Rolling Country 2006 Thread

listening to sliding on the frets, the hawaiian guitar collection, there are several tracks where the volacaztions move from something hawaiian to something either bluesy (oscar woods here) or bluegrassy (the blue ridge ramblerS), or strangely enough yodelling
(the jaw dropping bezos hawaiian orhestra, singing sti honoloou(sp)...

i know that there was a hawaiiana craze in the southern united states (well in all of the united states in the 20s and 30s), and i know that the steel guitar came to country thru that craze, and the linear notes make some tennous connectections b/w blue grass, native hawiaan music, and the blues, among other things, so:

1) does anyone know anymroe of this history
2) how did hawaiian guitar become so popular in appalichia
3) did the work function the opposite way, is there a wakiki blue grass scene
4) w/ ww2, statehood, and the like, i understand the hawaiiana craze from the mid 50s, but have no idea where it came from the 20s or so?
5) also, does anyone know where else i can here this kind of thing

dierks covering barbara's alleged "fast lanes and country roads" now. it rocks.

http://allmusic.com/cg/amg.dll?p=amg&token=ADFEAEE67818DE4EAD7E20C79A3A40CDAD67FD1BFE5AFB86112F0456D3B82D40AF1844C34FA39A81B8E576B466ADFF2EA21606D9C8EF5CFDDB764C40&sql=11:6gjveaw04xg7~T5

how hard is it to find the box set on ebay or something?

Also great on the (potentially eddy 2006 top ten) mandrell tribute: leann rimes's over-the-top adult r&b "if loving you is wrong i don't want to be right" (apparently previously sung by bobby blue bland, the drifters, isaac hayes, luther ingram, the emotions, and most significantly in mandrell's case millie jackson -- she did other millie j. songs too, right? though i doubt she ever sat on a toilet taking a dumb on an LP cover); terri clark's rocking "sleeping single in a double bed"; blaine larsen's very jazzily western swinging "i wish that i could fall in love today." wow. (paisley's sabbath/blondie rhythm track turns out mainly to be a hard boogie.)

also, bruce's "stand on it" wasn't done by mac mcanaly (whoever he is -- i've heard he's good but not sure i've ever heard him); it was done by mel mcdaniel. i always get those two mixed up, but mcdaniel (of "louisiana saturday night" fame) is the one whose best-of album i was retarded to have gotten rid of once upon a time. (xgau's '80s book gives the LP with "stand on it" a B; the greatest hits a B+.)

Well, Kenny Chesney talks about "Jack and Diane" (along with Steve Miller's "Keep On Rockin' Me Baby" --that's what he calls it; what is it really, just "Rockin' Me"? -- and Billy Joel's "Only The Good Die Young") in "Live Those Songs." That's one. (The Leather Nun talk about "Pink Houses" in "Pink House," but they probably don't count.)

ha, basically who it totally sounds like (except with a girl singing) is Rednex! (Was their "Cotton Eyed Joe" a two-step hit in the U.S., or only a techno dance hit in Europe? Now I need to know.)

Now Bomshel's totally unnecessary but perfectly entertaining "Devil Went Down to Georgia" cover is making me wonder about apparent non-sequiturs I never gave a moment's worth of thought to before:

"The devil's in the house of the rising sun": I'm assuming this means the whorehouse itself, and is hence a moral warning? Except the house is in New Orleans, and he's in Georgia. Dude gets around!

"Chicken's in the bed pan, pickin' out dough." Or at least that's what it sounds like. I guess it would make perfect sense if you work in a bakery. But what does it have to do with the rest of the song? Was Charlie appropriating an ancient square dance call, or what?

i still owe you jason mccoy (and edd, and someone else) aargh busy

http://www.youtube.com/watch?v=rGrqW3nx5HM

it occurs to me that bombsel MIGHT be attempting a female version of big n rich's dual-harmony disco-country concept, in a way. their harmonies, if in fact they exist, are pretty close though. unless it's just one of the bombshell multi-tracked, i'm not sure yet.

looking thru my sqaure dance books, i found something called the chicken reel but nothing with the line, chicken in the bread pan, picking up dough

http://www.ceder.net/choreo/patter_sayings.php4 but this song claims the two lines are:

Chicken in the bread pan pickin' out dough
Big pig rootin' up the little tater now.

