I did like how there was sometimes extremely subtle and sometimes not so subtle slowing of the frames
― Dan S, Tuesday, 9 October 2018 01:41 (five years ago) link
the music was beautiful: Zhou Xuan’s “Hua Yang De Nian Hua”, Nat King Cole’s ”Aquellos Ojos Verdes", "Te Quiero Dijiste", "Quizás, Quizás, Quizás”, and especially Shigeru Umebayashi’s “Yumeji's Theme”
― Dan S, Tuesday, 9 October 2018 01:54 (five years ago) link
loved the scene where they share two separate meals during their entrapment in his room overnight while his landlord and friends played an epic series of mahjong games. also the repeated foregrounding of the noodle container as a metaphor for desire, the clock as metaphor for constriction/estrangement/distance
― Dan S, Tuesday, 9 October 2018 02:25 (five years ago) link
"2046" was very complicated - three love stories plus a future fantasy, all told in fragments nonsequentially. I hated it the first time I saw it, but looking at it again a second time I thought it was pretty incredible
― Dan S, Saturday, 20 October 2018 00:19 (five years ago) link
Making my way through Days of Being Wild and I think the most crushing scene is when the policeman is waiting by the phone booth waiting for the girl to call - then gives up and walks down the street and I was so sure the phone was going to ring just as he moves out of audible range
― calstars, Saturday, 20 October 2018 00:56 (five years ago) link
that was a great scene
(My Blueberry Nights was not very good, but it was so nice to see Chan Marshall (Cat Power) in the film and to hear "The Greatest" in the soundtrack
― Dan S, Saturday, 20 October 2018 01:05 (five years ago) link
I hated it the first time I saw it, but looking at it again a second time I thought it was pretty incredible― Dan S, Friday, October 19, 2018 5:19 PM (forty-seven minutes ago)
― Dan S, Friday, October 19, 2018 5:19 PM (forty-seven minutes ago)
pretty sure someone says something similar upthread (and has some advice for a 3rd rescreen).
― Jersey Al (Albert R. Broccoli), Saturday, 20 October 2018 01:07 (five years ago) link
well I should definitely see it a third time. Can't think of a film I've had such different reactions to between viewings
though I still think In the Mood for Love is his masterpiece
― Dan S, Saturday, 20 October 2018 01:21 (five years ago) link
I'm not sure but was Wong Kar-Wai's mistake with My Blueberry Nights his trying to transpose his aesthetic to NY, Memphis, Las Vegas?
― Dan S, Saturday, 20 October 2018 02:14 (five years ago) link
makes me wonder if that that film was just an exploration and if he still has a lot more to reveal to us
― Dan S, Saturday, 20 October 2018 02:29 (five years ago) link
I kinda thought My Blueberry Nights was okay, it's just so much worse than anything else he has done. But I'm happy it exists.
― Frederik B, Saturday, 20 October 2018 12:58 (five years ago) link
My Burberry Nights
― calstars, Saturday, 20 October 2018 14:42 (five years ago) link
My Blueberry Nights is a horrible enough title already.
― FRE SHA VAC ADO (jed_), Monday, 22 October 2018 19:16 (five years ago) link
Chungking Express is available for now on the new Criterion Channel streaming site if you sign up (free to cancel):
https://www.criterionchannel.com/
― Jersey Al (Albert R. Broccoli), Wednesday, 13 February 2019 04:25 (five years ago) link
this movie kicks so much ass
https://www.youtube.com/watch?v=S7Ly030AcwY
has any movie so densely imagined been so light on its feet?
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 03:46 (five years ago) link
And for such a seemingly simple concept it has very dense storytelling
this is almost every WKW movie-- there's just so much going on.
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 03:47 (five years ago) link
like little worlds, really.
the moment the 2nd story in this film begins, with Tony Leung walking up the camera, is one of the great movie moments. fun fact: i used to hate "california dreamin" but it's hard to hate it after this movie.https://www.youtube.com/watch?v=IAH-0GKvIrM
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 03:50 (five years ago) link
also chef's salads are gross
this movie kicks so much asshas any movie so densely imagined been so light on its feet?
― breastcrawl, Thursday, 28 February 2019 07:03 (five years ago) link
someone should re-dub that scene where they hit the jukebox and, like, papa roach starts playing.
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 07:18 (five years ago) link
why was chef's salad handheld and wrapped in tinfoil
― vision joanna newsom (Stevie D(eux)), Thursday, 28 February 2019 21:30 (five years ago) link
I never understood this
― vision joanna newsom (Stevie D(eux)), Thursday, 28 February 2019 21:31 (five years ago) link
i love how wong is such a sensualist, and there's such an attention to food here, but so much of the food is (IMO) unaccountably gross. chef salad? fish and chips? sardines? pineapple? ok, pineapple is fine, but those cans are expired.
