Television #3 Vs. Van Halen #73 Vs. Indie Music Cred Conditioning

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I prefer 1984 to VH self-titled.

jel -- (jel), Tuesday, 29 June 2004 18:10 (twenty-one years ago)

It would be like saying Bret Easton Ellis's "Less Than Zero" is a better and more relevant existential novel than Camus's "The Stranger".

well, um, i do think that!

J.D. (Justyn Dillingham), Tuesday, 29 June 2004 18:22 (twenty-one years ago)

I never liked Van Halen.

latebloomer (latebloomer), Tuesday, 29 June 2004 18:31 (twenty-one years ago)

If that phenomenon can happen with something as relatively cut-and-dried as comparing the lengths of lines, how much easier could it happen with something so subjective and taste-based as choosing which is the best album?

Yeahbut, that's a case where there is the social pressure of having people actually present. I think that's a very different experience than reading music criticism. But your example does have some bearing on what would happen when I group of people talk about music together.

After all, there are many ways to enjoy an album. Perhaps the listener learns to substitute a higher-order intellectual pleasure for the more direct pleasures they experienced in their less sophisticated listening period. Gradually they become convinced that those higher-order pleasures are more valuable than the direct ones.

Now this is kind of an interesting idea. Would it really be dishonest though if a person came to value that new "higher-order" pleasure more than the old immediate Top 40 AM radio ones? (I don't think you are saying that, but I think the original poster probably would.)

Rockist Scientist, Tuesday, 29 June 2004 18:50 (twenty-one years ago)

dont equate "higher order pleasure" with "challenging song" - the higher order pleasures in question, if i understand correctly, are things like "enjoying being in accord with a social group" or "feeling a member of an elite or selective group". so, one could enjoy ANY song on this higher order, regardless whether its an AM radio hit or piece of avntg classical or whatever

peter smith (plsmith), Tuesday, 29 June 2004 18:54 (twenty-one years ago)

Is that what o. nate meant? O. Nate? I don't think that's what you meant.

Couldn't a "higher order" more intellectual pleasure be something like, "Wow, how did they just go from a 13th to like some sort of rare version of the Indonesian slendro scale?" Or, "These guys were the first to use this model of synthesizer in a Norwegian experimental music context!"

Rockist Scientist, Tuesday, 29 June 2004 19:02 (twenty-one years ago)

Even those seem pretty beside the point. Hmmm. I'll have to think about things I've learned to like and how I experience them.

Rockist Scientist, Tuesday, 29 June 2004 19:04 (twenty-one years ago)

I mean, those pleasures have little to do with what I want from music.

Rockist Scientist, Tuesday, 29 June 2004 19:05 (twenty-one years ago)

i think its interesting/frightening to think of the effect of situation/circumstance/context on my musical tastes. i understand that they are 100% impossible to get rid of, but wouldnt it be weird if we had only some bizarre inner aesthetic to rely on? is there such a thing? are tastes all socially derived? these are boring, hackneyed questions, but i have never heard an answer that satisfies me...

peter smith (plsmith), Tuesday, 29 June 2004 19:09 (twenty-one years ago)

I like to feel like things have an order. Music does that!

ben tausig, Tuesday, 29 June 2004 19:13 (twenty-one years ago)

In my case Television and Van Halen roughly equally.

ben tausig, Tuesday, 29 June 2004 19:14 (twenty-one years ago)

I think that perhaps there's not so much difference between Peter Smith and Rockist's interpretation of the phrase "higher order" as it may first appear. I submit that we are socialized to value certain more arcane aspects of a musical performance. Perhaps a Julliard student would learn to appreciate unusual scales, whereas a PFork writer might learn to appreciate allusions to obscure 70s records. Do we value obscurity and complexity for their own sakes, or because we want to fit into a peer group that values them?

o. nate (onate), Tuesday, 29 June 2004 19:16 (twenty-one years ago)

In any of these cases (Julliard student, Pfork writer), Nate, a genuine sense of aesthetic enjoyment can be the end result. Which need not be looked on with suspicion.

