I don't get people who think Jesse is headed towards some kind of bright future, or any future really. He's a goner.
― Simon H., Tuesday, 1 October 2013 02:12 (twelve years ago)
anyone notice flynn dresses like a bad kid now
― lag∞n, Tuesday, 1 October 2013 02:12 (twelve years ago)
sorry didn't mean that last post to sound so harsh - just seems people arguing that Walt somehow won or got off too easy are actually wishing for a greater redemption for Walt than he deserved or was capable of. he went out doing what he had a genius for - destroying - and that possibly lightened a tiny bit of the mountain of shit he dropped on jesse and his family, but that's it.
― brio, Tuesday, 1 October 2013 02:14 (twelve years ago)
way I read it, it's a flashforward a year, walt's spent some time hiding out in NH, now he's back in town and is planning to settle some score w/ a v big gun
breakfast + the callback to E1S1/happier times indicates his family is somehow involved, mainly due to their absence
― diamanda ram dass (Edward III), Sunday, July 15, 2012 9:39 PM (1 year ago) Bookmark Flag Post Permalink
― A True White Kid that can Jump (Granny Dainger), Tuesday, 1 October 2013 02:41 (twelve years ago)
noticed his ugly camo pants
― dmr, Tuesday, 1 October 2013 02:42 (twelve years ago)
I heart you Internet:
Walt just put regular unleaded into a diesel Volvo.
― pplains, Monday, September 30, 2013 10:54 AM (11 hours ago) Bookmark Flag Post Permalink
Watched this again. It's not a diesel Volvo. If it was, it would've said "diesel" on the trunk lid. Also, it appears to be an '88-'93 model, and Volvo didn't sell diesel 240s in the US those years.
GILLIGAN'S CONTINUITY RECORD REMAINS UNBLEMISHED.
― hopping and bopping to the krokodil rot (Tarfumes The Escape Goat), Tuesday, 1 October 2013 02:52 (twelve years ago)
Phew.
― lag∞n, Monday, September 30, 2013 9:12 PM Bookmark Flag Post Permalink
Didn't even know he was a Bills fan.
― pplains, Tuesday, 1 October 2013 03:15 (twelve years ago)
The episode was a little too aware of its finality, sometimes to the point of cuteness (totally called the Badger and Pete appearance while we were watching it), but it was OK. I think the ending of "The Shield" still looms as the one to beat.
― Josh in Chicago, Tuesday, 1 October 2013 03:21 (twelve years ago)
http://i.imgur.com/UrovlOp.jpg
nailed it
― Matt Armstrong, Tuesday, 1 October 2013 03:27 (twelve years ago)
we should have a thread for bad cartoons that aren't political probably
― Matt Armstrong, Tuesday, 1 October 2013 03:29 (twelve years ago)
was it just me, or was anybody else wondering how bad Walt had to have smelled when he walked into the Schwartzes house?
― Neanderthal, Monday, September 30, 2013 2:28 AM (Yesterday) Bookmark Flag Post Permalink
LOL my exact words were "Man, I be he really stinks."
― carl agatha, Tuesday, 1 October 2013 03:41 (twelve years ago)
huge numbers on the finale. i'm sure i'm forgetting several obv previous examples but is this the first show you can definitely point to that somewhat quickly (but not quick enough - have to imagine amc regrets being so hasty) went from awful ratings to fantastic ratings due to netflix?
― balls, Tuesday, 1 October 2013 03:43 (twelve years ago)
That ending was so deeply satisfying.
I hear you people saying it was too neatly wrapped up but one, da croupier super OTM, and two, this show was about as realistic as I want a show about the meth business that I watch for entertainment to be. So yeah, I am totally pleased.
And if I want to be all dark about it I just mentally spin a realistic future for poor Jesse.
