Rolling Country 2006 Thread

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This guy has the best name of any country artist ever!!

http://home.comcast.net/~eddycee28/

xhuxk, Monday, 9 January 2006 20:10 (eighteen years ago) link

Boo, no free mp3s. But the CD is only $5.

Roy Kasten (Roy Kasten), Monday, 9 January 2006 20:22 (eighteen years ago) link

*Does the movie explain what happened to his inheritance?*

no, I don't remember that it did. it seemed a bit hazy and incomplete on his family history, actually. and it seemed to gloss over the conflict over the rights to his music (between Eggers and his family), too.

edd s hurt (ddduncan), Tuesday, 10 January 2006 01:17 (eighteen years ago) link

listening to this Memphis-produced post-alt-country album today, Amy LaVere's "This World Is Not My Home," which has Jim Dickinson and Paul Taylor (who played bass with the Dickinson brothers in a band called DDT way back before they went jam-band, or rather, he played with them with they were jam-band but with real jam-band material, like the Allmans's "Hot 'Lanta) playing on it. I expected to not like it at all, but I kinda do. her voice is a bit little-girl, but sexy, and hints at soul, somehow. songwriting not first-rate, but there are two songs I quite admire: the opener, which is sort of a Ribot/Tom Waits snake-slither, and one called "Nightingale," which is really nice and minimalist, lots of overdubbed pedal steel and guitars. other tunes hint at good Doug Sahm, and there are a couple nice 6/8 country-soul-atmospheric ballads, too. she plays upright bass too. if she had something to really sing *about* it'd be great, material is definitely a problem. but I like the sound of it, and quite enjoy the hokey and honky approach to old-tyme country music. and in her live show, she covers Koko Taylor, Hank Williams and some real obscure Carla Thomas tunes, too.

edd s hurt (ddduncan), Tuesday, 10 January 2006 01:51 (eighteen years ago) link

I've been enjoying that LaVere record too.
A friend just sent me 6 mixed CDs of choice and sometimes obscure country soul tunes. Carla Thomas doing "I'm Lonesome I Could Cry" is killing me right now. I'd never heard it before.


Roy Kasten (Roy Kasten), Tuesday, 10 January 2006 03:40 (eighteen years ago) link

i really want an ysi of that

anthony easton (anthony), Tuesday, 10 January 2006 04:40 (eighteen years ago) link

The Patty Hurst Shifter guy sounds kinda like David Gray, teh "Bably, one" guy. I heard part of a live radio session with Gray band once, not so bad, and he and this guy have a certain gray cool; he's not as boring with some of these grayer lines,as a lot of other guys with similar approaches are. I guess he'd fit into the countrybluespolitan sector of my Ballot comments, which I just added some more too (Keith Urban compared to Harry Connick Jr. and Chet Baker, and if Stan Getz had sung, I would have mentioned him too: whitebread with wailin' axe, though Keith's axe doesn't get enough room on most of his tracks, which I guess is John Mayer's thought too, with his new Trio)(also this bluescountrypolitan, or bluespolitan graf now refers back to the "Howdy Ma'am" thing about Hot Apple Pie and Billy Currington [who knows to have a smoove-r&b-related discreet groove on his better tracks]). Also mention of Edd's goodun on Gary Allan at end, and corrected speling of "Allan" all throughhttp://thefreelancementalists.blogspot.com/ (Frank's Bare heap good too. xpost Elvin: think it was Hog Heaven, where he had Maria Muldaur and Amos Garrett singing and picking along with him; real good.)

don, Tuesday, 10 January 2006 05:42 (eighteen years ago) link

Oh yeah, re Patty Hurst Shifter (what does that name mean?) and power pop: kind of an interesting discussion of country and power pop on that thread xxhuxx started, think the title had to do with that guide to power pop he bought from a homeless guy in St. Mark's Place?

don, Tuesday, 10 January 2006 05:49 (eighteen years ago) link

I don't think the name means much, but it's a play on "hearst shifter," which is a gear head term for a cool manual transmission stick.

Roy Kasten (Roy Kasten), Tuesday, 10 January 2006 06:10 (eighteen years ago) link

YSI-ed it to your gmail, Anthony.

