Once the Inevitable 90s Revival occurs which genre will be the most influetial or popular?

Nah I was venting about all of the extra bullshit for hipness sake that I see. I saw a band called The Beachniks open for Love Is All, and they really pissed me off. I'm only hoping for the hipness to become less important again, where bands come across like they are more interested in their guitars than their outfits...

I'm speaking very generally, I know.

Wasn't talking in extremes, so no "Simon Cowell" shit either.

I guess if it's all around you, I can see why it can get a bit too much. I mean, I genuinely believe bands like Animal Collective and even Dirty Projectors, while intrinscially linked with the bohohipster scenes they've helped to spawn, do have genuine musical vision and a unique take on things. That said, for every good post-freakfolk, post-noise, post-indie band, you do admittedly have about 10 more hopeless mimics. It's the same thing I saw happening in the IDM scene back in 2001 - you had Aphex and Plaid and Autechre, then you had a thousand bandwagon jumpers all doing the glitch or drill'n'bass or Ae-style Max/MSP jams, but doing very little else that was new. Eventually it just became a caricature; a lame soapbox for socially maladjusted dorks to play wanky arrhythmical drum patterns over boring melodies.

then again, like sonny j (emis attempt at launching upbeat sample based dance pop a few years ago that fell flat on its arse), you could just "recreate" the samples

― mark e, Monday, 22 March 2010 10:05

forgot all about them, what's the story here re: them recreating samples? who did they re-do?

Do you really want everyone to start singing and playing according to procedure, like some Simon Cowell shit?

That might work out, if the chord changes and arrangements are interesting enough (as in, lots of different chords and keys throughout the song, and a lot of interesting stereo effects and dynamic/mood changes)

key changes? how much of the stuff you listen to has fuckin key changes mid song?

bear in mind that Geir does not actually know what chords or key changes are

Haha. I get the feeling there's an epic set of rules about to drop

for rules read deranged bullshit

that bears little to no relation to the actual structural and formal qualities of music

I'm fairly sure what happened here was that Geir had some music teacher back in the day who continuously outlined the reasons he considered pop to be inferior to classical music*, and Geir has since become obsessed with elevating pop by making it conform to "classical" formal standards, hence all this "it needs x number of chords and y number of key changes" nonsense.

*Of course most music teachers of this stripe consider the Beatles to be the exception to this particular rule, eg banging on about the string arrangements on Eleanor Rigby at nauseum.

forgot all about them, what's the story here re: them recreating samples? who did they re-do?

if you look through the credits there is a note re the sample recreation service that was used to put together various tracks.

think this is a fairly well used option these days to make things sound like a sample, but providing a more cost effective solution to get the desired results

I thought the main reason people recreate samples is that it is less costly than actual sampling, since you only have to pay for the rights to the composition, not the recording?

Though I guess sometimes they do it because the original recording artist refuses to give the rights to sample the recording, but the rights to the composition are still available.

some music teacher back in the day who continuously outlined the reasons he considered pop to be inferior to classical music

cf. Roger Scruton analysing and dismissing "Losing My Religion" because it doesn't have any inverted triads, roffle roffle.

Which is lamest:

Magic Eye Posters vs "Keep Calm And Carry On"

Don't remember the BNP co-opting Magic Eye posters so

"Keep Calm And Carry On" = BNP????

Hopefully this shit /= a link hxxp://bnp.org.uk/tag/keep-calm-and-carry-on-poster

would a gabba revival be even at all possible, like, ever?

i don't think i've ever met some1 who likes gabba

never went to holland circa 1995 then i suppose...

http://4.bp.blogspot.com/_uD6E-GWb_RM/RpTaD8MaC6I/AAAAAAAAAxk/CZ5A0ZK3OZE/s320/ABBA+gabba.jpg

really underrated IMO

dubstep is basically trip hop tho isn't it?

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― nakhchivan, Friday, March 19, 2010 5:41 PM (3 weeks ago) Bookmark

Jungle/DnB

Hip-hop currently has both anyway. What is needed now is for the stuff performed by the singers to sound less like Aretha Franklin and more like The Beatles.