ben tausig, Tuesday, 29 June 2004 19:21 (twenty-one years ago)

the main difference seems to me to be loaded with issues of AUTHENTICITY. someone who likes john zorn (just an example) because of his innovative techniques or creative song structures seems to be responding more organically or honestly to his tastes than someone who likes john zorn because his friends do. i think ive come to like a lot of artists for both reasons in the past, so i cant really feel too bad about the person acting to remain in accord with a social group. but it does seem a little disingenuous, doesnt it? what if you start liking an artist to act with a social group, but then like that artist after the social group dissolves? is the taste for the artist more real after the social pressure is gone? hard to say, for me. at least hard to say without indicting myself in the past (and probably future).

peter smith (plsmith), Tuesday, 29 June 2004 19:28 (twenty-one years ago)

ben, you might be OTM. who cares how you arrive at your tastes? what is a pose doesnt last long, anyway, right? this is mostly the conclusion i come to.

peter smith (plsmith), Tuesday, 29 June 2004 19:30 (twenty-one years ago)

Marquee Moon is such a magnificent achievement. There's no easy explanation for how those four guys could have produced it. As much as the Ramones' first, it's a demonstration of human potential -- grasp exceeding reach exceeding grasp. I think the people who carp about the virtuosity and solos are missing the point. It's not like these guys were Return to Forever in the chops department, fellas. They just happened to do the absolute best with what they had. Which, in a way, is very punk.

Early Wire's great too, btw.

I'm old, though. When those records were coming out, they were like candy. You didn't have to make any intellectual leap of faith to like them.

Sang Freud (jeff_s), Tuesday, 29 June 2004 19:30 (twenty-one years ago)

everybody here has heard every record ever

Nick Sylvester, Tuesday, 29 June 2004 19:38 (twenty-one years ago)

Do we value obscurity and complexity for their own sakes, or because we want to fit into a peer group that values them?

Good question, but that would be a pretty grim peer group.

And I say TV made #3 because of indie cred posturing and nothing more.

That's not much of a theory, and every time anyone challenges you, you viciously insult them ... gee, can I give you a grant?

I get where you're going with this, but your attempts to psychoanalyze Pitchfork are pretty tossed-off compared to this guy's.

Chris Dahlen (Chris Dahlen), Tuesday, 29 June 2004 19:39 (twenty-one years ago)

did somebody say indie cred posturing?

http://www.fasteddiesbullet.com/images/stookie1.jpg

Nick Sylvester, Tuesday, 29 June 2004 19:51 (twenty-one years ago)

are those punk pants or pajama pants? (i know i know. BOTH.)

peter smith (plsmith), Tuesday, 29 June 2004 19:52 (twenty-one years ago)

And now presenting...jsoulja, the world's greatest pitchfork debunker:

!http://www.his.com/~borgrav/web%20images%201/gber1.jpg

Nick Sylvester, Tuesday, 29 June 2004 19:59 (twenty-one years ago)

"Do we value obscurity and complexity for their own sakes, or because we want to fit into a peer group that values them?"

Neither, I would hope! We value them when we feel that there's good music being made that's obscure and complex.

Tim Ellison, Tuesday, 29 June 2004 20:01 (twenty-one years ago)

Gee, Nick, I can't see the photo, but I really hope you weren't trying to insult my physical appearance. That would be wrong....

jsoulja (jsoulja), Tuesday, 29 June 2004 20:07 (twenty-one years ago)

i mean, thats the ideal, tim. but dont you think your tastes would be different without social pressure?

peter smith (plsmith), Tuesday, 29 June 2004 20:09 (twenty-one years ago)

Someone pointed out that my initial post was polemic to the point of fight-picking (I disagree initially, as I was careful to make mention that I was NOT trying to insult Pfork, but yeah, sure, it set the stage) and that my example was too poor to make my argument clear, so I'm going to try from a different angle, one that intends not to offend, although I am going to have to drop several of my original ideas/points in the process:

My friend, a film buff (real person, by the way), names Kurosawa's "Throne of Blood" as one of his all-time favorite films, even though he's seen it maybe three times. He also likes John Hughes "Sixteen Candles", which he has seen almost twenty times in his life. Both films blew him away when he first saw them, though of course he came to Kurosawa's film much later in life. If you look at his DVD collection, there are many similar classic/art type films that he has seen maybe twice each, at best, but few of the teen romps or action films that he's seen so many times that he can recite the script. Now, if you ask him for his list of favorite films, he puts all the classics at the top and leave the old favorite teen romps and action pics at the bottom, but why? Does he really prefer it this way, when the history of who he is suggests otherwise? My answer was/is that he recognizes that the mature, informed pick is supposed to be the classic over the romp, and since he truly does appreciate the classic and its artistry, and since his tastes have evolved anyway, in that direction, this is the obvious choice.