Roy Kasten (Roy Kasten), Tuesday, 10 January 2006 16:46 (eighteen years ago) link

i got it, and i was amazed, thank you

anthony easton (anthony), Tuesday, 10 January 2006 17:04 (eighteen years ago) link

what about the Urban/Nicole Kidman romance? I saw something on this on E! or somewhere like that. will it last longer than Chesney/Zellweger? me, I'd go for Naomi Watts! and, is Urban nothing more than our era's answer to David Carradine? with a pretty great guitar technique and a sort of dazed response to his own fame? when will Robert Altman do "Nashville 2" and cast Urban, Kidman, Watts, Toby Keith, Blake Shelton (as the good guy) and Sara Evans (in a frenzied reprise of the famous Parthenon-shooting scene at the end of the original)? just think what a gaggle of actors with zero knowledge of country music could make of today's scene, as our answer to Henry Gibson--Paul Giamatti, Alec Baldwin, Benecio Del Torro...?

edd s hurt (ddduncan), Tuesday, 10 January 2006 17:18 (eighteen years ago) link

So the iTunes free single of the week is Jace Everett, "Bad Things." I've listened to it 5 times and I'm not feeling it. Reverbaholics will dig the guitars and there's one cool little organ break but the S&M atmospherics are neither sexy nor especially creepy. The lyric is slight, almost non-existent, and as a confession of a lonely dude's dark side it still sounds repressed, or rather trying too hard to be unrepressed, as if, given the chance, the worst the singer could do would be to suck on "your" toes while playing the bootleg DVD of Brokeback Mountain with the sound down.

Roy Kasten (Roy Kasten), Wednesday, 11 January 2006 03:49 (eighteen years ago) link

That would be close enough to the worst for me, if not for "me," thanks.Edd, do you mean Sara as the Loretta figure? I'd like to see her bring xtian xtasy to the choirleader's part, and let Naomi go Loretta (I'm sure she'd be *committed* to the role heh). But who would Toby play? The assassin? There has only been one Shelly Duvall,ever, especially in those undies (sigh).I bet Nicole would think she could freak out like Loretta, since she played Virginia Woolf. (Albeit with a fake schnozz, but that was the suspense; would it fall off when she freaked out?) And next, in an even more dramatic defiance of genetics, she will BE Diane Arbus! (I just read it.)There was a tribute to the Nashville soundtrack, but Keith wasn't on it, alas.

don, Wednesday, 11 January 2006 06:15 (eighteen years ago) link

Oh, speaking of bluescountrypolitan, I just saw a one-reeler on CMT, with the Mound City Blue Blowers, Whitey & Ed Ford, and others. Towards the more polished side or end of the Hillbilly Corn era, it seemed: three girls singing a little twangy, but the harmonies were like barbershop (usually four parts, right?) A bluesy song, not real emotional, but enough. Checked, "country" dresses, but with frilly bloomers, so hillgenteel, if a bit quaint in the fashions (conservative). The Mound City Blue Blowers did a moody,bluesy song I've heard in Busby Berkley musicals (you'd know it if you heard it; damn what's the title?). Dominated by a kazoo (or something else?) played through the metal flower-shaped amplifying horn off a victrola, but not the metallic def-a-kazoo all over the Memphis Jug Band, but then i didn't hear a jug either. Next to the horn-and-other player was a percussionist, with 3/4-size brooms (bigger than whisk brooms), with no handles, which he played like a drummer plays brushes, basically, across a thick cloth over the side of a standing leather instrument case, which he kicked in syncopation. Not too slick, not too basic, not too intense. Why shore, don't you know there's a war on?

don, Wednesday, 11 January 2006 06:36 (eighteen years ago) link

i got the new edition of avedons in the american west, and i was really suprised, among the cowboys, the rig pigs, teh carnies and the secertaries, the ministers, and the like, there is almost nothing about the music, nothing about the sound, and i wonder, this sort of studio in the heart land cleaned up filth, does it have a sound track

anthony easton (anthony), Wednesday, 11 January 2006 06:42 (eighteen years ago) link

modified from metal thread:

