sometime i read christgau and am amazed...

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What I really wanna know is, if David Cross goes to see a band in NY, any strangers ever come up to him and say, "Hey, you look kinda like the music editor of the Village Voice. Except he has HAIR!"

chuck, Thursday, 22 April 2004 20:42 (twenty-two years ago)

I dunno, in that picture of Chuck with the guinea pig, if you just stuck a bald cap on him I think the resemblance would be quite striking. If I had some head shots of David Cross lying around I'd post em side by side but woe unto me I is lazy...

Shakey Mo Collier, Thursday, 22 April 2004 20:43 (twenty-two years ago)

i think i'd be more worried if you had them lying around

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 20:44 (twenty-two years ago)

well I'm at work right now, so I can't get to my collection in the shoebox under my bed.

Shakey Mo Collier, Thursday, 22 April 2004 20:44 (twenty-two years ago)

> "I'm assuming it's not a grand concept album or a samba experiment, > and I'd expect him to note if it were.)"
> Why would you "assume" that?

Because it's called a Consumer Guide. And this is listed under "Other Consumer News." Please don't say "Oh, he's being ironic, you moron." Just don't.


"This idea that every review of a particular record has to say the same things about makes no sense at all to me."
I didn't say it did. I WAS praising this review for hitting the distinctive bits and not bothering with what everyone already knows. Now I'm not so sure.

"What if he thought the samba or grand concept weren't IMPORTANT?? What if he thinks, as I do, that Grand Concepts are almost NEVER important, and rarely have anything to do with what might make a record worth listening to??"

Maybe you're right about the Grand Concept. But if it were a salsa record, would that be a less salient fact of "what might make a record worth listening to" then a couple of lyric snippets?

"Or what if he thought they were SORT OF important, but not as important as the fact that there are songs about reincarnation and penile lengths and girths within Vatican City, and he said, "oops, I only have ten words! Better stick to what REALLY MATTERS here?"

Then I might buy the Blondie album, find out that he completely missed the boat on the most distinctive thing about the album, figure that his priorities regarding music are completely worthless to me, and never read him again.


Jesus, Chuck. Like I said, I WAS praising this review. Now I'm not so sure.


Rick Massimo (Rick Massimo), Thursday, 22 April 2004 20:56 (twenty-two years ago)

Matos I don't think "player-hating" is a trope, I think it's a useful contraction of a pretty complicated idea. That the term is overused doesn't mean its use invalidates an argument made by its use, I don't think - granted, people (a few years back more than now I think) had a really weaselly tactic where any criticism of anything would get preemptively struck down as "player-hating," but that was just lazy use of language. I mean, you might as well say "uptempo" is a tired trope - it's not when the song you're describing happens to be uptempo.

J0hn Darn1elle (J0hn Darn1elle), Thursday, 22 April 2004 21:03 (twenty-two years ago)

Well, I didn't mean to be snippy, Rick. Maybe I'm just having a snippy day, I dunno. Happens sometimes. And usually, yeah, I would guess that if a band made a samba move, that would figure somewhere in a review of the record. But I can definitely think of exceptions. As a critic, I'm ALLOWED to completely ignore the intention of the performer if I want. But yeah, when Lionel Richie put out *Can't Slow Down,* I probably would have mentioned that he included calypso and country songs on it, and no songs that sounded like "Brick House."

chuck, Thursday, 22 April 2004 21:04 (twenty-two years ago)

How is it possible that I disappeared for an hour and a half and came back to 133 new posts?

Naive Teen Idol (Naive Teen Idol), Thursday, 22 April 2004 21:08 (twenty-two years ago)

That's all I'm sayin'. (xpost to Chuck)


Great - now my mind's eye is flashing on the cover shot of Can't Slow Down.


In the immortal words of Alice Cooper, "GOOD NIGHT!"

Rick Massimo (Rick Massimo), Thursday, 22 April 2004 21:09 (twenty-two years ago)

banjomania that's every dumb it down argument ever (ie. the folx in the stix won't get it)(ie. how we (=usa) got to this place)(bush/cheney 2004 - 'dude don't think so much')

Yes blount, the refusal to indulge rock critics who care more about being prose stylists than giving their readers some idea what the recordings under discussion sound like is the first step on the slippery slope to an imperialist plutocracy.

Rockist Scientist, Thursday, 22 April 2004 21:36 (twenty-two years ago)

Rockist you can always check Amazon's customer reviews if you want nuts-n-bolts stuff, I myself am a lot more interested in prose stylings than in "crisp guitar-based rock, produced by Steve Albini" or whatever

J0hn Darn1elle (J0hn Darn1elle), Thursday, 22 April 2004 21:39 (twenty-two years ago)

I do like the comparison of a critic's disregard for their readers with a musicians' disdain for critics. That seems rather apt.

Shakey Mo Collier, Thursday, 22 April 2004 21:40 (twenty-two years ago)

e.g., "you're too fucking stupid to understand my writing" = "you're too fucking stupid to understand my album"

Shakey Mo Collier, Thursday, 22 April 2004 21:41 (twenty-two years ago)

criticism /= nuts and bolts stuff

Matos W.K. (M Matos), Thursday, 22 April 2004 22:02 (twenty-two years ago)

? isn't that what I said?

