The Wolf of Wall Street (new Scorsese)

I agree that the movie is like being inside of a giant egg. There's nowhere to gain a foothold

That's why I loves the movie. I love eggs

i eat eggs almost every day, make of it what you will

The Egg of Wall Street

You could make the same criticism of taxi driver. Wow what a despicable character. Who could love or identify with such a guy

But that movie revealed that nearly all movie critics and movie watchers are actually lonely psychopathic murderous ragemen. They love that movie

In time movie watchers will realize they are also quaalude popping sleazy caligulan sexmen. Just give it a few years

obviously my criticism was not that its impossible to portray monstrous psychos on film

morbs come back, that party's just going to end with you getting dangled off a building anyway.

its a movie that villainizes its characters for ignoring the humanity of others while ignoring the humanity of its characters, i know this is just a huge opening for someone to be all dont you see thats the whole point meta commentary etc but no its just bad writing

― lag∞n, Tuesday, December 31, 2013 9:22 PM (2 hours ago) Bookmark

so u wanted a jason reitman movie, got it

eggs taste better than this movie, and are out of your system faster.

u fuckers who can't tell the diff btwn this and Taxi Driver deserve cable

it is the Year Zero

also Marty go play fucking bingo

Would rather have sucky needledrops than the incessant acoustic "theme" all throughout "The Departed" - shittiest Scorsese score by far,

unrelated but bc of discussions on this thread I am finally watching margin call

if that was true than many more people wouldve done just that, the world is not lacking in sociopaths

Wasn't that the point of the movie? Any idiot from the street can do it, but you have to be a depraved psycho with no soul or morals to do it right at such big levels. It could have certainly driven the point home harder that the rest of Wall Street was likely this bad, too, but I appreciated its extremely limited perspective. (The way this can dovetail with Hustle is that Bale's character *does* have morals, and also knows the self-preservation benefit of keeping his head down. Leo is a frat-boy nihilist who, at the other extreme, cynically knows that literal boatloads of money will ultimately ameliorate the human costs of his actions; he's *happy* in Club Fed because it finally forces a break from his permanent vacation.)

I keep thinking of scenes that could have easily been cut - gay butler stuff, dwarf tossing stuff, Leo S&M scene, discussion of non-alcoholic beer, etc. - but they're wacky enough that the movie is probably better with them in it.

so u wanted a jason reitman movie, got it

OTM. The fact that this movie didn't give a lot of people what they wanted is partly what makes it so much better than a Jason Reitman film. Also, I think this movie was immaculately made, regardless of subject, or excess, or whatever. It's the most impressed I've been with Scorsese as a director in years. Decades?

so u wanted a jason reitman movie, got it

― Hungry4Ass, Tuesday, December 31, 2013 11:30 PM (Yesterday) Bookmark Flag Post Permalink

omg i hope yr resolution was to not be like this

"The Departed" - shittiest Scorsese score by far,

That Dropkick Murphys, though.

departed owns, so much better than W.O.W.S.

Most disappointing: shot where the camera seems to freeze frame panning over the Stratton trading floor and an intro drops in like we're going to get some awesome hard soul but then the song itself was completely forgettable.

that song was joe cuba "bang bang" iirc, prob the song I was most stoked to hear turn up

Wow had no idea that "Bad Girls" sampled that!

"Bang Bang" is amazing. In the movie, it barely registered. Compare that with "El Watusi" in Who's That Knocking at My Door.

El Watuwho

https://www.youtube.com/watch?v=oVIA1vqQfb8

Genius.

why would Marty play bingo when he could keep making financially successfully worthy pictures such as this and the departed? idgi!!!

the scene with the FBI guys on the yacht would work so much better if the actor playing Belfort conveyed a hint of roiling menace between the lines.

The point of the scene is that Belfort is a buffoon, not the Machiavellian schemer he thinks he's being.

I know, and that's just uninteresting and redundant.

Zacharek:

Scorsese doesn't pass judgment on his characters, which at first seems like a plus. But he can't get a fix on the tone; the movie has the intentionally sour spirit of Goodfellas, but none of its grim humor.

