RIDLEY SCOTT

More than any of the many Scott flicks I've missed, I am now most curious to see Time Cop again.

It was OK. Leo's good, Russell Crowe plays Philip Seymour Hoffman, the Iranian love interest is super-cuet.

― sad man in him room (milo z), Friday, November 14, 2008 2:25 PM (1 year ago) Bookmark Suggest Ban Permalink

^this is otm. is Aisha really an irani name?

think it's both an arabic and persian name. i liked that movie fine.

aisha was muhammads fave wife

yea it was a bit long, but well done

i gather there's a long thread on ilx right now about how Leo sucks but i don't mind him, i have to say.

been consistently entertained by his post-titanic movies, except revolutionary road

i don't mind leo. he's kind of limited in his range but he's fine when appropriately cast.

I woulda voted Black Hawk Down.

I actively like him in his first three Scorsese films, even Gangs Of New York except for his scenes with Cameron Diaz

tbh even though his face did not survive his teenhood, i think he's kind of dreamy in the departed.

yea id almost go as far as saying im a fan of leo

tbh even though his face did not survive his teenhood, i think he's kind of dreamy in the departed.

― horseshoe, Tuesday, July 20, 2010 9:56 PM (24 minutes ago) Bookmark Suggest Ban Permalink

yeah what happened? its like all his features stayed in the same place but someone put an air pump in his neck and blew up his head to like twice the size

plus: ill-advised facial hair, always

Complete retro at Lincoln Center. (and one can only wonder why)

http://www.filmlinc.com/films/series/past-and-prologue-the-films-of-ridley-scott

First time anyone has cared about Someone to Watch Over Me since it was released...

White Squall OK-ish as a pervish A&F Lord of the Flies/Bounty thingy.

Ah, I see Alfred beat me to obligatory leery post from gaylxor.

p much the first thing I'd head for. Or maybe reduce my unseen Oscar winners gulag by one with Gladiator.

thelma + louise

― horseshoe, Friday, November 14, 2008 6:22 PM (3 years ago) Bookmark Flag Post Permalink

^accurately called "feminist claptrap" by Armond White

― Dr Morbius, Friday, November 14, 2008 6:23 PM (3 years ago)

isn't that what AW says about 'the silence of the lambs'?

Complete retro at Lincoln Center. (and one can only wonder why)

http://www.filmlinc.com/films/series/past-and-prologue-the-films-of-ridley-scott

― World Congress of Itch (Dr Morbius), Monday, April 30, 2012 10:40 AM (Yesterday) Bookmark Flag Post Permalink

a lot of these films really do not need another airing. black rain? g.i. jane? a good year? fucking robin hood?

ok, i'm going to go through these and let you know what's up:

PRETTY FRESH
Alien
Blade Runner
The Duellists

GOOD, WOULD WATCH AGAIN
1492: Conquest of Paradise
Black Hawk Down
Kingdom of Heaven

INDIFFERENT
Body of Lies
Hannibal
Matchstick Men
Thelma & Louise
White Squall

MORE-THAN-FAINTLY EMBARRASSING
Legend
American Gangster
Black Rain
Someone to Watch Over Me

F.F.S.
A Good Year
Robin Hood

dude peaked early.

i admit i haven't actually seen g.i. jane, maybe it's a masterpiece. so i left it off.

oh and i forgot to put gladiator under "more-than-faintly embarrassing"

someone to watch over me looks really nice but has a dreadful script, as is often the case with this guy.

new uneven answers

i'd bump american gangster up one tier - i really dig the slavish recreation of early 70s nyc & jersey, and there's some funny/entertaining scenes

black rain is bad bad bad, im 100% convinced that he only made it so he could shoot a movie in japan. it does look incredible, to be fair

i thought robin hood was a new low in overall laziness from this guy, one of his worst ever

still need to see much vaunted kingdom of heaven director's cut

kinda intrigued by black rain but man if H4A can't rep for it...

its like a slurry of every 80s cop movie cliche, with racism sprinkled on top. its basically a reskin of Red Heat right down to the ending airport scene where american cop and foreign cop have a meaningful exchange that shows how much they've come to respect each other despite cultural differences. osaka is beautifully shot in it though

funny that it came out the same year as imamura's black rain

I just watched the trailer on youtube - looks like a real dog's breakfast, loved the shots of japan tho

a good year is by far the worst of his crap films

black hawk dawn was sort of vile but not in a distinguished way

i sort of enjoyed a good year when i saw it, but i can barely remember it + couldnt defend it

every shithead broker in london says they will retire at 40 and buy a villa(ge) in provence and the film is like the wish fulfillment version of that in which they magically inherit a first class vineyard and get to schtup marion cotillard

the mixture of old school clubbable anti-frog sentiment and 'a year in provence' fancifulness is quintessentially english and terrible

heh i think thats what i found fascinating about it, im sure it would've been repulsive to me if i was english

blackhawk down is politically pretty vile but fairly engrossing as an action movie IIRC.

funny that it came out the same year as imamura's black rain

man, if ever two films were NOT alike...