"Sunlight Breaks In" and "Just Like Me" (off *Tracks* by Uncle Billy's Smokehouse from I guess Worcester, Mass, or thereabouts) are like Guns N Roses crossed with Alice In Chains doing country-rock fit for CMT; the guy's high register actually pulls off its Axl attempts.
(The rest of the album is excellent too, but more hard rock than c&w.)

xhuxk, Wednesday, 11 January 2006 15:29 (eighteen years ago) link

this has probably been discussed here or on last year's thread, but what's the take on josh turner? i've seen that "your man" video 3 times in the last few weeks and it's a pretty sweet tune. he's got that real deep country rumble, especially when he dips down at the beginning of the chorus. sexy. 17-year-old stepdaughter of a guy i know says the song makes her want "to hump the radio."

gypsy mothra (gypsy mothra), Wednesday, 11 January 2006 18:32 (eighteen years ago) link

Funny, I was just searching the other day for what was said about Turner, which if I remember right wasn't much. I've been listening to the album and I can't get excited about it and it's not because of his voice, which is all right, but because the production feels so rote. But I haven't seen the video and I am not a 17 year-old girl.

werner T., Wednesday, 11 January 2006 20:02 (eighteen years ago) link

i haven't heard the album but it's a good single.

gypsy mothra (gypsy mothra), Wednesday, 11 January 2006 23:10 (eighteen years ago) link

(but i'm sure it doesn't hurt that he's sorta hunky)

gypsy mothra (gypsy mothra), Wednesday, 11 January 2006 23:11 (eighteen years ago) link

actually, I wrote this toward the tail end of last year's thread:

----------------------------------------------------------------------

Josh Turner is not an alt-country guy; he projects his voice, and it's a warm booming baritone, I guess (inasmuch as I know how to identify "baritone"). Still not sure how much I like it. He did that long black train song last year that lotsa people loved but which, for me, was more like "lookit me I'm doing a long black train song, how dark is that, huh?" It was okay, though. So's his new album that's coming out, *Your Man,* or at least the 9 songs I've listened to so far --well, not all of them, not even most of them. But "No Rush" is a truly sexy lover-with-a-slow-hand song that reminds me that the Pointer Sisters had their country moments too (not that it remotely sounds like them). And there a song about buying "Loretta Lynn's Lincoln" that drops lots of classic country names that, okay, well, it sort of annoyed me so far I guess. And one called "White Noise" that's a duet with some familiar country voice from the '80s (John Anderson, maybe? Or maybe not) who isn't mentioned on my advance CD; the idea is that country music is "white noise" but one line's a disclaimer about how this ain't a question of black and white, it's about Johnny Cash and Charlie Pride, so I have no idea what the "white" part IS supposed to mean. And there's another duet with some way older country guy (Ralph Stanley, maybe? these are totally wild guesses mind you) called "Me and God"; first line argues that anything's possible with me and God, but at first I swore Josh was saying anything was possible with a MEAN God, which would of course be a much scarier yet more interesting idea, but no dice. So, um....at least ONE good song, the "No Rush" one. But maybe more. (And I am gonna be embarrassed when I figure out who I confused with John Anderson....okay, I'll check the internet: Gulp, it IS John Anderson; Josh co-wrote it with him -- I passed the blindfold test, yay! And "Me And God" IS Ralph Stanley!! I'm shocked I got those right.)
-- xhuxk (xedd...), December 23rd, 2005.


New Josh Turner winds down to a song about gravity that's sadly more metaphorical than scientific followed by the rote "Way Down South" that ends with some nice jaunty picking of "Dixie". Just remembered there was also an earlier tune about feeling out of place in the big city. If this was an *Entertaiment Weekly* review, I'd give it a B.

-- xhuxk (xedd...), December 23rd, 2005.

xhuxk, Wednesday, 11 January 2006 23:15 (eighteen years ago) link

>I'm getting the best sounds off the frustrated and desperate vanity pressings distributed by CD Baby. If you can sift them on-line, not at CD Baby proper... there are surprises surprisingly easy to find.<

Actually, you kind of CAN sift through bands at CD Baby proper. Searching by subgenre seems to pull up a lot of chaff (though some of it inevitably looks interesting), but there's one search engine function where you can look for bands who theoretically sound like, oh, "Montgomery Gentry" or "Blackfoot" or "Johnny Taylor" or "Opeth" or "Teena Marie" or "Rick Springfield" or whoever else you plug in, and this links to their websites...I just started doing it in the past couple days, and it gets addictive. Will reveal results when I have some.

