A thread for Stranger Things, the "Goonies meets X-Files" new Netflix series (with SPOILERS!)

EMMYS FOR EVERYONE

http://www.silenthillmemories.net/sh1/screens/pics/sh1_screen_09.jpg

hey but like

what about the funeral, and will's "body"

and the pathologist from "state" who presumably submitted an autopsy report?

and dr brenner?

and the trashed school?

how did the town process any of this information??

Love all the ineffectual and/or evil dads in this show. Especially Nancy and Mike's dad. Cracked me up every time he was on screen.

Sorry if this was already discussed but why did the chief put food, including eggos, in the box in the woods at the end? Is he sending food to El on the dark side somehow?

Is he sending food to El on the dark side somehow?

Tune into S2 to find out!

Things I totally loved about this show:

1) The kids, particularly Eleven and Dustin, and the teens.

2) The score and soundtrack in general.

3) That it avoids a bunch of obvious stuff (Sheriff and Winona fall in love, dorky kid gets girl, etc).

4) Any scene with the science teacher.

5) That despite being close to six hours long it still felt pretty tightly put together.

Things I didn't love:

1) Looks like there will be a sequel.

2) Hopper's "strategy" makes absolutely no sense (although I guess Modine was like who cares go into the stupid hole just save me some time).

3) As Tracer Hand notes the whole ending is a little "la la la" considering the level of mayhem...

Overall though this was probably the best Netflix series.

Neat article on the typography of the title card:

https://blog.nelsoncash.com/the-typography-of-stranger-things-e35771f40d31#.79trnn9z2

Feel silly I missed the obvious King homage, I was thinking of Carpenter instead, probably more due to the score.

My only very minor quibble, re the post above, is the skip one month and how reset everyone seemed. It feels like there should have been more fallout from what happened.

well it was Christmas. They were probably trying to put on a brave face

So, who does 11 remind me (you) of?

http://variety.com/2016/tv/news/stranger-things-finale-duffer-brothers-interview-season-2-1201816664/

Matt: We talked about “Silent Hill,” the video games were an inspiration, and “Alien” was an inspiration, in terms of the look.

:D

font also quite reminiscent of this: http://d.gr-assets.com/books/1306028600l/190958.jpg

:-) Has someone recently added that to the References in https://en.wikipedia.org/wiki/ITC_Benguiat

https://upload.wikimedia.org/wikipedia/en/3/37/Smiths_-_Strangeways_here_we_come.jpg

Did anyone else laugh when the monster was on the floor literally burning to death and then eyebrow kid suddenly comes in WITH A FIRE EXTINGUISHER like "oh here let me get that for you buddy, all better? great"

i was sorta like, wait why are you putting him out

I assumed they didnt want the whole house to burn to the ground?

I made the same assumption

lol ok that makes sense. still he was a little on the rare side i thought

oh yeah it's definitely still funny I was correct to laugh

I'd have left it on a little longer but I am probably guilty of being over-cautious with unstoppable interdimensional monsters

Are we assuming the monster is male btw? The characters called it a "man w no face" at one point iirc but that's a pretty terrible description all round so we can prob discount it as poor eyewitnessing

I kind of think of unstoppable interdimensional monsters as being gender neutral.

So, who does 11 remind me (you) of?

Charlie/Firestarter
Ripley from Alien III for the look
Tetsuo from Akira

Young ScarJo?
https://goo.gl/images/MB0cnG

https://s-media-cache-ak0.pinimg.com/236x/ff/20/6f/ff206f00e534054b952001a9ee1d8163.jpg

okay so i know 11 is hardcore leggo my eggo but surely modine fed her something else during the 12 years she was in the govt facility.

by the way the supermarket scene was badass

Probably soylent protein gruel 7d/w in the facility

11 is gonna grow up to be the lead singer of the band Savages.

"okay so i know 11 is hardcore leggo my eggo but surely modine fed her something else during the 12 years she was in the govt facility."

see i don't think she got anything like that living in the lab and that's why she wanted the junk food all the time.

Yeah

Soybean paste fortified with lsd

vs whatever the fuck an eggo is

how did the town process any of this information??

idk, it reminded me of how at the end of Buffy episodes all the townsfolk just go on about their lives like it's not at all weird that the world almost ends every couple weeks.

11 is Imperator Furiosa, surely?

font also quite reminiscent of this: http://d.gr-assets.com/books/1306028600l/190958.jpg

― illegal economic migration (Tracer Hand), Saturday, July 30, 2016 12:34 PM Bookmark Flag Post Permalink

That's the most bored looking kid fantasy hero that I've ever seen! Dude is like, "I'd rather be hitting the bong and listening to Return to Forever".

i thought this was really lovely

contextually it did help that all the other big-ticket neflix shows (OITNB, JJ) have left me totally cold. i liked how clear and focused this was.

i didn't mind the shaggy ending either; showing the loose ends is what an episodic show ought to do.

so, Hop is a fed now?

got a stupid question: so, were there two monsters? or did the one that was shot, beaten and burned, and crawled bloodily back to the library, quickly recover and head to the school to feast on the feds? also why didn't it feast on the feds instead of going after the kids? (ok that one is a stupid question to which i know the stupid answer.)

i think it DID feast on the Feds. right? the brraaap of the guns fell silent. and then it was still hungry. for a late night bite of raw child.

no idea about how many monsters there were.

totally loved the dream-like physical frustration of grabbing the stones from the backpack, passing them to lucas, lucas firing, the shots not working, grabbing another stone, passing it to lucas...

