Which film critics do you trust (if any?)

I haven't read him in a while. But I was always of the opinion that he was a good writer and a terrible critic -- very impetuous and hotheaded, and his theories on race were either honest and incisive or paranoid and overreaching, depending on how willing I was to go along with him. The other regular New York Press film critic, Matt Zoller Seitz, is often very good (haven't read him in a while either -- I've kinda given up on the Press because the conservatism over there is getting really out of control).

For comedic value, I like these guys. Ever wonder what the 'moral rating' of the film you were watching was?

The others are far, far too pretentious... (I'm looking at you Michael Atkinson of the Village Voice, IM LOOKING AT YOU)

Ebert can be useful to me occasionally as a buying guide but I generally don't read him for his prose. And Roeper...good god, man, how did that guy get his job?

1. SPIRITED AWAY
2. ABOUT SCHMIDT
3. TALK TO HER
4. PUNCH-DRUNK LOVE
5. TME OUT
6. IN PRAISE OF LOVE
7. I'M GOING HOME
8. MAHAGONNY
9. WINDTALKERS
10. WARM WATER UNDER A RED BRIDGE

I'm realizing, though, that in some cases, I tend to trust publications more than I trust individual critics. When I'm looking for reviews on MRQE or Rotten Tomatoes, I'll click on any critic at the New York Times, Village Voice, New Yorker, Salon, or the Chicago Reader (which is mostly Rosenbaum but sometimes J.R. Jones). Beyond that, I also read Ebert and David Edelstein (Slate), both of whom are the only critics their publications employ.

In most cases, Ebert is the first critic I'll check. Last night, looking for reviews of The Company, I read (in order) Ebert, Charles Taylor, and Elvis Mitchell.

I like many internet pseudo-critics. And reading Armond White is usually a good time, though more so after seeing the movie. Actually, to my taste in criticism-reading, the best critics are the ones to be read after seeing the movie rather than before. Maybe this is why I don't like reading Ebert so much.

Agreed. I never read full-length reviews before I see a movie -- only capsules. This, of course, is what makes Rosenbaum such a compelling critic -- if a part of the movie that would ordinarily be considered a "spoiler" is worth discussing, he'll discuss it without apology.

I don't pay much attention to actual reviews until after I see a film. I'm more interested in seeing how my thoughts compared to Zacharek, the NY Times and VVoice people, the Washington Post, Chris Vognar of the Dallas Morning News (my professor one semester) and a few others (though not all of them for every film I see).

I like reviewers who are willing to judge movies on their own merits rather than against some perceived 'greatness' standard. Zacharek, especially, is good at this, and Ebert.

Rosenbaum, I feel mixed. The moralistic tone he takes on some films (Mystic River comes to mind) bothers me. It's too simplistic and black and white for me.

usually, the more I read of a critic's work, the less interesting I find them, eventually. even a lot of Pauline Kael's stuff doesn't hold up as well as I'd like it to - good as the writing is, a lot of her reactions to movies seem flaky and ill-thought-out.

(I think for the time being it should only be applied to food, at least until everyone straightens their heads out)

Peter Travers must be destroyed, along with the rest of the RS staff.

Scott Tobias has always been and always will be among my favorite on the internet. Up there with Steve Erickson.

I'd just like to recognise the great opening shot from N., which was exactly my reaction to the title.

Yeah and indeed .

Even if this were possible it would be a bad idea, but it isn't, so it is. SZ might well be the worst critic to have an international profile. I'm no Kael fan but SZ isn't fit to polish PK's glasses.

Possibly because Charles Taylor doesn't joke around much at all in Opening Wednesday at a Theatre or Drive-In Near You, I loved this parenthetical throwaway dig right out of the blue (he's talking about the street musician banging out Little Richard songs in American Hot Wax):

"He's the spirit that will sneak its way into crevices and open windows, that will survive Frankie Avalon (or Arcade Fire)--a termite artist in Manny Farber's phrase."