Chicken in the bread pan scratching out gravel,
get your maid & away you travel.

so i was right, but i dont have the dance patterns

"Country music definitely re-enforces redneck sister-fucking, whiskey-drinking, big-truck, cowboy retard stereotype as much as Yin Yang twins promote chicken-lovin, monkey-actin, small brained jigs. "

This guy seems pretty smart, though:

Dr Flav Says:

September 24th, 2006 at 1:45 pm
Divide and conquer is what is abound. Folk on here talking about racial stereotypes, while using slurrs thats really proactive. The negative context of minstrel shows came from whites applying blackface and exploiting and using thier act to copy or ridicule blacks with talent. This was a case of wanting to enjoy black entertainment, as long as there were not any real blacks around. You can see later how these black influences later appeared in their dances, music and speech.

Dr Flav Says:

September 24th, 2006 at 2:02 pm
A minstrel is a poor entertainer who performs for income, the musician, dancer, mime, poet or singer with a cup on the street could be considered a minstrel. I really find it ignorant for some to base the culture and intelligence of a whole group, based on the actions of a few entertainers, whom acting a fool for comedic value in an apparently on purpose manner. They are making a choice on how to express themselves through their medium. Do you think these people function in this manner all during their daily functions? If you do, who is really an ignorant fool.

Dr Flav Says:

September 24th, 2006 at 2:11 pm
Dont you find it odd, that the black people in region of this country that has taken the biggest and most severe forms of racism is accused of perpetuating racial stereotypes? Do you not think we have a firm grasp on what is truly harmful to not just us, but all people of color in this country?

Dr Flav Says:

September 24th, 2006 at 2:26 pm
Now its north vs south, with the north being most critical of music that if you used an unbiased analytical ear you will hear similar influences universally. Why must the aspiring efforts of others be ostrasiced because of your particular taste? Its one thing to be critical, but being contemptuous toward your own is new improved bigotry. Fact is, we are free people, we can dance, talk, eat and express ourselves without fear or worry of what others think, is this not America?

Dr Flav Says:

September 24th, 2006 at 2:41 pm
Finally, with all this talk about a drag queen cooking chicken, a teenager bragging about a chain and children making up a funny named dance, where is the criticism of the murder, drug dealing, drug using, violence and irresponsibility that has been present in the hip hop music of all regions for over two decades? I sense their are hypocrites with an agenda pushing this southern hate. They dont have to like our music, its enough of us that buy it, but this character assassination of general southern is a problem and can become a problem to northern people who visit and live here in the south, who wants to interact with someone who feels like that towards you?

http://blackademics.org/2006/09/25/everybody-want-a-piece-of-my-chicken/

Allyson makes some good points here; several other people do not.

New McMurtry sequel to "We Can't Make It Here" on his website isn't so hot.

Chris Young's "I'm Headed Your Way Jose" has a pretty neat conceipt -- come on up here and take my house and Chevrolet since I'm headed down there where things are better anyway and I'll give you a high five at the border -- though Chris seems somewhat deluded, needless to say, about what Jose's life down there is like. Though maybe the delusion is built into the song. Or maybe Chris's point is that his life down there would be better than Jose's is now, I'm not sure...

Rest of his album is seeming okay; kinda pedestrian, but then again I thought that about Trent Willmon's album at first (see above), and I was wrong. I'm in no rush, though; I'll definitely give it time.

Lost Trailers album, I decided, is this year's answer to the last (third) (only good) Warren Brothers album. Whatever that might mean. Either way, it's a keeper -- pretty consistent, if never quite great.

Spady Brannon's album is yet another lifeless songwriter demo tape.

And did I mention that Bomshel go into an amusing "the barn, the barn, the barn is on fire" chant in their stomp? Well, now I did.

I think I found the Chris Young song interesting because it's from a
country artist. When I saw the title I kind of cringed, thinking it was either the millionth iteration of the "I'm going to Mexico to drink you off my mind" or some gimmicky red meat for the Build-a-Wall folks.

http://www.youtube.com/watch?v=9r0aHQdA6Vg

I found Chris Young's record pretty lame--he has no resonance in his voice, and sounds to me like a halfway good guy who won a talent competition...wait...and the backing, when you compare it to the best stuff this year, is stiff, predictable. the one where the family reunion gets crazy, owing to moonshine and granny slurring her words and the Gators and UT fans fighting, and then the park ranger comes in to break it up (see ya'll all next year!), that's a good idea. "José" strikes me as plain stupid, I mean "Everybody's talking about the aliens invading/While I'm saving every dime for a Mexican vacation." I admire this kind of...avidity, that is maybe the word, in the young man, and certainly, my heaven includes but is not limited to "hot women and cheap beer." Again, I kind of like the idea and far be it from me to warn anyone away from a trip to our sister country and all that. But he's just not much of a performer; and I find the obvious thinking behind this song--"Chris is as concerned about illegal immigration as anyone in Nashville, and he thought it would just be fun to defuse the situation with a little humor"--typical.

xps

Kelefa's reaction: "great".