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― Tied Up In Geir (Geir Hongro), Saturday, March 27, 2010 7:40 PM (1 week ago) Bookmark

FACEPALM

dubstep's now become such a diverse genre, going from the Caspa & Rusko school of jump-up in-yer-face bosh, to Joker's more hiphop-influenced purple sound, then some more IDM-influenced stuff which doesn't really incorporate much dub nor step but is still dubstep, and then yeah the more trip hoppy stuff.

i find it almost impossible to keep up, but that's because these days if it plays at 140bpm and has a modicum of bass, then it seems to fit under dubstep.

while geir's comment above is total nonsense, it did pop into my head while i was cycling last ngiht for some reason, and i started wondering what a psychedelic r'n'b music might sound like. not being an expert on modern r'n'b the closest thing i could think of was "The Love Below" or something by Erykah Badu, but it would be interesting to hear someone really pushing things out in the weird stakes or doing bizarre concept albums. Possibly was something done in the seventies by Parliament or Marvin or Stevie (secret life of plants?) and also Vahid's Rough Guide To Hippie Soul (which I enjoy greatly, still).

Yeah kinda nice it didnt go all wobble like dnb went all hoover

if you look through the credits there is a note re the sample recreation service that was used to put together various tracks.

http://www.fretbase.com/wp-content/uploads/2009/01/23093.jpg

i don't think i've ever met some1 who likes gabba

I used to like it when I was 15.

what a psychedelic r'n'b music might sound like. not being an expert on modern r'n'b the closest thing i could think of was "The Love Below" or something by Erykah Badu, but it would be interesting to hear someone really pushing things out in the weird stakes or doing bizarre concept albums.

There was a thread about this a while ago:

itt: kinda out there, maybe kinda experimental, maybe kinda pretentious modern r&b

My personal recommendation: The World Has Made Me the Man of My Dreams by Meshell Ndegeocello. It's a dope album, and "psychedelic rnb" would be a pretty good description for its content.

i don't think i've ever met some1 who likes gabba

I used to like it when I was 15.

― Tuomas, Friday, 9 April 2010 22:42 (Yesterday) Bookmark

Josh Wink was a step up for you then ;)

More shoegaze would be nice. Never got it's day (aside from MBV).

Now that we're pretty well into the 90s revival, I'm working on a mixtape and I'm hunting for a few more 90s throwback tracks that sound like Nika (Zola Jesus) + Rory's Do You Wanna Be My Baby. Obviously I'm gonna use some Pictureplane, Elite Gymnastics, Korallreven, Keep Shelly in Athens, maybe a little jj or Onra. But I'm looking for something that sounds a little more lo-fi and homemade, like the feel of the Nika+Rory track above -- camped out in the bedroom trying to do Nellee Hooper's Soul II Soul productions. Maria Minerva is closing to what I'm getting at but she doesn't sound like she wants to be pop enough. Anyone found anything like this out there on myspace or bandcamp or whatever? Recommendations appreciated.

Not sure I know how to do embedding so here's the link: https://www.youtube.com/watch?v=nW_cUJf2pOM

Are we? I'm ready for punk-sensibilities-meets-bittersweet-melodic song craft of the best 90s guitar rock/pop to rule again and that may be the only style I'm looking for so I'll take your word for it otherwise.

Has anyone done the 90s Lounge/Exotica thing yet?

I mean I enjoy other genres but barely any of them are my thing as far as a 90s sound goes. I'm also not sure where I'm going with any of this besides just being compelled to comment after "90s revival" is mentioned anywhere.

wasn't that stuff so inherently retro that any revival of that be seen more as i dunno a '60s thing? (xpost)

That means we are running out of past!

Can't tell if Evan is referring to stuff like "Everlong" or stuff like "Allison Road." The latter maybe has a more direct connection back to the 60s....

Ha, neither I'm talking about what's mostly indie stuff, early/mid nineties era. And the 60s comment seems to be referring to the Lounge mentioned.

This is the most straight up I-can-barely-tell-this-actually-isn't-from-the-90s thing I've heard in a long time.

https://www.youtube.com/watch?v=JCC9thDM53o

His best Dave Grohl impression.

i'd been predicting a wayne's world revival for a long time but it so far hasn't really happened.
no boisterous renditions of bohemian rhapsody in cars, no alice cooper history lessons.

i was schrwong.

Epic pail.

i dunno, that emporers thing sounds post-90s to me.. the production is a dead giveaway IMO.

as opposed to
https://www.youtube.com/watch?v=NeaT-v1T7kI

there's a lot of weirdness/subtlties/jokeyness/tongue-in-cheek/irony and straight-up creativity in actual 80s and 90's music that is completely missing from pretty much everything being labelled "80s revival" or "90s revival" .. this is the element from 80s/90s that i wish would return more than any other.

you should check out total slacker

i've seen them live.. havent heard their recordings tho.

not bad imo