The films of Alan Parker POLL

xxp i misread the thread title and was disappointed to find it wasn't about alan clarke.

Ha. I did the same. For whatever reason, I constantly can't remember Alan Clarke's name or I get him mixed up with others with similar names. I've been doing it for years.

haven't seen Angel Heart in at least 20 years, just say "good pulp" I guess, plus Rourke's line readings before he lost his mind.

Bugsy malone is the only one of these I care about. So pissed you can't get it on dvd here.

I remember some documentary Parker did on films for the BBC or Channel 4 sometime in the 1980s. It was a lot of fun, he had some cinéaste from the BFI droning on who slowly got faded out and replaced by Parker himself playing the organ. I lol'd.

Were it not for my grade 10 teacher somehow getting away with showing us The Wall in class, I haven't seen any of these. Something about his films--not the fact of him as a director, just a lot of the films themselves--just set off major warning bells for me.

Will say that Shoot the Moon and Midnight Express look like things I should check out one day. Birdy, too, if I knew more about it.

Birdy = plentiful Matthew Modine nudity. Good WW2 novel of eccentric boyhood pals updated to Vietnam with mixed results.

yes, the novel (by william wharton) that birdy is based on is quite good, iirc.

actually, Nic Cage plays the stright arrow to Modine, that's now a hoot

first movie I ever saw him in! And damn sexy. Both were, actually.

It was a lot of fun, he had some cinéaste from the BFI droning on who slowly got faded out and replaced by Parker himself playing the organ. I lol'd.

hooray for phillistinism

Parker was Chairman of the BFI in the late 1990s, and said some truly moronic things abt 'uncommercial' british filmmakers like Peter Greenaway.

Shoot the Moon is far and away his best movie, but it's more of a scriptwriter's film, imho

Found the doc, it was called A Turnip Head's Guide to the British Film Industry:

http://alanparker.com/earlywork/a-turnip-heads-guide-to-the-british-film-industry/

There's a nice clip there of him having a (staged) argument with a kid. "It's MY film, ok? UN FILM DE."

Anthony Smith was the BFI guy who Parker took the piss out of in the film. No way is Parker a philistine. Populist, yes. And for the record, I like both Parker and Greenaway.

Both have made plenty of crap.

What's he been doing since David Gale? Strange for a journeyman director like Parker to go 10 years without making a film.

Diane Keaton's best perf ever is in Shoot the Moon, so he's got that going for him

I'd have to rewatch, but not sure it can compete w/ iconic Woody roles or even Crimes of the Heart & Marvin's Room

but *headshake* there you go again

It's on DVD (at last!) with an excellent Bo Goldman-Parker commentary track in which Parker doesn't come off as an aborigine.

Oh come on! What's so rebarbative about that judgment?!

it's very Pazz & Joppy

I'd have given her #1 album for Annie Hall and STM.

Kael and not many others loved her in StM... I remember Kauffmann complaining that she called Finney 'Chorch'!

http://www.keatonshoot.blogspot.com/

I dunno: she wins a majority in that compendium.

I read Kauffmann's criticism years ago and disagreed, especially in comparison with Reds, in which Beatty asks her to do embarrassing things.

thx for "rebarbative," wow

very comfort

with an excellent Bo Goldman-Parker commentary track in which Parker doesn't come off as an aborigine.

noted in passing

many xps but I think David Gale kinda put him in director jail for a while, as it was a truly truly dire movie

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WTF

Haha David Gale vote.

jesus The Wall is terrible.

well anyone w/ ears knows that

all of these movies are terrible

The Wall is great

I think in 30 years it will be agreed that Zero Dark Thirty is approximately as offensive as Mississippi Burning.

RIP

Still no plans to go anywhere near Pink Floyd—The Wall or Evita.

He was like the English Joel Schumacher.

that's needlessly cruel and inaccurate

Coming from Morbs! Anyway, I think it's pretty accurate. A sort of anonymous journeyman career that managed a few interesting hits, a bunch of stinkers, a couple of kitschy pop culture staples and more or less no impact or identity as a director, per se. Though Parker was rarely inept as a director, so at least he had that going for him.

I shiver at pondering Joel S's version of Shoot the Moon

I'm really unexpectedly sad about this. I think i'd seen pretty much everything he'd ever done (including Tv's The Evacuees) by the time i was about 15, there was nothing i didn't at least like and i loved most of his stuff. What's weird is the after-life so many of his movies had; The Commitments was a massive hit album and spin-off band afterwards, Fame had the Tv show and records, and Bugsy Malone took on a life of its own in theatreland. That's not.. common is it? All that continuance. Pretty neat trick to be able to write things at such opposite ends of the emotional spectrum screenplay-wise too; Bugsy Malone is daft as a brush but heartfelt and touching, Angel Heart is properly dark and unsettling, and he wrote both by himself.

I love that he had a whole scene from a totally different movie in ‘Fame’ when the kids go on a date to see ‘The Rocky Horror Picture Show’, he just… plonks it in there! He even invited the local ‘regulars’ in their Rocky outfits. Such a fuckin cool idea that totally works.

https://www.youtube.com/watch?v=-T3wrbOr68w

Shoot the Moon came out of nowhere.

Fame and The Wall are fine; wasn't allowed to watch Angel Heart or Mississippi Burning when my parents rented them, and never bothered to catch up later. All I know about Midnight Express comes from Terror in the Aisles (and The Simpsons). Birdy and Shoot the Moon look interesting, and I've always been sorta curious about Bugsy Malone. Being a gay teen in 1996 who didn't give a shit about Evita was plenty alienating.

STM has Albert Finney and Diane Keaton's greatest performances and an unusually sharp script.

I'd only starting hearing good things about it in recent years; before that, I always kinda slotted it in with the whole AOR cinema genre.

That is a very high compliment for Finney especially, he's had a ton of great roles. I'll have to check it out. Tbh I always wrote off Parker as a near total hack.

That's a nice post, piscesx. I had no idea he'd written Fame, which I still love.

Discussion of Shoot the Moon in this thread, with flappy bird particularly rhapsodic:

Albert Finney's Own Thread

I'm fairly averse to marriage-ending, couples-bickering movies fwiw, is it one of those? My exception to that is Who's Afraid of Virginia Woolf, but that's perhaps another thing entirely.

kinda that yes

nothing in common -- closer to Scenes From a Marriage.

oh yeah, i didnt mean it was like Va Woolf (that couple is staying together til death)

bickering, it's got bickering