Artwork is key in the film. What’s the significance of the use of religious sculpture?
The whole temple, with the sculptures and the signs, was always preaching Buddhism and the karma and reincarnation. And this sculpture is part of this cycle of suffering, and I think of certain periods when I feel that living here seems very depressing—being governed by this law that constantly teaches you, as if you are a student all the time living in Thailand. And also in school, we always have this propaganda, texts and poems. That’s how we grew up: the kids are taught [to be] very, very religious.
How did you choose shooting locations?
It was in my hometown. So I know all the places, and mostly I based it off of my memory growing up with this hospital, and the cinemas, and this school. I tried to combine the three elements in the film. And during preproduction, all the lake script-writing I shifted to my hometown because I felt that the story was getting more and more personal.
There is a mural of one of our prime ministers of the most brutal regime, yet people still worship him because of all this propaganda. Khon Kaen, our place, my hometown, is the home of his statue because he is considered the one who brought development to the region. But for me it’s quite shocking to see his statue and all the murals of him.
http://www.filmcomment.com/article/apichatpong-weerasethakul-cemetery-of-splendor/
― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 8 March 2016 05:11 (eight years ago) link
I found it marvelous, and my attention didn't flag. Fairly conventional for him in parts, thanks to the dialogue scenes. There's a moment between Jenjira Pongpas and two goddesses in the flesh that as creepy-funny as anything in Lynch.
― The burrito of ennui (Alfred, Lord Sotosyn), Wednesday, 9 March 2016 00:34 (eight years ago) link
Koresky:
At times, it seems as though the film is hypnotizing the viewer. Cemetery of Splendor exists in an almost constant state of tranquility, its deliberate pacing and frequent stretches of silence acting as a kind of cocoon. Only Apichatpong Weerasethakul could make a movie that features ghosts, a slowly rising erection from under a bed sheet, and an actor literally shitting in the woods on camera and still make it seem serene and entirely disinterested in disruption or shock.
― The burrito of ennui (Alfred, Lord Sotosyn), Wednesday, 9 March 2016 00:37 (eight years ago) link
oh yeah, the erection! that got some titters at the NYFF.
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 9 March 2016 03:20 (eight years ago) link
this was incandescent and surprisingly narrative! More plot and character focused than most of his other films. lots of shots that developed into miniature stories like the dinosaur sculpture roaring at impotent rage at a parade of schoolchildren or the strange musical chairs on the lakeside or the men and women jogging in place on perpetual motion machines or the multilevel cinema as an escher sculpture of inception into the multicolored lights of the hospital cemetery.
my takeaway was that the simple technology of the world we live in is far more impossible than true magic. the final shot, with the nurse staring wide eyed at children playing football on the graves of kings and trying valiantly to wake up from the waking dream of life, underlined the point nicely i thought
― ulysses, Thursday, 10 March 2016 04:13 (eight years ago) link
yeah I don't remember so many dialogue scenes in other Apichatpong films.
― The burrito of ennui (Alfred, Lord Sotosyn), Thursday, 10 March 2016 04:19 (eight years ago) link
the tate modern in london is doing a 14 hour all nighter of his work next month. would love to do it, but dont think i can manage it :|
― StillAdvance, Thursday, 10 March 2016 10:25 (eight years ago) link
that all-nighter is so fkn stupid
― xyzzzz__, Thursday, 10 March 2016 11:43 (eight years ago) link
it could be a cool experience. if it was an all dayer, i would def do it.
― StillAdvance, Thursday, 10 March 2016 13:55 (eight years ago) link
http://taildom.com/blog/wp-content/uploads/2011/10/cat-plays-ping-pong.jpg
― Keks + Nuss (contenderizer), Thursday, 10 March 2016 14:40 (eight years ago) link
would be good if they filmed the audience at the all nighter and showed that as a film. lots of sleeping people. very meditative.
― Cornelius Pardew (jim in glasgow), Thursday, 10 March 2016 17:13 (eight years ago) link
that'd work w/ a single Joe film, often
― we can be heroes just for about 3.6 seconds (Dr Morbius), Thursday, 10 March 2016 17:16 (eight years ago) link
it could be a cool experience. if it was an all dayer, i would def do it.― StillAdvance, Thursday, 10 March 2016 Bookmark Flag Post Permalink
― StillAdvance, Thursday, 10 March 2016 Bookmark Flag Post Permalink
His films didn't have that intention - its a gimmick.
