https://cansesclasseled.files.wordpress.com/2021/11/002-vertigo.jpg
02. VERTIGO (Alfred Hitchcock, 1958, USA) [2,095.7 points; 28 votes; Morbs gold]
S&S: 1 | TSPDT: 2 | BOXD: 167
MORBS SEZ: "Scottie manages to seal his doom by being a staunch empiricist in the first half and a deranged romantic in the second. Balance is important, one step at a time." (Slant review.)how do i stop feeling like i'm on a boat? (without seeing a doctor) O_o There is also documented evidence that Genital Warts can cause it.[citation needed]
― lil yawne (harbl), Tuesday, October 14, 2008 6:18 PM
Not in my top five Hitchcock.
― a regina spektor is haunting europe (Alfred, Lord Sotosyn), Wednesday, August 1, 2012 1:25 PM
Plays well projected on the walls of gay bars, tho maybe not quite as good as Sabotage.
― Eric H., Wednesday, August 1, 2012 9:51 PM
I keep thinking about this today. It's impossible coming to such a revered film (a film that comes at you out of a bathroom, cloaked in neon mist) - such that I already want to watch it again, now that I've got the first watch out of the way. The thing that keeps coming to me is James Stewart's eyes - how much acting he does with them. There is a moment in Ernie's, the first time he sees Judyline, when a look almost passes between them, that is all eyes: after the fact it's clear that he'd fallen for her, and she was trying to tell him (tell might be too strong a verb - suggest, insinuate). As a couple of people have said, I want to eat in Ernies. All that red though - like a restaurant in the Tanz dance academy.
― Vanishing Point (Chinaski), Wednesday, January 13, 2021 2:52 PM
More vital and fascinating than any other Hitchcock maybe because it's the one where he seems least in control of the ideas.
― ryan, Wednesday, August 1, 2012 9:22 PM
nobody's in charge of the ideas in Suspicion
― we used to get our kicks reading surfing MAGAzines (sic), Friday, May 25, 2018 12:56 PM
yet Cary Grant can be in charge of my ideas
― morning wood truancy (Alfred, Lord Sotosyn), Friday, May 25, 2018 1:11 PM
I love any Hitchcock poll that doesn't put Vertigo on top.
― some sad trombone Twilight Zone shit (cryptosicko), Monday, July 3, 2017 8:25 AM
Vertigo is one of the few films that does actually get better with every viewing.
― Foster Twelvetrees (Ward Fowler), Monday, October 17, 2016 1:36 PM
https://cansesclasseled.files.wordpress.com/2021/11/001-2001-a-space-odyssey.jpg
01. 2001: A SPACE ODYSSEY (Stanley Kubrick, 1968, UK) [2,099.1 points; 25 votes; 3 first-place votes; Morbs gold]
S&S: 4 | TSPDT: 3 | BOXD: 58
MORBS SEZ: "What's often ignored (or underemphasized) is the satire of an unfailingly corrupt and "managerial" human race … It's an optimistic work because it looks forward to something better than homo sapiens."mine:
1. 2001: A Space Odyssey
2. Vertigo
3. Sherlock, Jr.
4. The Man Who Shot Liberty Valance
5. Citizen Kane
― Dr Morbius, Friday, July 13, 2007 9:29 AM
I saw in on the big screen on acid once (in high school) and it's really, really fucking good, especially when they make that planet.
― andy --, Wednesday, November 30, 2005 11:57 AM
Saw it again for the first time in more than a decade, still unmoved.
― morning wood truancy (Alfred, Lord Sotosyn), Wednesday, August 8, 2018 9:22 AM
i have never seen this on a big screen. i liked it in college. these days i have gone back to preferring 'full metal jacket', and i think i'm right.
― Theorry Henry (Enrique), Thursday, December 1, 2005 8:33 AM
http://www.indiewire.com/2018/04/james-cameron-2001-a-space-odyssey-lacks-emotional-balls-1201958421/
― Hazy Maze Cave (Adam Bruneau), Sunday, April 29, 2018 5:32 PM
i bet Cameron thinks i remember 5% of what happened in Avatar
― the ignatius rock of ignorance (Dr Morbius), Sunday, April 29, 2018 10:20 PM
"emotional balls"
― zchyrs, Monday, April 30, 2018 12:57 PM
One does have to admit that Titanic really brings the emotional sack
― zchyrs, Monday, April 30, 2018 12:58 PM
Aliens has quite a nut.