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 21:42 (five years ago) link
something very inspiring about a film that's so rapturous over such mundane food.
imagine some american director getting all moony over a big mac.
― affects breves telnet (Gummy Gummy), Thursday, 28 February 2019 21:43 (five years ago) link
Wong Kar-wai announced his new film BLOSSOMS as a part of trilogy with In The Mood For Love and 2046. He said he has prepared the script for last 4 years and he’s ready to shoot in the end of this year or beginning of next year #WKWisback pic.twitter.com/d73Cueo39a— Hang Lu (@hanglutvd) March 19, 2019
― Jersey Al (Albert R. Broccoli), Wednesday, 20 March 2019 02:39 (five years ago) link
coincidentally 2046 is also when we can expect him to wrap postproduction
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 05:11 (five years ago) link
I thought it already was a trilogy with Days of Being Wild
― Frederik B, Wednesday, 20 March 2019 10:25 (five years ago) link
so is this Amazon series just not happening?
― vision joanna newsom (Stevie D(eux)), Wednesday, 20 March 2019 13:19 (five years ago) link
https://www.screendaily.com/news/filmart-huanxi-releases-details-on-wong-kar-wai-web-series-paradise-guesthouse/5137774.article
Wong was previously attached to Amazon web series, Tong Wars, about Chinese immigrants in the US in the 19th Century. However, an Amazon spokesperson said the project is no longer in active development and the company has relinquished the rights.
oh
― vision joanna newsom (Stevie D(eux)), Wednesday, 20 March 2019 13:22 (five years ago) link
oh, that's too bad. it never seemed terribly likely, though.
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 17:09 (five years ago) link
It is in some ways remarkable how steeply downhill non-mainland Chinese filmmaking went this decade. Tsai Ming-Liang, Hou Hsaio-Hsien, Wong Kar-War, neither of them has made a film in five years, no?
― Frederik B, Wednesday, 20 March 2019 19:38 (five years ago) link
well tsai has said he's going to stop making 'conventional' feature films altogether, and hou and wong haven't been particularly prolific for 20+ years....
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 21:27 (five years ago) link
Eh, Hou made four films 01-07, Wong three 00-07. It really went off a cliff after that, and nobody else took up the mantle.
― Frederik B, Wednesday, 20 March 2019 21:32 (five years ago) link
well the hong kong film industry kind of cratered in the new millennium, and taiwan's cratered back in the early '90s. johnnie to keeps busy, at least.
― affects breves telnet (Gummy Gummy), Wednesday, 20 March 2019 21:35 (five years ago) link
by which i mean, the # of films has just dropped precipitously in general, which affects auteurs and non-auteurs alike.
He, I haven't seen a Johnnie To film as well since 'Office', which is kinda remarkable. But yeah, the industries seems to have cratered, Hou made several films abroad as well. It is kinda remarkable, and the rise of a new generation of Chinese film hasn't really made up for it yet. It's just weird for me having to deal with Singapore films instead of Hong Kong all of a sudden.
― Frederik B, Thursday, 21 March 2019 12:18 (five years ago) link
"Happy Together" was 90 minutes of tedious bickering. Disappointing.
― . (Michael B), Wednesday, 1 May 2019 12:18 (five years ago) link
Have to be in the mood I guess
― calstars, Wednesday, 1 May 2019 12:28 (five years ago) link
One of my favorite queer films.
― recriminations from the nitpicking woke (Alfred, Lord Sotosyn), Wednesday, 1 May 2019 12:30 (five years ago) link
Relationships are a lot longer than 90 minutes of bickering, so 90 minutes is a breeze.
― zama roma ding dong (Eric H.), Wednesday, 1 May 2019 13:11 (five years ago) link
Explains why my relationships have been lasting under 90 minutes
I do need to rewatch Happy Together for the same reason as Michael, I was just not really tuning in
― mh, Wednesday, 1 May 2019 14:19 (five years ago) link
are his films streaming anywhere? I wanted to watch chungking express the other day but couldn’t find it
― k3vin k., Wednesday, 1 May 2019 14:28 (five years ago) link
looks like the criterion channel has both chungking express and happy together
― Dan S, Wednesday, 1 May 2019 14:34 (five years ago) link
Plus In the Mood for Love and Fallen Angels.
― zama roma ding dong (Eric H.), Wednesday, 1 May 2019 14:56 (five years ago) link
I just rewatched "Happy Together", I am 32 and the last time I saw it I was... 20? It was very fascinating seeing it as adult with 10+ more years of life and love experience. The thing that struck me the most was that the characters exist in a world without a trace of oppression or homophobia, there is not even a single passing glance or snide remark from a stranger, it focused squarely on the relationship between these two men and let that be the sole focus of the film. And while it's a film about a toxic relationship between two people and not a film about """gay men""", there is enough queerness in the film (bathroom cruising, sugar daddy/rent boy stuff, etc) that this isn't just a hetero film with gay characters palette-swapped in.
