Last (x) movies you saw (II)

China Gate (Fuller)
The Search (Zinnemann)
From Here to Eternity (Zinnemann)
A Man for All Seasons (Zinnemann)
The Longest Day (Annakin, Marton & Wicki)
The Army of Crime (Guédiguian)
La Vie en Rose (Dahan)
Grace of Monaco (Dahan)
Cop (A. Refn)
Once a Cop... (A. Refn)
R (Noer & Lindholm)
Key House Mirror (Noer)*
A Hijacking (Lindholm)*
A War (Lindholm)*
A Second Chance (Bier)
Summer With Monika (Bergman)
Sawdust and Tinsel (Bergman)
Smiles of a Summer Night (Bergman)
The Virgin Spring (Bergman)
Morvern Callar (Ramsay)
We Need to Talk About Kevin (Ramsay)
Katalin Varga (Strickland)
For Those in Peril (Wright)*
Hyena (Johnson)
Ex Machina (Garland)
Beast (Pearce)
Under the Skin (Glazer)
Her (Jonze)
Lucy (Besson)
Ghost in the Shell (Sanders)

All 3.5/5:
True Stories (1986)
Blackkklansman
Won’t You Be My Neighbor?
The Lost City of Z

Mission Impossible Fallout (McQuarrie, 2018) 8/10
the Happy Prince (Everett, 2018) 7/10
Yellow Submarine ( Dunning, 1968) 8/10
Unseeworld U.S.A (Fuller, 1960) 7/10
The Last Emperor (Bertolucci, 1987) 6/10
Paddington 2 (King, 2017) 9/10
Hostiles (Cooper, 2017) 7/10

Um, Underworld U.S.A. that should be.

Gone With the Wind (1939) 7.5/10
Iron Man (2008) 7/10
Tangerine (2015) 8/10

bunch of airplane streaming on the way to and from berlin, the only one i'd seen before is philadelphia story:

all about eve (mankiewicz, 1951) 10/10
paddington 2 (king, 2017) 8/10
rocky (avildsen, 1976) 8/10
the philadelphia story (cukor, 1940) 9/10
happy death day (landon, 2017) 6/10
inside out (docter, 2015) 8/10

honestly happy death day was surprisingly enjoyable for what it was

the gospel of the bear film has reached the troposphere

lol

The Raid: Redemption (Evans, 2011) 6
Mission: Impossible Fallout (McQuarrie, 2018) 7
Disney Christopher Robin (Marc Forster, 2018) 4
Marwencol (Jeff Malmberg, 2010) 8
Icarus (Bryan Fogel, 2017) 8

read that marwencol has been adapted & now will have steve carell in it

https://www.meta-sphere.com/wp-content/uploads/welcome-to-marwen_tete-600x220.jpg

yeah I watched it because i saw the trailer for the zemeckis movie. The trailer makes it out to be an "inspirational" true story but it's not really, not exactly.

baby driver (2017 edgar wright) 6.5/10
mollys game (2017 sorkin) 2/10
suburbicon (2017 clooney) 2/10
the killing of a sacred deer (2017 lanthimos) 6/10
angelo my love (1983 duvall) 3/10
eighth grade (2018 burnham) 8/10
thoroughbreds (2018 cory finley) 4/10

thoroughbreds (2018 cory finley) 4/10

I don't do the out of 10 thing but I'd give this at least a 6. It made me laugh a lot.

lil too try hard idk

*The Naked Spur : 7/10
Vampire's Kiss : 6/10
Dying Of the Light (Paul Schrader Edit): 7/10 -- only 7/10 because Nic Cage is in full on weirdo mode and Schrader's noodling around on Final Cut. The doctor accent is...wow...almost as great as the accent in "Vampire's Kiss"
*The Young One: 7/10 - minor Buñuel for me but still great

Crazy Rich Asians – kind of a riff on Philadelphia Story, but with better-looking people. Lots of film history embedded in it.

What Price Jazz (Baerwitz, 1934)
Felix Gets Broadcasted (Messmer, 1923)
High Flyers (Cline, 1937)
Inflation (Myers, 1933)
Felix in Fairyland (Messmer, 1923)
*Roast-Beef and Movies (Baerwitz, 1934)
*Big City Fantasy (Henabery, 1934)
The Magician (Bergman, 1958)
BlacKkKlansman (Lee, 2018)
Smiles of a Summer Night (Bergman, 1955)

Re-watching Whit Stillman's Barcelona tonight.