― Uppercase (Eric H.), Monday, April 30, 2018 1:01 PM
Sorry, quite a Newt.
― Uppercase (Eric H.), Monday, April 30, 2018 1:01 PM
Avatar has balls of a different color
― Hazy Maze Cave (Adam Bruneau), Monday, April 30, 2018 4:27 PM
You don't need to get stoned. I saw it stone cold sober on the big screen and it remains one of the greatest works of art I will ever witness
― the spieth hole-ease impresseth us (imago), Thursday, June 25, 2015 5:37 AM
yeah you do. and you have to take drugs to enjoy dance music.
― cod latin (dog latin), Thursday, June 25, 2015 5:40 AM
Judging from the film ballots, you've all seen it on small black-and-white TVs.
― Dr Morbius (Dr Morbius), Wednesday, November 30, 2005 11:46 AM
i watched it with joel coens dick in my mouth and ethan coens in my ass
― oooh, Wednesday, November 30, 2005 11:47 AM
― Milm & Foovies (Eric H.), Thursday, 4 November 2021 21:39 (two years ago) link
01. 2001: A SPACE ODYSSEY (Stanley Kubrick, 1968, UK) [2,099.1 points; 25 votes; 3 first-place votes; Morbs gold]
02. VERTIGO (Alfred Hitchcock, 1958, USA) [2,095.7 points; 28 votes; Morbs gold]
03. MULHOLLAND DR. (David Lynch, 2001, USA) [1,996.65 points; 26 votes; 4 first-place votes; Morbs gold]
04. STALKER (Andrei Tarkovsky, 1979, USSR) [1,869.8 points; 20 votes; 1 first-place vote]
05. DO THE RIGHT THING (Spike Lee, 1989, USA) [1,707 points; 24 votes; 1 first-place vote; Morbs silver]
06. THE NIGHT OF THE HUNTER (Charles Laughton, 1955, USA) [1,651.30 points; 20 votes]
07. THE RULES OF THE GAME (Jean Renoir, 1939, France) [1,575.88 points; 17 votes]
08. TAXI DRIVER (Martin Scorsese, 1976, USA) [1,403.47 points; 19 votes]
09. AGUIRRE: THE WRATH OF GOD (Werner Herzog, 1972, West Germany) [1,324.8 points; 15 votes; Morbs silver]
10. THE SHINING (Stanley Kubrick, 1980, UK) [1,284.77 points; 22 votes]
11. CHILDREN OF MEN (Alfonso Cuarón, 2006, UK) [1,149.08 points; 13 votes]
12. THE THIRD MAN (Carol Reed, 1949, UK) [1,146 points; 15 votes; 4 first-place votes]
13. CLOSE-UP (Abbas Kiarostami, 1990, Iran) [1,143.75 points; 12 votes; Morbs silver]
14. GOODFELLAS (Martin Scorsese, 1990, USA) [1,138.4 points; 20 votes; Morbs silver]
15. BLADE RUNNER (Ridley Scott, 1982, USA) [1,137.06 points; 17 votes]
16. APOCALYPSE NOW (Francis Ford Coppola, 1979, USA) [1,107.60 points; 15 votes; 1 first-place vote]
17. THE BIG LEBOWSKI (Joel & Ethan Coen, 1998, USA) [1,095.83 points; 18 votes; 1 first-place vote]
18. THE APARTMENT (Billy Wilder, 1960, USA) [1,064.07 points; 14 votes]
19. CITIZEN KANE (Orson Welles, 1941, USA) [1,050.32 points; 19 votes; Morbs silver]
20. DR. STRANGELOVE, OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964, UK) [1,043.37 points; 19 votes; Morbs silver]
21. TWIN PEAKS: FIRE WALK WITH ME (David Lynch, 1992, USA) [1,012.6 points; 10 votes]
22. REAR WINDOW (Alfred Hitchcock, 1954, USA) [1,003.2 points; 15 votes; 1 first-place vote]
23. ALIEN (Ridley Scott, 1979, USA) [983.75 points; 12 votes]
24. IN THE MOOD FOR LOVE (Wong Kar-wai, 2000, Hong Kong) [952.55 points; 11 votes]
25. SUNSET BLVD. (Billy Wilder, 1950, USA) [942.5 points; 12 votes; 1 first-place vote]
