Shame about I Am Not Okay With This, which I liked a lot. Was putting these shows on hiatus not an option?
Never read BsC or SVH, but those who did might wanna check this out: https://www.amazon.ca/Paperback-Crush-Totally-Radical-History/dp/1683690788
― A White, White Gay (cryptosicko), Saturday, 22 August 2020 00:21 (four years ago) link
if I never read Babysitters Club would I still enjoy it? (I was more of a Sweet Valley High gal, lol)
― beef stannin’ (gyac), Saturday, 22 August 2020 00:36 (four years ago) link
Teenage Bounty Hunters was good I thought - a bit all over the place plot- and tone-wise but pretty enjoyable and the actresses who play the lead twins are both excellent. A solid B+ kinda teen show.
― Roz, Saturday, 22 August 2020 09:16 (four years ago) link
My bar for entertainment sunk pretty low, I watched "Sleepover" (kind of) and enjoyed it (what I saw of it through my stoned haze).
To correct this I watched some documentaries which are great:
"John was trying to contact aliens" this is a 16 minute documentary that is utterly fascinating, but the 'reveal' halfway through, though touching, wasn't the most interesting thing to me. I'd have liked a full hour so we could learn more about the weird shit John built, how it worked, and of course, I'd have been into more of his DJ sets for aliens which centered around 70's space rock.
"Without Gorky" - shamefully we knew nothing about Arshile Gorky other than that he was Armenian (My wife is half). This is a pretty intense doc focused on his widow and their two daughters who revisit the area where he hung himself. It's really, really good.
"Kingdom of Us" - I liked this less than Without Gorky, it ostensibly is the same type of doc: how does this family process and relate to the suicide of their father? There are so many kids I had a hard time keeping a few of them straight (it's also filmed over a period of three years and is loose with chronology so that didn't help). But it's worth watching.
― akm, Sunday, 23 August 2020 16:00 (four years ago) link
"The Society & I Am Not Okay With This cancelled due to Covid-19 production issues"
ugh this fucking blows! I thought a second season of stupid Society was in the can already! I am not okay with this decision!
― akm, Sunday, 23 August 2020 16:01 (four years ago) link
Netflix decisions are pretty inscrutable. So, these get cancelled due to covid, allegedly, but a David Lynch Wild at Heart show gets a green light? And I'm pretty sure, say, Stranger Things won't be cancelled due to covid. Netflix seems to cancel all sorts of shit for unknown reasons.
― Josh in Chicago, Sunday, 23 August 2020 16:33 (four years ago) link
Must be some hiccups in the global money laundering machine
― Nhex, Sunday, 23 August 2020 16:35 (four years ago) link
the wild at heart thing is not real xp
― unpaid intern at the darvo institute (Simon H.), Sunday, 23 August 2020 16:35 (four years ago) link
Thank goodness.
― Josh in Chicago, Sunday, 23 August 2020 16:38 (four years ago) link
I was going to ask, hadn't heard anything about that
― akm, Monday, 24 August 2020 00:16 (four years ago) link
teenage bounty hunters is tremendous -- the all-over-the-place leaps sideways are part of the point i think (anyway they're a good part why i enjoyed it so if they're not #whocare)
― mark s, Monday, 24 August 2020 20:36 (four years ago) link
#Alive - another good addition to the Korean zombie genre as well as a pretty effective quarantine thriller
― Roz, Friday, 11 September 2020 18:26 (four years ago) link
Yeah, liked that quite a lot.
― Tsar Bombadil (James Morrison), Thursday, 17 September 2020 03:34 (four years ago) link
idk what this says about me but I am keen to watch the new Ryan Murphy series “Ratched” this Friday
― terminators of endearment (VegemiteGrrl), Thursday, 17 September 2020 03:40 (four years ago) link
I might give it a whirl. Sharon Stone being in it was the deciding factor.
― Johnny Fever, Thursday, 17 September 2020 03:41 (four years ago) link
Cobra Kai is, against all odds, actually, kinda good? What can I say, it's got heart.
― Nhex, Thursday, 17 September 2020 04:25 (four years ago) link
it’s the fkn best - pure joy imo
― terminators of endearment (VegemiteGrrl), Thursday, 17 September 2020 04:38 (four years ago) link
Zabka can act, who knew
― A True White Kid that can Jump (Granny Dainger), Thursday, 17 September 2020 05:45 (four years ago) link
Larusso daughter gives me strong Disney Channel vibes
― A True White Kid that can Jump (Granny Dainger), Thursday, 17 September 2020 05:46 (four years ago) link
Zabka kills it; he gets some great lines
― terminators of endearment (VegemiteGrrl), Thursday, 17 September 2020 06:08 (four years ago) link
Yeah I 'm enjoying that; great one to squeeze in just before bed.