I was hoping for good things from Crazy Rich Asians, but found it fairly bland. I may have had the wrong expectations for a mainstream PG rom-com, but I felt like it needed sharper jokes.

kind of a riff on Philadelphia Story, but with better-looking people

!!! I'm sure this cast looks fine, but you are aware that Cary Grant and Kate Hepburn were considered pretty attractive, right?

in theaters July 26 - August 22

Killer’s Kiss (Stanley Kubrick, 1955) - 6/10
Summer Interlude (Ingmar Bergman, 1951) - 9/10
Eighth Grade (Bo Burnham, 2018) - 8/10
Three Identical Strangers (Tim Wardle, 2018) - 6/10
Blindspotting (Carlos López Estrada, 2018) - 7/10
Teen Titans Go! To the Movies (Peter Rida Michail, Aaron Horvath, 2018) - 3/10
BlacKkKlansman (Spike Lee, 2018) - 9/10

! at low rating for Three Identical Strangers

I knew nothing about the backstory before seeing it at SIFF but on a str8 narrative level it’s my favourite doco of the year

it is an incredible story. a documentary that makes itself, really. what bothered me was how much they reused the same footage from the same Donahue, NBC, + other TV appearances. the same lines. it kinda falls apart at the end, and felt padded even at ~95 minutes. that has nothing to do with the actual story being unresolved, i just thought with so much material to go through (and so many years passed over) the reuse of footage was bizarre.

and fwiw I knew not only the backstory but most of the twists before I saw it. I would've rated it higher if I had gone in completely cold, I wish I could've.

yeah fair enough! the repeated lines are very few & read in SUPER different context the second times around, but if you’re not seeing it / that footage cold, those won’t have the same kick

a documentary that makes itself, really.

this undermines the work they do in visuals and research and in editing the story though — I felt v impressed by how manipulative it was without cheats in the first half-hour, and how well the makers shift to mostly-archival telling thereafter.

i've seen much worse evaluations of 3IS

Apostasy (Dan Kokotajlo, 2017) - fairly ho hum drama around Jehovah's witnesses.
The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

Missed a trick by not taglining this thread "Oh yes... There will be blood"

https://resizing.flixster.com/2vtSOfiWCmXUQ8Brs-b4y5qFYIY=/206x305/v1.bTsxMTE3NzU3OTtqOzE3ODU5OzEyMDA7ODAwOzEyMDA

Electric Bloodaloo

Kagemusha (1980)
RoboCop (2014)
The Endless (2017)
Deadpool 2 (2018)
*The Social Network (2010)
Super Troopers 2 (2018)
A Ciambra (2017)
Frenzy (1972)
Call Me By Your Name (2017)
*The Cabin In The Woods (2012)
A Futile and Stupid Gesture (2018)
*Nightcrawler (2014)
First Reformed (2017)
*Drugstore Cowboy (1989)
Super 8 (2011)
30 Days of Night (2007)
One Sings, The Other Doesnt (1977)

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

Forgetting Sarah Marshall, good movie

The Heiresses (Marcelo Martinessi, 2017) - this is going to be top 2/3 for the year. Loved the use of (de-)focus to mirror the main character's state of mind (which could've been too on the nose), the script really nails the intricacies of class mobility across a more Latin American milieu, and then the final encounter between Chela and the much younger Angy -- all that hidden passion and desire across age and class -- really was a terrific driver for the last 1/3 of the film.

― xyzzzz__, 23. august 2018 15:15 (two days ago) Bookmark Flag Post Permalink

Yeah, for one reason or another Latin American cinema works a lot with de-focus these days, I find. Sergio Armstrong, most famous for shooting most films of Pablo Larrain, is masterful at it. Apart from Larrains films he does it greatly in From Afar and The Desert Bride. It's one of the most innovative little things happening in World Cinema at the moment, but I'll admit I have no idea what to make of it.