26. NORTH BY NORTHWEST (Alfred Hitchcock, 1959, USA) [920.79 points; 14 votes; 1 first-place vote; Morbs silver]
27. JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman, 1975, Belgium) [906 points; 9 votes]
28. DOG DAY AFTERNOON (Sidney Lumet, 1975, USA) [901.25 points; 12 votes]
29. THE GREEN RAY (Eric Rohmer, 1986, France) [900.88 points; 8 votes; Morbs silver]
30. BARRY LYNDON (Stanley Kubrick, 1975, UK) [883.23 points; 13 votes; Morbs silver]
31. DUCK SOUP (Leo McCarey, 1933, USA) [874.64 points; 14 votes; Morbs silver]
32. CHINATOWN (Roman Polanski, 1974, USA) [873.43 points; 14 votes; Morbs silver]
33. THE EMPIRE STRIKES BACK (Irvin Kershner, 1980, USA) [872.2 points; 10 votes]
34. THE LONG GOODBYE (Robert Altman, 1973, USA) [865.38 points; 16 votes; Morbs silver]
35. McCABE & MRS. MILLER (Robert Altman, 1971, USA) [855.6 points; 15 votes]
36. PLAYTIME (Jacques Tati, 1967, France) [853.27 points; 11 votes; 1 first-place vote; Morbs silver]
37. CONTEMPT (Jean-Luc Godard, 1963, France) [845.71 points; 7 votes]
38. SINGIN' IN THE RAIN (Stanley Donen & Gene Kelly, 1952, USA) [841.82 points; 11 points]
39. LATE SPRING (Ozu Yasujirō, 1949, Japan) [835.45 points; 11 votes]
40. THE PASSION OF JOAN OF ARC (Carl Theodor Dreyer, 1928, Denmark) [833.36 points; 14 votes; Morbs silver]
41. A SERIOUS MAN (Joel & Ethan Coen, 2009, USA) [830.4 points; 15 votes]
42. STOP MAKING SENSE (Jonathan Demme, 1984, USA) [826.7 points; 10 votes; Morbs silver]
43. SANS SOLEIL (Chris Marker, 1983, France) [825.25 points; 8 votes]
44. BLUE VELVET (David Lynch, 1986, USA) [822 points; 15 votes]
45. THE THING (John Carpenter, 1982, USA) [815 points; 10 votes]
46. SPIRITED AWAY (Miyazaki Hayao, 2001, Japan) [811.27 points; 11 votes]
47. FARGO (Joel & Ethan Coen, 1996, USA) [811.1 points; 10 votes]
48. POSSESSION (Andrzej Żuławski, 1981, France-West Germany) [810 points; 9 votes; 1 first-place vote]
49. MAD MAX: FURY ROAD (George Miller, 2015, Australia) [808.73 points; 11 votes]
50. PERSONA (Ingmar Bergman, 1966, Sweden) [805.69 points; 13 votes; 1 first-place vote]
51. PSYCHO (Alfred Hitchcock, 1960, USA) [793.75 points; 12 votes; Morbs silver]
52. NOTORIOUS (Alfred Hitchcock, 1946, USA) [793.63 points; 8 votes]
53. THE TEXAS CHAIN SAW MASSACRE (Tobe Hooper, 1974, USA) [788.13 points; 8 votes]
54. JURASSIC PARK (Steven Spielberg, 1993, USA) [786 points; 9 votes]
55. THE GRADUATE (Mike Nichols, 1967, USA) [783.33 points; 9 votes]
56. THE 400 BLOWS (François Truffaut, 1959, France) [779.33 points; 9 votes]
57. IMITATION OF LIFE (Douglas Sirk, 1959, USA) [774 points; 6 votes]
58. GROUNDHOG DAY (Harold Ramis, 1993, USA) [772.46 points; 13 votes]
59. SYNECDOCHE, NEW YORK (Charlie Kaufman, 2008, USA) [768.67 points; 9 votes]
60. SUNRISE: A SONG OF TWO HUMANS (F.W. Murnau, 1927, USA) [752.6 points; 10 votes; 1 first-place vote]
61. AU HASARD BALTHAZAR (Robert Bresson, 1966, France) [734.91 points; 11 votes]
62. THE MALTESE FALCON (John Huston, 1941, USA) [733.1 points; 10 votes; Morbs silver]
63. ALI: FEAR EATS THE SOUL (Rainer Werner Fassbinder, 1974, West Germany) [729.2 points; 10 votes; Morbs silver]