― xyzzzz__, Thursday, 10 March 2016 17:19 (eight years ago) link
he makes me want to believe in ghosts
― home organ, Thursday, 10 March 2016 18:39 (eight years ago) link
watching five of these back to back is just wasteful
― ulysses, Thursday, 10 March 2016 19:02 (eight years ago) link
some Joe faves -- Gattaca might be the biggest shocker, but it makes a kind of sense.
http://grasshopperfilm.com/transmissions-weerasethakul/
― we can be heroes just for about 3.6 seconds (Dr Morbius), Thursday, 26 May 2016 15:12 (seven years ago) link
yeah, agreed.
― ulysses, Thursday, 26 May 2016 15:45 (seven years ago) link
“What was it that turned you on to making movies?” Matt Thrift asks Apichatpong Weerasethakul for Little White Lies: “It was Spielberg. Raiders of the Lost Ark, E.T. and Close Encounters were really important to me. I didn’t think it’d be possible, but I just wanted to be involved in some way. When I discovered experimental cinema in Chicago, I found that a better fit with my nature—very personal, and something I could do by myself, in a darkroom, with a small group of people.”
http://lwlies.com/interviews/apichatpong-weerasethakul-cemetery-of-splendour/
― we can be heroes just for about 3.6 seconds (Dr Morbius), Thursday, 16 June 2016 16:31 (seven years ago) link
saw Blissfullly Yours again, it was as beautiful as I remembered. I liked what Nathan Lee had to say about it, that instead of resolving the story it “deliquesces into a state of feeling.” Between Blissfully Yours, Tropical Malady, Uncle Boonmee and Cemetery of Splendour it’s hard for me to pick a favorite! I didn’t love Syndromes and a Century quite as much as those on first viewing but I need to watch it again. Haven’t yet seen Mysterious Object at Noon
― Dan S, Thursday, 25 October 2018 23:10 (five years ago) link
From Sight and Sound:
Apichatpong WeerasethakulMemoria sees the Thai director filming a feature outside his native country for the first time, and working with a name Western cast. It stars Tilda Swinton, Jeanne Balibar and Daniel Giménez Cacho (Zama) and is set in Colombia, where Apichatpong teamed up with a local crew and his longstanding director of photography Sayombhu Mukdeeprom. Memoria is about an archaeologist, a fish scaler and a woman plagued by strange sounds. The director talked about the film in this email interview. Jonathan Romney: What has the experience been like working outside your usual domainof Thai landscape and mythology?
Apichatpong Weerasethakul: Enjoyable, liberating. Still, I approached the new place similarly to when I work in Thailand. I appreciate everyday life’s details, a sense of perpetual transformation, the decay. They are universal.
JR: Why did you decide to work withTilda Swinton and Jeanne Balibar?
AW: I have been friends with them formany years. I wrote the script with themin mind. We share the love of a particular cinema, and we wanted to be in a placethat is foreign to us, to open our senses.
JR: How did you first discover Colombia, and what fascinated you about the country?
AW: It started when I was young with the stories of the Amazon, the Inca, and Gabriel García Marquez. Later, I had a chance to visit Mexico, Peru, then Colombia. I learned about the country and was struck by the land that links with violence and greed and people’s perseverance.
JR: Archaeology features in the film – isthat what the title Memoria is about?
AW: Yes. Intermixed layers of memories.
JR: Given the story, does sounddesign figure heavily?
AW: One hundred per cent!
Jonathan Romney
― Good taste, bit Victorian but who isn't? (jed_), Sunday, 12 January 2020 13:08 (four years ago) link
Second palm secured.
― Frederik B, Sunday, 12 January 2020 13:12 (four years ago) link
will see this the first instance i can!
― Fuck the NRA (ulysses), Sunday, 12 January 2020 16:59 (four years ago) link
This seems like the kind of gimmick you might come up with if you think the film you’ve acquired might be poorly received. https://t.co/w4An1IXuTW?amp=1
― Chris L, Tuesday, 5 October 2021 18:02 (two years ago) link
Sounds like this is going to be Apichatpong Weerasethakul's Captain Eo.
― Halfway there but for you, Tuesday, 5 October 2021 18:44 (two years ago) link
I'm going to see it
― 《Myst1kOblivi0n》 (jim in vancouver), Tuesday, 5 October 2021 19:18 (two years ago) link
New one has a couple of longueurs but measures up to the last two but with a return to the Uncle Boonmee spooks.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Saturday, 4 December 2021 16:44 (two years ago) link
The last 30 minutes are among his best, most sustained filmmaking. I was holding my breath.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Saturday, 4 December 2021 16:45 (two years ago) link
How do you find out where/when this is screening?
