you could not know what a National guitar is

ha i just realized i always heard that line as "oozing love"

― max, Thursday, 19 August 2010 17:36 (49 minutes ago) Permalink

looool me too

xp: okay, good point.

Well that's one way to lose these walking blues: diamond on the soles of your shoes.

diamondS! (sorry)

Come Anticipate Norah Jones's NYC Zingers.

I do think Craig Finn works at combining stuff that's never been in a song with specific snapshots of times and spaces with stream-of-consciousness, but it's not NYC.

the s+gf stuff is only intermittently good lyrically

― plax (ico), Sunday, August 22, 2010 5:25 PM (43 seconds ago) Bookmark Suggest Ban Permalink

it's true; i don't really like simon and garfunkel that much at all

yeah finns a good lyricist, but hes not as funny as simon i dont think, or as self aware, and, crucially, from britain or alaska or somewhere

yeah i still think he did take a while to "mature" as a songwriter. the s+gf stuff is only intermittently good lyrically

^^^ my next point, actually. To be fair to both Koenig and Simon, the latter didn't stumble into his lyrical genius. S&G is often painfully, clumsily erudite.

Neil Tennant and Robert Forster wrote really good songs about scenes, but their time has passed, I guess.

yeah, thats fine. i didnt really mean to rag on VW, im just wondering if there IS a 2000s-paul-simon-of-new-york, besides me and my tumblr

btw i have never seen this:

In 1988, Simon released a video for the song to promote his greatest hits compilation, Negotiations and Love Songs. The video features an introduction by rappers Big Daddy Kane and Biz Markie. The video depicts adults interacting with the youth of an inner city schoolyard where they dealt drugs. It shows Simon playing basketball and baseball with the children, and it also features basketball player Spud Webb, baseball legend Mickey Mantle, and football coach/commentator John Madden giving tips to young athletes.[1]

(thats re: me and julio)

S+G was writing genre songs in the same way that Simon always does, but he was getting Elizabethan and Hymnal Music out of the way early, saving zydeco and (on the great "Adios Hermanos") doo-wop for later.

there's a making the album documentary where simon talks u through writing graceland line by line and it seems like anyone could have written that song, its kindof awesome.

idk i think his skill is in managing to be really evocative w/ the smallest parts "the child of my first marriage" is such a banal line but it also paints a massive backstory and dovetails so well w/ the forehead hair brusher l8r

Automatic thread bump. This poll is closing tomorrow.

the last line in this song always kills me. i'm not sure why.

Automatic thread bump. This poll's results are now in.

poor boys, pilgrims with families and we are going to graceland 0

^^ i dont know that this line got "robbed" buts another one where he has perfect delivery

maybe he should have worked new york city into the line somehow.

she comes back to tell me she's gone 0

The declarative sentence loses.

i'd just like to point out that there is a tie for first place here

Reading these lyrics out, they read like Dan Bejar lyrics.

The declarative sentence loses.

Which is unfortunate, because I love that line.

This thread has sparked a total renewed interest in this album, appreciating the lyrics like never before. Thinking I might go through some of them with my advanced TELF students next week.

I remember my mom asking me to explain the lyrics to the Myth of Fingerprints to her when I was 13

Something I wrote about this song last year.

https://www.youtube.com/watch?v=JPFESqwh0ks

omg

btw i have never seen this:

In 1988, Simon released a video for the song to promote his greatest hits compilation, Negotiations and Love Songs. The video features an introduction by rappers Big Daddy Kane and Biz Markie. The video depicts adults interacting with the youth of an inner city schoolyard where they dealt drugs. It shows Simon playing basketball and baseball with the children, and it also features basketball player Spud Webb, baseball legend Mickey Mantle, and football coach/commentator John Madden giving tips to young athletes.[1]

― max, Sunday, August 22, 2010 5:29 PM (1 year ago) Bookmark Flag Post Permalink

(thats re: me and julio)

― max, Sunday, August 22, 2010 5:29 PM (1 year ago) Bookmark Flag Post Permalink

https://www.youtube.com/watch?v=O859wd7H6h8

like i said before this was sort of the first "adult" album i started to kind of understand, it made me almost feel older, like some weird vicarious sense of 'mono no aware' when i was 11. and an epic song.

Me and Julio video is hilarious.

Graceland doc looks a little too polite, but in any case this is my all-time favorite album so I'll watch.

wow cool!