The stars turn: the TWIN PEAKS 2017 spoiler thread

so what does everyone think the black and white steampunk Pixies album cover room w the giant and lady and experimental device is?

imo it's a radiator

j/k i'm sympathetic to the idea that it's the white lodge while also thinking that it's not that simple/the binaries in twin peaks are generally way more collapsed than that (my primary example of this is the character of leland)

i def think it's a white lodge situation and def think that lynch is not self aware when it comes to the creepiness factor/worship of brutally murdered women.

lol this episode was crazier than a bottle of chips, but somehow the best episode so far.

i am not overly enamored with this season so far, i suppose I'm in the camp of preferring twin peaks (tv show) and fire walk with me to late lynch, and while i didn't want a total nostalgia fest set exclusively in twin peaks and featuring all the same protagonists, i honestly can't say that the buckhorn stuff or dougie are really doing much for me.

also so many scenes with such stilted and languorous dialogue that has a bit of a brechtian effect, purposefully or otherwise, kind of got "the room" vibes once or twice

Sure! I frame it the other way round obv, that the room is unintentionally (superficially) lynchian

so what does everyone think the black and white steampunk Pixies album cover room w the giant and lady and experimental device is?

which album is this?

Indie Cindy

that lady in the white lodge was indie cindy herself

that lynch music cue from the gramophone was tight

appreciate how this season operates as both a prequel w/ the origins stuff and a new series.

dont know what i mean by Pixies i guess Surfer Rosa but looking back that is a much more barren room this one (the Giant's theater) was more ornate. im not saying there is a connection just they tap into a lot of the same themes.

http://www.snapgalleries.com/wp-content/uploads/2016/03/1759.png

first i thought of Bossa Nova because of the 50s UFO sci fi connections mixed w spacey yet busy atomic era art deco design.

https://s-media-cache-ak0.pinimg.com/736x/74/b9/3e/74b93ec012b571121688e87a94f87e2e.jpg

im not saying they are connected in any way other than me just associating these two early 90s gen x experimentalists that tapped into the alt nostalgia. anyways the back cover of Trompe Le Monde is pretty Lynchian note the red curtains and egglike organic creatures.

lynch loves 4ad and vaughan oliver designed the sleeve for one of his records once

Me thinks Melies/Coctaeu/Wiene and that sort of shit is the common influence among these things not Pixies covers lol

https://www.youtube.com/watch?v=mNKGuF8YeuE

^^^ i was about to mention that!

i was just going through taking screenshots of the episode and just remember yeah they do fly into that little window on that metal thing maybe its a radiator

damn this episode was tight. i really enjoy just soaking in the visuals and sound in this show. some images:

http://i.imgur.com/CHlMxIhm.png

http://i.imgur.com/CHlMxIhl.png

http://i.imgur.com/CHlMxIhl.png
http://i.imgur.com/tFisE6Sl.png
http://i.imgur.com/nzSALgel.png
http://i.imgur.com/qVgi9aOl.png

http://i.imgur.com/WFgmLxNl.png
http://i.imgur.com/Pg3REt7l.png
http://i.imgur.com/50NRPeml.png
http://i.imgur.com/Bodb5Khl.png

Strong umbilical cord vibes from that bubble spew too.
https://i0.wp.com/wisewomanwayofbirth.com/wp-content/uploads/2015/11/cord4.jpg

damn that locust was sick. It's so awesome to see Lynch get a fat budget and do some worthy CGI

i loved the insane mix of that locust frog, which was so incredibly realistic, and the stop motion of the egg cracking.

seriously CRINGED

how did he even make that? granted I wonder the same thing about the eraserhead baby to this day.

He bred them in his basement

Eraserhead baby is rumored (possibly more than rumored) to be at least partly organic. In case you needed it to be more horrifying than it already was.

Like I'm pretty sure it's built around an actual animal head.

According to Lynch on Lynch, Kubrick write to Lynch right after seeing Eraserhead demanding to keep how he had made it.

i heard something about horse fetus once. or sheep fetus.