― Chris L, Saturday, 4 December 2021 17:15 (two years ago) link
I got the Neon screeners #firstworldproblems
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Saturday, 4 December 2021 19:10 (two years ago) link
ok lolhttps://i.imgur.com/fK1mVYp.jpg
― wins, Tuesday, 15 March 2022 20:25 (two years ago) link
I wanted to ask does anyone know who the jazzy sort of postrocky band were in this
― wins, Tuesday, 15 March 2022 20:27 (two years ago) link
No DC-area dates yet. AFI better be planning a massive retrospective in collaboration with the Freer Gallery, or whatever they're called now.
― Infanta Terrible (j.lu), Tuesday, 15 March 2022 22:09 (two years ago) link
https://silver.afi.com/Browsing/Movies/Details/f-0100003400
Memoria opens at AFI Silver for a one-week run on Friday, April 8. I'm going to the Sunday afternoon screening; will anyone else be catching it there?
― Infanta Terrible (j.lu), Thursday, 7 April 2022 16:32 (two years ago) link
i'm seeing memoria tonight for its final night at ifc :)
― flamenco drop (BradNelson), Thursday, 7 April 2022 16:33 (two years ago) link
you know what, they're right, i shouldn't be able to watch this movie at home
― flamenco drop (BradNelson), Friday, 8 April 2022 02:39 (two years ago) link
it is showing at the Roxie in SF right now, through Tuesday
― Dan S, Friday, 8 April 2022 02:55 (two years ago) link
i shouldn't be able to watch this movie at home
They said the same about Captain Eo
― Halfway there but for you, Friday, 8 April 2022 11:38 (two years ago) link
I watched this movie at home and it still amazed me.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Friday, 8 April 2022 12:04 (two years ago) link
same here but i don’t think i’ve ever heard rain sound so amazing and lifelike in a film as i did watching this in a theater
what i’m saying is if this drops into a theater near you alfred go see it again. i certainly will be when it returns to new york
― flamenco drop (BradNelson), Friday, 8 April 2022 13:24 (two years ago) link
I'm glad I'm waiting for it to arrive at the Walker, even if it means waiting until almost July.
― Max Hamburgers (Eric H.), Friday, 8 April 2022 13:28 (two years ago) link
thx for the heads up on the DC showing. will be going tonight.
― circa1916, Friday, 8 April 2022 13:53 (two years ago) link
yeah likewise. going to the early screening on monday so i don't have to get a babysitter
― Heez, Friday, 8 April 2022 13:59 (two years ago) link
playing in LA 4/29 thru 5/5 at the Los Feliz 3https://www.americancinematheque.com/now-showing/memoria-5-5-22-10pm/
― donna rouge, Friday, 8 April 2022 14:17 (two years ago) link
This was beautiful, loved it. That entire last act with Hernan in particular was a total dream. Walking out into the real world afterwards, the sound of the city took on a new kind of resonance. So much of this is sound. Which is why…I almost lost my fucking mind about 15 minutes into this when some dude directly behind me and to the right began to aggressively shovel his hand into his popcorn bag, slurp soda, and rattle some kind of candy out of a box INCESSANTLY for what seemed like almost 30 minutes straight. In a small theater during a movie that’s frequently pin drop quiet. I wanted to absolutely throttle him. Like who goes to a Weerasethakul movie and gets The Marvel Super Platter and goes at it like they haven’t seen food in a week?But yeah, go see this and please eat beforehand.
― circa1916, Saturday, 9 April 2022 00:59 (two years ago) link
Risk COVID if you must.
― So who you gonna call? The martini police (Alfred, Lord Sotosyn), Saturday, 9 April 2022 01:25 (two years ago) link
Apparently Memoria is being held over at AFI for a second week. I didn't think that was possible under the distributors' terms? (The Sunday afternoon screening I went to was sold out, and the programmers were struggling to make room for more screenings that week.)
And THIS to what everyone has been saying about the sound. By the last act my fellow audience was riveted.
― Infanta Terrible (j.lu), Thursday, 14 April 2022 13:14 (two years ago) link
― Max Hamburgers (Eric H.), Friday, April 8, 2022 8:28 AM (six days ago) bookmarkflaglink
same!
― budo jeru, Thursday, 14 April 2022 15:27 (two years ago) link
The “only playing one city at a time for a week” release schedule was apparently abandoned by the US distributor (sez Wiki).xp
― circa1916, Friday, 15 April 2022 00:35 (two years ago) link
Everyone was handed a film strip with scenes from the movie upon entrance at my AFI screening. Nice lil memento.
― circa1916, Friday, 15 April 2022 00:51 (two years ago) link
I'm still sort of in disbelief about how astonishingly good this was
― Attached by piercing jewelry (bernard snowy), Friday, 10 June 2022 13:05 (one year ago) link