Clint Eastwood

Watching Dirty Harry on cable right now. Such a great movie...

i've just watched all five this week (got the box set for xmas).

first three- great. dead pool- fun.

i can't believe someone up there repping for sudden impact, which we watched for twenty minutes then had to turn off.

ha i bought that box for my brother for his birthday

tcm were showing them all a few weeks back and it was the first time i'd seen sudden impact, and yeah agreed wtf? that film is just rong

dead pool also gets a wtf for the rc car chase

yeah, but a fun wtf.

main difference in cool btwn first three and the last two- terrific seventies jazzy music vs awful eighties synth shite.

i'm not usually so tuned in to soundtrack but it really stood out watching them all in a row.

he has ahnold's terminator sunglasses in the last two though

i'm not usually so tuned in to soundtrack but it really stood out watching them all in a row.

Schifrin's soundtrack is pretty essential

Ultimate Dirty Harry box set on the way

way to make my christmas present obselete :(

anyway, the ultimate box set would leave out the one made just to keep his lame girlfriend happy, no?

Missed this, but I don't agree that Million Dollar Baby, True Crime, or The Bridges of Madison County suck badly--quite the contrary, even if you feel that the difference between good people and bad people is drawn too starkly in Million, and if True Crime feels improbable (it's supposed to), and if Bridges of Madison County worships Meryl Streep (I thought the ending particularly was beautifully played). Space Cowboys and Blood Work are harmlessly fun bad movies, and A Perfect World and In the Line of Fire don't suck as badly as most films of their respective genres, FWIW. My personal favorite is True Crime, but I'm a sucker for so much of that movie: The interview with the prisoner where he takes one-word notes for his "color piece," the fact that he's just the worst father in the world, the performance of the wrongfully accused, etc...

I like In the Line of Fire a lot too.

I would have voted Magnum Force, had I voted. I love the Dirty Harry movies. May not get the box set though, a man's gotta know his limitations.

this would have been a hard poll for me. i love Magnum Force, High Plains Drifter, and Unforgiven, in such different ways.

Clint on politics, Spike Lee, Harry Callahan, and everything

shame on a nigga who try to run game on a nigga

http://www.thebadandugly.com/2009/03/14/first-look-the-human-factor/

watched "heartbreak ridge" today & it was fuckin awesome

i'm STILL surprised that every which way but loose got ANY votes, much less three -- the monkey movies are clint's nadir.

watched "heartbreak ridge" today & it was fuckin awesome

fuckin awesomely terrible

xpost. I know! What a film. He has so many quotable bad-ass put downs in that film!

"Sergeant, you get that contraband stogie out of my face, before I shove it so far up your ass you'll have to set fire to your nose to light it."

describing a "dusky girl" from hong kong (?) as "a real crossway breezer".

When the cop says to him when he gets out of the court, "You're gonna pay full price rummy. I don't believe in no serviceman's discounts" and he replies "Too bad, your old lady does".

xxp u mad ~maaaybe it dragged a little & final battle stuff isnt v. interesting but eastwood was so damn funny and there were so many good scenes

yeah there was so much quotable shit no way i could keep up but was constantly loling

Trying to get in touch with his feminine side by reading women's magazines while stalking his ex-wife by waiting outside her place of work in his car.

PLAY MISTY FOR ME

Highway: I been pumping pussy since Christ was a corporal. I can tell you, the best damned poontang I ever paid for was in Da Nang. The girls were checked out daily. And we got ourself laid in a safe, orderly, proficient, military manner. That is until some suckhead writes home mama and says he dipped his wick in the Republic of South Vietnam. Then the shit hits the fan. A committee of congressmen who asshole to asshole who couldn't make a beer fart in a whirlwind, start telling your basic-ass-in-the-grass, Marine " No more shore time ". We responded in true Marine Corps fashion. We salute, do an about face, double time back to the boom-boom garbage dump where we get the clap, and the drip, and the crabs and a generally poor attitude towards the female of the species. War is hell, boy. That's a fact!

http://www.thenation.com/doc/20090601/gottlieb/single?rel=nofollow

Though he was born in San Francisco, he missed the summer of love, LSD, the sexual revolution and all the spoils of American bohemia because he was too busy combating evil and moral relativism in the name of justice. Sacrifice demands recognition. In contemporary American cinema, Clint Eastwood is our perennial Last Man Standing. But what is he standing on, or for, and why is he so eager to hide it? ....

