All Purpose NYC ILX Film Snob Thread

Recent restoration of Vertigo returning to the FF. Second blurb from the top is from some unknown Slant writer.

I have no desire to see some damn digitized version. (Do you think they would use that as a substitute quote?)

Do I need to see this tonight?

http://www.ifccenter.com/films/chilly-scenes-of-winter/

oh MIX NYC this week... too much

http://www.mixnyc.org/27/film-programs/

at month's end, Nastassja Kinski comes to town!

http://www.filmlinc.com/films/series/nastassja-kinski-from-the-heart

National Gallery held over again at FF, Wiseman appears twice next weekend

http://filmforum.org/film/national-gallery-film-page

highly recommended btw

sure, but I sighed that I don't have to go tonight, bcz there is no way i am staying awake til 11pm on a weeknight in a theater.

Jean Grémillon retro at MOMI

http://www.movingimage.us/films/2014/11/21/detail/jean-grmillon/

http://www.reverseshot.com/features/1941/gremillon_momi

http://www.bam.org/film/2014/sunshine-noir

!!! To Live and die in LA, Repo Man, Long Goodbye, Heat

Feels like omar little curated this

alas not the Warhol Heat

https://www.youtube.com/watch?v=0JkOk25TsbU

A Girl Walks Home Alone at Night was pretty fun.

It was. Hadn't realized it was finally out.

Two rarely screened, cultish crime adaptations in 35mm tom'w night:

http://www.bam.org/film/2014/miami-blues

http://www.filmlinc.com/films/on-sale/the-moon-in-the-gutter

it begins

http://www.thelmagazine.com/2014/12/deep-cuts-altman-moma/

http://www.moma.org/visit/calendar/films/1525

Migrating Forms at BAM

https://www.fandor.com/keyframe/daily-migrating-forms-2014

Anthology has a blacklistee writer series, tonight a feature w/ the irresistible title The Case Against Brooklyn -- anyone seen Carol Reed's The Key?:

http://anthologyfilmarchives.org/film_screenings/series/43564

That Migrating Forms thing looks interesting. Heinz Emigholz was a guest at the film festival I worked at last spring, and we showed The Airstrip. But because we always knew we would show the new one, we didn't get it on screener, and I couldn't be there at the showing, so I haven't seen it. But he is interesting, I would go and see what he has done.

Apparantly Loznitsa's Maidan opens one of these days in NYC, and I'd def say everyone should go see it. I've been thinking a lot about it since I saw it, really, really great.

Great take by ReverseShot:
http://www.reverseshot.com/reviews/entry/1972/maidan
My own blog-review:
http://centrifugue.blogspot.com/2014/11/cphdox-day-3-4-iron-ministry-maidan.html

Wm Greaves docs tonight

http://www.bam.org/film/2014/still-a-brother

http://www.bam.org/film/2014/the-fight

John Huston retro @ LincCtr beginning tomw. I don't recall ever knowing of the Garfield-Jennifer Jones Cuban film.

http://www.filmlinc.com/films/series/let-there-be-light-the-films-of-john-huston

http://www.wsj.com/articles/john-huston-a-look-at-his-influence-1418860047

So, it's not until february, but this year's Film Comment Selects will have a series of films from Danish director Nils Malmros. If there is one Danish director I think deserves more recognition, it's probably him. So yeah, I recommend that.

btw if you want to plan your holiday-break NYC rep house fare, this site is mostly updated thru New Years Day.

http://www.screenslate.com/

Steve Buscemi introduces Altman's Kansas City tonight at 7, MoMA

(it's in the small theater, may be on standby only)

tried to watch that a few months back, made it maybe 40 mins

well yeah, but i've seen all the good ones.

Last day for Dumont's Li'l Quinquin at FSLC.

Anthology has a series of TV plays by producer Robert Herridge, including a 1958 All the King's Men directed by Sidney Lumet.

http://anthologyfilmarchives.org/film_screenings/series/43731

i heard mixed things on quinquin; anybody see it?

Too much of his usual shit. Done with him.

lauded Ukraine doc Maidan at MoMA tnite 7:30

It's great.

Goodbye to Language sold out for tonight :(

http://www.pbs.org/independentlens/evolution-of-a-criminal/
^this suffered from a lot of first-time director problems and the guy is really still too close to his own experience to get perspective of just WHY he did this and this is maybe 20 minutes too long but there's some worthwhile work going on

Gordon Willis retro at MOMI... the print of his first film, End of the Road, looked great yesterday.

http://www.movingimage.us/films/2015/01/30/detail/see-it-big-gordon-willis/

The Widow Altman does a Q&A after California Split on his 90th birthday, Friday the 20th:

http://filmforum.org/events/event/altmans-california-split-event-page

also it's the last day at MoMA for the bananas-looking 1934 puppeteering melodrama I Am Suzanne!

http://www.moma.org/visit/calendar/films/1539

https://www.youtube.com/watch?v=S09jJM29BJc

Thanks. Could not figure out at all what that was from photo in the calendar. It first thought it was variant English language version of similarly titled Buñuel film.

morbs, you got me excited about "hard to be a god" so i'm going thursday... did you see it?

nope

2-week run i think

Where's it at?

http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=02&year=2015#showing-43705

John Carpenter @ BAM

http://www.bam.org/film/2015/john-carpenter-master-of-fear

(one of his music-based rep selections is Forbidden Planet)

Timbuktu was pretty great and very affecting

Meant to go last weekend

I was a bit dissapointed. Liked loads of stuff, but the central characters were pretty two-dimensional, I thought, and the cinematography was hit-and-miss as well. But some really really strong scenes, especially that one shot of the lake at sunset.

Timbuktu was selling out last weekend; i like to wait for elbow room

this NYC black independents of '68-86 series at Lincoln Ctr will most definitely reward

http://www.filmcomment.com/entry/tell-it-like-it-is-black-independents-in-new-york

http://www.filmlinc.com/films/series/tell-it-like-it-is-black-independents-in-new-york-1968-1986

and 3 weeks of Charles Laughton at FF

http://filmforum.org/series/charles-laughton-series

i wasn't really drawn to timbuktu for character development, was more taken with the bumbling murderous ignorance of the sharia lawkeepers and the generally gorgeous shots. i've seen a lot of criticism that goes overboard though so i can see where some Ida-esque backlash is called for. it reminded me of Gilbert Hernandez's Palomar stories in some ways.

Brody, Melissa Anderson on the black indie series:

http://www.newyorker.com/magazine/2015/02/09/lost-found

http://www.villagevoice.com/2015-02-04/film/indie-black-cinema-lincoln-center/