The Ozu thread.

a commmenter on MUBI ranks them thusly

1. An Inn In Tokyo (1935)
2. A Story Of Floating Weeds (1934)
3. Passing Fancy (1933)
4. Tokyo Chorus (1931)
5. I Was Born, But… (1932)
6. Woman Of Tokyo (1933)
7. A Mother Should Be Loved (1934)
8. I Flunked, But… (1930)
9. Where Now Are The Dreams Of Youth? (1932)
10. Dragnet Girl (1933)
11. The Lady And The Beard (1931)
12. That Night’s Wife (1930)
13. Days Of Youth (1929)
14. I Graduated, But… (1929)
15. Walk Cheerfully (1930)
16. Fighting Friends (1929)
17. A Straightforward Boy (1929)

http://mubi.com/topics/days-of-youth-1929-an-ozu-film-i-did-not-like-at-all

the correct answer of course is that you should see all of them

the ones you shouldn't miss IMO are

1. An Inn In Tokyo (1935)
3. Passing Fancy (1933)
4. Tokyo Chorus (1931)
5. I Was Born, But… (1932)
6. Woman Of Tokyo (1933)
9. Where Now Are The Dreams Of Youth? (1932)
10. Dragnet Girl (1933)

ozu's 1933 is like ford's 1939 if you know what i mean

I liked That Night's Wife quite a lot. Haven't seen any of the others aside from I Was Born, But... and the existing fragment of I Graduated, But...

yeah, that night's wife is impressive.

wrestling with the "canonization" of Tokyo Story:

http://thefilmstage.com/features/tokyo-story-hits-criterion-blu-ray-questioning-a-canonical-classic/

Lol at

This, mind you, is not another “young philistine with little wit thinks he’s too cool for the canon” piece.

Clicked through to Bergman thing too.

It's not my favorite – the reissues of the last 10 years have changed it – but it's daft to say it's not one of his best

(about to read)

Life of Oharu on DVD at last -- got my copy today.

The Ozu thread.

that's what I get from mobile posting lol

What about Tokyo Story, by Kurosawa?

ehhhh not as good as Naruse's The Alamo.

> Life of Oharu

i saw it on dvd about 4 years ago. was available (region 2) via Artificial Eye "DVD Release Date: 26 April 2004", then OOP for a while. bought the criterion version last month, region 1...

frankly none of these films are half as good as john ford's "the flavor of green tea over rice"

Ward, how were the silent gangster films? Partner picked up that + the college film set on sale from the BFI, but there's a whole bunch of Italian diva films to get through first.

those ozu "gangster" films (which aren't really much like american gangster films IMO, much tamer) are fantastic.

i would recommend pushing back the italian diva films (are you talking about ones from the 1910s?) and watching those ozu movies tonight :)

Shamefully, ive not seen much ozu. i saw early spring last night, and maybe as i was just shattered after work, felt like I was kept at a distance, which made it hard to really engage with it. did see tokyo story and felt similarly, which is odd as it seems like something i would love (im going to try it again), but i seem to find these films too delicate, or precious, or maybe just far too understated (I think seeing them at home might actually suit them better than in the cinema). I have a similar issue with a lot of satyajit rays films. Oddly though, when I saw autumn afternoon last year, I loved it, which makes me think i might like his later films more.
The pcc in London is doing this ‘selectrospective’ season of his seasonally titled movies.
http://www.princecharlescinema.com/events/events.php?seasonanchor=ozu

trio of silents via Eclipse

http://www.slantmagazine.com/dvd/review/eclipse-series-42-silent-ozu-three-crime-dramas

Saw that yesterday...I keep hoping Dragnet Girl will show up on Hulu since the other two are there.

boy, is Tokyo Twilight bleak: an abortion, confrontation, and suicide.

― The Edge of Gloryhole (Alfred, Lord Sotosyn), Tuesday, June 28, 2011 1:55 PM (4 years ago)

This is a really interesting film. Wonderful performances by the two lead actresses, Ineko Arima looking just completely forlorn. The city has almost a noir quality at times.

I think An Autumn Afternoon is exquisite, it is such an easy movie to completely immerse yourself in and I was genuinely weepy at the end. I really need to watch this again with some decent subs, the subtitle file was too literal and some joker had put viagra references into it. The use of music in this is quite stunning and unusual for the era as well. I can't quite put my finger on it but there is something magical about this movie.

there is a joke about taking "vitamins" for sexual potency.

I figured they had substituted some Japanese herbal word with viagra and it isn't a problem, but it was also a really rough sub-file and most likely a DIY jobbie.

Funnily enough the subtitles on the BFI blu of An Autumn Afternoon are also poor, mainly because they're very difficult to read

I find the totally static scamera in AAA a little distracting - almost oppressive - but the colours are very beautiful throughout (and do look good on that blu)

"the colours are very beautiful throughout" - absolutely yes!

http://film.thedigitalfix.com/protectedimage.php?image=JohnWhite/PDVD_012.JPG_11102008
http://madinkbeard.com/blog/wp-content/images/autumn2-4008.png

Watched this @ BFI w/a friend of mine who is no longer around (moved away from the city) brings a lot of fond and sad memories.

