Is the song "The Dangling Conversation" meant to be ironic at all ?
― lukevalentine, Saturday, 6 March 2010 21:48 (fourteen years ago) link
I suspect not. His pre-Bookends lyrics leaned way into the "depressed teenager in a turtleneck" territory.
― Hideous Lump, Saturday, 6 March 2010 22:00 (fourteen years ago) link
One of my first shows. I've told the story in one of the other Simon threads: it's still the only concert during which the performer played a Big Hit Single ('You Can Call Me Al'), then said, "Woo! That was great! Let's do it again!" and proceeded to play it again.
Man, that kinda bums me out. I saw Simon on the Graceland tour - I think that puts it around 87 or 88. I was twelve - it was my second concert (1st was Jimmy Buffett). Anyway, he did the exact same thing when I saw him. The crowd went so nuts after he played "You Can Call Me Al" that he (I thought) spontaneously said "We can do it again!", to which the crowd went nuts again. Makes me a little sad to know that was a rehearsed thing on his part.
On the other hand, there's something kind of wonderful about him being so premeditated about his set list. "...okay, and then at this point we play 'You Can Call Me Al' two times in a row..."
― scott pgwp (pgwp), Saturday, 6 March 2010 22:17 (fourteen years ago) link
I mentioned it on the Unplugged thread, but the extra tracks on the 2005 (2004?) reissues are worth buying as individual songs. Hearts and Bones has a terrific acoustic-guitar-and-voice demo for "Train in the Distance."
I'm a stan, and bought Surprise for a few bucks at a Half Price Books -- so disappointing. Maybe there are better demos for those songs that will be released later.
― can it compete with the wagon wheel (Eazy), Saturday, 6 March 2010 22:18 (fourteen years ago) link
I think it's much too twee & teen angsty, then
xxp
― lukevalentine, Saturday, 6 March 2010 22:20 (fourteen years ago) link
& I am wearing a turtleneck fwiw !
"Surprise" sucked imo, Eno's ambient shit added nothing to half baked song sketches
― lukevalentine, Saturday, 6 March 2010 22:22 (fourteen years ago) link
Another case for Paul Simon with just voice and guitar:
https://www.youtube.com/watch?v=Dd8ePfu7_pg
― can it compete with the wagon wheel (Eazy), Saturday, 6 March 2010 22:27 (fourteen years ago) link
https://www.youtube.com/watch?v=G1dlWmrRstc&feature=player_embedded
― scott pgwp (pgwp), Saturday, 6 March 2010 22:31 (fourteen years ago) link
i think i've discussed this elsewhere, but his 1st "real" solo album (the one from 1972) is one of the great albums of its period.
and although i like much of the rest of his work (w/ and w/o garfunkel) it sort of towers above everything else.
― by another name (amateurist), Saturday, 6 March 2010 22:35 (fourteen years ago) link
his crappy lyrics pretty much go away after he broke w/ garfunkel. or at least the stratospherically crappy ones, anyway.
― by another name (amateurist), Saturday, 6 March 2010 22:37 (fourteen years ago) link
personally speaking, simon comes across like a bit of a dick, I think
― lukevalentine, Sunday, 7 March 2010 01:12 (fourteen years ago) link
If "dick" means "self-aware," sure. I can't accuse him of gratuitous cruelty to his lovers.
― Inculcate a spirit of serfdom in children (Alfred, Lord Sotosyn), Sunday, 7 March 2010 01:16 (fourteen years ago) link
his 1st "real" solo album (the one from 1972) is one of the great albums of its period
I've been listening to this a lot recently. "Duncan" is a killer song.
― President Keyes, Sunday, 7 March 2010 02:08 (fourteen years ago) link
Interesting to contrast "Duncan" with its demo version. "My wife and me took a home by the sea..."
Love this album. Sometimes I think Paul Simon's stuff from the S/T through "Graceland" (or sometimes if I'm feeling generous "Saints") is the best stuff ever. Once about every 5 years or so I go on a bender with it.
Then I get to feeling like an overstuffed couch and have to listen to some Misfits.
― Hardcore Homecare (staggerlee), Sunday, 7 March 2010 02:40 (fourteen years ago) link
x-post Yep, Simon played the song twice at every stop. But who would complain, really? I last time I saw Joe Strummer, toward the end of the night, after he had already played "London Calling" and "White Man ...," he asked the crowd which of them they wanted to hear again. People voted "London Calling," and he played it again. Man of the people, that Strummer.