― carl agatha, Tuesday, 1 October 2013 03:51 (twelve years ago)
Yeah I feel v good about the finale...it had a very oddly tranquil kind of tone/pacing to it that I really appreciated, after all the heightened chaos of two episodes back. Like, even the shootout at the end almost felt like Walt walking through as if in a dream, and his kind of zen-calm sort of radiated out so that it wasn't as stressful to watch as I expected
I am still haunted by the scene between Skylar and Walt. So many quiet moments between them, the eye-contact, the facial expressions...I mean, if you want to encapsulate the end of a fictional marriage between two ppl who once loved each other SO very much, and still somehow retain that love even with the pain that is laying over top...I just loved that a scene that was full of so many complicated emotions was handled so simply, and that they let walt & skylar be so completely human with each other (even thoug I was sobbing on the couch through the whole thing)
walt in the desert inventing his machine-gun rig and his boxes of ammo was so wile e. coyote; all I wanted was one dynamite ignition box with a push-down handle and I would have been overjoyed
MARTY ROBBINS FTW!!! God I was so happy about that. I'm still thinking about that dude's essay though. Like 'hmmm maybe the METH was Felina'.
oh and the Marx Bros ringtone for Lydia was outstanding
― set the controls for the heart of the sun (VegemiteGrrl), Tuesday, 1 October 2013 04:09 (twelve years ago)
i like how managed everyone's expectations are that people are fretting that walt, bleeding out on the floor, with his family in ruins, is totally victorious here
― socki (s1ocki), Tuesday, 1 October 2013 04:16 (twelve years ago)
Wile E. Coyote totally OTM!
And I was legit pumped for the El Paso theory guy when the Marty Robbins cassette slid out if the glove box.
― carl agatha, Tuesday, 1 October 2013 04:32 (twelve years ago)
reading complaints about how every little detail or plot nuance wasn't exactly how one would've liked it's like my god how do you ever enjoy any piece of art not produced by you ever
― A True White Kid that can Jump (Granny Dainger), Tuesday, 1 October 2013 04:33 (twelve years ago)
i think with some people (no one here guys - we're all cool!), it's about seeming smarter than someone who's made something brilliant.
― Porto for Pyros (The Cursed Return of the Dastardly Thermo Thinwall), Tuesday, 1 October 2013 04:36 (twelve years ago)
heh.
― Nhex, Tuesday, 1 October 2013 04:41 (twelve years ago)
from what little I know about the process of BB's writers they prob spitball tested virtually every "what if instead..." a viewer could come up with. if they went with the what if that would please complainers, then the non-complainers could have something to complain about. can't please everyone blah blah. just seems very nitpicky what most people are criticizing.
― A True White Kid that can Jump (Granny Dainger), Tuesday, 1 October 2013 04:44 (twelve years ago)
Elliot's pose with the knife toward Walt.
― cardamon, Tuesday, 1 October 2013 05:22 (twelve years ago)
poor landry!
― Philip Nunez, Tuesday, 1 October 2013 06:54 (twelve years ago)
Yeah I really didn't expect Walt's last crazy plan to be executed perfectly. Sparing Jesse was the only deviation and that was at least a small slice of redemption.
I know he didn't care about living or dying by that point but being shot by his own insane machine was a nice touch. But still, it is a victory of sorts - Junior gets the money and the blue meth is off the streets and his enemies are either dead or living in fear.
Terrible for Skylar and Marie obviously.
― Matt DC, Tuesday, 1 October 2013 08:24 (twelve years ago)
Like despite everything, I was both hoping Walt would die AND rooting for him throughout this episode. How could you not?
Only real complaint was that Aaron Paul was underused throughout this episode, and I suppose throughout the second half of the season, his switch from accomplice to victim robbed the character of a lot of what was compelling about him.
― Matt DC, Tuesday, 1 October 2013 08:30 (twelve years ago)
I really liked the warmth of the ending. It was like Walt's acceptance that he was a power-mad asshole sort of made it okay to have rooted for this power-mad asshole. It was v aware of being a TV show, which is kind of true for Breaking Bad all the way through. I didn't like this at first, in S1 etc, compared to things like The Wire or whatever, but ultimately I found it allowed it to be more dramatic and entertaining.