― chap, Thursday, 17 September 2020 17:14 (four years ago) link
My Octopus Teacher is a must watch
― A True White Kid that can Jump (Granny Dainger), Sunday, 20 September 2020 06:09 (four years ago) link
Oh man, i did NOT like that.
― Fuck the NRA (ulysses), Sunday, 20 September 2020 14:01 (four years ago) link
OH WTF NETFLIX: https://io9.gizmodo.com/dark-crystal-age-of-resistance-has-been-canceled-by-ne-1845132612
― Pleeenk Floyd (Leee), Monday, 21 September 2020 22:06 (four years ago) link
Boooooo
― Mario Meatwagon (Moodles), Monday, 21 September 2020 22:12 (four years ago) link
BOOOOOOO
― and i can almost smell your PG Tips (Jon not Jon), Monday, 21 September 2020 23:05 (four years ago) link
WHAT THE FKTHEY JUST WON A GODDAMN EMMY YOU JERKS
― terminators of endearment (VegemiteGrrl), Monday, 21 September 2020 23:17 (four years ago) link
The Devil All the Time has all the depth of the "Crazy Christians" sketch from Studio 60. Tom Holland acts circles around Pattinson, embarrassingly.
― Simon H., Tuesday, 22 September 2020 00:49 (four years ago) link
yeah this movie was so dull. the only thing I enjoyed about it was Pattinson's terrible accent - I was cracking up every time he was onscreen
― Roz, Tuesday, 22 September 2020 01:03 (four years ago) link
Admittedly I’m not an MCU fan, so I’m missing a key chunk of his filmography, but I have yet to figure out why I’m supposed to care about Tom Holland.
― A White, White Gay (cryptosicko), Tuesday, 22 September 2020 02:58 (four years ago) link
I haven’t been on Netflix in months and am annoyed to discover instantwatcher is no longer able to provide a list of recently-added
― just1n3, Thursday, 24 September 2020 00:34 (four years ago) link
That is Netflix's fault, from what I understand.
― Wessonality Crisis (Old Lunch), Thursday, 24 September 2020 00:38 (four years ago) link
i love octopuses and octopeople but i did not understand the octopus movie. it was pretty, and passably interesting as a pbs special. but i thought the narration was dreadful. it felt very first-semester of film school.
― rb (soda), Thursday, 24 September 2020 00:40 (four years ago) link
started Ratched last night, one episode in and it's good though extremely AHS in tone and I'm expecting it to turn into some other show after four episodes and loose interest entirely like everything else Ryan Murphy does these days.
― akm, Thursday, 24 September 2020 20:47 (four years ago) link
Cobra Kai on Netflix now...what happened to YouTube's streaming channel, whatever the fuck it was called?
http://www.youtube.com/premium
― Fuck the NRA (ulysses), Thursday, 24 September 2020 21:15 (four years ago) link
iirc they gave up on scripted content entirely; combined it with their Google's streaming music service
― Nhex, Thursday, 24 September 2020 21:48 (four years ago) link
Glow and Teenage Bounty Hunters both cancelled this week. Absurd. I realize Covid is impacting filming for things (though Law and Order: SVU appears to be shooting it's new season? how?) but you'd think they could hold out a bit before making these calls (if covid is actually the reason behind it)
― akm, Thursday, 8 October 2020 18:26 (four years ago) link
I never got into GLOW but I'd have to assume that after three seasons it's mostly run its course both narratively and culturally. Tell me I'm wrong!
― Fuck the NRA (ulysses), Thursday, 8 October 2020 18:28 (four years ago) link
So bizarre that they would cancel Glow. Is it just because it would be too complicated/expensive to make a wrestling show during COVID?
xp
― change display name (Jordan), Thursday, 8 October 2020 18:32 (four years ago) link
I'm assuming most of the problems are in keeping actors attached over longer periods of time + logistics involved in COVID-proofing the sets. Also different actors w/ different demands or having to travel, etc
― it bangs for thee (Simon H.), Thursday, 8 October 2020 18:35 (four years ago) link
Of course in some cases it could absolutely be Netflix finding a novel (snicker) way to act on fresh data that indicates the show's not worth shelling out for.