Funny this thread kicked in now, since I just took out my S&G albums to give them a listen for the first time. Them and Simon's solo albums are interesting to me, since scanning the back I know two or three songs per disc like the back of my hand, but few of the others - yet I know the song titles! Like "Dangling Conversation." I have no idea what that song sounds like, but I at least recognize the name. Weird.
― Josh in Chicago, Sunday, 7 March 2010 02:46 (fourteen years ago) link
I listened to One-Trick Pony last night for the first time, as I mentioned, and it was kind of a snoozer (granted, it was the 12th S&G/Simon record I played yesterday, haha). Any suggestions on what I should listen for next time?
― Most important performer of our generation: (Euler), Sunday, 7 March 2010 06:37 (fourteen years ago) link
Interesting to contrast "Duncan" with its demo version.
yeah, he tells a completely different story! weird, huh?
the s/t lp has some great singles and s&g-style BIG songs like duncan, mother&child reunion, me&julio, but i think the highlights are armistice day, peace like a river, and papa hobo. armistice day might be my favorite simon song, period.
― by another name (amateurist), Sunday, 7 March 2010 07:36 (fourteen years ago) link
my favorite Simon track just might be "Diamonds On the Soles of Her Shoes" from some deluxe version of Graceland, I think. It's totally stripped down, the only things on the track are Simon's vocals, Ladysmith Black Mambazo & bass
― lukevalentine, Sunday, 7 March 2010 13:18 (fourteen years ago) link
I meant to say "Diamonds On the Soles of Her Goes (Unreleased Version)"
Any suggestions on what I should listen for next time?
well "late in the evening" is so much better than the rest of the record that it doesn't need pointing out. but i like the title track too, and "long, long day." don't actually remember a lot else off the top of my head. i've never seen the movie, sort of curious about it.
― hellzapoppa (tipsy mothra), Sunday, 7 March 2010 14:13 (fourteen years ago) link
I think She's The One is kinda underrated ... Maybe closest in tone/style to Hearts and Bones. Not Simon at his catchiest, maybe, but some good tunes/lyrics.
― tylerw, Sunday, 7 March 2010 16:20 (fourteen years ago) link
hmm, didn't he just do a bunch of reissues? http://artsbeat.blogs.nytimes.com/2010/11/12/here-comes-rhymin-simon-on-a-different-label/?src=twt&twt=artsbeat
― tylerw, Friday, 12 November 2010 23:08 (thirteen years ago) link
The current reissues sound amazing. I doubt there's much they could do to improve them, nor is there probably much in the vaults of note that didn't make the current batch.
This is like the Stones reissuing/remastering on a different label every few years.
― EZ Snappin, Friday, 12 November 2010 23:30 (thirteen years ago) link
i should get those reissues probably. all of my 70s-80s simon is on vinyl. bonus trax are good?
― tylerw, Friday, 12 November 2010 23:32 (thirteen years ago) link
most of the bonus material I could take or leave, with the glaring exception of the alternate version of "Gone At Last" with the Jessy Dixon Singers from Still Crazy.
― the Whiney G. Weingarten Memorial 77 Clique (Shakey Mo Collier), Friday, 12 November 2010 23:37 (thirteen years ago) link
They run from really good to never going to play that again. But the sound on all the albums is pristine. He had the best of the best backing bands and they sound like the best - warm, clean 70s studio sound. I only have the three 70s records (I never warmed to the 80s work outside of a track here and there), but I understand the remasters are equally great if you care for the material.
xpost
― EZ Snappin, Friday, 12 November 2010 23:40 (thirteen years ago) link
I love the "Duncan" and "Take me to the Mardi Gras" demos.
― EZ Snappin, Friday, 12 November 2010 23:41 (thirteen years ago) link
This is like the Stones reissuing/remastering on a different label every few years
dunno what this means. abkco series came out 20+ years after the original cd releases. the reamaining ones came out about a year ago. it's not like Elvis Costello who's had about 4 This Years Models since 1987
xxxxpost
― KC & the sunshine banned (outdoor_miner), Saturday, 13 November 2010 00:02 (thirteen years ago) link
^^^Bowie is the other one who does this
― the Whiney G. Weingarten Memorial 77 Clique (Shakey Mo Collier), Saturday, 13 November 2010 00:08 (thirteen years ago) link
and Zappa - all three of those guys got the "Rykodisc treatment", too, coincidentally
― KC & the sunshine banned (outdoor_miner), Saturday, 13 November 2010 00:09 (thirteen years ago) link
Stones issued Sticky Fingers on cd in 90, 94 & 09. Costello issued This Year's Model in 86, 93, 02 & 07. One more time - what a huge difference! Point is, these artists that control their catalog have huge incentive to switch labels and reissue stuff whenever they can.
