dj koze - kosi comes around

I like the Superitcher mix, but it kind of... doesn't quite do enough to justify it's length perhaps? Or what it does is great, but not for all 9-ish minutes? Perhaps I'm not making enough of an effort to hear it as it would be played 'out'.

KLIKS PRESENT KOMPAKT
SATURDAY 18.03.06
CONCORDE2, BRIGHTON

http://kliks-net.com/

Main Room:
DJ KOZE (International Pony, Hamburg)
THE MODERNIST - live (Popular, Düsseldorf)
LEE SMITH (IDJ Magazine/kliks)

Bar:
MARK LERMAN (kliks)
CARL WICKER & GRAHAM SCOTT (kliks)

Three years ago, 'minimal' house and techno was virtually non-existent in the UK. Fast forward to the present, and seemingly every club, DJ and magazine is going crazy for the stripped down sounds of labels like Poker Flat, Minus and, of course, Cologne's mighty Kompakt.

As the first British club to dedicate itself to the minimal scene, Kliks has been responsible over the last six years for UK debuts from countless international guests, and built itself a reputation as one of the most respected and rocking club nights in Europe in the process. So, for our inaugural party at Brighton's notorious Concorde venue, we've joined forces with Kompakt to present two of the label's most important and electrifying artists...

DJ KOZE:
Currently Germany's biggest DJ (voted DJ of the year for the last five years in the highly respected SPEX magazine), DJ Koze is without doubt the most formidably talented exponent of minimal turntablism in existence right now. A former runner up in the World DMC Mixing Championships, his jaw-dropping deck skills are in constant demand the world over. Renowned for his wildly eclectic, club-shattering musical selection, you're as likely to hear him spin the Beatles and Otis Redding as you are Plastikman, all tied together with blisteringly on-point technical skill. He's released a string of hit club records on Kompakt, including last year's acclaimed 'Kosi Comes Around' LP, and is also a member of Skint Records' hugely popular electro-disco act International Pony. As if that wasn't enough, he's also behind the chart-topping German Hip-Hop trio Fischbein. We await his debut Kliks performance with baited breath...

THE MODERNIST - live:
An undisputed legend of European dance music, Jorg Burger (aka The Modernist) started releasing records way back in 1988 with his long-time partner, Wolfgang Voigt (aka Mike Ink, founder of Kompakt). Over the next decade, the pair assaulted the world's dancefloors with a bewilderingly prolific surge of classic records, combining the raw intensity of early Detroit techno with their own unique brand of distinctly European, acidic trippiness. Under a plethora of aliases (including The Bionaut, Burger Industries, Autobianchi, and currently, Triola, plus many more) he pretty much defined what is now known as 'minimal', and is cited as the key influence by countless contemporary producers and DJs. Along with Voigt, he founded the Delirium record store in Cologne, which went on to form the basis of the Kompakt empire, as well as editing Dance Attack Magazine and releasing a bona fide mainstream smash LP on EMI (The Bionaut's 'Lush Life Electronica'). Burger's rich, timeless, elegant sound has yet to be surpassed by any of today's laptop generation, and his super-rare live performances have now reached near-mythical status. Don't miss the chance to catch a genuine pioneer in action.

LEE SMITH:
Co-founder of Kliks and original Brighton minimalist Lee Smith has been spotted face down in numerous ditches across Europe this year. Somehow, he always manages to rock the dancefloor and cobble together a coherent minimal reviews page for IDJ magazine, which you'll know is quite an achievement if you've ever seen him on a night out. He writes for loads of sites and music rags and is one of only four UK DJs to have played at Kompakt's seminal Total Confusion club in Cologne.

BAR - KLIKS RESIDENTS:
Our highly-trained residents' squad will be on hand to provide everything from delicate, pristine ambience to terrifying 80s squat-punk. They're all great DJs, but sadly hate each other's guts these days.

Up and down and all over the place, in that 'i can't beleive he's making me dance to this, but i can't help myself' kind of way.

Anyone recognise any tracks?

There's also another Koze video on Youtube where they show a clip of his cover of "Love Can't Turn Around."

pretty sure it was actually Fischmob, just sayin

I'm just going to revive this to talk about how totally great Reincarnations: The Remix Chapter 2001-2009 is. The little sped-up vocal sample at the end of the Matthew Dear remix that kicks it off ("Thank you! We've all enjoyed being here tonight! You've been a great audience! We're gonna close with a song for all you dreamers!")--I melt, every time.

I love the sequencing, too. Seems kind of random at first but the more I play it the better it flows. Matthew Dear into Koze vs. Sid Le Rok is really beautiful, the Battles track sneaks up on you from there, and the way "I Think About You" and then "Minimal" march out snaps you to attention without sounding jarring in the least. I will be really happy if I like another album as much this year.