Inspired by this recent revive, I watched Late Autumn (1960) at the weekend, another late one in colour with a resolutely locked camera. Again, the palette (all browns and light blues) and framing of the image (so many 'unmotivated' shots of empty offices, bars, streets, corridors, breezes blowing through them, light rippling, filmed from bizarre angles and with the camera placed very very low) are masterful. The contrast between such radical mise-en-scene and the conventional family drama being played out (this time, a variant on Late Spring, the superior film) reflects back on the film's 'conflict' between old and new Japan (there's a mention of 'That Presley' at one point), and feels utterly distinctive and Ozu-like. Film is too long at over two hours and the ending - so devastating in Late Spring - is almost thrown away here: I guess it's Ozu resisting melodrama in favour of a more placid (or serene) acceptance of loneliness and separation.

having still only seen Good Morning I added some Ozu to my boo's Hulu+ queue so we are going to watch 1. Tokyo Story 2. Late Spring 3. An Autumn Afternoon, those are a good 3 intro Ozus right?

Wow, I rewatched An Autumn Afternoon an hour ago: a return to the Late Spring material with more humor but still bleak ending.

Good Morning might be the best introductory Ozu.

The news broke yesterday of Setsuko Hara's death in Sept, I guess the family wanted to keep it quiet. She was 95.

http://i65.tinypic.com/1604twy.jpg

http://img.photobucket.com/albums/v296/WilliamCrump63/ozu%20killshot.jpg

lol

And of course the ending shot, of the waves, has been subjected to numerous interpretations but I suspect that like the waves of grain at the end of "Early Summer," it has a more local (i.e. specific to the film) meaning than has commonly been accepted. But I'll have to look into this.
― amateur!st (amateurist), Monday, November 24, 2003 4:23 PM (fourteen years ago) Bookmark Flag Post Permalink

the daughter has left home and the tide has gone out

Excited for summer revivals here - lots of Ozu, including a 35mm print of Early Summer, which I've never seen. Watched An Autumn Afternoon tonight and was again transfixed - not the gut punch of Late Spring, closer to this quote from Ebert: "He is a man with a profound understanding of human nature, about which he makes no dramatic statements. We are here, we hope to be happy, we want to do well, we are locked within our aloneness, life goes on."

Lost Ozu film found, restored, screening soon: http://www.rochester.edu/newscenter/digital-cinema-package-lost-japanese-film-351492/#.XAU1cclXaHc.twitter

A brand-new 4k restoration of Yasujirō Ozu's heartbreaking THE FLAVOR OF GREEN TEA OVER RICE opens @FilmForumNYC Friday! https://t.co/QDso5kOfKl pic.twitter.com/RnCYbj3CsE

— Janus Films (@janusfilms) December 11, 2018

Fun fact: the DCP was held up in customs by the FDA as they feared we were importing a food supplement.

— Janus Films (@janusfilms) December 11, 2018

A screening of I Was Born, But... (1932) that was originally scheduled for the Freer Gallery this weekend has been transferred to AFI Silver (https://scontent.fphl1-2.fna.fbcdn.net/v/t1.0-9/45510790_10156644462929000_4152830356975779840_n.jpg?_nc_cat=106&_nc_ht=scontent.fphl1-2.fna&oh=8bd49cb224c79b3ee732a0a1d9951c15&oe=5CCC20B6). AFI has offered me two free tickets, and I was curious if anyone else wanted to go.

That URL should be: https://silver.afi.com/Browsing/Movies/Details/m-0100002299.

Now showing: YASUJIRO OZU's A STRAIGHTFORWARD BOY. A Japanese master's enchanting silent comedy short about a child happy to be kidnapped – so long as his captors are willing to endure his company. Screening with 8 lost minutes restored, this week only on https://t.co/ze1aiGlY0x pic.twitter.com/2R5tjS5KD5

— Le Cinéma Club (@lecinemaclub) July 19, 2019

Watched the Criterion of The Flavor of Green Tea Over Rice, a satire-drama of a rustic-born salaryman and his cultivated wife teetering on the edge of mutual alienation. Immaculately framed as usual, but the range of performing styles seemed wider than usual (to the good). Also has the clear antecedent feature What Did the Lady Forget? from the late '30s. Set aside a few hours for both + David Bordwell and others on the extras.

yeah, the tonal mismatches helped it.

it is one of Ozu's "most active films" ("there are car rides, and they go to a baseball game!") yes, but I was surprised how much he used the dolly in this one. I liked it but didn't know what to make of it afterward, maybe bc it didn't have a totalizing moment where the whole movie comes to a head (like Late Spring, Tokyo Story, Tokyo Twilight).

does the CC release have What Did the Lady Forget?

yes

i thought the titular snack was the totalizing moment!

Bordwell breaks down the use of the dolly in his segment.