― Evil Juice Box Man (LocalGarda), Tuesday, 1 October 2013 08:36 (twelve years ago)
Like Walt is both hero and villain throughout and the last episode really played off that ambiguity, but the Nazis are the Pandora's box that he's unleashed and it's impossible not to want him to win against that.
― Matt DC, Tuesday, 1 October 2013 08:49 (twelve years ago)
Like overall I don't think this episode quite had the wow factor of Hank vs the twins or Jesse and Gale or the Fring takeout but equally I don't think they were going for that.
― Matt DC, Tuesday, 1 October 2013 08:50 (twelve years ago)
whoever said upthread the last two eps were basically extended epilogue is otm.
― Evil Juice Box Man (LocalGarda), Tuesday, 1 October 2013 09:01 (twelve years ago)
Starting to think the ricin cigarette is for Lydia, they made a point of showing she takes sweetener in her tea in the last episode.
― Matt DC, Tuesday, September 24, 2013 3:12 PM (1 week ago)
Called it.
I think Jesse will probably have to go to Alaska, but I'd guess that his future depends on whether or not his videotaped confession is still in the middle of this massive crime scene.
― Matt DC, Tuesday, 1 October 2013 09:18 (twelve years ago)
yeah, this was a shame
― Number None, Tuesday, 1 October 2013 09:27 (twelve years ago)
for me it's not so much about walt winning or losing or paying for his crimes, more that up to now (in this season at least) the events mostly felt grimly believable - in terms of the bb world. but this episode didn't work like that, even in fictional terms so much depended on fluke and luck and coincidence and getting the angle of a transformerbot machinegun exactly right and a couple of billionaires having little-to-no home security. it worked entirely on walt's terms.
I agree with this totally. As a whole I liked the series a lot, but one thing I thought it kinda messed up was sitting on the fence when it came to the geekish masculine power fantasies at the center of Walt's character development. I know they often criticized this type of masculinity, showing the awful consequences of Walt's decisions, but just as often they showed how Walt had become this science nerd badass, breaking away from his miserable family existence and harpyish wife, taking down dangerous gangsters and building empires on his wits alone. It's because they kept pandering to these type of fantasies for so long that there was such a large "team Walt" righ until the end. (And the finale probably made many "team Walt" members feel right in thinking he was the hero.)
I didn't mind the idea of Walt as the geek hero outwitting drug lords at the end of season 4, partly because it made for such a suspenseful and exciting season finale, and partly because it was evident this wasn't the end of the story. If the whole series was the story of Walt's rise and fall, well, there had to be the rise before the fall, and Walt taking down Gus was obviously it. And most of season 5 was indeed about the fall, how Walt wasn't able to control his newly established empire, showing the unfeasibility and the cost of his power fantasies. This culminated with "Ozymandias", and it felt like the writers were finally deconstructing the idea that Walt was ever able to be this terrifying crime lord he imagined himself to be. This was emphasized by the next episode, showing how Walt at his most weak and emasculated.
But then with the finale it felt like they were yet again pandering to "team Walt". Once again Walt was the badass geek hero, once again he was shown to use wits and scientific talent to meet an impossible situation. And this time he got pretty much everything he wanted, this time (unlike with Gus) there were no innocent victims; quite the contrary, he even managed to save Jesse, even though that wasn't part of his plan. So the masculine fantasy part was played until the very end, it was never fully deconstructed.
And yeah, I get that there was ambiguity in the episode, I get that the scenes with Skyler and Holly and Flynn were meant to emphasize the damage Walt had done, what he had lost... But the finale still ended on a high note for Walt, he got what he wanted, he got rid of the villains (and making the ultimate villains vile Nazis felt way too convenient, because of course you're gonna root for anyone who goes against; even Gus was shown to be a kinda of tragic villain, not totally vile), he managed to help his family after, he died nobly while saving Jesse instead of withering away to cancer in a jail cell.