Hell, I've bought the Soft Boys' Underwater Moonlight four times on cd. I'm an enabler.
― EZ Snappin, Saturday, 13 November 2010 00:25 (thirteen years ago) link
i was actually thinking of the Stones' early ones, which only came out once before they were done perfectly in 2001 or whatever it was. had to take exception 'cuz there's a night and day difference between the two issues.sorry for derailing on Paul Simon's watch
― KC & the sunshine banned (outdoor_miner), Saturday, 13 November 2010 00:32 (thirteen years ago) link
I wasn't clear to start - those abkco remaster are great. The Stones don't own those though so can't milk 'em.
― EZ Snappin, Saturday, 13 November 2010 00:38 (thirteen years ago) link
A really talented guy who since the mid 80s has done the mistake of letting other people control a bit too much of his sound and songwriting style. "Hearts And Bones" is fantastic, and seems to be his peak. "Surprise" was an aptly titled Eno collaboration though, just need to relax the rhythm section even a good bit and find back to his good, old pre-"Graceland" style.
― You're Twistin' My Melody Man! (Geir Hongro), Saturday, 13 November 2010 10:24 (thirteen years ago) link
New album streaming on NPR. Sounds pretty good, glad to hear him dabbling in Afropop again, the rhythms overall are stronger than anything he's done in a long time (and I think rhythm is really key to his best songwriting).
― something of an astrological coup (tipsy mothra), Monday, 4 April 2011 14:47 (thirteen years ago) link
He's touring the US and doing mid-sized halls and some club gigs (930 club and others).
― curmudgeon, Monday, 4 April 2011 14:51 (thirteen years ago) link
this sounds good!
― tylerw, Monday, 4 April 2011 16:26 (thirteen years ago) link
"dazzling blue" kinda dazzling!
― tylerw, Monday, 4 April 2011 16:35 (thirteen years ago) link
Haven't kept up with his new output since Rhythm of the Saints (other than hearing the ghastly Capeman). This is nice, in a pleasantly unassuming sort of way. Nothing jumped out me after one listen but it was solid throughout.
― scott pgwp (pgwp), Monday, 4 April 2011 16:41 (thirteen years ago) link
you're the one is worth hearing.... surprise has its moments, but some of those moments are not so hot.
― tylerw, Monday, 4 April 2011 16:51 (thirteen years ago) link
The coupla tracks I heard from the new one implies Simon learned a few lessons from Eno, even if that last record was a stiff.
― Josh in Chicago, Monday, 4 April 2011 16:56 (thirteen years ago) link
Stuff I read about this: He samples Sonny Terry. "Amulet" was originally an instrumental he wrote for Brazilian singer Luciana Souza who added her own vocal melody overtop.
Here's part of the L. Souza with Simon duet at the Beacon in NYc awhile back doing "Amulet". The Simon album version is just an instrumental
http://smg.photobucket.com/albums/v517/paulfournier/Paul%20Simon%20Beacon%20NYC%202-13-09/?action=view¤t=Amulet2-13-09016.flv
― curmudgeon, Tuesday, 5 April 2011 04:26 (thirteen years ago) link
He samples a bit of Reverend J.M. Gates' sermon "getting Ready for Christmas Day" in “Getting Ready For Christmas Day"
http://dust-digital.com/gates
― curmudgeon, Tuesday, 5 April 2011 04:37 (thirteen years ago) link
http://www.avclub.com/articles/paul-simon,53706/
some interesting bits in this interview. He explains the "Jay-Z" lyrical reference and talks about Eno and his 18 year-old son playing James Blake for him
― curmudgeon, Tuesday, 5 April 2011 04:41 (thirteen years ago) link
I listened to some of the Panda Bear (from Animal Collective) stream on NPR after this one on NPR and I think Simon, despite utilizing some of his same ol' techniques, is less monochromatic than Panda Bear who is stuck on his dreamy Brian Wilson thing. Not that either one is great, but this appears to be more listenable. Does this type of thinking mean I'm old?