J0hn Darn1elle (J0hn Darn1elle), Thursday, 22 April 2004 22:02 (twenty-two years ago)

was answering Rockist

Matos W.K. (M Matos), Thursday, 22 April 2004 22:09 (twenty-two years ago)

also J0#n OTM re lazy usage re "player hating," it's just come up a lot lately (or so I'm noticing for some reason) and I'm overly sensitive to it

Matos W.K. (M Matos), Thursday, 22 April 2004 22:11 (twenty-two years ago)

haha now it looks like I'm sensitive to player-hating! I mean I have little patience for its overuse.

Matos W.K. (M Matos), Thursday, 22 April 2004 22:12 (twenty-two years ago)

"Rock critics who care more about being prose stylists than giving their readers some idea what the recordings under discussion sound like"

Rockist, who do you think actually falls in this category? Obviously, you can't say that about Christgau in general.

Tim Ellison, Thursday, 22 April 2004 22:13 (twenty-two years ago)

I miss J.D. Considine's "short takes". Where is he these days?

Elvis Telecom (Chris Barrus), Thursday, 22 April 2004 22:16 (twenty-two years ago)

how many people who contribute to these threads actually read Christgau, I wonder? a lot of the time it seems to me like it's the eqiv. of a pub discussion in which crunk, let's say, is roundly dissed by people who wouldn't know it from a hole in the ground. "omg! that one little fragment I saw on this thread is so bad, how can you say he's a good writer when that 25-word snippet suxorz?! wtf?!"

J.D. Considine was at the EMP Pop Conference! He gave a paper (that I missed) on J-pop, sounded intriguing. Otherwise I think he lives in Toronto and freelances for Blender among others.

Matos W.K. (M Matos), Thursday, 22 April 2004 22:17 (twenty-two years ago)

He's posting to Brecht threads on ILM

Say Something Interesting about "The Threepenny Opera"

Broheems (diamond), Thursday, 22 April 2004 22:18 (twenty-two years ago)

a lot of the time it seems to me like it's the eqiv. of a pub
discussion in which crunk, let's say, is roundly dissed by people who wouldn't know it from a hole in the ground.

DeRo to thread, obv.

Ned Raggett (Ned), Thursday, 22 April 2004 22:19 (twenty-two years ago)

my favorite stuff of xgau's has always been his longform pieces (not counting the pazz and jop's when i think he sometimes goes on more than is good for him, ironically); i always saw the cg haiku's as mental colon cleansers.

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 22:19 (twenty-two years ago)

also, let's face it, the man is really good at snappy putdowns.

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 22:20 (twenty-two years ago)

haha which, as anyone who posts to ilx regularly should know, is an art

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 22:20 (twenty-two years ago)

when he loves loves loves something he can be really amazing, because he's so unsentimental and so hell-bent on saying something interesting or worthwhile or that hasn't been mentioned yet. the live D'Angelo review is one of my favorite pieces of music writing ever anywhere, I about jumped out of my chair when I first saw it.

Matos W.K. (M Matos), Thursday, 22 April 2004 22:21 (twenty-two years ago)

Nuts and bolts, or not, I don't think of critcism as something that exists autonomously, worthwhile for its own aesthetic value, or for what it reveals about it's author, or the like. It's functional, or it started out as something functional.

(I'm not into those French guys.)

I need a new job. This one leaves me too much dead time with a PC in front of me.

x-post: Rockist, who do you think actually falls in this category? Obviously, you can't say that about Christgau in general.

What I've seen of Christgau often falls into this category, but I haven't gone out of my way to read him.

Rockist Scientist, Thursday, 22 April 2004 22:22 (twenty-two years ago)

which, I think, is a lot of people's problem with him: he's unsentimental, and he's trying to say different things about music or people or books or whatever than you've read 50 other places. that unnerves people; it unnerved me for a long time in other people's writing (for some reason I always cottoned to RC's stuff, probably because we share affinities for a lot of things), I'd feel like, "Well you can't say that!" and of course you can, you just have to be good at it.

xpost: DING DING DING DING DING

Matos W.K. (M Matos), Thursday, 22 April 2004 22:24 (twenty-two years ago)

"It's functional, or it started out as something functional."

Sort of like salsa music, Rockist? Do you not think that's "worthwhile for its own aesthetic value, or for what it reveals about its author" either, since people dance to it? Bizarre. How, exactly, does walking prevent a person from chewing gum??

chuck, Thursday, 22 April 2004 22:40 (twenty-two years ago)

chuck, in criticism, I see enjoyable prose style as a nice extra. I'm not saying it can't be there, but it's not normally a reason I would read it. (I don't read things for that reason, in general, though.)

How it's different from music designed to be danced to I'd have to think about. I guess for one thing, in my experience, salsa or some other music made to accompany dancing is enjoyable to me when I'm just listening to it without dancing.