I had no problems with the idea of Walt trying to redeem himself for one last time, but I don't think he should've been so successful at it. If the finale had shown him trying to set things right, but failing at it because the wheels he'd set in motion were too big for him to tackle, that would've been a more courageous way to end the whole series. But this "ambiguous" ending felt like the writers wanted to have their cake and eat it too, like they didn't want to upset either those who wanted Walt to win, or those who wanted him to fail. If they had shown him fail, that would've been more truthful to general spirit of the show, and to the idea that Walt's power tripping was always wrong.
― Tuomas, Tuesday, 1 October 2013 09:55 (twelve years ago)
I though the role of the videotape was weirdly unclear during the last three episodes. The Nazis don't invade and rob Marie's house immediately after the shootout in the desert, we know that Marie finds out about Hank's death before the house is burgled. Why then, doesn't Marie take the videotape to the cops? Why is it still in the house? Why do the Nazis assume (correctly, it seems) there was only one copy of the tape? Since they were implicated by Jesse's confession, shouldn't they at least consider the possibility that the cops have a copy of the tape? Shouldn't this make them a bit wary of continuing to cook meth on their farm?
― Tuomas, Tuesday, 1 October 2013 10:01 (twelve years ago)
Marie is with Skylar and Walter Jr while the Nazis are burgling the house, we see her being driven back by the police and then swiftly driven away when they see she's been broken into.
― Matt DC, Tuesday, 1 October 2013 10:03 (twelve years ago)
the show has always been ludicrous. plus walt died and his family hate him, it wasn't "redemption".
there was nothing "ambiguous" about the ending.
― Evil Juice Box Man (LocalGarda), Tuesday, 1 October 2013 10:04 (twelve years ago)
Marie is with Skylar and Walter Jr while the Nazis are burgling the house
Yeah, but before that Walt had already confessed Hank's death to Skyler and Flynn, and the cops already knew about that. (Hence they were tracking his phone call.) Why was the house unguarded? Why did Marie leave the tape there?
― Tuomas, Tuesday, 1 October 2013 10:06 (twelve years ago)
Just hazarding a guess here but I think Marie might have had other things on her mind at that point?
― Matt DC, Tuesday, 1 October 2013 10:08 (twelve years ago)
Is it even clear that Marie would have known about the tape? Can't remember if she was there when it was made.
― Evil Juice Box Man (LocalGarda), Tuesday, 1 October 2013 10:12 (twelve years ago)
Any ambiguity comes from the fact that Walt died 'peacefully' (of a gunshot wound) (in a Nazi drug thug enclave) with a smile on his face. Alone. With his family hating him. And practically everything he worked for gone. And no guarantees at all that anything he tried to put in place would happen.
― they all are afflicted with a sickness of existence (Scik Mouthy), Tuesday, 1 October 2013 10:13 (twelve years ago)
I don't think Marie knew about the tape.
Like, Marie would have run out to find Skylar when she heard that Walt had stolen the baby, and would have been there up until the point when she found out about Hank. At no point in this would she have had the presence of mind to worry about a video tape in her front room.
The ending isn't ambiguous but it is ambivalent I think, and all the better for it.
― Matt DC, Tuesday, 1 October 2013 10:13 (twelve years ago)
He died and got some personal closure. That's so different from redemption. The very concept of "redemption" implies some duty on the part of the writers to either tell a moral story or not tell one, which is a bullshit way of looking at culture but you know, if you want some scales of justice drama where everyone gets a fair amount of time then watch a school nativity play or something.
― Evil Juice Box Man (LocalGarda), Tuesday, 1 October 2013 10:16 (twelve years ago)
Walt did bad things, lost his family, died alone in the desert. Winner!