― curmudgeon, Tuesday, 5 April 2011 13:13 (thirteen years ago) link
the rhythms overall are stronger than anything he's done in a long time (and I think rhythm is really key to his best songwriting).
I swear I read somewhere that while Simon had done so on ocassion before Graceland, that starting with that cd he began emphasing the usage of interesting rhythms that he heard from others to get him out of a songwriting block. He uses influences from others to kickstart his writing. Now previously we have discussed how some of his collaborators (Los Lobos, Terrance Simien) have grumbled that they have not gotten any songwriting credit on songs(some defend Simon on this).
― curmudgeon, Tuesday, 5 April 2011 13:19 (thirteen years ago) link
I hear the so-called "rhythmic" approach on his first solo album!
― Hey Look More Than Five Years Has Passed And You Have A C (Alfred, Lord Sotosyn), Tuesday, 5 April 2011 13:21 (thirteen years ago) link
Sometimes over the years he added rhythm himself via guitar in the songwriting process and sometime in the studio via supporting musicians at various stages of the songwriting process. With some albums he notes in that AV Club interview that he started with drums first.
― curmudgeon, Tuesday, 5 April 2011 14:11 (thirteen years ago) link
at the end of the day, will any bed of exotica rhythms or chance operations overcome the preciousness inherent to simon's songwriting though?
― bb, Tuesday, 5 April 2011 14:20 (thirteen years ago) link
Insider info or not I find that NYT excerpt in super bad taste. “This sounds like Paul Simon will croak any day now”.
― ✖✖✖ (Moka), Friday, 9 June 2023 04:25 (eleven months ago) link
he's such a good guitarist
― the dreaded dependent claus (Alfred, Lord Sotosyn), Friday, 9 June 2023 05:30 (eleven months ago) link
yeah i was marveling at how he still knocks me out in all three facetslyrically, there’s lines that just floor me with starkness or beauty or bothvocally, his voice still has the power to send me back to childhood in the best waymusically, his guitar playing sounded so good (idk any smart guitary words to say so “good” has to cover a lot of technical griund lol)
― werewolves of laudanum (VegemiteGrrl), Friday, 9 June 2023 05:56 (eleven months ago) link
how is he still the best
― werewolves of laudanum (VegemiteGrrl), Friday, 9 June 2023 05:57 (eleven months ago) link
He doesn't always play sophisticated guitar parts (because he has so many skilled subordinates) but lots of people have not what a fine, precise player he can be when he sets his mind to it.
In one mid-career interview he rummages around in a closet, pulls out a Martin and starts playing "The Coast" - which is demanding enough for anyone - so nonchalantly as to make it look easy.
I think about that sometimes. Dude could just casually write some of the best music ever, and yet still have extra effortless music that he might - might - eventually get around to recording.
― sayonara, capybara (Ye Mad Puffin), Friday, 9 June 2023 07:43 (eleven months ago) link
*have noted
― sayonara, capybara (Ye Mad Puffin), Friday, 9 June 2023 07:47 (eleven months ago) link
that Myriam Gendron records is one of the best of this century― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, June 9, 2023 12:19 AM (sixteen hours ago) bookmarkflaglink
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, June 9, 2023 12:19 AM (sixteen hours ago) bookmarkflaglink
Yeah, it really is stunning. Quiet & methodical, and devastating in places. There's a density of meaning — each word has weight — that maybe you'd expect in formal poetry, but the poems work surprisingly well as songs. All to say this new album feels substantial in a similar way, despite how brief & airy it is.
― dinnerboat, Friday, 9 June 2023 21:06 (eleven months ago) link
yeah its not called “seven psalms” for nothing, he really leaned into that hymnal aspect, the searching within the lyrics is quite profound
― werewolves of laudanum (VegemiteGrrl), Friday, 9 June 2023 21:28 (eleven months ago) link
https://www.laweekly.com/los-lobos-on-paul-simon-do-you-mean-zydeco-when-you-say-zy-decko/
― Tracer Hand, Wednesday, 14 June 2023 22:01 (eleven months ago) link
It’s funny, I swear I heard Casey Kasem mention a lawsuit — or possible lawsuit — on American Top 40 around ‘86 or ‘87. I can’t remember the context, though, if he was introducing a Simon song or a Los Lobos song. But when I saw that Steve Berlin interview however many years ago I thought, “Oh yeah, I remember that.” I thought the lawsuit Casey mentioned might have had something to do with the production, which was all ‘80s-gated-drums awfulness.
― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Wednesday, 14 June 2023 22:49 (eleven months ago) link
you're thinking of this
https://ultimateclassicrock.com/los-lobos-steve-berlin-labels-paul-simon-a-jerk-alleges-graceland-snub/
― budo jeru, Wednesday, 14 June 2023 23:16 (eleven months ago) link
oh wait, that's what the LA weekly link says too. sorry, i thought it was something different at first
― budo jeru, Wednesday, 14 June 2023 23:17 (eleven months ago) link
Iirc, the initial lawsuit in the '80s was over "Gumboots", which was a pre-existing instrumentalk recording that Simon overdubbed lyrics on and then copywrited words & music to himself.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Wednesday, 14 June 2023 23:50 (eleven months ago) link
Graceland has more co-writing credits than any other Simon solo album.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Wednesday, 14 June 2023 23:56 (eleven months ago) link
which is to say: I think Simon played it pretty fair.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Wednesday, 14 June 2023 23:57 (eleven months ago) link
“Graceland” was one of the few CD’s my family owned when I was a kid - highly enjoyed it, but it’s also massively disappointing how much of it was stolen in some way from so many people - not just Los Lobos and Rockin' Dopsie (who weighed a lawsuit but decided it would be too costly) but above all Heidi Berg, and this is on top of the ongoing debate of cultural appropriation.
― birdistheword, Thursday, 15 June 2023 00:04 (eleven months ago) link
But true, in his defense, he granted quite a few cowrites. But I think it still falls short.
― birdistheword, Thursday, 15 June 2023 00:06 (eleven months ago) link
XP to Soto
Lawyers were involved., Lol.
I think he was generally more on the level with the rest of the African players on the album, but the Zydeco band who did the backing on "That Was Your Mother" also she's him and claimed an experience mirroring that of Los Lobos.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Thursday, 15 June 2023 00:09 (eleven months ago) link
Ha, or what bird said.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Thursday, 15 June 2023 00:13 (eleven months ago) link
But then again...
what was the controversy again, dq? was it that Ladysmith Black Mambazo weren't paid for appearing on the album or something?― rener, Sunday, December 16, 2001 7:00 PM (twenty-one years ago) bookmarkflaglinkPaul Simon made the singers suck his dick― Mike Hanle y, Monday, December 17, 2001 7:00 PM (twenty-one years ago) bookmarkflaglink
Paul Simon made the singers suck his dick― Mike Hanle y, Monday, December 17, 2001 7:00 PM (twenty-one years ago) bookmarkflaglink
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Thursday, 15 June 2023 00:28 (eleven months ago) link
― birdistheword,
I suggest reading the Hilburn bio, which devotes a chapter to the question of sources, songwriting, publishing, local recording, and so on. At best I'll say Los Lobos didn't know what they were getting into when told they'd "jam" with Paul Simon.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Thursday, 15 June 2023 00:36 (eleven months ago) link
It probably should be mentioned that Graceland was a real surprise blockbuster --Simon hadn't had a hit single in 5 years, and a big hit studio album in 10. Going in, few even thought this would be a course correction much less a license to print money.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Thursday, 15 June 2023 00:56 (eleven months ago) link
that Myriam Gendron records is one of the best of this century― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, June 9, 2023 12:19 AM (five days ago) bookmarkflaglink
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Friday, June 9, 2023 12:19 AM (five days ago) bookmarkflaglink
otm
― J Edgar Noothgrush (Joan Crawford Loves Chachi), Thursday, 15 June 2023 01:05 (eleven months ago) link
at any rate The Rhythm of the Saints is better.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Thursday, 15 June 2023 01:06 (eleven months ago) link
You don't wanna know what Simon made those Brazilian drummers do to him tho.
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Thursday, 15 June 2023 01:48 (eleven months ago) link
we had a lot of funwe had a lot of money
― the dreaded dependent claus (Alfred, Lord Sotosyn), Thursday, 15 June 2023 01:50 (eleven months ago) link
there's no... Proof
― pomplamoose and circumstance (Ye Mad Puffin), Thursday, 15 June 2023 02:17 (eleven months ago) link
― the dreaded dependent claus (Alfred, Lord Sotosyn), Wednesday, June 14, 2023 7:36 PM (one week ago) bookmarkflaglink
the fact that the dust jacket of the book makes it look like paul simon has hair tells me all i need to know about the trustworthiness of this bio as a source
― budo jeru, Thursday, 22 June 2023 19:23 (eleven months ago) link
Trust me as an expert in other people's trichotillomania.
