MUBI (Criterion-affiliated streaming classic, foreign, independent movie site) - c/d, comments, recommendations, etc.

And this week WE'RE ALL GOING TO THE WORLD'S FAIR. Kind of a Noize Board Blair Witch Project. Very interesting.

One of the main characters almost has the same moniker as an ILX0r.

Christian Petzold and Delphine Seyrig leaving MUBI US at the end of this month.

This week’s GO selection was fine.

THE TALE OF KING CRAB

This week’s MUBI GO US really good, HIT THE ROAD

Directed by Panah Panahi, son of Jafar.

Probably the best one yet, and that's saying something.

Hmm, updating the MUBI app messed up some of my downloads. No real worries though.

Sorry, this special is not available in your country

Had to update a few more times. Hopefully the download problem is finally fixed.

Also went to see THE TSUGUA DIARIES courtesy of MUBI GO and it totally lived up to its billing.

Think I saw Peter Guralnick walking around Lincoln Center but didn’t have time to chase him down.

Kind of the BETRAYAL or MEMENTO version of THE QUINCE TREE SUN.

https://mubi.com/notebook/posts/the-possible-cinema-a-conversation-with-maureen-fazendeiro-and-miguel-gomes

This new Spanish twenty minute take on The Tempest that just arrived on MUBI US, SYCORAX, looks great.

Said Spanish, but lots of people speaking Portuguese.

Think the directors and star are Argentine and it is shot in Portugal or something.

Lost my free MUBI access, thanks for nothing Scribd, you fucks

Wait, what?

Scribd subs used to include free MUBI subs as a bonus, but no more.

Oh, sorry

My life is a Shakespearean tragedy etc etc

usw usw usw

Really enjoyed last week’s MUBI GO selection, LOST ILLUSIONS. This week’s, CHA CHA REAL SMOOTH, also just popped up on Apple TV+.

The 2014 documentary Life Itself about Roger Ebert with the same title as his memoir that is about to leave but will still be available on Tubi is amazing.

Glad I watched MARTIN EDEN before it left.

Just went to the latest MUBI GO US offering. Still processing. Will report back tomorrow.

the new park chan wook? I'm thinking about going tomorrow

Yes. At the Angelika.

I guess you can still go to the Nitehawk Williamsburg.

What will tomorrow’s film be? They still aren’t saying.

they're holding over Decision to Leave, which is good because i didn't see it!

i'm walking distance from Nitehawk Prospect, a half hour from BAM, and at Lincoln Center often so lots of options.

Was wondering. Think they did they same with Blonde or Marilyn or whatever it’s called.

Hmm. Since they held it over I think I can just use MUBI GO to see it again.

going thursday. think i talked the guy who i went to a show with tonight into joining mubi so i can have another mubi buddy

Headed back!

:)

JRB, we should probably connect as mubi buddies

Sure. Can we do that? Maybe we actually passed by criss-cross this evening, we’ve never met in person.

By which I meant is that a thing within MUBI. In any case, I can contact you through social media.

yeah, hit me up and let's see something! i dunno about the next week's film, i'm dubious after the times review.

Okay, sure. I might go to see this one just for the foreign language angle.

Some of the cast was also in Tehran Taboo, which I still need to watch.

Similar sort of expat film about Iranian demimonde or whatever you want to call it.

they're holding over Decision to Leave, which is good because i didn't see it!

― “Cheeky cheeky!” she trills, nearly demolishing a roadside post (forksclovetofu), Friday, October 21, 2022 2:28 AM (one week ago) bookmarkflaglink

I saw this last night. It's an interesting neonoir, but I continue to wish that most 2+-hour movies be taken out of their directors' hands and be edited down to 90 minutes. And I remain unconvinced that Mubi US is worth the subscription.

Think I mentioned on the Park Chan-Wook thread that I didn’t mind the length upon second viewing, which is saying something.

This week’s offering, Holy Spider, is not for everyone. At first blush it may seem like a grisly true crime fictionalization masquerading as social commentary, but after pondering it for a few days maybe I liked it after all and maybe it did add to that small body of films that take place in Iran but are made outside of Iran by expats and can show things that cannot be filmed in country.

Is that the one where the actress, upon winning at Cannes, delivered a 17-minute speech?