The Power Of Nightmares/Adam Curtis

Adam Curtis take! The BBC has a £3.6 bn budget but we are only allow one solitary archivist-auteur, as a treat. Why aren't they commissioning far more in the way of efforts to make sense of the present? And not just by solitary white men of a certain age.

— Dan Hind (@danhind) February 21, 2021

Otm - we need talented filmmakers that have a go at explaining things. They needn't be academics like Tooze tho'.

Wallace sought liberation through technology, freedom to be an individual. *ambient music plays* *shot of hallway* What he did not know was that the forces the trousers would unleash would represent only a new and more sinister form of social control. *grainy shot of penguin*

— Greg Афиногенов (@athenogenes) February 21, 2021

xp otm, its not like there isn't a history of this. the black audio film collective were making films like this long before curtis and they didn't do that annoying smug voice

i feel bad now for comparing the BAC to adam curtis

I've not seen a film by them, will have a look.

mostly associated with john akromfrah now

You all could've warned me the last one was 2 hours long!

that threw me for a loop! I'll have to go back and give the last episode another shot because I fell asleep during the first hour. It felt like the last one could be a standalone documentary itself, but I didn't watch to the end.

Exciting to be in a new world where it's impossible to even know what the acceptable Yer Boyfriend opinion on Adam Curtis is

— Stefan Bielik (@prstskrzkrk) February 22, 2021

if as the writer suggests every one watched his docs as a pynchon novels without the funny names that would make sense

This feels a bit like "if as the writer suggested every one watched Scorsese mobster films as critiques of masculinity"; yes I'm sure plenty of people take Curtis docs as plain history but those ppl are being dumb, his shtick is so upfront about that not being the case.

brings to mind Alan Sokal attempting to dissect Deleuze as unscientific

Hypernormalislandisation pic.twitter.com/bUET3o7wYD

— TheIainDuncanSmiths (@TheIDSmiths) February 22, 2021

have been watching pandora's box after finishing can't get you out of my head and the scope is so much more limited, so there's less to complain about from an accuracy point of view. hasn't got his aesthetic down yet though, and of course there's no burial on the soundtrack

it's very funny to me that this thing is getting any kind of mainstream discussion/attention in your country; if this showed in the US on PBS, no one would notice

otoh adam curtis does get covered in prestige media in the US

he's sort of niche famous globally isn't he? in the anglosphere anyway. and not particularly more famous in the uk than he is in say north america afaict.

there isn't really a US equivalent that i can think of. maybe john wilson? its a very different thing that he's doing of course.

Ken Burns

lol, i would love to hear a ken burns take on the adam curtis schtick

montage of found images set to Appalachian fiddle music

i think although obviously they're quite difft frederick wiseman's films are far more challenging and interesting than curtis

there was a piece in Vice where I think Brooker interviews him, despite liking his work (not fucking Brookers, no!) I can't think of anything much more insufferable. I would probably consider him as big a tosser as Brooker if I'd have clicked on it and read it but he doesn't seem to have much interesting to say outside of his work anyway, well based on an interview I heard on WS where he was pedalling all that usual hackneyed polarisation of politics bollox beloved of most libs.

So far I think episodes 1 and 4 are best. 2 and 3 are kind of lists in search of an overarching point and 5 is all over the shop even by his standards. 1 and 4 both focus on a tendency that the left is broadly hostile towards - individualism and apolitical activism, respectively - and gives them their due, explains where they came from, while still pointing at how they can end in catastrophe.

it's very funny to me that this thing is getting any kind of mainstream discussion/attention in your country; if this showed in the US on PBS, no one would notice

Think you might be trapped in the same bubble I was in when I logged onto the iplayer page expecting this to be the featured item - turns out it wasn't even on the front page!

It was a featured item for me, presumably because of personalisation.

but really the operative word here was depersonalization [segues into stars of the lid track]

sorry that was piss poor!

So far I think episodes 1 and 4 are best. 2 and 3 are kind of lists in search of an overarching point and 5 is all over the shop even by his standards.