I'm suggesting that making this choice might also be a lie.

jsoulja (jsoulja), Tuesday, 29 June 2004 20:15 (twenty-one years ago)

but... an entertaining lie.

peter smith (plsmith), Tuesday, 29 June 2004 20:18 (twenty-one years ago)

And looking back at the original post, I think I actually did get around to this, but admit I did muddy it up with obvious challenges regarding "indie cred" and all that, which is a different argument...

jsoulja (jsoulja), Tuesday, 29 June 2004 20:20 (twenty-one years ago)

what is to be done if we DO decide that the choice is a lie?

peter smith (plsmith), Tuesday, 29 June 2004 20:21 (twenty-one years ago)

I've masturbated more times than I've had sex with another person, but I'm pretty confident I like sex better. Is that a lie?

Marcel Post (Marcel Post), Tuesday, 29 June 2004 20:21 (twenty-one years ago)

i hate van halen.

latebloomer (latebloomer), Tuesday, 29 June 2004 20:21 (twenty-one years ago)

ive masturbated to throne of blood only a few times, but to sixteen candles many times.

peter smith (plsmith), Tuesday, 29 June 2004 20:22 (twenty-one years ago)

seriously, though - what is to be done with these inconsistencies? do we stop liking those artists?

peter smith (plsmith), Tuesday, 29 June 2004 20:23 (twenty-one years ago)

and im out. ill read this later.

peter smith (plsmith), Tuesday, 29 June 2004 20:23 (twenty-one years ago)

haha so you're saying that the people who run and write for a site devoted to reviewing, chronicling, compiling, and gossiping about indie rock, fairly comprehensively too, don't really like indie rock, that really they like van halen? that the stuff pfork writes about the other 364 days a year is just an elaborate ruse and really they're big cock rock fans? is it gonna turn out that metal sludge is an elaborate ruse and that really those guys are huge freejazzheads but this was just their way of trying to establish rachtman cred?

cinniblount (James Blount), Tuesday, 29 June 2004 20:25 (twenty-one years ago)

Listening to something more often doesn't equate with liking it more, though. Things just have their time and place. Why would he WANT to watch the Kurosawa film twenty times? (I mean, maybe he would if he was really super interested in it, but this wouldn't be the same as watching Sixteen Candles twenty times when he was a teenager.)

Iris Murdoch is my favorite novelist, but I've only read The Green Knight (my favorite book by her once) once. Do I like it better than some book I read five times when I was a teenager? Of course.

And Peter, I have NEVER felt any social pressure to like some music! Putting on airs about something so that I can participate in some social situation is not something that I've ever felt the need to do.

Tim Ellison, Tuesday, 29 June 2004 20:25 (twenty-one years ago)

Good point w/r/t, I guess.

Does that mean you liked the two times you had sex with the "more your speed these days" art school girl in undergrad than the 50 times you did it with Wild Lucy in high school?

jsoulja (jsoulja), Tuesday, 29 June 2004 20:25 (twenty-one years ago)

Secretly Sebastian Bach is Al Hirt, Mr. Blount.

Ned Raggett (Ned), Tuesday, 29 June 2004 20:26 (twenty-one years ago)

i'll take art school girl over wild lucy ANY day

cinniblount (James Blount), Tuesday, 29 June 2004 20:26 (twenty-one years ago)