August 1st to 16th:

* The Brothers Bloom (Johnson 2008) 📺
Teen Titans GO! To The Movies (Michail, Horvath, Jelenic 2018)
True Confession (Ruggles, Binyon 1937) 📽️
* Sneakers (Robinson 1992) 📺
The Spy Who Dumped Me (Fogel, Iverson 2018)
Nothing Sacred [Kino restoration] (Wellman, Hecht, Schulberg, Lardner Jr., Parker, Howard, Hart, Kaufman, Carson 1937)
BlacKkKLansman (Lee, Wachtel, Rabinowitz, Willmott 2018)
Madonna: Truth Or Dare (Keshishian 1991)
To Be Or Not To Be (Lubitsch, Mayer 1942) 📽️

Re-watched Miami Vice tonight (the director’s cut). It’s kind of maddening how 90% of the shots are fantastically beautiful, and then the other 10% look like they were shot on somebody’s flip phone.

― grawlix (unperson), Friday, August 24, 2018 8:01 PM (two days ago) Bookmark Flag Post Permalink

I've gotta get on that, watched Heat a few weeks ago for the first time and loved it. Haven't seen Collateral since it opened in 2004 but remember loving it, too.

― flappy bird, Friday, August 24, 2018 8:26 PM (two days ago) Bookmark Flag Post Permalink

MV is the purest distillation of the Mann aesthetic. I actually recommend the theatrical cut over the director’s cut, though I’m not sure if one is easier to track down over the other. If you’re onboard with his “thing” it’s one of the greatest action films in recent years.

You can rent the theatrical cut on Amazon but the director's cut is the only one available on DVD/Blu-Ray.

Has the director's cut of Blackhat ever been released anywhere? I never saw the first version but the re-edit is supposed to be a substantially better movie, so I'm intrigued.

Apparently MV (theatrical cut, probably) will be free via Amazon Prime starting September 1.

*Out West (Arbuckle, 1918)
Charley on the Farm (Sullivan, 1919)
The Dippy Dentist (Goulding, 1920)
Standing Pat (Montgomery, 1928)
Campus Romeos (Pratt, 1927)
A Broadway Romeo (Blumenstock, 1931)
All the King's Horses (Tuttle, 1935)
*The Black Cat (Ulmer, 1934)
Re-Animator (Gordon, 1985)
Good References (Neill, 1920)

Primary (6.5)
A Bronx Tale (7.0)
Promised Land (7.5)
Shock and Awe (5.5)
Nico, 1988 (6.0)
Nico Icon (7.0)
Singer Presents...Elvis (6.5)
Twister (6.5)
Class Action (7.5)
Sorry to Bother You (6.0)

I was going to leave Sorry to Bother You unrated because a) I drifted a bit early on, and b) as it got weirder and weirder, I just didn't know what to make of it. So take the rating as more of a question mark than any kind of comment on how good it is.

lots of Hong Sang-soo, just hook it to my veins

The Passion of Joan of Arc (Dreyer, 1928) 9/10
Minnie and Moskowitz (Cassavetes, 1971) 7/10
Happy Hour (Hamaguchi, 2015) 9/10
La Collectionneuse (Rohmer, 1967) 6/10
Right Now, Wrong Then (Hong, 2015) 8/10
Three Colours: Blue (Kieślowski, 1993) 7/10
Three Colours: White (Kieślowski, 1994) 7/10
Three Colours: Red (Kieślowski, 1994) 7/10
In Another Country (Hong, 2012) 8/10
On The Beach at Night Alone (Hong, 2017) 8/10
Blackkklansman (Lee, 2018) 7/10
The Aviators Wife (Rohmer, 1981) 9/10
Woman on the Beach (Hong, 2006) 9/10
The Day After (Hong, 2017) 7/10

Crazy Rich Asians: 7.5

*Sweet Sweetback’s Baadasssss Song (1971, Van Peebles) 8/10
The Seashell and the Clergyman (1928, Dulac) (41m) 8/10
La folie des vaillants (1926, Dulac) (46m) 6/10
La Belle dame sans merci (1920, Dulac) 7/10
Princesse Mandane (1928, Dulac) 6/10
Freaky Friday (1976, Nelson) 7/10
Surrender (1950, Dwan) 5/10
Dutchman (1967, Harvey) (55m) 7/10
Rendezvous in July (1949, Becker) 6/10
Nico, 1988 (2017, Nicchiarelli) 5/10
*The Day the Earth Caught Fire (1961, Guest) 8/10

On the Waterfront (Elia Kazan, 1954) - 10/10
A Colt is My Passport (Takashi Nomura, 1967) - 5/10
Do the Right Thing (Spike Lee, 1989) - 10/10
Starship Troopers (Paul Verhoeven, 1997) - 10/10
Auto Focus (Paul Schrader, 2002) - 7/10
Bamboozled (Spike Lee, 2000) - 10/10
Le Amiche (Michelangelo Antonioni, 1955) - 6/10
Monte Carlo (Ernst Lubitsch, 1930) - 7/10

A Ciambra, a story about a Romani family of low-level criminals in Italy, and a young boy's coming-of-age/becoming-a-scumbag.