xhuxk, Thursday, 12 January 2006 02:45 (eighteen years ago) link

So it turns out (according to the new issue of Billboard) that a guy named Tim Nichols wrote both Terri Clark's "Girls Lie Too" and Lee Ann Womack's "I'll Think of a Reason Later," both of which singles I'm pretty sure I voted for in Pazz & Jop in their respective years, which probably makes Tim Nichols one of my favorite country songwriters of our time, especially since he also wrote "Heads Carolina, Tails California" for Joe Dee Messina, "Love My Life" for Jamie O'Neal, "I Wanna Do It All" also for Terri Clark, and, well, "Live Like You Were Dying" for Tim Quickdraw McGraw (hey, bulls named Fu Manchu are cool.) (Some of them he wrote in conjuncition with a lady named Connie Harrington, so perhaps she's good too.)

xhuxk, Thursday, 12 January 2006 13:41 (eighteen years ago) link

Now playing: New album by Michigan's Red Swan, the missing link between Killdozer and, I dunno, Nickel Creek or somebody. It rocks.

xhuxk, Thursday, 12 January 2006 14:02 (eighteen years ago) link

Thing about Red Swan is their more bluegrassish excursions (not to mention their singing and melodies) give them a beauty that all those draggy old pigfuckers like Killdozer never had, which makes their backwood lyric shtick a lot more engaging -- also doesn't hurt that their backwood lyric shtick contains lots of actual narrative details in the stories about Beaver Island and Thunder Bay and Slave River and Rose Lake and the Fenner Arboretum and sundry burning Christmas tree farms out past the cornfields where the woods get heavy. And to my ears, the beauty also helps them rock harder than gratuitous uglies like Killdozer (or Scratch Acid, and Birthday Party) ever did.

(They are also what Sufjans Stevens's Michigan album should've been.)

xhuxk, Thursday, 12 January 2006 14:19 (eighteen years ago) link

say all you want about Killdozer as long as you don't fuck with Pachinko

Haikunym (Haikunym), Thursday, 12 January 2006 14:45 (eighteen years ago) link

Povertyneck Hillbillies, seven-man band from Western Pennsylvania, apparently logging hundreds of nights on the road every year: I want their album to STOMP like Montgomery Gentry; it doesn't, not very often anyway, but they're good when the melodies get darker and they let the arragenments stretch out a little -- in "She Rides Wild Horses," "Jericho," their cover of Fastball's "The Way" (mid '90s one-hit-wonder top 40 fake-alt powerpop nugget that I always thought had a certain Elvis Costello Tex-Mex bent, and I'm guessing these guys agreed), and "One Night in New Orleans" (which verges slightly on zydeco and has some sexy French words about voulez vous and je'taime and for some reason reminds me a little of the old turn of the '80s Louisiana AOR swampers Leroux, which might not be a coincidence.) The other cuts frequently veer toward mush, but sometimes catchy mush.

xhuxk, Thursday, 12 January 2006 17:47 (eighteen years ago) link

Fastball's "The Way" (mid '90s one-hit-wonder ...)

Pedant alert: They were a one-hit wonder, but not with that song. (It was never a commercial single and so never charted.) They followed it up with the Top 20 "Out of My Head," a disposable ballad that is to them what "Look What You've Done" is to Jet. They later did some stuff I really liked but nothing that clicked like "The Way."

P.S. Western PA is an underrated source for indie music today imho.

Joe McCombs, Thursday, 12 January 2006 19:48 (eighteen years ago) link

jena peri, *catching files with vinegar*, tuff-girl pop-rock benatar/hynde style from brooklyn and/or east village, ramones crony daniel ray on some guitar and pedal steel, first two songs about new york ("every time i take a 747 people ask me about 9-11") are really good and bouncy, her slower more introspective therapy-session stuff pretty bleh. "lust" has the most lusty guitars and most lesbian words (she tells a girl she's her type while reaching across table); "l.a. girl" has pedal steel but it's early '80s l.a. style new-waveabilly about a bikini-clad groupie who'll be "your broad if you're in billboard"; "i'll be gone" is the elizabeth mcqueen-worthy pub-rocky bouncy country tune in the middle, with the singer waiting at home in her crotchless undies for her guy (or girl?) who's out drinking, playing all of said significant other's 45s while painting toenails.

xhuxk, Thursday, 12 January 2006 20:26 (eighteen years ago) link

...I just started doing it in the past couple days [re CD Baby], and it gets addictive. Will reveal results when I have some.