Relatedly, I just learned recently that the Creep in Creepshow was an actual articulated skeleton. Which is Creep-y.

i've always heard it was at least based off of some type of livestock fetus.

It's a goat foetus.

i loved the insane mix of that locust frog, which was so incredibly realistic, and the stop motion of the egg cracking.

All through it, the combination of DIY effects (all the superimpositions) and sleek slick digital stuff is great. He's open to trying all kinds of things, but he also really loves those early experimental film tricks, anything that messes with the picture or sound. And all of those tricks are still effective.

Like just shaking the frame and making spooky noises is still really actually creepy if you do it right

Hm hm hm
Meanwhile
Meantime

#TwinPeaks pic.twitter.com/xUUvUwMhKW

— Twin Peaks 🚬 (@ThatsOurWaldo) June 29, 2017

people have hit on the idea that the experiment (the glass box monster in episode 1) ripped sam's & tracey's heads off looking for the same sort of gold orb that came out of dougie's head in the waiting room

oh wait, did that gold orb happen in the original? why don't I remember that?

seems most of us forgot about that moment. clues are bloody everywhere!

https://en.wikipedia.org/wiki/Trinitite

For a time it was believed that the desert sand had simply melted from the direct radiant thermal energy of the fireball and was not particularly dangerous. Thus it was marketed as suitable for use in jewelry in 1945.

https://goo.gl/images/YvVDfa

https://goo.gl/images/MiTWvo

https://goo.gl/images/K1JnPU

And this scene from Missing Pieces seems key:

http://www.davidlynch.it/twin-peaks-the-secrets-of-the-room-above-the-convenience-store/

Oh well, those links are the man from another place, Philip Gerard and Dougie all wearing the Ring.

so very much in that piece, but this jumps out immediately:

FIRST WOODSMAN
(subtitled)
We have descended from pure air.

The bit later on where it quotes from Newton's translation of Tabula Smaragdina may turn out to be key:

“It ascends from the earth to the heaven and again it descends to the earth and receives the force of things superior and inferior.”

This is the New Mexico sand at Ground Zero, transmuted to Trinitite and serving as the tabletop in the room above the convenience Store (which the Ring is cut out of).

nice detective work! good job there's two weeks to dig into this episode

some fascinating detective work but you find "As above so below" in so many many things not even in esoteric traditions is in in plain exoteric Christianity not sure why they picked a 17th century Isaac Newton translated alchemical work but ok

Demons, angels, alchemy, Native American myths, the Popol Vuh … So many irons in the fire, right?

eh looking through this:

http://subliminalsynchrosphere.blogspot.it/2012/10/twin-peaks-under-sycamore-tree_9.html

not sure i condone this stuff tbh. seems like just connecting symbols willy nilly w no knowledge of the traditions they are taken from. someone "researches" "Native American religion" by looking at wikipedia pages for a few days and if anything shows up they use it. they flip the tree of life upside down and call it the three of death, ridiculous. the Egyptian stuff is interesting but again really stretching things to make a point.

i dont think Lynch plans this stuff out to this degree. he is def aware of these mystical traditions but it seems obvious he is generating his own mythology through this show. but yeah people gonna connect dots til the cows come home.

excuse me if i seems like i am ruining anyone's fun. i spent some time yesterday arguing w someone who told me Mulholland Drive wasn't cryptic and is easy to understand. i think a lot of people think a work either needs to be "understandable" and "make sense" (have some pre-determined course, a predestination) or it is just made up and thus meaningless. it undersells the creative process for the fact of pretending the mythology is real or that the tightness of the narrative makes it more real. i think there is meaning in making things up, in creating a la carte, and this is in fact most of Lynch's creative process, many are entirely missing the point.

Lynch might not but this pick n mix appropriation of esoteric arcana is absolutely how mark frost works

make sense of it

The creation of meaning is a two-way street; I'm not that interested in the codebreaking side of this but I don't see how referencing religious texts is that different to drawing connections to avant-garde films lynch almost certainly hasn't seen