Someone pointed out that my initial post was polemic to the point of fight-picking (I disagree initially, as I was careful to make mention that I was NOT trying to insult Pfork, but yeah, sure, it set the stage) and that my example was too poor to make my argument clear, so I'm going to try from a different angle, one that intends not to offend, although I am going to have to drop several of my original ideas/points in the process:
My friend, a film buff (real person, by the way), names Kurosawa's "Throne of Blood" as one of his all-time favorite films, even though he's seen it maybe three times. He also likes John Hughes "Sixteen Candles", which he has seen almost twenty times in his life. Both films blew him away when he first saw them, though of course he came to Kurosawa's film much later in life. If you look at his DVD collection, there are many similar classic/art type films that he has seen maybe twice each, at best, but few of the teen romps or action films that he's seen so many times that he can recite the script. Now, if you ask him for his list of favorite films, he puts all the classics at the top and leave the old favorite teen romps and action pics at the bottom, but why? Does he really prefer it this way, when the history of who he is suggests otherwise? My answer was/is that he recognizes that the mature, informed pick is supposed to be the classic over the romp, and since he truly does appreciate the classic and its artistry, and since his tastes have evolved anyway, in that direction, this is the obvious choice.

I'm suggesting that making this choice might also be a lie.

-- jsoulja (jsajd...), June 29th, 2004.

nobody REALLY likes art movies. they just say they do. you tell 'em soulja.

latebloomer (latebloomer), Tuesday, 29 June 2004 20:27 (twenty-one years ago)

"Does that mean you liked the two times you had sex with the "more your speed these days" art school girl in undergrad than the 50 times you did it with Wild Lucy in high school?"

Are you suggesting that this can't be so???

Tim Ellison, Tuesday, 29 June 2004 20:28 (twenty-one years ago)

is jsoulja actually trying to sell us on the idea that the sex we had in high school was the best sex of our lives?????

cinniblount (James Blount), Tuesday, 29 June 2004 20:29 (twenty-one years ago)

'i'm sorry honey, i guess nothing's gonna top the time i spent fifteen minutes drying to fuck the back of a girl's thigh'

cinniblount (James Blount), Tuesday, 29 June 2004 20:32 (twenty-one years ago)

is jsoulja actually trying to sell us on the idea that the sex we had in high school was the best sex of our lives?????
-- cinniblount (littlejohnnyjewe...), June 29th, 2004.

no, he wants us to think that we all are just hair metal/low-brow movie freaks and won't let ourselves admit it.

i mean who actually listens to Television, right? Especially when you can rock out with Diamond Dave!

latebloomer (latebloomer), Tuesday, 29 June 2004 20:34 (twenty-one years ago)

The real funny thing here is the idea that "art school girl in undergrad" represents some pinnacle of sexual maturity.

Marcel Post (Marcel Post), Tuesday, 29 June 2004 20:35 (twenty-one years ago)

Yeah, that's quite a several steps below fucking "someone who reminds you of your mom".

latebloomer (latebloomer), Tuesday, 29 June 2004 20:37 (twenty-one years ago)

Also, jsoulja, I think I actually like Marquee Moon as much as or maybe even more than Exile on Main Street. It's certainly a better sounding record.

Tim Ellison, Tuesday, 29 June 2004 20:39 (twenty-one years ago)

No, no, there are lots of possibilities here and I can't answer all the questions. I actually prefer art house films to blockbusters, and arty girls to cheerleaders, and post-punk to cock-rock. I'm NOT sitting here in a white hat drinking Bud and clenching a football! Jesus! But the Pitchfork list, to its credit, covered a big spectrum of 70s music, meaning that the staff actually DOES like all that it represents, so I was asking if saying Television's Marquee Moon is greater than, for example, Van Halen's s/t is an ecstatic truth, or just an immediate truth?

And to all those people who say I'm throwing out insults, um, if you read the thread, I tossed out an idea (perhaps roughly), but I didn't start throwing out anything until it was thrown at me, and I find the whole vicious sarcasm trend on ILM to be far more tiring than an IDEA (even if it's half-cocked in your mind).

jsoulja (jsoulja), Tuesday, 29 June 2004 20:41 (twenty-one years ago)

hey dude i prefer cheerleaders

latebloomer (latebloomer), Tuesday, 29 June 2004 20:43 (twenty-one years ago)

What do you mean by "ecstatic" versus "immediate" truth?

Tim Ellison, Tuesday, 29 June 2004 20:45 (twenty-one years ago)

I prefer immediate cheerleaders over ecstatic cheerleaders.

Marcel Post (Marcel Post), Tuesday, 29 June 2004 20:50 (twenty-one years ago)


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