The numbers are fundamentally astonishing. They come in loads -- 200 at least per week, often as many as 800 some, through the end of the year as the entire catalog is moved on-line for download. Very few of these acts, thousands, get even the slightest mention in even the fringes of the media. Since so many are classic rock and the genres that the writing class likes to shun, it's predictable. Plus these are often bands so clueless they don't even know how to market to the urban slum genre pubs.

But that's where most of my good new listens to are coming from in the new year so far. Electric Boogie Dawgs, for instance, from California, have a name so terrible it's good (like Billie's Smokehouse), but their album is sure a lot better than the gobbler just issued by the Shack-Shakers. And I did like the latter's a year ago.

George the Animal Steele, Thursday, 12 January 2006 20:38 (eighteen years ago) link

So I've been watching fragments of the Frontline series about two boys from the rural green and brown slum of eastern Kentucky. Can't watch it straight, don't need a rehash of what coal and farm town interior Pennsy used to be like.

Anyway, one of the fellows is going out with a girl and her pop is a local country artist. He's so sincere and earnest he instantly inspires nausea. The kid plays electric guitar and does freeform emo Xtian metal which I couldn't stand either but might be someone else's bag if he got on Myspace or something. Heck, maybe he is in on Myspace.

George the Animal Steele, Thursday, 12 January 2006 20:46 (eighteen years ago) link

Actually, Jana Peri catches FLIES with vinegar, not files. Though the latter would be a neat office trick. She also closes her album with something called "I Wanna Rock" where she says she doesn't understand reggae or gangsta rap or sundry other musics, but I forget why not.

I saw the first episode of "Country Boys.* Not sure if that one kid's student newspaper ever came out. Wonder how long it'll take for the other kid's goofy christ-metal song to inspire a wiseass cover of it.

elieen carey *hearts of time* on now. nashville-based, i think, but she put out the CD herself apparently. first two songs are pop-country backed by stones music, very mellencamp. and a couple of the slower songs that come later ("someone like you," "blue collar man" --nope, not a styx or BTO cover, but that's okay) are just as good.

xhuxk, Thursday, 12 January 2006 21:02 (eighteen years ago) link

the blue collar man is "a joker and a smoker" and "a rambler and a gambler," which i guess means he likes steve miller AND bob seger. (also the song is very shania twain. he loves her like a handy man.)

xhuxk, Thursday, 12 January 2006 21:31 (eighteen years ago) link

also her song "lazy" has a light afro-caribeean percussion undertow, and it's about her cheese-hatted man being a lazy slob who leaves his beer bottles everywhere while eileen's stuck watching c-span. and that's followed by "good time charlie," another rocker (and no relation to the great danny o'keefe hit from the '70s where good time charlie has the blues). and the album ends with another shania-worthy track. the songs she gets partial writer's credit on, which is about half of the album, include most of the ones that i've mentioned, too -- including the three most rocking tracks and the latin-ish one.

xhuxk, Thursday, 12 January 2006 22:00 (eighteen years ago) link

cottars *forerunner* = more fresh-faced good-looking kids (this time two boys and two girls, two brother and sister pairs i guess, all with "mac" at the beginning of their names, from the maritimes) playing reverent bluegrassy reels/hornpipes/polkas/jigs cape breton style i guess. possibly more energy than nickel creek, for sure less energy than the duhks. better when they keep mouths shut. i'll pass.

xhuxk, Thursday, 12 January 2006 22:35 (eighteen years ago) link

Actually, the real precedent for Jana Peri is probably, like, Genya Ravan or somebody. (Louise Goffin? Eve Moon? Some other dame signed to a major label who put out one album around 1980 then disappeared off the face of the earth?) Turns out that what she has against gangsta rap is the words about bitch slapping and how they're always bragging about their cars. Her more acapella complaints about "this reggae shit" ("I don't get what's up with it") and "white ??? noise" from "pretty boys" are harder to make out. She sings better with more music behind her, which might explain why her louder songs are best.

xhuxk, Friday, 13 January 2006 15:38 (eighteen years ago) link

This is to let you know that our very own Anthony Easton is managing Paraguay in the Poptomist World Cup.

