Twin Peaks: Fire Walk With Me - Classic or Dud [spoilers]

Either Mulholland Drive or Inland Empire, depending on which side of the bed I woke up on.

now i want to know what alfred thinks is his first-best of this period.

The Straight Story!

his creepiest film

haha i always forget the straight story came out in the '90s tbh.

i have still never seen fwwm.

every time I watch it I go from "lol what the hell is this mess" to terrified and crying by the end of it

Sheryl Lee is almost as heartbreaking as Naomi Watts.

fwwm is great. so is wild at heart. the rest of you can go suck it fwiw imho

too many acronyms to worry about

this is one weird-ass movie so far

i keep waiting for large marge or some other pee-wee character to show up

The first half hour is fun but rather pointless cept for Keefer blinking blankly at the waitress ("You wanna hear the specials? We have none"). And Bowie in a Magnum P.I. shirt.

i rented this when i was like thirteen and it really freaked me out

My first Lynch movie -- I was eighteen. Lots of scenes in this movie are at that level.

http://www.nme.com/photos/50-best-film-soundtracks-ever/207108/1/47

Yes. Love the scene in that barn-club with the drugged-out neo-rockabilly band playing like Dwight Yoakam produced by Brian Eno.

Uh, that NME link didn't go where I wanted it to.

1. Twin Peaks: Fire Walk With Me

okay well this got unnerving real quick didn't it

jess I love how you just sat down and let the thing unfurl so quickly

haha well i saw it was all on youtube so i said why noy. then about 40 mins in i noticed ot was missing part 12 of 13 so i gotta wait for netflix to send it to me.

where did you stop

special agent gene krupa was jawing with harry dean, so i assume i haven't even gotten to the goods yet

Wait till Special Agent Chick Corea transforms into a blue rose.

("You wanna hear the specials? We have none")

"Those drugs are LEGAL." Love the waitress.

The sound design is also astonishing in FWWM.

Alfred OTM about the Mulholland Dr comparison. In a lot of ways I think FWWM is a truer predecessor to that movie (& most def Inland Empire) than Lost Highway

LH is a monstrosity. I've tried to like it. Everything about the movie is wrong: the casting, pace, ideas. Well, the soundtrack is okay, but it's the first time he yielded to contemporary trends.

Full disclosure: I've yet to see Lost Highway. I know it had the body-switching thing that MD used to great effect, though, and for that reason, critics tend to paint a straight line between the two.

lh is pretty damn bad.

there's something bullying about it (and wild at heart) that makes me understand (almost) why people find him grotesque

guess he thought that, well, hey, Dean Stockwell was funny-frightening in makeup -- let me repeat the joke with Robert Blake, for whose work he probably paid $56.

pullman's saxophone o-face is almost enough to make me have some affection for it

wild at heart is the only one i dislike but i really dislike. srsly spent the whole movie wishing everyone would quit yelling.

i feel the same way re wild at heart, it's awful.

Lost Highway is obviously not perfect but it has some (thrillingly) terrifying scenes - robert blake asking pullman to call him is unfuckwithable and the gory flashbacks to arquette's death are genuinely shocking.

this movie is fucking awesome. it's probably the weirdest feature he made between eraserhead and inland empire.

wild at heart is pretty hard to take, i agree.

the only thing that bugs me about wild at heart is the seemingly interminable sex scenes btwn cage, dern. i think the rest is pretty great

i probably could do with trying lost highway again. thumbs up for the scenes jed mentioned, even if some of the rest of it is meh or doesn't quite work or a bit of a mess

LH is a monstrosity. I've tried to like it. Everything about the movie is wrong: the casting, pace, ideas. Well, the soundtrack is okay, but it's the first time he yielded to contemporary trends.

kind of agree with this tbh. it has moments and I think the underlying idea is a good one that finds more fully realized expression elsewhere in his ouevre. but yeah, Pullman, ugh. the Pryor sequence is sad and borderline offensive. most of the movie spends it's time running place.

there's something bullying about it (and wild at heart) that makes me understand (almost) why people find him grotesque

I was gonna say exploitative (specifically re: Pryor) but yeah this

feel like this alone justifies Wild at Heart's existence:

https://www.youtube.com/watch?v=JEz-cwJxtu8

also Dafoe accidentally blowing his head off with a shotgun O_o.

FWWM is pretty disappointing imo.

i like lost highway, the phone scene is really cool, i became obsessed with it. just that it existed.

i loved lost highway when it came out because i was 19 and it was the first lynch i actually got to see in the theater and "share" with my nerdy film school friends in discussions and whatnot. but seeing it again a few years later, after mulholland drive, just nah.

I'm gone, James. Like a turkey in the corn.

I have still never seen this but it is showing in 35mm next month here:

http://www.92y.org/Tribeca/Event/Twin-Peaks.aspx

it's not that good

Well worth watching though.

it's awesome, go see it.

kinda funny that two of the biggest Cannes disasters ever (FWWM and Brown Bunny) are in my top 10 all-time.

Fact: the first Lynch film I saw.

my favorite film by david lynch