The traditional Eastwood hero--and Clint, for all his bluster, has never played a villain--spends an inordinate amount of time pushing other people away, only to grudgingly accept the perseverant embrace of the outside world, as long as the world is defined exclusively in terms of his suffering. If Eastwood is to be credited for artistic and emotional growth, his mythic doppelgängers must learn to accept a love that asserts itself without conditions. He has publicly reduced his political credo to "everyone leaves everyone else alone." That philosophy is a reason to become a hermit. It's a reason to vote for regressive taxation and Second Amendment rights. It's not a reason to make movies.

1967 interview...

https://www.youtube.com/watch?v=UDVzK8IthCs

J.Ro on White Hunter Black Heart:

http://www.movingimagesource.us/articles/a-free-man-20091201

was 80 yesterday.

Also thanks Alfred that's a useful response.

i think mystic river is a good deal better than described there tbh

gran torino makes the list, but has a lot more asterisks against it- its a throwback to a classic 80s clint performance/movie archetype and so jarring in the ways in which aspects of that just cannot work now, and worth acknowledging that some of it nevertheless does work just as well as ever.

^^ exactly my response re Mystic River.

He also likes to cast non-professional actors and goes for a certain “naturalism” in terms of directing actors… which I think might have a tendency to result in work that is maybe unintentionally reflexive of other media? Like if the actors’ performances come out of their familiarity with related genres (e.g. Matlock in re Juror #2), then he just goes with that rather than be more authoritarian?

morgan freeman has some good video clips out there about how clint treats actors like horses (what it turns out to mean is rather more than clint directs his projects as if horses were on set which is either a post hoc rationalisation of his approach or fairly sensible depending on whether you prefer to print the legend or not,)

idk you gotta be gentle with horses

Tom Hanks talking about that.

Watched "Juror #2" on a plane not so long ago. The "dialogue is straight outta Matlock" thing is true (well I guess, I don't think I've ever actually watched a full episode of Matlock), it looks and feels very much like a TV movie, in that none of the characters feel even remotely like real people, but this weirdly makes the movie better I think? The whole movie just seems so efficient and straight to the point. I highly recommend it.

also watched on a plane!

I'd never seen "High Plains Drifter" before, but really liked it. It's a weird little movie, basically a parable that also works as a sly subversion.

I remember seeing it as part of a series of Clint Eastwood westerns on television, sandwiched between The Outlaw Josey Wales and Pale Rider. They were the slices of bread and Drifter was the filling. What kind of filling? Salami and Vegemite, microwaved for a few seconds. God, I love salt. Wales is more quotable. Rider is better-looking but I barely remember anything about it, although it feels like a different take on the same idea.

Drifter on the other hand is much more vivid. Although I was left wondering how audiences in the 1970s reacted to the sexual assault scene early in the film. It feels completely out of place in the film and also in Eastwood's filmography - as if he was trying to show that the character is a hard-ass, but he took it much too far. If it was supposed to make him come across as an arse the rest of the film undermines this by making him the star. It doesn't even fit into the "punishing the town" theme because it happens in private and the victim didn't appear to be part of the conspiracy against him.

I remember when the Star Wars prequels came out, if George Lucas was thinking of Drifter when he tried to tell the tale of how a little boy turned into Darth Vader. If he had modelled his storyline on that film the results would have been much better.