Frank Kogan (Frank Kogan), Friday, 13 January 2006 15:58 (eighteen years ago) link

These threads tend to lose me sometimes, but I'm trying to keep up.
I got an MP3 player for Christmas and since I'm way lazy, I've barely uploaded anything to it, but last weekend I forced myself to at least put on the CD which was nearest my PC that I hadn't really given a listen to yet (though I've still got that Wanda Jackson disc from a few yrs ago still in the shrinkwrap somewhere in my cluttered office! FOR SHAME!).
So for the last few days I've been (out of inertia as much as interest) listening to
http://images-eu.amazon.com/images/P/B000ASTEYU.02._OU02_PIuk-r-fp-799,BottomRight,10,10_SCMZZZZZZZ_.jpg

It's a compilation from Loose Music a UK alt-country label that seems to lurve Canada, lots of covers, which gives the whole thing a nice sense of novelty. Track by track thoughts:

1. Roger Dean Young & The Tin Cup – Stettler - I'm a big RDY & TTP fan, so I was rilly excited to hear this, and it's okay, but it's just a noisy instro, and what I like most is RDY's voice & lyrics.
2. Old Reliable - No Unmaking - Very trad, very earnest.
3. Steve Ketchen & The Kensington Hillbillies - Straight To Hell - More trad, tradder than trad when the "How's about an English jig and reel" line hits.
4. Two Gallants - Nothing To You - Who are these guys? This is a great song, very raw and piercing, like old Mtn Gts. "I'm gay as a choirboy for you"
5. The Only Children - Sky Begins To Storm - Not sure which song this is.
6. Justin Rutledge & The Junction Forty - Too Sober To Sleep - Ryan Adams-ish lament-rock, sure to be a crowd pleaser, in as much as downer songs can be crowd pleasers (which is not too rare in alt-country).
7. Augie March - Little Wonder - Another song I'm not sure about.
8. By The Fireside - Battle Fields - Hey, wow. Is this a cover? It sounds like it might be a Wall-era Pink Floyd song, only with emotions and stuff. Fantastic dreamy soundscapery.
9. The Idaho Falls - Country Song - V. good song, gets to why people like music, but doesn't dwell on it.
10. Charlemagne - Angel Of The Morning - I love Charley Pride, and I love dreamy atmospherics in my alt-country, so this is a winner. Sounds like it was always supposed to be a psychedelic song.
11. Jim Bryson & Jim Cuddy - Somewhere Else - Best Jim Bryson I've heard in a long time, but maybe that's the Jim Cuddy part? Truth be told, I didn't even know Cuddy (Blue Rodeo) was on the track until I cut and pasted the tracklist from Amazon.
12. Langhorne Slim - Loretta Lee Jones - Dizzy rave-up, Modest Mousish/Buddy Holly bluegrass.
13. The Pink Mountaintops - Sweet ’69 - Not country, not even alt-country, Stooges fump-a-whomp. Good fun.
14. Ox – Surrender - Mmmmm, Ox is v. Oldhammish, and so this is Palace covering Cheap Trick. As it was always meant to be.
15. Megan Reilly - On A Plane - Decent.
16. Anders Parker - Feel The Same - Throaty, earnest. Skip forward.
17. Jason Molina - Division St. Girl - Even though Molina's getting to be a really good singer, and his voice is pretty interesting, it's not a very interesting song.
18. Elephant Micah - Dream Feedback - Dino Jr-ish feedback country that's v. pleasing in this song.
19. Blood Meridian - Soldiers Of Christ - I don't know about this one. A little too boiler-plate a/country.
20. The Parkas - Start Your Own Country - I like them Parkas, and this one of their best songs, even though there's nothing about picking fights, unless you count starting wars between nations, which they're only really talking about metaphorically anyway. Still, good metaphor, great harmonies.