My reaction: Not as terrible as I'd feared.

http://www.rockymountainnews.com/drmn/music/article/0,2792,DRMN_54_5020454,00.html

- TK in "rock 'n' roll is dead" shocker
- TK in "lifelong registered democrat" bigger shocker.
- TK in sympathy with the tough life the likes of Sammy Hagar and Bon Jovi have in the modern world non-shocker.

My brother bought me the Solomon Burke LP the other day, which was nice of him . I was a bit concerned it was going to be a horrible Unplugged / Later with Jools Holland reverencefest but it's not (all) like that. Oddly the best bits are when SB reins it in and doesn't overdo the King of Rock n Soul thing. The Emmylou song in particular's very fine, perhaps the secret to getting SB to make great records is to keep the cookie jar well-stocked.

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In other news, I have decided that I like both the Eric Church album and its single about over-the-counter pregnancy tests a lot, that I like the Chris Young album much more than Edd Hurt does (the family reunion song always makes me think of if John Anderson covered Chuck Berry's wedding song "You Never Can Tell," though Chris doesn't really sing like Jawn; "Center Of My World" has the same melody as Shooter Jennings' "4th of July" despite being a lot sappier; the price of gas song is better than the one on Billy Ray Cyrus's new album; "Burn" is great too and "Lay It On Me" is a good fast boogie woogie -- so yeah, he's pro forma, but still more fun than any Randy Travis or George Strait in recent memory); the new Billy Ray Cyrus album is pretty good anyway (the gas song and mullet song are completely shameles in great achy breaky tradition and "Lonely Wins" is basically John Cougar's "Lonely Old Night" with new words and the duet with Miley is very nice and "It Wouldn't Be Me" sounds exactly either like some great Glen Campbell song or some great song by somebody else that reminded me of Glen Campbell once); and Trace Adkins is probably a despicable asshole (though his line about the first ammendment protecting you against the government but not his fist still cracks me up) but his new album is good enough to keep regardless thanks to its two shameless disco-country songs and "The Stubborn One," which is awesome, not to mention about his grandpa.

decided that the great song on new Montgomery Gentry is "A Man's Job," because it's the funniest. "Redder" strikes me as pretty dumb, since they talk about celebrating redneckdom, "don't get redder than that" but they never really come out and say what it is they're doing to be so red. What I've found interesting about MG, listening to their old records again with the new one and having interviewed Eddie last week, is the way they do twin guitars like in the old days, and how adventurous they can be, musically. What I find sort of offputting, as always, are those choruses, like the title song on the new one. "Here's to the strong/Here's to the brave/Against all odds/Against the grain." Kind of stupid compared to the rest of the song, which I quite like. "Free Ride," the last song, is also a good one. I like them but can't take them for very long. Wait, "having too much fun and laughing too loud all night" is how they show their "country class/ass." I dunno, I mean this convenience store I stop at, at the top of the ridge going up from Nashville, is a real, er, redneck place, and man are those folks fucking loud--a real extended-family-clan-affirmation thing on a really loud level, around about 5:15 in the afternoon. I don't think I could be that loud if I tried, although these folks have the virtue of being extremely direct; they have a direct, penetrating gaze. That's who M-G are singing about, and they get it. But as with Chris Young, I guess, they seem to me able to benefit from more detail in their lyrics, which is why I fucking love "A Man's Job" on the new MG; great music, great lope, and they sing it really well and it's funny. (Eddie, I think, found my comment about the great use of "boy toy" in this one real amusing. And he was a bit coached, but seemed totally sincere when he talked about how his dad used this black gospel group and horns to play country clubs in Ky. back in the '60s and '70s.)

I gotta say I don't hear this at all, and I honestly have no idea what Edd's talking about here. To me Young just sounds like a pop-country singer with a good voice. He has no problem putting songs over. Then again, I don't watch many talent shows, so what do I know?