― Dan Selzer (Dan Selzer), Friday, 9 April 2004 00:43 (twenty-two years ago)
― claudja, Friday, 9 April 2004 19:46 (twenty-two years ago)
― fcussen (Burger), Friday, 9 April 2004 20:02 (twenty-two years ago)
― metfigga (metfigga), Friday, 9 April 2004 20:41 (twenty-two years ago)
― jazz odysseus, Friday, 9 April 2004 20:45 (twenty-two years ago)
French - Bob le Flambeur Band of Outsiders
― webcrack (music=crack), Friday, 9 April 2004 20:58 (twenty-two years ago)
― jazz odysseus, Friday, 9 April 2004 21:02 (twenty-two years ago)
― Dan Selzer (Dan Selzer), Friday, 9 April 2004 21:27 (twenty-two years ago)
― oops (Oops), Saturday, 10 April 2004 06:34 (twenty-two years ago)
I think the first noir was "Stranger on the Third Floor," 1940, RKO.
― eddie hurt (ddduncan), Saturday, 10 April 2004 17:59 (twenty-two years ago)
― miloauckerman (miloauckerman), Monday, 10 May 2004 02:37 (twenty-two years ago)
― jazz odysseus (jazz odysseus), Monday, 10 May 2004 02:44 (twenty-two years ago)
― Dave Amos, Monday, 10 May 2004 07:59 (twenty-two years ago)
― Japanese Giraffe (Japanese Giraffe), Monday, 10 May 2004 11:16 (twenty-two years ago)
― Le Baaderonixx de Benedict Canyon (baaderonixx), Tuesday, 2 May 2006 08:50 (twenty years ago)
― the Enrique who acts like some kind of good taste gestapo (Enrique), Tuesday, 2 May 2006 09:02 (twenty years ago)
― Rickey Wright (Rrrickey), Tuesday, 2 May 2006 09:39 (twenty years ago)
― LOL Thomas (Chris Barrus), Tuesday, 2 May 2006 13:53 (twenty years ago)
― frankiemachine, Tuesday, 2 May 2006 14:16 (twenty years ago)
― Dan Selzer (Dan Selzer), Tuesday, 2 May 2006 14:35 (twenty years ago)
― C0L1N B... (C0L1N B...), Tuesday, 2 May 2006 16:27 (twenty years ago)
In any case, frankiemachine, I would have thought you would have mentioned The Man With The Golden Arm, although I guess that's not a noir per se.
― Redd Temple Player (Two Headed Dogg) (Ken L), Tuesday, 2 May 2006 17:36 (twenty years ago)
― dont stop go, Tuesday, 2 May 2006 17:40 (twenty years ago)
― Dr Morbius (Dr Morbius), Wednesday, 31 May 2006 13:54 (twenty years ago)
― Sons Of The Redd Desert (Ken L), Wednesday, 31 May 2006 14:03 (twenty years ago)
― Alfred, Lord Sotosyn (Alfred Soto), Wednesday, 31 May 2006 14:24 (twenty years ago)
― Sons Of The Redd Desert (Ken L), Wednesday, 31 May 2006 14:30 (twenty years ago)
common '50s noir police descrip: "white American male"
― Dr Morbius (Dr Morbius), Wednesday, 31 May 2006 14:32 (twenty years ago)
― Eric H. (Eric H.), Wednesday, 31 May 2006 17:09 (twenty years ago)
Brick was a more accurate translation of just about every Raymond Chandler book I've read then any Film Noir I've seen, including say, The Big Sleep or Murder, My Sweet.
― Dan Selzer (Dan Selzer), Wednesday, 31 May 2006 17:33 (twenty years ago)
I'm such a dumbass for only now realizing it refers to the shadows in the film.
― Nathalie (stevie nixed), Wednesday, 31 May 2006 17:35 (twenty years ago)
― David Orton (scarlet), Wednesday, 31 May 2006 18:21 (twenty years ago)
How? Be specific. Give examples.
― Eric H. (Eric H.), Wednesday, 31 May 2006 18:28 (twenty years ago)
― gear (gear), Wednesday, 31 May 2006 18:30 (twenty years ago)
(though similarly, my favorite Hammett adaptation is Miller's Crossing)
Anyone seen The Girl in Lover's Lane? I watched it as an MST3K episode, but it seemed like a really successful small town noir.
― p@reene (Pareene), Wednesday, 31 May 2006 18:39 (twenty years ago)
― JTS (JTS), Wednesday, 31 May 2006 19:36 (twenty years ago)
Oh yeah, I saw that on TCM last year during the Mitchum festival.-- Sons Of The Redd Desert
Actually, I haven't seen that one, but it looks pretty good. I was talking about Angel Face, which is mentioned in the very first post of this thread.
― Sons Of The Redd Desert (Ken L), Wednesday, 31 May 2006 19:52 (twenty years ago)
― LOL Thomas (Chris Barrus), Wednesday, 31 May 2006 19:52 (twenty years ago)
- House Of Bamboo (Robert Stack & Robert Ryan in post-WWII gangster Tokyo. Sam Fuller directs)- Scandal Sheet- Nightmare Alley (Tyrone Power as a carny mentalist)
― LOL Thomas (Chris Barrus), Wednesday, 31 May 2006 20:01 (twenty years ago)
I found the dialogue in Brick, like Millers Crossing, totally stylized in a way similar to the books, they also shared the protaganist as punching bag cliche so common in the books. There was just something about the way the lead in Brick kept being knocked out, then seeing just a hint of light, then passing out again, then waking up somewhere else, then getting beat up, that to me represented the feeling I get from the Chandler books. Murder, My Sweat is one vintage noir that does this, of course, with it's expressionistic passing out sequence. The complicated plot that really doesn't matter so much, crime lords and their henchmen, the playing of sides against each other. All classic pulp fiction/film noir things.