― they all are afflicted with a sickness of existence (Scik Mouthy), Tuesday, 1 October 2013 10:20 (twelve years ago)
The only slivers of redemption for Walt are when he drops the pretence with Skylar and when he spares Jesse. But in general the idea of redemption is overly simplistic in what has been a deeply morally compromised universe from the start.
I think we're meant to believe that Walter Jr will get that money unless Gretchen and Elliott both die in a car crash or something.
This is pretty interesting as well:
http://www.forbes.com/sites/allenstjohn/2013/09/27/how-a-teenage-cancer-patient-changed-the-ending-of-breaking-bad/
― Matt DC, Tuesday, 1 October 2013 10:20 (twelve years ago)
He also died the kingpin, so yes, a winner of sorts.
― Matt DC, Tuesday, 1 October 2013 10:21 (twelve years ago)
ya the next day's news will be about how this crime kingpin massacred a nazi gang using his science genius, what more could walt want.
― opie dead eyed piece of shit (Merdeyeux), Tuesday, 1 October 2013 10:27 (twelve years ago)
I'm not entirely sure about that.
― they all are afflicted with a sickness of existence (Scik Mouthy), Tuesday, 1 October 2013 10:31 (twelve years ago)
It's a victory or a defeat depending on which motivations of Walt's are bubbling to the surface at any given time. Walt's admission that he basically did it for himself, for the buzz, foregrounds that side of things and he'd rather die in a meth lab surrounded by his enemies than die of cancer in a cabin in the the middle of nowhere.
The question of whether or not Walt considered it to have been worth the destruction of his family is the bit that we'll never know, but I'll hazard a guess at 'no'.
― Matt DC, Tuesday, 1 October 2013 10:33 (twelve years ago)
I actually enjoyed the way everything "worked" for Walt this episode - presumably that was an (un-spelled out) ironic counterpoint to pretty much every other single thing being completely screwed. But also it was kind of funny! This show is good at funny too.
― Chuck_Tatum, Tuesday, 1 October 2013 11:01 (twelve years ago)
It's a victory in the sense that Walt devised a plan on how to get the most out of the desperate situation he had gotten himself into, and the plan worked perfectly. Consider that during Walt's lowest point in "Granite State" he was slowly dying of cancer in a lone cabin, he had a bunch of money but couldn't do anything with it, his family hated him and refused the accept the money, he couldn't exact revenge on the folks who killed Hank against his wishes and stole his money, and on top of that Gretchen and Elliott were belittling his importance on national television.
Whereas by the end of "Felina" Walt had...
* Managed to but a bit of scare to Gretchen & Elliott, two people he had despised for a long time.* Managed to show to Gretchen & Elliott he didn't need their pity money, that he had gotten rich on his own, even though him getting out of Gray Matter robbed him of the company's future fortunes. (I thought the scene where Walt tells the pair not to spend a dime of their own money for the trust was key, showing how badly Walt wanted to prove his financial self-sufficiency to them.)* Managed to find a legal way to get his money to his family after all.* Managed to get some sort of closure with Skyler (though not with Flynn, which was probably the biggest tragic moment in this episode).* Managed to help Skyler negotiate a deal with the prosecutor.* Managed to avenge Hank's death and kill the Nazis.* Managed to save Jesse, whose slavery was essentially his fault.* Managed to poison Lydia, who had threatened his family.* Managed to die in a noble self-sacrifice instead of succumbing to cancer.* Managed to die in a way that would make the cops think he was cooking for the Nazis, so Jesse wouldn't get the blame for that.
So yeah, I'd say it was a victory for Walt. Of course it wasn't the victory he had originally sought, he probably wouldn't have wanted to die estranged from his family and with Hank's death on his conscience. But I felt it was still too big a victory for Walt, everything shouldn't have gone that smoothly for him in the end.
― Tuomas, Tuesday, 1 October 2013 11:03 (twelve years ago)
"Managed to put a bit of scare to Gretchen & Elliott"
― Tuomas, Tuesday, 1 October 2013 11:04 (twelve years ago)