Alex Strangelove (Johnson, 2018) 6/10
The Strange Love of Martha Ivers (Milestone, 1946) 8/10
Vision Quest (Becker, 1985) 5/10
*Mean Girls (Waters, 2004) 6/10
*Heathers (Lehmann, 1989) 9/10
A Man There Was (Sjöström, 1917) 7/10
Heartaches (Shebib, 1981) 6/10
The Story of Temple Drake (Roberts, 1933) 7/10

Strongroom is a fun watch. Darren Nesbitt's eyebrows make him look like a Thunderbirds puppet come to life.

yeah Strongroom is a great B picture

Singin' in the Rain (Donen/Kelly, 1952) 4/5 - not the 11th greatest film of all time, sorry

was this your first time? it really does rip on a big screen

Cregger’s debut Barbarian was much better than Weapons imo (but is totally an audience flick)

Yeah somehow I'd never seen Singin' in the Rain before, I watched it on an in-flight entertainment system though which is about as far as you can get from a big screen. As far as musicals go it was a lot better than the last one I watched which was Grease.

https://i.ibb.co/Wpg2nqKK/IMG-6513.gif

Sentimental Value (Trier 2025)
After the Hunt (Guadagnino 2025)
*The Dead (Huston 1987)
*One Battle After Another (PT Anderson 2025)
*John Wick (Stahelski 2014)
Trap (Shyamalan 2024)
King of the Hill (Soderbergh 1993)
Ritual in Transfigured Time (Deren 1946)
Girl with Hyacinths (Ekman 1950)
*John Wick Ch. 2 (Stahelski 2017)
Sorry Baby (Victor 2025)
The Illumination of Jim Woodring (Brandt 2020)
The Secret Agent (Mendonca Filho 2025)
To Live and Die in L.A. (Friedkin 1985)
Predator: Badlands (Trachtenberg 2025)
Ben-Hur (Wyler 1959)
Blue Moon (Linklater 2025)
Twilight of the Warriors: Walled In (Cheang 2024)
A Tale of Two Cities (Conway 1935)
The Amateur (Hawes 2025)
Hamnet (Zhao 2025)
Dead of Winter (Kirk 2025)
Zabriskie Point (Antonioni 1970)
*John Wick Ch. 3, Parabola, Barbellum, whatever (Stahelski 2019)

Tar (7.0)
Bonnie and Clyde (7.0)
Bird on a Wire (3.0)
The Internecine Project (5.0)
Norma Rae (7.5)
Strangers on a Train (7.0)
Love Story: John F. Kennedy Jr. & Carolyn Bessette (7.0)
Black Mirror (S1-S4 - 7.0)
Education (Small Axe) (8.0)
No Other Choice (6.0)

It Was Just an Accident (2025) 4.5/5. The best ending I've seen in a long time.
The Secret Agent (2025) 4.5/5
A Snake of June (2002) 2.5/5
* Citizen Kane. Why should I give a rating? It's Citizen Kane, come on.
Angel's Egg (1985) 4/5
Nothing Sacred (1937) 3.5/5
The Black and the Green (1983) 3.5/5
Videoheaven (2025) 2.5/5. God I hate Troma Films.
Man on the Run (2025) 3/5
The Dirties (2013) 4/5

March:

Crimson Gold (Panahi, 2003) 7/10
Father Mother Sister Brother (Jarmusch, 2025) 4/10
La Ciénaga (Martel, 2001) 8/10
One Last Deal (Muldowney, 2026) 6/10
The Bride! (Gyllenhaal, 2026) 6/10
What Happened Was... (Noonan, 1994) 8/10
*Parasite (Bong Joon Ho, 2019) 10/10
Project Hail Mary (Lord/Miller, 2026) 6/10
In Jackson Heights (Wiseman, 2015) 7/10
A Hard Day's Night (Lester, 1964) 8/10
Lurker (Russell, 2025) 6/10

two good ones i saw recently:

Beyond the Infinite Two Minutes (2020) 9/10
Paris, Texas (Wenders 1984) 9/10

does every wim wenders movie peter out at the end? i've only seen this one and wings of desire (and documentaries).