One monster, I believe: not wounded badly enough (normal-world injuries seem slight to it, see all the machine-guns emptied into it) though it totally looked a bit singed. And I don't think it went after the kids so much as it went after Eleven — he chased her right through the gate in the first place, after all. That last one a bit of rationalisation of the obvious reason, tho

i really think my favorite part was the entering of the tree. because it was such an amazing illustration of something you should never ever do in a million years. it was 200% wrong.

Rivals the first scene from The Stuff.

https://www.youtube.com/watch?v=yZRdPNlLG4s

hi

http://www.rollingstone.com/music/features/stranger-things-survive-talk-their-creepy-nostalgic-score-w431789

i liked hearing from those guys! that score really is dope

these kids today with their cassettes and vhs tapes

It was only a matter of time before someone did this, but the Randy Newman song is an inspired choice.

https://www.youtube.com/watch?v=v0K0VpPjMjQ

Ended up quite unintentionally binge-watching most of this, after kinda halfheartedly working through the first few episodes... at first it felt like it was coasting too much on the E.T. and Stephen King trappings (juiced up with Akira/Evangelion stuff), like it knew that the (awesome) set-dressing and costumes and stuff would be enough to hook 80s kids like myself. In particular - and I don't watch a lot of contemporary TV so maybe this is common - it felt really jumpy in the editing, like no scenes could build up tension, characters would respond to something someone else said before you'd really absorbed it yourself, just no air in the scenes. Even extends to the opening credits, where they barely let one title fade out before the next one pops up.

But either that got better or I just got used to it because once the plot really got going I was hooked. I do think it could have been an episode or two shorter - especially in the first half there felt like a lot of padding, like how many scenes do we need to re-establish that Winona Ryder is doing this stuff with the lights and freaking out, or that the kids are frustratedly trying to communicate with El? But ehhhh, setting that aside, it was a nice little supernatural tale in a milieu I was happy to see on screen. I mean, we had a Volkswagen Rabbit, feels right seeing one in a movie. Pandering maybe but in a way it's amazing this hasn't come along before - American Graffiti came out barely a decade after the period it was trying to lovingly reconstruct.

Ate up every scene Harbour was in (though it was kinda weird how in one episode he just suddenly switches to punching people out left and right, after all the slow, I've-got-a-nagging-feeling detective work). Wish Ryder had been given more room at the start to go through some non-hysterical notes so we can see how she gets to the point she stays at for like five shrieking episodes. The kid actors were all great (though Toothless was clearly coached into doing way too much of a loud Chunk part - liked him better when he was doing anything else). Wish they'd dialed down some of the D&D/X-Men stuff, even just for the sake of variety in the script, but also for the sake of better or more convincing nostalgia - like they could had some lamer or more forgotten interests ("I got these binoculars by selling GRIT!"), and D&D is so on the nose re: E.T.

I do agree there's some plot-hole stuff where people who should be communicating things they've discovered just never get around to it. Eventually there's too much going on and you accept that there's no time but there's definitely a mid-season stretch where it started to get distracting though I can't now remember what the examples were that nagged at me. It did seem awfully convenient that the bad guys don't seem to have actually bothered bugging the Byers house (and that our cast just accept that it's "safe" for no really good reason). Particularly in the last couple episodes, while Jonathan and Nancy are going back and forth to that house, it's like, really? No goons were set to watch the place in case they come back there with El in tow?

Re: speculation stuff - my interpretation was that Modine (aka Gendou Ikari) initially were using El to spy on the Soviets or read minds or whatever, a natural extension of their MKULTRA remit from the 60s. The black emptiness is either a visualization of her sensory-deprived mind-state as suggested above, or some kind of no-place in between dimensions. At some point they/she become aware of the existence of the upside-down world and the monster, and have her psychically try to make contact. Somehow, this triggers the opening of the gate - maybe the monster, or maybe El, have the power to make that tear between dimensions. I haven't gone back to check this, but what I told myself was that the room they used for El's immersion tank is the room that became the overgrown, sealed-off gate zone where they're doing their experiments now - like there's some sequence we didn't see of total mayhem after she makes contact, and they have to quickly seal off this whole part of the building, which is gradually being overtaken by, basically, invasive upside-down species. So El blames herself for the monster being able to get into our world, but she didn't really create it, and the whole thing is a case where the government's mandate has expanded crazily beyond their original project but they're so deep into cover-up territory that they just keep pressing ahead.

Tracer OTM about the late 70s look/feel of that early 80s period, perhaps most dramatically in children's hairstyles. It just pours out of my family photographs but most "80s retro" stuff misses that entirely. Would be interested to read interviews with the design team or whatever - I kept imagining them perusing Sears catalogs and stuff and going, OK, for the working class house, they'd still have accumulated stuff going back to the wedding, but the rich kid house will be '82, '83. Agreed with those saying the music cues didn't quite nail this sweet spot though - the Smiths move in particular. Would have felt more real to have something like, I dunno.... in the kinda King-esque bestseller A Boy's Life by Robert McCammon (1991), set in a small Alabama town in the early 1960s, the most exciting, renegade, spellbinding music for our early-teenage protagonist is "I Get Around." I buy that. It doesn't have to be the coolest most underground music for an 11-year old to be hypnotized by it and want to rewind the tape and play it again. (I would have bought Murmur though.)

OTM, the music was a little hip. No "I Love A Rainy Night"? No country music ffs!