Has anyone on here heard Music Is Okay? It's apparently the first remix compilation--at least the sticker on the new one says that it (Reincarnations) is his second, and from what I can see on Discogs Okay is probably the first. I've never seen that one; I'm presuming it's out of print.

unfortunately i haven't heard all of this yet, but the remix of 'strange behavior' by blagger is a good 'un.

I kind of wish this was mixed but it is really good. Also missing is his fantastic remix of Ada that's starts off with a Jay-Z sample

You mean "Eva"? That's on the forthcoming Ada Mixtape #1 comp on Kompakt.

Yep, that's the one. The mixtape looks cool but is she ever gonna get around to putting out a follow-up to Blondie?

I've been wondering the same about Koze--as Koze, of course. Is it horrible of me to have not really paid any attention to International Pony?

No, that recent IP album wasn't as good as it should have been.

I have some basic idea of the IP style but haven't dug in enough--I think I've been afraid it wouldn't measure up to the Koze stuff. But then I don't think any dance producer has measured up to Koze's stuff for, oh, half a decade now.

any techno producer, anyway

I think International Pony would be better if they simply wrote more songs, and relied less on musical sketches as filler. That said, I still love all of Pony's albums. And the doublepack with Pepe Bradock remixes of "Bubble in the Bottle" is great as well.

Do you have "All the Time"? It's excellent.

I think I'll second Sherburne's take. And i think the Sweet Madness's tracklisting (hello, "Solid Gold", hello "Bubble in the Bottle", hello the "Royal Pennekaums", hello party people...) shows that IP also concur.

Maybe checkout fellow IP member Erobique's latest 12" - Endorphin Machine - if you want to investigate the current IP sound without tainting Koze's quality control reputation.

Mango Cookie!!!

I just noticed that the track has another six minutes to play out and got really excited.

mrs bojangles / dr. fuck... anyone heard it? i want to hear it.

"Mrs. Bojangels/Dr. Fuck" is really really good.

mrs bojangels is fun, very immersive

http://images.contactmusic.com/images/press/dj-koze-amygdala-album-cover-press.jpg

is pretty awesome

I do like it a lot but it does sound enough like (the more recent parts of) Reinterpretations to seem to suffer slightly in comparison. Still, nobody sounds like koze.

Yeah, this is great. Really glad that he dips into 'Smorning' (probably his most underrated tune IMO! IMO!) territory on 'Das Wort'.

how'd he get away with the Marvin sample anyway?

as much as he's a techno hero etc, his sense of pop is the best thing about him. unique.

i'm listening on npr but which track is the one with the big brass breakdown. incredible.

I don't think that's a sample. Great album though.

The track with Ada, as lovely as it is, is a bit of a missed opportunity...they were two of the biggest reasons (along with Michael Mayer) for getting into house/techno as a teenager. I guess I was hoping for more than a Kings of Convenience cover.

Still, been playing the album on a loop all day. So good.

Pretty sure he samples Marvin thrice actually. There's the obvious "We are all sensitive people" bit, then it sounds like he's cutting up the 'woahs' from "What's The Matter With You Baby" on "Don't Lose Your Mind", and i think that distorted vocal at the start of "Ich Schreib Der En Buch" might be him too

the bass on "magical boy" is really sublime

His sampling aesthetic feels v different to pretty much anyone else in dance music. How he mashes sounds and motifs together. It's like ideas colliding into one another somewhere in the lower intestines of the world.

This feels like an Avalanches album done by Koze

The 'sensitive people' part sounds re-sung to me, not like a sample. Could be wrong though.

it's a damn good impression if so

yeah, pretty sure its not a sample

digging this album, not a fan of m. dear's vocals, though.

yeah otm, liking this but the vocals on that song are horrific

Not a fan of Matthew Dear in general so am braced for that one in advance. Is this out yet?

out next week, streaming at http://www.npr.org/2013/03/14/174333356/first-listen-dj-koze-amygdala

Yeah I think using Dear twice is just perverse really.

ah he's not that bad. more dull than irritating imo.

he's dull on one of them but actively horrifying on the other

Call me strange but isn't the whole idea of DJ Koze using skew-whiff/unexpected/'whatever the hell he feels like' approaches very him? Seems like you're reacting not to a bug but a feature.

I'm always more irritated the second time but I'm not yet sure if that's because it's so much worse or it's just like, "wait, what, again?" Possibly a bit of both.

xpost Ned you're correct but cannot one distinguish between good and bad variants of that.