Huk-L (Huk-L), Friday, 13 January 2006 18:07 (eighteen years ago) link

Riverside, *Simple Life* ("formerly called 'Riverside Avenue', cdbaby says; I do believe that's an REO Speedwagon reference), four burly beer-bellied middle-aged guys from Missouri who look like roofers or plumbers, including one in an AC/DC shirt and one African American; mainly do a choogle that boogie-woogies at times but that'd kick more if actual money could be spent producing their album, but they also take stopoffs in Sabbath-via-Joan Jett metal ("I Got This Funny Feeling") and country-rocking ballads, way too often about playing rock'n'roll in the bar til dawn and trying not to get in a fight with the wife when they roll home at 5 a.m.; not sure if "Don't Know What To Say" is about finding Jesus or finding said wife, but either way, their lives got saved I guess. They may well have had more stamina when they were younger men, I'm not sure. Still, endearing, and I like how they go into multi-part harmonies when you don't expect it:

http://cdbaby.com/cd/riverside

xhuxk, Friday, 13 January 2006 20:24 (eighteen years ago) link

Also they do a sort of souped-up adult contemporary makeout soul ballad ("If I Ever Will") where they ponder telling you a story about their childhood but then never do. In general the vocals seem to lay back more than you'd expect in a rock band, but more in a countrypolitan way of laying back than an alt-country way, I'd say. And they end with a protest ballad about how bad the world is ("people gettin raped/people gettin killed/maybe just for fun," then stuff about sending kids overseas, maybe mine or yours, and politicians and judges are corrupt on both sides of the fence, and everybody's getting rich at everybody else's expense) that starts out sparkly like the mid '80s Police or something, and winds up going into an Asia-style pop-proggy little break toward the end and has a very catchy chorus about how they "don't wanna know". Interesting mix.

xhuxk, Friday, 13 January 2006 20:34 (eighteen years ago) link

By "Sabbath via Joan Jett metal" I mean that they're clearly trying to make the music apocalyptic a la Ozzy, but the riff reminds me more of "I Love Rock and Roll" than "Ironman." As opposed to the opening riff on the album, which reminds me of "Summer of 69" by Bryan Adams.

xhuxk, Friday, 13 January 2006 20:48 (eighteen years ago) link

(Or okay, maybe laid back vocals more in a SOFT ROCK way than a countrypolitan way. Actually, I love how they partly call themselves "soft rock" on their webpage. Not to mention "hard rock" too. And duh, to increase the stamina and kick quotients, all I had to do is turn the volume up. These old guys kick fine. Riff in "We've Been Rockin" comes from AC/DC's "It's a Long Way To the Top.")

xhuxk, Friday, 13 January 2006 21:03 (eighteen years ago) link

And then the next song (chorus hook: "Marlon Brando, in a bar") is like great Brooks and Dunn! How many bar bands around the country are ACTUALLY mixing AC/DC and '80s pop-rock with country? Could be hundreds, or then again could be nobody else but these guys. Either way, they're doing something Nashville hasn't quite done. How cool.

xhuxk, Friday, 13 January 2006 21:06 (eighteen years ago) link

And the "souped-up adult contemporary makeout soul ballad" can also be heard as a "souped-up adult contemporary makeout grunge ballad." I have no idea which one they intended it as. (What's the missing link between soul and grunge? Hootie!! Maybe that answers the question.) It's also got a line where they consider being a "bad boy" to impress you. And "Headed On Down the Line" is another expert Brooks and Dunn imitation, and the people who killed in "The System" get killed "for thrills," not "for fun" (in case you're still awake after all this.)

xhuxk, Friday, 13 January 2006 21:38 (eighteen years ago) link

Back to Povertyneck Hillbillies, they stomp more than I suggested above. "The Hillbilly Way" is total I'm a redneck badass and if you don't like it fuck you Monkey Gentry assholery; "Jericho" is a dark seething MG-style ballad about a bar knife fight resulting in the gallow's pole. And "She Rides Wild Horses" soars like Pegasus(at least I assume Pegasus soared; I never actually saw him do so myself.)

