i covet pete's giant stereo system though, damn.
― flesh, the devil, and a wolf (wolf) (amateurist), Monday, 16 April 2012 07:09 (fourteen years ago)
good episode. lots of weird hard cuts between scenes and odd graphic matches and stuff.
― flesh, the devil, and a wolf (wolf) (amateurist), Monday, 16 April 2012 07:42 (fourteen years ago)
More ammo tonight for whoever it was that thought Pete will be the falling man.
― Dan I., Monday, 16 April 2012 08:02 (fourteen years ago)
?? people really take it that literally ??
― flesh, the devil, and a wolf (wolf) (amateurist), Monday, 16 April 2012 08:10 (fourteen years ago)
I thought it was in this thread! Then where was I reading someone's conspiracy theory about Pete jumping out a window?
― Dan I., Monday, 16 April 2012 08:22 (fourteen years ago)
"good episode. lots of weird hard cuts between scenes and odd graphic matches and stuff."
there was a cut from someone leaving a door in the office to someone else opening another door in the office which was obviously intentional but also confused my brain for a split second
― akm, Monday, 16 April 2012 13:58 (fourteen years ago)
I was a bit overwhelmed by all the match cuts. Think Slattery had too much fun directing.
― raw feel vegan (silby), Monday, 16 April 2012 14:15 (fourteen years ago)
But otherwise yeah great ep omg.
yeah, this annoyed me. too self-consciously clever for the fact that it just didn't work, plus meaningless.
― BEMORE SUPER FABBY (contenderizer), Monday, 16 April 2012 14:25 (fourteen years ago)
totally. we need less of those and more star wipes.
― Porto for Pyros (The Cursed Return of the Dastardly Thermo Thinwall), Monday, 16 April 2012 15:04 (fourteen years ago)
12 hours and still no one has popped in to grumble about Cosgrove's story at the end? ilx losing it's edge!
― Porto for Pyros (The Cursed Return of the Dastardly Thermo Thinwall), Monday, 16 April 2012 15:06 (fourteen years ago)
okay I like Ken a lot more now
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 15:21 (fourteen years ago)
for some reason, i figured he was gonna be a sci-fi writer from the moment the idea was introduced
― BEMORE SUPER FABBY (contenderizer), Monday, 16 April 2012 15:25 (fourteen years ago)
I like Ken a lot, but I don't know how much of it is the character and how much of it is from playing a lot of LA Noir.
― Respectfully, Tyrese Gibson (Nicole), Monday, 16 April 2012 15:29 (fourteen years ago)
he was too much of a non-entity before - between this and his "pact" with Peggy and his refusal to exploit his family connections for business he's become a lot more well-defined
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 15:42 (fourteen years ago)
i don't agree. they p much fleshed him out when the fact he was a writer came up originally. and when sal was in love with him because he realised that unlike the others he actually was intelligent and had an appreciation and understanding of art.
― zverotic discourse (jim in glasgow), Monday, 16 April 2012 15:44 (fourteen years ago)
that episode (The Gold Violin) was pretty much the most screen-time Ken ever had in the series and it was in, what, the first season...?
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 15:57 (fourteen years ago)
season 2 apparently
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:02 (fourteen years ago)
I think it sort of comes down to the series/MW not having as much interest in Ken precisely because Ken is a guy without any super-crushing issues.
― raw feel vegan (silby), Monday, 16 April 2012 16:02 (fourteen years ago)
yeah - the writer-thing was a characteristic but it didn't generate any kind of conflict. now Ken's being set up as a guy who's a bit torn between work and his desire for a personal life outside the office
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:04 (fourteen years ago)
Still weirding me out though that instead of descending further into Roger-like decrepitude Don may have actually kind of sort of started figuring out what makes him happy. WTF mad men, what happened to the misery and squalor
― raw feel vegan (silby), Monday, 16 April 2012 16:07 (fourteen years ago)
Pete crying in the elevator wasn't enough for you?
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:09 (fourteen years ago)
Don should've peed on him
― raw feel vegan (silby), Monday, 16 April 2012 16:09 (fourteen years ago)
lol
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:14 (fourteen years ago)
this episode was amazing btw
amazed that anyone finds anything to like in pete, other than the skill with which he is made to seem completely insufferable and horrid
― BEMORE SUPER FABBY (contenderizer), Monday, 16 April 2012 16:22 (fourteen years ago)
"i thought we were supposed to be friends"
FUCK YOU
The best thing about Pete is that he can make you turn your feelings about him right around on a dime.