Watched Sentimental Value last night which was fine, I guess. Some nice interiors. BUT it has raised a question for me - what are the best movies about aging Boomer parents who are simultaneously career-focused and have a certain joie de vivre and think their kids just need to relax

Assayas' Summer Hours.

Project Hail Mary. I j is there’s a thread but I’m in my phone on zing. It was alright. For whatever reason I have a harder time suspending my disbelief when things are presented as “scientifically plausible”

Let's anticipate PROJECT HAIL MARY, with a cute-ass Ryan Gosling in a space suit

what are the best movies about aging Boomer parents who are simultaneously career-focused and have a certain joie de vivre and think their kids just need to relax?

I remember seeing a film a few years ago about a centenarian lady who coped with the loss of her daughter by diving back into her work - despite leading a pretty awful life she still had a certain amount of spunk, and eventually she connected with a kind of surrogate daughter who had basically lost her own childhood. There were lots of soppy scenes of mother-daughter bonding.

There was also a cool scene with these robot sentry guns blasting aliens that went dakka-dakka-dakka until they almost ran out of ammunition and there was alien blood spraying everywhere. The main antagonists were aliens on an alien planet who were completely alien. I think it was called The Armoured Personnel Carrier That Couldn't Slow Down.

Akira (1988) 5/5
Deep Red (1975) 4.5/5 - saw the longer version with extra romance/comedy scenes that, it turns out, were rightfully cut in the first place.
Fires on the Plain (1959) 4.5/5 - almost a Japanese precursor to Come and See, unsettling in the extreme.
It Happened One Night (1934) 4.5/5 - the walls of Jericho! Love all the minor walk-on characters.
Fat City (1972) 4.5/5
My Grandmother (1929) 4.5/5 - completely insane Georgian surrealist comedy, highly recommended. A "grandmother" is a benefactor who can recommend you for a new position at a company btw, or at least it was in 1920s USSR.
Red Shift (1978) 4.5/5 - Alan Garner adaptation for the BBC's Play for Today strand, back in the days when the Beeb did worthwhile things.
Letter from an Unknown Woman (1948) 4.5/5
Jigoku (1960) 4.5/5
Charulata (1964) 4.5/5
Opera (1987) 4/5
Flowers of Shanghai (1998) 4/5
Yi Yi (2000) 4/5
Highway Patrolman (1991) 4/5 - Alex Cox's best after Repo Man, not that I've seen Bill the Galactic Hero or Tombstone Rashomon.
The Last Detail (1973) 4/5
Walkabout (1971) 4/5
People on Sunday (1930) 4/5 - slice-of-life Berlin goings-on from pre-Hollywood Robert Siodmak, co-scripted by Billy Wilder. Lots of hyphens in that sentence.
The Navigator (1924) 4/5
A Swedish Love Story (1970) 4/5
Terra em Transe (1967) 4/5
Sound of Falling (2025) 3.5/5
Two Prosecutors (2025) 3.5/5
The Stranger (2025) 3.5/5 - so-so Camus adaptation, now at least I know where all the pretentious 80s dorks got their pseudo-existentialism from. Predictable Cure song plays out over the end credits.
Exit 8 (2025) 3.5/5
On Falling (2024) 3.5/5
Birds, Orphans and Fools (1969) 3.5/5 - surrealist Czech drama, one for the Valerie and her Week of Wonders fans.
On the Silver Globe (1988) 3.5/5 - long and strange SF tale from Possession director, full marks for not compromising on the artistic vision but it goes on a bit.
Vampire Moth (1956) 3.5/5 - nutso Japanese murder mystery set around the fashion world.
England Made Me (1973) 3.5/5 - Graham Greene adaptation starring Michael York that doesn't quite come off.
The People in White (1996) 3.5/5 - another abstract Buddhist yarn from the director of Why Has Bodhi-Dharma Left for the East?.
Zorns Lemma (1970) 3.5/5 - I will admit I'm not mathematically-inclined enough to understand what's going on here but it was oddly restful nevertheless.
Anchorman: The Legend of Ron Burgundy 3/5
Hell's Angels on Wheels (1967) 3/5 - biker films are really dull and I have to stop watching them.
Rose of Nevada (2025) 3/5
Superman IV: The Quest for Peace (1987) 2/5 - I'd completely forgotten about the existence of this terrible film and I'm probably not the only one.