xhuxk, Friday, 13 January 2006 22:45 (eighteen years ago) link

xpost Jana Peri/Genya Ravan: now that might be good. I was already thinking that some reviewers seemed to have Genya (and a lot of other broadskis post Janis) in mind when they put Shelly Fairchild down. But I thought Genya was better than Lydia Pense etc, at least on that album with the Lou Reed duet. In the 60s,She had a rock club band, Goldie & The Gingerbreads; they opened for the Stones, early on, and got quoted in Scaduto's Mick Jagger:Everybody's Lucifer. (Derek or others looking for a book to deal, please try to get her to do an autobio, unless she's already done it?) xpost Huk's UK alt-country: some intriguing descriptions, and anybody heard Ronnie Lane's Slim Chance? I haven't; read that they did good English country (not nec country rock), and liked Ronnie's songs with the Faces. xhuxx you were trying to remember Andy Fairweather Low's sound: he came out of and fit with the mod-soul-folk-rock side of Small Faces (his own teengroup was Amen Corner),and did at least one mod-soul-country/pub rock singalong, "My Bucket's Got A Hole In It." Which somehow fit with the folk-rock-discoid approach of most of the rest of La Booga Rooga, one of my most played albums of the 70s.

don, Saturday, 14 January 2006 00:49 (eighteen years ago) link

I'm listening again to Little Big Town, and I don't know why I didn't notice right off that the harmonies are like Fleetwood Mac's. Now that the Fleetwood Maccianism is obvious - thanks to Chuck's pointing it out on last year's thread - I still can't say what it is about the harmonies that makes them sound more like Fleetwood Mac's than, for instance, the Eagles'. In particular, since I'm not good at identifying intervals (can sometimes do it by ear when notes are sung in succession, but rarely when they're sung in harmony), I don't know if it's the intervals themselves, and if so, what it is about the intervals, or if it's the timbre of the singing and the fact that two of the singers are women.

Frank Kogan (Frank Kogan), Saturday, 14 January 2006 13:03 (eighteen years ago) link

My promo copy of The Road to Here has no album credits, so I don't know what name to affix to what sound: they have four singers, two women and two men. They're all pretty good, though none can command our attention like a Stevie Nicks. There's a guy I call "the Slush Guy," who sings lead on the one track I hate, "Bring It On Home" (I don't much like "Fine with Me" or "Stay," either, and I'm so-so on "Lost," the last of which also features Slush Guy), but I'm sure he's contributing hot vocals to some of the nonslush. Billboard lists songwriters: Eight of the thirteen songs are credited to all four bandmates plus Wayne Kirkpatrick (who co-produced most or all of this), another is by the four bandmates and Jason Deere (whose credits are all over a lot of country albums), Kirkpatrick and Jim Collins wrote "Welcome to the Family," which is a not-bad goof on the idea of Our Family Will Kill You If You Mistreat Our Sister, Since Our Relatives Control The Town (redneck version rather than Mafia), Kirkpatrick and Julian Bunetta wrote a pretty good busted-romance banjo-rocker "Looking for a Reason," and - I'm pleased to say - Kirkpatrick, Greg Bieck, and Taylor Hayes Bieck, but no one in the group, wrote that dumb-slusher "Bring It On Home" ("When the morning comes I'm still going to be right here"; yeah, well, I'll bet al-Qaida can say the same thing).

I suck at predicting things such as commercial viability (so is Sony-Monument, apparently, who dropped these people several years ago and now gets to watch as the indie Equity label harvests the lettuce), but my guess is that if (1) "Mean Streak" is chosen as a single, and (2) some adult contemporary or hot AC station takes a chance on it, these guys go platinum or double and their music becomes ubiquitous.

Frank Kogan (Frank Kogan), Saturday, 14 January 2006 14:07 (eighteen years ago) link

So far I've been taking swipes at the lyrics, calling them evasive, clichéd, slushy, and dishonest ("Boondocks"), but I'm discovering that usually I like them, or at least I like a frequent comic device - well, I think it's intended to be comic, and it's certainly fun - where a song will pile metaphor on metaphor, each one bordering on being strained in itself but in proximity with the others feels playful. "You plowed me like a tractor." I also like how the "I'm good" in "Good as Gone" has two meanings: I'm a good one, baby, and don't you forget it, and I'm (as) good as gone.

Frank Kogan (Frank Kogan), Saturday, 14 January 2006 14:21 (eighteen years ago) link


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