― Pinkpanther (Pinkpanther), Monday, 22 December 2003 11:17 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 11:20 (twenty-two years ago)
― Ricardo (RickyT), Monday, 22 December 2003 11:22 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 11:35 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 11:49 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 11:50 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 11:52 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 12:07 (twenty-two years ago)
― pete s, Monday, 22 December 2003 13:03 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 13:08 (twenty-two years ago)
I do worry that because we got away lightly with the elves in the theatrical version that they're gonna be all over the extended version. Arwen's part was a rubbidge bit of shoehorning.
I really liked MORGUL VALE, especially the creepy green lighting and the hem hem ISSUING OF THE HORDES. Also the whacking grebt bit of the corruption of Gollum at the start = v creepy! Sad to see no mention of the yellow face.
What Ricardo said about the Corsairs AND Denethor but they might might be able to recover this in the extended.
Boo to elves! Also I was retroactively annoyed at the Elves fighting at Helms Deep in TTT. If they fought then then why didn't they come and fight again in Gondor AND why didn't anybody notice, esp the fighters from Rohan! It would have made much more sense if they hadn't fought AT ALL grr argh.
― Sarah (starry), Monday, 22 December 2003 13:10 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 13:11 (twenty-two years ago)
Who else thought Frodo was looking like Marilyn Manson after he got all webbed up?
― Sarah (starry), Monday, 22 December 2003 13:13 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 13:19 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 13:27 (twenty-two years ago)
― El Diablo Robotico (Nicole), Monday, 22 December 2003 13:35 (twenty-two years ago)
― NA (Nick A.), Monday, 22 December 2003 13:53 (twenty-two years ago)
― Ste (Fuzzy), Monday, 22 December 2003 13:57 (twenty-two years ago)
― NA (Nick A.), Monday, 22 December 2003 13:59 (twenty-two years ago)
1. There's a cut-out plot where Eowyn meets Faramir as he's recovering in the Houses of Healing (=the hospital) and they fall for each other. Which they sort of hint at in the film (what with the clearly erotically-charged standing next to each other that they're doing at the end).
― Andrew Farrell (afarrell), Monday, 22 December 2003 13:59 (twenty-two years ago)
A smart friend of mine points out that because they don't resolve Saruman one way or the other, he is basically the only serious power left in Middle-Earth at the end of the film.
― Andrew Farrell (afarrell), Monday, 22 December 2003 14:01 (twenty-two years ago)
x-post Wormtongue is the black-haired wizard that was kinda "handling" Theodren pre-Gandalf-freeing-his-mind.
― nickalicious (nickalicious), Monday, 22 December 2003 14:02 (twenty-two years ago)
― NA (Nick A.), Monday, 22 December 2003 14:03 (twenty-two years ago)
ROSIE COTTON = GEORGE DAWES!
― Ricardo (RickyT), Monday, 22 December 2003 14:04 (twenty-two years ago)
well Jackson would deny that vehemently - and is it right to just read sexuality into these things. can't two men (or in this case hobbits, who are not men thus different) just say they love each other and be charmed by each other's astonishing displays of courage, honour, loyalty, trust and generosity without it being read as some hobbo-erotic thang?
― stevem (blueski), Monday, 22 December 2003 14:07 (twenty-two years ago)
― NA (Nick A.), Monday, 22 December 2003 14:12 (twenty-two years ago)
― Ned Raggett (Ned), Monday, 22 December 2003 14:13 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 14:14 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 14:15 (twenty-two years ago)
― Andrew Farrell (afarrell), Monday, 22 December 2003 14:17 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 14:18 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 14:19 (twenty-two years ago)
― Andrew Farrell (afarrell), Monday, 22 December 2003 14:20 (twenty-two years ago)
― Pinkpanther (Pinkpanther), Monday, 22 December 2003 14:21 (twenty-two years ago)
― Ricardo (RickyT), Monday, 22 December 2003 14:21 (twenty-two years ago)
― Rosie DawesCotton (starry), Monday, 22 December 2003 15:01 (twenty-two years ago)
― El Diablo Robotico (Nicole), Monday, 22 December 2003 15:02 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 15:04 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 15:06 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 15:07 (twenty-two years ago)
― Ned Raggett (Ned), Monday, 22 December 2003 15:28 (twenty-two years ago)
― stevem (blueski), Monday, 22 December 2003 16:36 (twenty-two years ago)
― nickalicious (nickalicious), Monday, 22 December 2003 16:42 (twenty-two years ago)
― pete s, Monday, 22 December 2003 22:57 (twenty-two years ago)
― El Diablo Robotico (Nicole), Monday, 22 December 2003 22:58 (twenty-two years ago)
― Ned Raggett (Ned), Monday, 22 December 2003 23:03 (twenty-two years ago)
Still great, of course, still thinking about it, already waiting a bit impatiently to seeing it with my family on the 25th. Watching all three movies in a row was instructive because it actually showed to me how each movie was different for all that it was telling a part of a larger story. In part this was because of the need to be able to give each section a proper general sense of a smaller story and ending, I think, but there were other differences and choices as well -- a lot of it comes down to Howard Shore's music, I think. It may seem strange, but he found some extremely sharp themes and worked them very, very well, to astonishing effect.
My bets for the extended edition, besides the known Saruman, Mouth of Sauron and Houses of Healing sequences, include the Gandalf/Witchking confrontation (shown in the preview), quite possibly Denethor's palantir, an extended section showing the time spent for Frodo/Sam to get to Mount Doom across Mordor matching Aragorn's march to the Black Gate as taking some days for both of them.
Some of the technical points still leave me so amazed...I'm thinking in particular of the part where you can see Faramir and his men about to start their doomed attack on Osgiliath. Behind the line of horsemen in the distance, you can see Minas Tirith looming up, shimmering in the heat of the day. It's a subtle but crucial touch. Then there's the sudden second of silence before Minas Morgul sends out the streaming signal of pale light, or how the flames in Mt. Doom suddenly pulls away to reveal Frodo standing over the abyss.
Having seen all the films now, I think about how in my head I always shoot a movie of LOTR every time I read it, much like I do with any fictional narrative I read. I think of angles, lighting, sometimes even music. Peter Jackson and crew made something with visions I never thought of and approaches I couldn't have conceived because I was always filming an unedited version in head -- it was worth every edit, reduction or simplification, every one.
― Ned Raggett (Ned), Tuesday, 23 December 2003 06:08 (twenty-two years ago)
― Kim (Kim), Tuesday, 23 December 2003 06:33 (twenty-two years ago)
― Andrew Farrell (afarrell), Tuesday, 23 December 2003 10:07 (twenty-two years ago)