Yeah that's the one - lots of interesting stuff in there as usual but just moving from story to story with no sense of direction.

damn, i wanna see these but i don't have a UK TV licence and don't want to get one. can you buy/rent it or something somehow?

you know they don't know whether or not you use iplayer?

also that if the tv license man comes round you have no reason to let him in?

if you live in the UK just click "yes I have a license" on i-player, but perhaps close your curtains as a precaution if you see the tv detector van rolling past your yard!

or just... pay your tv license 🙄

I thought having an internet connection means you are compelled by law to buy one, even if in the "I don't even have a television" category

figured they had cleverer ways to tell if you've been watching iPlayer these days, like checking if there's a TV license associated with your account, or using your IP address or something.

You don't have to have a license if you don't watcvh live or streamed BBC TV afaik.

certainly not paying for a license just to watch one show though

Not sure if UK blocks this but this is how I watched it

http://www.youtube.com/playlist?list=PLtPP_-rkrT3CAPe8OmDnlZBDvaQ7baH7B

any iPlayer use requires a TV license but it’s not enforced. there is no mechanism for it.

i would not suggest not paying the license fee if youre a habitual user of the iplayer and or someone who watches broadcast tv in the uk. if you literally want to just watch one show then i don't see any issue. although the amount of media ive consumed in my life that came from "the usual sources" probably means i have a certain stance on this kind of thing that others may not share. i also hate the license fee guys who are arseholes who go around bullying pensioners and housewives

I didn't pay a license fee for years and it was handy living in an upstairs flat because if it looked like a cunt knocking I simply wouldn't answer the door. I have memories as a kid of my mum pulling the curtains over and telling us all to be quiet while some cunt aggressively bangs on the door. Lol it was a vintage b+w valve tv and the license would have probably cost a few quid.

In America, in the early 1950s
Little Rock, Pasternak
But at the same time
Mickey Mantle, Kerouac
Little did the people expect
Sputnik, Zhou En-lai
Simultaneously 
Bridge On The River Kwai
But something else inside them
Lebanon, Charles de Gaulle
Meanwhile,
California baseball
Five thousand miles away,
Starkweather Homicide
What they didn't foresee was
Children of Thalidomide
At the very same moment
Buddy Holly, Ben-Hur
But someone was listening:
Space Monkey, Mafia
But even as one group grew stronger
Hula Hoops, Castro
And at the very same time
Edsel is a no-go
One poor farmer had an idea:
U-2, Syngman Rhee
There would emerge a new idea
Payola and Kennedy
Just across the border,
Chubby Checker, Psycho
Meanwhile
Belgians in the Congo

brutal

Started chapter 3 tonight; gave up about 20 minutes from the end - it was going nowhere.

Turns out it's all Cecil Sharp's fault. All the woes of the C20, down to him and his bloody folk dances.

fucking morris dancers eh?

the cecil sharp stuff was weak af - there’s plenty of interesting stuff to be said about late and long victorian arts and crafts, merrie england, and the influence of pastoral on national vision but this wasn’t a useful vector tbh.

do you ever see any Morris Dancers in London? in the pre-Rona days they descended like a nightmare plague in the Holm Valley near me every summer, possibly with the ghost of Roy Castle lagging behind in his tap shoes.

Cecil Sharp stuff felt like he had just read Richard King's The Lark Ascending and decided to crib a little from that. Rad book btw, recommended to everyone. There was gonna be a special concert for it at the Barbican but then co-organizer Andrew Weatherall died and after that BAM, corona. :(

the last london open house i went on (a tiring and drizzly day in 2018 iirc) i ended up visiting cecil sharp house, at which i encountered

a) a small exbihition of punk rock sleeve art
b) a darkling panelled room its walls stiff with large elk skulls
c) being warned i couldn't stay long bcz the AGM of the morris dancing soc was just abt to start (many oldish ppl trooping, in a handful dressed as morris himself commands)

they shd let me make these documentaries *cues up eight hours of the crazy frog*