― the dreaded dependent claus (Alfred, Lord Sotosyn), Thursday, 22 June 2023 19:29 (eleven months ago) link
Good seeing Seven Psalms on some year-end lists.
― underwater as a compliment (Eazy), Wednesday, 6 December 2023 02:19 (six months ago) link
An inability to fall asleep in a cheap motel due to the loud sex that a couple is having next door sends Duncan off on a long reverie.
^^Underrated Gear! ILE thread title
― an icon of a worried-looking, long-haired, bespectacled man (C. Grisso/McCain), Monday, 11 December 2023 02:32 (five months ago) link
I hope this Grammy weekend tribute to Paul Simon at the Troubadour was recorded.
Setlist:Blind Boys of Alabama, “Loves Me Like a Rock”
Jason Isbell and Sadler Vaden, “Kodachrome”
Molly Tuttle and Ketch Secor, “Mrs. Robinson”
Natalie Lafourcade, “You’re the One”
Bobby Rush, “50 Ways to Leave Your Lover”
Ruthie Foster, “Slip Slidin’ Away”
John Vincent III, “The Only Living Boy in New York City”
Brett Dennen, “Me and Julio Down by the Schoolyard”
Larkin Poe, “Paranoid Blues”
Susanna Hoffs with Grace Bowers, “Hazy Shade of Winter”
Gaby Moreno, “Late in the Evening”
Silvana Estrada, “El Condor Pasa (If I Could)”
Sean and Sara Watkins, “Hurricane Eye”
Madison Cunningham, “Kathy’s Song”
Andrew Bird and Alan Hampton, “American Tune”
Johnnyswim, “Rene and Georgette Magritte With Their Dog After the War”
Marcus King, “America”
Allison Russell, “The Sound of Silence”
Dwight Yoakam, “The Boxer”
Jackson Browne, “I Am a Rock”
Rufus Wainwright, “Bridge Over Troubled Water”
Rodney Crowell, “Graceland”
Finale, “You Can Call Me Al”
Part two: “Bridge Over Troubled Water” from the @theTroubadour for @AmericanaFest’s pre-Grammy salute to “The Songs of Paul Simon” pic.twitter.com/yx9QqZiw9E— Rufus Wainwright (@rufuswainwright) February 6, 2024
― underwater as a compliment (Eazy), Tuesday, 6 February 2024 17:42 (four months ago) link
Fitting, as Patterson Hood's dad plays bass on the original!
― Josh in Chicago, Tuesday, 6 February 2024 18:17 (four months ago) link
That's a great lineup. Would have loved to see that last 6 song stretch in particular.
― Indexed, Tuesday, 6 February 2024 20:39 (four months ago) link
Rufus oh wow! <3
― brimstead, Tuesday, 6 February 2024 20:45 (four months ago) link
John Vincent III, “The Only Living Boy in New York City, New York, 10003, USA”
― citation needed (Steve Shasta), Tuesday, 6 February 2024 21:26 (four months ago) link
no rhythm of the saints appreciators among the bunch, apparently -- not my people!
― slob wizard (J0rdan S.), Tuesday, 6 February 2024 21:29 (four months ago) link
(Yeah, I thought ‘City’ sounded odd at the end of that title, wondered if I remembered it wrong, but that’s from Variety.)
― paisley got boring (Eazy), Tuesday, 6 February 2024 21:36 (four months ago) link
Anyone have MGM+?
https://www.cnn.com/2024/03/15/entertainment/paul-simon-restless-dreams-review/index.html
― Indexed, Friday, 15 March 2024 16:02 (two months ago) link
The Paul Simon doc, IN RESTLESS DREAMS, is remarkable. I remember before going to work at the mill when I was 18, putting a quarter in the juke and playing "I Am a Rock" and "April Come She Will." Made another 8-hour shift more bearable.— Stephen King (@StephenKing) March 29, 2024
― paisley got boring (Eazy), Friday, 29 March 2024 00:53 (two months ago) link
really want to see the doc!
― werewolves of laudanum (VegemiteGrrl), Friday, 29 March 2024 01:26 (two months ago) link