There are some takes that Pale Rider is a sequel to High Plains Drifter in the slight supernatural take on the stranger.

It's bizarre to find out that the scriptwriter of High Plains Drifter was inspired by the murder of Kitty Genovese in 1964. I'd have to watch the film again to see what the connection is.

I'm sure there is an Italian western with the same premise of High Plains Drifter that predates it, but I can't think of which one it is right now.

I think this is the connection (from wiki):

Two weeks after the murder, The New York Times published an article claiming that thirty-seven witnesses saw or heard the attack, and that none of them called the police or came to her aid...The incident prompted inquiries into what became known as the bystander effect, or "Genovese syndrome," a social psychological theory that states that individuals are less likely to offer help to a victim in the presence of other people.

Anyway, the premise of "High Plains Drifter" is kind of ingenious. And it was neat to see Anthony James pop up. I mostly recognize him from a "Naked Gun" movie, but Clint drew him out of retirement and cast him in "Unforgiven" decades after this movie. Also, some fun trivia: "It is notable that Anthony James's first and last major film appearances were each in Academy Award-winning films for Best Picture."

There are some takes that Pale Rider is a sequel to High Plains Drifter in the slight supernatural take on the stranger.

Pale Rider felt creaky to me the one time I saw it (admittedly, on commercial TV) but this kinda makes me want to revisit it. And yeah, HPD rocks.

Pale Rider has some great location footage, nb this is going to be a huge image because I can't use Imgur:
https://m.media-amazon.com/images/M/MV5BNjYzNWEyODEtNzMzMy00Y2VjLTk3YzAtZmExNDE0YzljZjY3XkEyXkFqcGc@._V1_.jpg
http://www.dvdbeaver.com/film2/DVDReviews40/pale%20rider/large/large%20pale%20rider%20blu-ray12.jpg

It also has really subdued lighting - seemingly no lighting at all - which must have looked weird in the 1980s but feels refreshingly modern. In comparison Heaven's Gate looks nice but the use of fog filters and ND filters dates it to the 1970s.

There weren't very many mainstream Hollywood Westerns in the 1980s. Silverado, Young Guns, and that was about it until Dances with Wolves came along. It was one of those dead genres, like the sung-through musical or the World War Two film. It's just a shame that Pale Rider wasn't a better film.

I didn't dig Pale Rider the last time I saw it. Felt ... dull?

watched pale rider last night, was blindsided by just how good it looks (had not seen this thread until now). kind of the default clint eastwood western besides that but man the production design and landscape photography carries it. definitely adding it to my 'good movies to zone out to' list

His son says he has retired

https://www.worldofreel.com/blog/2026/5/31/happy-birthday-clint-eastwood

And at a mere 96, what is he going to do with all his spare time?

Talk to chairs

Manoel de Oliveira completed six more feature-length films after he turned 96, (and was actually completing one a year going back to 1988!) on top of ten shorts and documentaries. I haven't seen many of these, but The Strange Case of Angelica from 2010 (completed when he was 101!) remains a favorite, one of the greatest films he ever made.

I don't believe any filmmaker of merit was going to match Oliveira, but it wouldn't have surprised me if Eastwood came close. He had a good shot at that, but when Zaslav came aboard Warner Bros., he immediately pushed back on the support Eastwood had enjoyed in the past - it wasn't enough to stop him from making films, but it likely made things more difficult. (Haven't seen all of his recent work, but the last ones I caught were Richard Jewell and Cry Macho, and I thought both had plenty of merit, enough to make them worth seeing. Juror #2 had its fans too, but I missed what was a paltry, brief theatrical release and haven't been motivated enough to stream it, especially since I don't have HBO Max or whatever it's called now.)

It's better than the last two.

Actually just checked and Juror #2 was the ONLY movie he was able to make under Zaslav, who was incredulous that WB financed Cry Macho (before he became CEO) and snapped at the other executives who defended their decision, telling them "we don't owe him anything."