TBQH i'd rather watch top gun again than most of RS's movies, but maybe that's just b/c i haven't seen top gun since 1986.

MORE-THAN-FAINTLY EMBARRASSING Legend

gtfo. horseshoe where you at?

actually its entirely embarrassing but for some reason i kinda love it.

looking at this list i am kinda amazed this guy could bank an entire career on two, maybe three movies.

is your love strongo enough?

kinda intrigued by black rain but man if H4A can't rep for it...

― dayo, Tuesday, May 1, 2012 11:37 PM (3 years ago) Bookmark Flag Post Permalink

its like a slurry of every 80s cop movie cliche, with racism sprinkled on top. its basically a reskin of Red Heat right down to the ending airport scene where american cop and foreign cop have a meaningful exchange that shows how much they've come to respect each other despite cultural differences. osaka is beautifully shot in it though

funny that it came out the same year as imamura's black rain

― these pretzels are makeing me horney (Hungry4Ass), Tuesday, May 1, 2012 11:48 PM (3 years ago) Bookmark Flag Post Permalink

in my memory this is otm despite my having seen it multiple times, i think i watched it so often bc i was amazed at how cool japan looked. i haven't seen it since i was 16 though tbh.

it sounds like maybe 'the martian' breaks the losing streak he's been on?

yeah it's OTM (re: black rain) - we watched it a few months back. (sometimes) gorgeous to look at but a real garbled melange of cliches. i love how it's obvious from like fifteen minutes in that michael douglas has no particular business being there and is fucking everything up and yet the movie insists on treating him as the hero up to the end, based on ... nothing. also lol at kate capshaw already being typecast as "the blonde expat working in an asian bar." but basically it's good-looking trash.

might be interesting to assemble it in some kind of program with gung ho and other 1980s american japanese paranoia films. so much dumb speechifying in black rain about how "for us, we do what is necessary for the group!" and michael douglas just kind of flailing about yelling at them about how sometimes you gotta take the law into your own hands, but then takakura reaches him by invoking the shame he brings upon himself and his badge by taking bribes. ughhhh and the secondary bad guy's big speech about hiroshima.

from like fifteen minutes in that michael douglas has no particular business being there and is fucking everything up and yet the movie insists on treating him as the hero

sounds amazing imo

i feel like about 30% of his dialogue starts with something like "hey pal!" like "hey pal, you listen, in america we have this thing called getting the job DONE!" or "hey pal, get off my back - your eastern sense of honor isn't going to help us find that cocaine!" he might never actually say these words but the whole movie is like an extrapolation of them. also in the very first scene we learn he supplements his police income by participating in illegal motorcycle races under the FDR, then the whole rest of the movie teases you with situations where he might plausibly get on a motorcycle before finally remembering to do it in the climax. i guess to demonstrate how completely his character has not changed over the course of the film.

most memorable scene in the film involves him stuck behind a fence, impotently watching as on the other side motorcycle dudes zip by with swords and behead his best pal.

that was cool, although you kinda knew best pal was dead meat from about two or three scenes previous. like from the moment he steps up to sing karaoke he's got seven, eight minutes left max.

honestly what sticks out in my memory really is the photography of osaka - the street where they're drinking/eating outdoors while waiting for news (on a stakeout?), and the big shower-of-sparks-in-darkness factory where douglas listens in (kind of bafflingly since he doesn't speak or understand japanese) on the big yakuza meeting. those looked fantastic, and i'm usually not someone who goes the "well, hey, at least it was visually satisfying" route. ridley scott can assemble some really gorgeous frames. maybe the movie should have just been a coffee table book.

crit David Ehrlich on The Martian:

in space, literally everyone can hear you tell & tell & tell & not show for 2 hours of tedious science porn in crap 3D.

Abba, tho.

http://www.reactiongifs.com/r/ha-ha1.gif

god this was a waste of resources for all involved. looks great, a better film than prometheus, but what was the point of any of it? felt like a series of webisodes from an intergalactic gardening vlog for two hours. no sense of tension, danger, just facile, cutesy internet-style humour. its just a generic rescue movie, it could be set anywhere, which might have been fine, but even for that, it seems to resist anything you would get from a normal rescue movie. no peril, no suspense, its all just there unfolding as you would expect. or maybe this is purposely thwarting genre expectations, a film for kids reared on webisodes.

also i think nolan and scott watched (or maybe heard about) primer and thought they needed to start working in tons of real science talk into their movies