― it bangs for thee (Simon H.), Thursday, 8 October 2020 18:37 (four years ago) link
― Fuck the NRA (ulysses), Thursday, October 8, 2020 11:28 AM (twenty-one minutes ago) bookmarkflaglink
the ending of the last season was not a satisfying series finale. I was p indifferent to it but if you liked it you're prob v disappointed
― here comes the hotstamper (jim in vancouver), Thursday, 8 October 2020 18:51 (four years ago) link
at least with Netflix they can always do a wrap-up season/finale waaaaay later if they feel like it
― Nhex, Thursday, 8 October 2020 19:24 (four years ago) link
Been watching Teenage Bounty Hunters and thoroughly enjoying it.
Enola Holmes was entirely written by focus group, you could hear the pitch meeting. "What we need is a vehicle for the slightly androgynous one out of Stranger Things. How about she gets to play a spunky quirky young heroine who dresses up as a bit at every opportunity, often for money, and does monologues to camera every chance she gets, like Fleabag, that was popular."
I ended up yelling SPUNKY FLEABAG at the screen every time she did it after a while.
― Mud... jam... failure (aldo), Thursday, 8 October 2020 19:27 (four years ago) link
Is it just because it would be too complicated/expensive to make a wrestling show during COVID?
not sure if joke but pretty much every "live," weekly, actual-sweating-and-grappling show has taken afaik not so much as a week off this entire time
― TRANCED INTO RADIOACTIVE PUREE (Will M.), Thursday, 8 October 2020 19:46 (four years ago) link
They're all filmed in Florida, with a state govt corrupted by the McMahons... so not good.
― Nhex, Thursday, 8 October 2020 19:49 (four years ago) link
My daughters loved Enola Holmes, and the idea that it was enraging ageing Holmes-nerds would have pleased them even more.
― Piedie Gimbel, Thursday, 8 October 2020 19:53 (four years ago) link
New York Mag's streaming writer on one of the reasons why GLOW likely got canceled
Netflix probably isn’t totally out of the business of scripted shows that stretch on for five or more seasons. If a series is particularly “efficient” (read: cost effective) or serves a very unique niche, I can see the streamer committing to a longer run. The same goes for shows that are global hits, generating huge viewership around the world, like The Crown or Stranger Things. But Netflix’s tendency these days to walk away from shows after three or four seasons suggests it believes the best way to recruit and retain subscribers is to constantly offer audiences a huge ever-changing assortment of new programming rather than rely on old faves to keep folks in its universe. (That’s what reruns of Seinfeld or Grey’s Anatomy are for.)This is obviously a radical departure from how network TV has done things for a half-century, but why shouldn’t it be? Netflix doesn’t make money the way broadcasters did. The streamer doesn’t need shows it produces to build up a catalogue of 60, 80, or 100 episodes so that it can make hundreds of millions of dollars in selling syndication rights to other platforms because Netflix shows are designed, by and large, to live their entire lives on Netflix. It doesn’t have to keep moderately successful series around for a decade (or even five years) out of fear that it will be hard to get viewers to sample something new, because the Netflix algorithm and home page mean it can get tens of millions of viewers to at least sample almost anything. (Whether they stick around or like the show is another matter.) And while ending shows prematurely potentially pisses off some producers who would very much love to explore the worlds they’ve created for more than just a couple of seasons, well, that’s the beauty of being a global entertainment super-platform: There will always be other producers willing to play by your rules. NBC needs Dick Wolf and Lorne Michaels to be happy. Netflix needs nobody.
This is obviously a radical departure from how network TV has done things for a half-century, but why shouldn’t it be? Netflix doesn’t make money the way broadcasters did. The streamer doesn’t need shows it produces to build up a catalogue of 60, 80, or 100 episodes so that it can make hundreds of millions of dollars in selling syndication rights to other platforms because Netflix shows are designed, by and large, to live their entire lives on Netflix. It doesn’t have to keep moderately successful series around for a decade (or even five years) out of fear that it will be hard to get viewers to sample something new, because the Netflix algorithm and home page mean it can get tens of millions of viewers to at least sample almost anything. (Whether they stick around or like the show is another matter.) And while ending shows prematurely potentially pisses off some producers who would very much love to explore the worlds they’ve created for more than just a couple of seasons, well, that’s the beauty of being a global entertainment super-platform: There will always be other producers willing to play by your rules. NBC needs Dick Wolf and Lorne Michaels to be happy. Netflix needs nobody.
― Fuck the NRA (ulysses), Thursday, 8 October 2020 19:59 (four years ago) link
marc maron agrees with your "let's end it with a movie" theory btwhttps://www.indiewire.com/2020/10/marc-maron-netflix-glow-ending-movie-finale-1234590944/
― Fuck the NRA (ulysses), Thursday, 8 October 2020 20:00 (four years ago) link