― Johnny Fever, Monday, 16 April 2012 16:23 (fourteen years ago)
which this episode did in spades
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:24 (fourteen years ago)
― Jilly Boel and the Eltones
ken is a fairly minor character and mainly operates as a foil to pete campbell. first season they're usually together, do the same job, and both equally obnoxious. ken however shows some growth, and generally is like pete campbell but with more substance and less connivance. when it was originally revealed he was a writer its main consequence was pete's pathetic attempt to compete with him. they then are competing again as joint accounts directors, tho pete takes it a lot more seriously than ken.
ken is also loathe to use family connections, while pete owes his job to his family connections, and happily exploits his father-in-law as well.
now they've brought his writing up again, and again it shows him as different from pete. pete coming home from the whorehouse to the darkened house. ken sitting in the bright cosy room with his wife asleep by his side writing a story (about pete). i think ken's writing may come up again in the show, but i don't think it will be a major plot point.
― zverotic discourse (jim in glasgow), Monday, 16 April 2012 16:24 (fourteen years ago)
agree in general that the whole high school girl soliloquoy was stiffer than it should have been. otoh I have literally had teenage girls ask the "doesn't it feel like time is speeding up?" question so I dunno... also seemed to call back to Don's conversation with the girls at the Rolling Stones show.
xp
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:26 (fourteen years ago)
Ken will probably end up having authored the book this whole show is based on.
― Johnny Fever, Monday, 16 April 2012 16:27 (fourteen years ago)
see, i don't get that. he's always been exactly the same arrogant, thankless, self-aggrandizing scumbag. this episode just underlined it.
― BEMORE SUPER FABBY (contenderizer), Monday, 16 April 2012 16:28 (fourteen years ago)
well at least he's not a racist
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:30 (fourteen years ago)
talking about don's conversation with the girls at the stones show. is it just me or is that going to come up again? he gave the girl his business card, she was going to go and try and get them in using it, but she never came back. the client, heinz, had said his daughter was crazy for the stones. no, as i say that that sounds too fucking stupid and coincidental for them to run with.
― zverotic discourse (jim in glasgow), Monday, 16 April 2012 16:30 (fourteen years ago)
Don gives out lots of business cards
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:31 (fourteen years ago)
yeah i know i already feel dumb.
― zverotic discourse (jim in glasgow), Monday, 16 April 2012 16:32 (fourteen years ago)
still waiting for that epileptic drifter dude from S3 to come back somehow
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 16:38 (fourteen years ago)
― BEMORE SUPER FABBY (contenderizer), Monday, 16 April 2012 16:49 (fourteen years ago)
For some reason it felt like there were a lot more stylized transitions in this episode.
― Emperor Cos Dashit (Adam Bruneau), Monday, 16 April 2012 20:35 (fourteen years ago)
Awesome ep, that whole fight scene was hall of fame, also everything Roger said.
Can't work out who I felt more sorry for, Ken or Laine. But yeah Jim otm about Ken as foil for Pete.
― Homosexual Satan Wasp (Matt DC), Monday, 16 April 2012 20:36 (fourteen years ago)
What was Ken and Peggy's pact again?
― Vasco da Gama, Monday, 16 April 2012 20:38 (fourteen years ago)
not to bring in any business without the other
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 20:40 (fourteen years ago)
Ah yeah from when they landed the hosiery manufacturer client together, ty
― Vasco da Gama, Monday, 16 April 2012 20:42 (fourteen years ago)
Awesome episode. The post-fight makeup job was horrendous tho.
― Emperor Cos Dashit (Adam Bruneau), Monday, 16 April 2012 20:53 (fourteen years ago)
mad fun
― moullet, Monday, 16 April 2012 21:09 (fourteen years ago)
"He thinks you're a homo!"
― Raymond Dubious Davies (C. Grisso/McCain), Monday, 16 April 2012 21:10 (fourteen years ago)
^^^I totally missed the clues leading up to Pete delivering that line
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 21:11 (fourteen years ago)
I think it was because Lane was asking such intimate questions at their diner, and also that he didn't try to get the Jaguar guy laid.
― Raymond Dubious Davies (C. Grisso/McCain), Monday, 16 April 2012 21:26 (fourteen years ago)
Laine also dropped the fact that he complained about his wife to the jaguar guy
― Jilly Boel and the Eltones (Shakey Mo Collier), Monday, 16 April 2012 21:39 (fourteen years ago)