Short films:
Listen to Britain (1942)
The House is Black (1963)
La Cabina (1972) - aka The Telephone Box, Spanish horror short legendary at my and everyone else's school in the UK back in the 70s.
Léontine's Electric Battery (1910) - worth 10 minutes of anyone's time, the Léontine chracter is due for a revival if you ask me.
How a Mosquito Operates (1912)

Superman IV: The Quest for Peace (1987) 2/5 - I'd completely forgotten about the existence of this terrible film and I'm probably not the only one.

I'm assuming it was Gene Hackman's dubbed-in alien voice that elevated the score to a 2.

2 = bad but not totally unenjoyable
1.5 = both bad and unenjoyable
1 = bad and enraging

It was more Nuclear Man's hairstyle that gave it the extra 0.5

Black Mirror (S5 – 7.0)
Drama (6.5)
Notorious (7.5)
Mile End Kicks (6.0)
Sunrise (revered silent film)
Little Lorraine (6.0)
The Devil Wears Prada 2 (6.5)
House of Cards (S1-6 – 8.0)
Kiss Me Deadly (6.5)
Black Mirror (S6 – 6.0)

i haven't felt like watching good movies recently

Street Fighter 1994
Anaconda 2025
The Incredible Melting Man -- with the same ending as The Substance
Who Killed Captain Alex?

all enjoyable

Watching a lot less movies these days

May so far:

Hokum (McCarthy, 2026) 7/10 maybe a bit convoluted at times but I thought this was an improvement on Oddity

Dark Angel (Baxley, 1990) 6/10 good ol' Dolph

Sirat (Laxe, 2025) 8/10 looooved this

Went out to the local microcinema the last two nights, saw a mystery screening on Thursday of Wicked Ways, or A Table For One, starring Rebecca de Mornay. Truly strange domestic drama(?) where de Mornay plays Ruth, a deeply unstable woman with a habit of setting booby traps around her rural home, married to Michael Rooker, who has a secret family in the big city. Another troubled couple moves in next door and things get increasingly tangled. Reminded me a little of Donald Cammell's White of the Eye but I genuinely had no idea where it was going the entire way through. De Mornay's performance is pretty incredible - the scene of her pointing a gun repeatedly shouting "tell Ruth the truth!" is really going to stay with me. Available on Tubi!

Last night went to the screening of Belinda M. Wilson's Black Mamba, a shot-on-video feature from 2016 that might be the most deranged movie I've ever seen. Black Mamba is a magician who makes potions with her collection of demons in jars and has the ability to transform people into furniture or send them to Hell. Various people come to her for help - a couple wants to be able to have a child, a young woman wants to be beautiful, a dude wants to meet some mermaids - and she provides them with potions and very specific, usually gross, instructions. Invariably their wishes go horribly wrong and their lives are destroyed. It's kind of impossible to describe how nuts this movie is, the green-screen usage is out of control and I would really like to talk to the actors about what the process of filming the main sex scene was like. There's very little information out there about anyone involved, though supposedly the writer/director claims that Black Mamba is based on a family member.

Also I watched The Tall T last week, very good, pretty brutal for a 1950s western.

May (* = rewatches)

Desert Hearts (Deitch, 1985)
Carolina Caroline (Rehmeier, 2025)
Power Ballad (Carney, 2026)
Who Framed Roger Rabbit (Zemeckis, 1988)*
Go Fish (Troche, 1992)
Con Air (West, 1997)
Three Billboards Outside Ebbing Missouri (McDonagh, 2017)
The Devil Wears Prada 2 (Frankel, 2026)
Killer of Sheep (Burnett, 1978)
Marty: Life Is Short (Kasdan, 2026)
King Kong (Cooper/Schoedsack, 1933)
Antitrust (Howitt, 2001)
Stranger Than Paradise (Jarmusch, 1984)
Original Cast Album: Company (Pennebaker, 1970)
The Truman Show (Weir, 1998)*

How was Carolina Caroline?

I enjoyed it -- think I gave it 3.5 on Letterboxd. There are some familiar beats/tropes with the whole "lovers on the run" story, but I found it all fairly well done.