Also, if I went out to see a salsa band, with the intention of dancing, and found that they were going off on their own tangents which made it difficult to dance to them, I'd be frustrated and feel cheated (unless I just happened to really like their tangents). In a similar way, if I read one of Christgau's really compact, elliptical and hard to decipher reviews, when I wanted to get an idea of how something sounded, I'd be unsatisfied.

And I guess my complaint would be with critics who aren't taking care of the functional side of their work.

Rockist Scientist, Thursday, 22 April 2004 22:54 (twenty-two years ago)

gawd.

Matos W.K. (M Matos), Thursday, 22 April 2004 23:01 (twenty-two years ago)

Gawd, what? Explain what is so awful about that?

Rockist Scientist, Thursday, 22 April 2004 23:02 (twenty-two years ago)

> I see enjoyable prose style as a nice extra. I'm not saying it can't be there, but it's not normally a reason I would read it. (I don't read things for that reason, in general, though.)>

So mainly, you enjoy cookbooks, phone books, and auto repair manuals?

chuck, Thursday, 22 April 2004 23:03 (twenty-two years ago)

What critics, in your mind, take care of the "functional" side of their work MORE than Christgau, Rockist? I'm really curious. (I could name some, but I've never much noticed him LACKING functionality in any way. In fact, he writes about music from around the world, which you seem interested in, as functionally as anybody I've ever read.)

chuck, Thursday, 22 April 2004 23:06 (twenty-two years ago)

(He does admit salsa's sometimes a blindspot, though, I guess. As is lots of music from around the world that I like more than he does.)

chuck, Thursday, 22 April 2004 23:08 (twenty-two years ago)

It would help non-Xgau people a lot if they read one of these first.

gabbneb (gabbneb), Thursday, 22 April 2004 23:09 (twenty-two years ago)

This is an interesting discussion, especially for myself as I write video game reviews for a living. Our industry has never really had a place for the more intellectual/philophical bent that alot of music critics takes for granted....Personally, my job is (hopefully) to put things into some larger picture, and (again, hopefully if I'm any good) bring some interesting takes as to why a certain game is important or significant or why it's compelling....

BUT...

I think that game reviewer as a whole definitely take the course that I think Rockist is talking about -- i.e. giving consumers nuts-and-bolts explanations of a consumer product and what works and doesn't work about it...

Obv. games are different because they are software as well as art--- bad graphics or technical glitches are just bad graphics and technical glitches -- there's no "lo-fi" charm in gaming...so we have a lot more simply "black and white" issues that aren't really a matter of taste or philosophy....but it is funny because this discussion would never happen with a bunch of game journalists....

I sometimes wonder as games get more complex in terms of plot/story/emotional content if this might change...obv. graphics are getting better and better so in the future technical issues won't be as paramount in the minds of gamers...hopefully they'll become more focused on the impact and style of the experience...

M@tt He1geson (Matt Helgeson), Thursday, 22 April 2004 23:11 (twenty-two years ago)

was gonna post, found I didn't have to--thx, Chuck

Matos W.K. (M Matos), Thursday, 22 April 2004 23:14 (twenty-two years ago)

Didn't an reviewer of automobiles for the LA Times just win the Pulitzer for criticism? I really wanna start reading that guy!

chuck, Thursday, 22 April 2004 23:15 (twenty-two years ago)

rock critics caught in self-righteous defensiveness SHOCKAH

Shakey Mo Collier, Thursday, 22 April 2004 23:16 (twenty-two years ago)

all i can think of now is that episode of seinfeld where jerry goes and heckles the woman at her office

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 23:17 (twenty-two years ago)

I just find it funny when critics on ILM go into paroxysms about the value of their work/profession, given how much of their profession is based on being dismissive of the work of others.

Shakey Mo Collier, Thursday, 22 April 2004 23:20 (twenty-two years ago)

well i think the difference is that most music critics don't go around routinely pointing out the inherent worthlessness of music

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 23:22 (twenty-two years ago)

really? what do you call a ten word review that tells you nothing about the album and is instead a sorta snide critical joke? That seems pretty fucking dismissive to me. If I was Blondie I'd be fairly disappointed.

Shakey Mo Collier, Thursday, 22 April 2004 23:25 (twenty-two years ago)

sorry, that should say "music", not "album".

Shakey Mo Collier, Thursday, 22 April 2004 23:27 (twenty-two years ago)

it tells you nothing, shakey, only because you aren't listening

gabbneb (gabbneb), Thursday, 22 April 2004 23:27 (twenty-two years ago)

you really think a dismissive 10 word review of one artist (even without contrasting it against xgau's life's work) is dismissive of the entire medium?

strongo hulkington (dubplatestyle), Thursday, 22 April 2004 23:28 (twenty-two years ago)

Right, Shakey.

"Believes in reincarnation, wishes the pope had a bigger dick" = "All music is horrible." How could anybody have interpreted it otherwise?

chuck, Thursday, 22 April 2004 23:28 (twenty-two years ago)

excuse me, it was Jess that brought in the "all music is horrible" trope, NOT ME. I think 10 words counts as being dismissive. I understand that's the nature of the format xgau's working in, but that's a really lame format as far as I'm concerned.

Shakey Mo Collier, Thursday, 22 April 2004 23:30 (twenty-two years ago)


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