What, exactly, does he think of these people? His portrayal has no sharpness, no skepticism.... Scorsese is one of the few great old-guard filmmakers with the clout to make movies on this scale, and this picture — dreary, self-evident, too repetitive to be much fun even as satire — is what he comes up with?

http://www.villagevoice.com/2013-12-18/film/wolf-of-wall-street-movie-review/

omg i hope yr resolution was to not be like this

― lag∞n, Wednesday, January 1, 2014 9:15 AM (5 hours ago) Bookmark

yeah i could stand 2 b less right, more lagoonian

i like zacharek but that review couldnt be less otm

Not sure if it's been linked to already, but another negative review that jibed perfectly with my own reaction is Edelstein's:

http://www.vulture.com/2013/12/movie-review-the-wolf-of-wall-street.html

(Agreeing with a critic is secondary to engaging with the critic's writing, but I did find myself in sync with Edelstein a high percentage of the time this past year. Also think he's an excellent writer.)

edelstein's review sucked too, he didnt even think about the movie

plz to link to a negative or at least mixed/conflicted review you don't think sucked?

i only read 3 reviesw, link me some and ill evaluate them 1 by 1

just to clarify, edelstein's a good writer (i do think he has a problem with giving into his glibbest reaction to a movie when it isnt something immediately to his taste) and i dont fault anyone wwho didnt like the movie, i totally get why someone might look at 3 hours of unmoderated degeneracy and go 'thats it?' (especially if they didnt find it particularly funny) - i just dont think the things he says about it are very apt, especially The Wolf of Wall Street is three hours of horrible people doing horrible things and admitting to being horrible. But you’re supposed to envy them anyway, because the alternative is working at McDonald’s and riding the subway alongside wage slaves.

The shot of the FBI guy in the subway felt like another shading from Belfort's retelling of the story - like from Belfort's POV, /of course/ Chandler would be all sad on the subway, with bags under his eyes, while Belfort is playing tennis in minimum security prison

Chandler is also such a great caricature of a film noir detective. Those heavyset owls, jowls, and that five o clock shadow!

he gave my favorite performance

yeah that chandler guy's really good. ive seen him in a few things and he was awesome in all of them. he's the friday night lights guy right?

This movie was great

i totally get why someone might look at 3 hours of unmoderated degeneracy and go 'thats it?' (especially if they didnt find it particularly funny) - i just dont think the things he says about it are very apt

otm, yet to find a negative review that doesn't try infer some kind of failed message or misunderstanding on scorsese's part, instead of just saying "i don't need to watch 3 hours of Greed Follies, thank you"

I mean shit like this

Scorsese seems to think that by blowing Belfort’s book up to three hours he’s making an epic statement. But it’s not as if he shows you the consequences of Belfort’s actions.

is so projecting (has this guy ever seen Marty in epic statement mode? cuz this movie ain't it) and moralistic (maybe martin realizes you don't need to see the umpteenth fucking speech about how money isn't everything)

imo the tone was sort of like dr. strangelove in its "the lunatics have taken the asylum" yocky cynicism with a touch of "hey being rich and high IS fun" quaalude nostalgia - which I appreciated him finding a less tapped-out time-period for. Hilarious that while everyone is raiding his '70s jukebox, he's scoring scenes to the Lemonheads and having people dance on a yacht to "hip hop hooray."

granted maybe if i had a college-age kid maybe i'd be all upset that martin went and made my son another shameful dorm poster

hey did anyone watch cosmopolis hahahaha

i tried

same, couldnt deal. one of my best friends rides for it, he's pretty weird though

his other favourite movie is syriana

Crapshitopiss

watching cosmopolis is very close to the experience of redaing cosmopolis, which means it Sucks

I thought the disturbing message from this film, or at least one of them, is that money sort of *is* everything. It even invokes the "I've been rich and I've been poor and rich is better" mantra. It's the fullest, grossest, most OTT corruption of the American dream yet: you, too, can become rich, and fuck everyone else if that's what it takes. If there's anything too subtle about this, it's the film's relationship with the current financial state of affairs, the true Masters of the Universe on Wall Street who still rape and pillage at an almost unheard of scale. The movie is similarly subtle about emphasizing that for all his largesse, Jordan was not a major player. He was a street hustler who got in through the back door. The real power players are born into it, and get away with more (and probably worse).

so awesome that martin can still scare fuddies with excessive dark humor only now the fuddies are twenty plus years younger than him

"grandpa how could you imply that excessive drug use and greed can be enjoyable, let alone entertaining to watch?! my son is watching!"