I guess I'm not surprised that someone's takeaway would be "90 minutes of tedious bickering", bcz like yeah, you're not wrong, but the things that make this film so profound esp from a queer perspective are the things that it lacks and not the things that it contains, it has a simplicity abt it that queer ppl haven't really been afforded in film and I think this aspect is lost if you are not queer, have not immersed yourself in queer cinema, have not thirsted for acknowledgement and representation. I remember feeling this the last time I watched it, when I was in college and was doing a lot of research and writing abt queer representations in film, but what's surprising now is that 12 years later it still feels so fresh and rare to have a queer film that's not centered around queerness.
― vision joanna newsom (Stevie D(eux)), Wednesday, 8 July 2020 14:45 (three years ago) link
Film at Lincoln Center and Janus Films present World of Wong Kar Wai, a retrospective of the Hong Kong master, rescheduled from its original dates in June and opening November 25 as this year’s FLC holiday series. Contemporary cinema’s supreme rhapsodist of romantic longing, Wong Kar Wai makes mesmerizing mood pieces that swirl around themes of time, dislocation, and the yearning for human connection. Ever since exploding onto the international scene in 1994 with his third feature, Chungking Express—an art-house sensation that would become one of the defining works of the Hong Kong New Wave—Wong has been refining his signature style, marked by woozy, hallucinatory visuals (often shot in sumptuous color by frequent cinematographer Christopher Doyle); the indelible use of pop music; and elliptical editing that evokes the impressionistic haze of memory. Though he’s renowned for his sublime studies of love and its absence, Wong’s small but exquisite filmography encompasses idiosyncratic forays into science fiction, crime thrillers, and the martial arts epic, all infused with his trademark motifs and swooning style. FLC is honored to present this career-spanning retrospective of one of the greatest auteurs working in world cinema today, with brand new restorations of some of Wong’s most dazzling films including Chungking Express, Happy Together, Fallen Angels, Ashes of Time Redux, Days of Being Wild, 2046, As Tears Go By, and a never-before-seen extended cut of The Hand, plus an expanded run of In the Mood for Love commemorating its 20th anniversary. The films open in the FLC Virtual Cinema, accessible to audiences nationwide. Visit https://virtual.filmlinc.org/ in the upcoming weeks for specific dates.
Contemporary cinema’s supreme rhapsodist of romantic longing, Wong Kar Wai makes mesmerizing mood pieces that swirl around themes of time, dislocation, and the yearning for human connection. Ever since exploding onto the international scene in 1994 with his third feature, Chungking Express—an art-house sensation that would become one of the defining works of the Hong Kong New Wave—Wong has been refining his signature style, marked by woozy, hallucinatory visuals (often shot in sumptuous color by frequent cinematographer Christopher Doyle); the indelible use of pop music; and elliptical editing that evokes the impressionistic haze of memory. Though he’s renowned for his sublime studies of love and its absence, Wong’s small but exquisite filmography encompasses idiosyncratic forays into science fiction, crime thrillers, and the martial arts epic, all infused with his trademark motifs and swooning style.
FLC is honored to present this career-spanning retrospective of one of the greatest auteurs working in world cinema today, with brand new restorations of some of Wong’s most dazzling films including Chungking Express, Happy Together, Fallen Angels, Ashes of Time Redux, Days of Being Wild, 2046, As Tears Go By, and a never-before-seen extended cut of The Hand, plus an expanded run of In the Mood for Love commemorating its 20th anniversary. The films open in the FLC Virtual Cinema, accessible to audiences nationwide. Visit https://virtual.filmlinc.org/ in the upcoming weeks for specific dates.
― Four Seasons Total Manscaping (forksclovetofu), Sunday, 15 November 2020 20:33 (three years ago) link
ugh, I have spent a lot of time over the last week or so thinking abt film screenings and how much I miss them and all the specific things that I love about them that home viewing lacks. I heard about this retrospective about a year ago from some film-world friends and have been VERY eagerly anticipating it and it fuckin blows this is just gonna be some VOD thing and I’m not gonna get to experience the magic of seeing these on a huge screen in a room full of ppllike I know this is #firstworldproblems as fuck but it’s one of those little things that inexplicably hits harder than it ought to, I really miss life
― Warmed Regards, (Stevie D(eux)), Sunday, 15 November 2020 22:26 (three years ago) link
on the bright side these restorations were all done by Criterion which means there is likely a Blu ray box in the works!!
― Warmed Regards, (Stevie D(eux)), Sunday, 15 November 2020 22:33 (three years ago) link