64. BACK TO THE FUTURE (Robert Zemeckis, 1985, USA) [728.55 points; 11 votes]
65. 3 WOMEN (Robert Altman, 1977, USA) [725.3 points; 10 votes]
66. TOUCH OF EVIL (Orson Welles, 1958, USA) [719.33 points; 9 votes; 1 first-place vote]
67. PULP FICTION (Quentin Tarantino, 1994, USA) [717.5 points; 10 votes; 1 first-place vote]
68. CRUMB (Terry Zwigoff, 1994, USA) [716.63 points; 8 votes]
69. THE LIFE AND DEATH OF COLONEL BLIMP (Michael Powell & Emeric Pressburger, 1943, UK) [715.71 points; 7 votes]
70. M (Fritz Lang, 1931, Germany) [708.67 points; 9 votes]
71. MIRROR (Andrei Tarkovsky, 1975, USSR) [708.38 points; 8 votes; Morbs gold]
72. PIERROT LE FOU (Jean-Luc Godard, 1965, France) [705 points; 6 votes]
73. BEING JOHN MALKOVICH (Spike Jonze, 1999, USA) [700.6 points; 10 votes]
74. DAYS OF HEAVEN (Terrence Malick, 1978, USA) [683.63 points; 8 votes; 1 first-place vote]
75. THE MAN WHO SHOT LIBERTY VALANCE (John Ford, 1962, USA) [683.63 points; 8 votes; Morbs gold]
76. DAISIES (Vera Chytilová, 1966, Czechoslovakia) [674.29 points; 7 votes; 1 first-place vote]
77. THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966, Italy) [670 points; 12 votes; Morbs silver]
78. THE WICKER MAN (Robin Hardy, 1973, UK) [668.5 points; 8 votes]
79. UNDER THE SKIN (Jonathan Glazer, 2014, UK) [665 points; 12 votes]
80. CALIFORNIA SPLIT (Robert Altman, 1974, USA) [663 points; 6 votes]
81. IT'S A WONDERFUL LIFE (Frank Capra, 1946, USA) [661.63 points; 8 votes]
82. WILD STRAWBERRIES (Ingmar Bergman, 1957, Sweden) [661.5 points; 6 votes]
83. THE KING OF COMEDY (Martin Scorsese, 1983, USA) [659.82 points; 11 votes; Morbs gold]
84. CELINE AND JULIE GO BOATING (Jacques Rivette, 1974, France) [658.57 points; 7 votes]
85. THE LADY EVE (Preson Sturges, 1941, USA) [656.4 points; 10 votes; Morbs silver]
86. A BRIGHTER SUMMER DAY (Edward Yang, 1991, Taiwan) [655.5 points; 6 votes; 1 first-place vote]
87. THE SPIRIT OF THE BEEHIVE (Victor Erice, 1973, Spain) [652 points; 8 votes]
88. JOHNNY GUITAR (Nicholas Ray, 1954, USA) [651 points; 6 votes]
89. THIS IS SPINAL TAP (Rob Reiner, 1984, USA) [650.91 points; 11 votes]
90. MANDY (Panos Cosmatos, 2018, USA) [646.5 points; 8 votes]
91. LAST YEAR AT MARIENBAD (Alain Resnais, 1961, France) [645.82 points; 11 votes]
92. THE GODFATHER (Francis Ford Coppola, 1972, USA) [643.4 points; 10 votes]
93. ERASERHEAD (David Lynch, 1977, USA) [636.9 points; 10 votes]
94. ONCE UPON A TIME IN ANATOLIA (Nuri Bilge Ceylan, 2011, Turkey) [636 points; 6 votes]
95. SHOWGIRLS (Paul Verhoeven, 1995, USA) [628 points; 4 votes]
96. MESHES OF THE AFTERNOON (Maya Deren & Alexander Hammid, 1943, USA) [625.71 points; 7 votes]
97. SEVEN SAMURAI (Kurosawa Akira, 1954, Japan) [624.67 points; 9 votes]
98. MY NEIGHBOUR TOTORO (Miyazaki Hayao, 1988, Japan) [623.9 points; 10 votes]
99. LA JETÉE (Chris Marker, 1962, France) [623.33 points; 9 votes; 1 first-place vote; Morbs silver]
100. ROSEMARY'S BABY (Roman Polanski, Roman 1968, USA) [620 points; 10 votes]
― Milm & Foovies (Eric H.), Thursday, 4 November 2021 21:55 (two years ago) link