― Dan Selzer (Dan Selzer), Wednesday, 31 May 2006 20:01 (twenty years ago)
― Bluebell Madonna (Ex Leon), Wednesday, 31 May 2006 20:02 (twenty years ago)
― Sons Of The Redd Desert (Ken L), Wednesday, 31 May 2006 20:14 (twenty years ago)
"I’d hate to think of your having a smashed fender or something while you’re not, uh, fully covered."
It's still amazing that they could get away with some of this stuff considering the times.
Neo-noir can also be fab.
― salexander (salexander), Thursday, 1 June 2006 02:10 (twenty years ago)
Is this the one about the athelete with really stinky perspiration?
I second the recs for Detour and Long Goodbye because they seem to not get as much respect as they deserve.
― nickn (nickn), Thursday, 1 June 2006 17:55 (twenty years ago)
This is madness, surely? "The Thin Man" may be a Hammet adaptation, but it's still basically a screwball comedy where the main characters solve crimes!
Are these as good as that warner bros gangster box set that they resemble?
― Daniel_Rf (Daniel_Rf), Thursday, 1 June 2006 21:15 (twenty years ago)
― Keywords: revenge, knife, granddaughter, demonic-possession, rock-star, eel (Aus, Thursday, 1 June 2006 21:19 (twenty years ago)
― pleased to mitya (mitya), Thursday, 1 June 2006 23:55 (twenty years ago)
Not exactly what you're asking for, but it's in my bookmarks.
― Keywords: revenge, knife, granddaughter, demonic-possession, rock-star, eel (Aus, Thursday, 1 June 2006 23:56 (twenty years ago)
― Sons Of The Redd Desert (Ken L), Friday, 2 June 2006 00:00 (twenty years ago)
I cannot keep under the silver lake and southland tells apart in my head and always forget which is which.
― dan selzer, Sunday, 6 July 2025 00:27 (eleven months ago)
Also Silverlake Life: The View From Here.
― nickn, Sunday, 6 July 2025 03:23 (eleven months ago)
Do you mean that the film treats 'Nam as subtext? If so, I would argue that it is not all off-screen. Heard has a memorable speech that addressed it directly.
I didn't explain that very well, cryptosicko but yeah, Vietnam is right there in places but there's something else. It's probably that noir trope of the 'world as predator' but it does feel particularly strong here.
― I would prefer not to. (Chinaski), Sunday, 6 July 2025 09:11 (eleven months ago)
A drink? You know, it’s the daily grind that drives me to drink. Tragedy I take straight.
― I would prefer not to. (Chinaski), Sunday, 6 July 2025 10:52 (eleven months ago)
Guilty Bystander (1950) currently on Criterion, is not a great movie, but has enough great bits to recommend it. Zachary Scott is a washed up ex-cop turned to booze, Mary Boland (in her final screen role) is a blowsy flophouse owner, and her dumpy joint, along with seedy bars, waterfront warehouses, and the New York subway, is much better photographed than movies this low-budget generally are. It was thought to be a lost film until its recent restoration, and it looks perfectly shadowy and sleazy.
― Gacy and the Sunshine Band (Dan Peterson), Wednesday, 12 November 2025 16:03 (six months ago)
i really liked Deadline at Dawn from the current "Blackout Noir" collection. it's definitely a noir but has more mystery elements and humor than in your typical noir. it was written by Odets and does lots of wandering off to focus on some tangential character for a minute and has some incredibly florid dialogue (including maybe the first filmed use of "what's the diff" as an abbreviation for "what's the difference"). the ostensible lead character is a doofus but he fades into the background as the ensemble grows, and Susan Hayward and Paul Lukas are both great. overall kinda goofy but it worked for me
― na (NA), Wednesday, 12 November 2025 17:51 (six months ago)
Been doing a lot of the 50's French stuff. Diaboliques feels very formative for that genre. They also do a lot of village noirs.
― a ZX spectrum is haunting Europe (Daniel_Rf), Wednesday, 12 November 2025 18:23 (six months ago)
Village Noir should be a Criterion Channel programming theme one of these Noirvembers.
― cryptosicko, Wednesday, 12 November 2025 18:41 (six months ago)
I absolutely love Deadline at Dawn. So happy it’s back for a rewatch.
― Gacy and the Sunshine Band (Dan Peterson), Wednesday, 12 November 2025 18:48 (six months ago)
watched “sweet smell of success” recently - so good
― ||||||||, Wednesday, 12 November 2025 20:02 (six months ago)
Witness to Murder (1954) is fun. Not great, but the cinematography is extra-noiry, and I’ll watch pretty much anything Stanwyck.
https://www.youtube.com/watch?v=G9Btx0ApKXU
― cinematic hobo hip-hop rock ‘n’ roll blues-jazz soul-review (Dan Peterson), Tuesday, 16 December 2025 15:31 (five months ago)
George Sanders too, it seems.
― Nicholas Raybeat (James Redd and the Blecchs), Tuesday, 16 December 2025 16:35 (five months ago)
Oh, the cinematographer is John Alton!
― Nicholas Raybeat (James Redd and the Blecchs), Tuesday, 16 December 2025 16:47 (five months ago)