The (Now-Overrated) ILX Top 100 Films of the 2000s Poll Results

I'd say the gay Hollywood film of this decade was Chuck & Buck, no way HRC & GLAAD were tempted to cheerlead for that.

(w/ talent from American Pie & Freaks and Geeks)

(the admittedly entertaining) Victor/Victoria

oh, the shame!

I don't hate BBM or A Single Man, but they weren't made for me. (Both books way better, ASM moreso)

this is a really, really old argument, the first one, very popular in the 1970s when people decided that sirk was actually a "subversive"; which, of course, he wasn't.

it depends on a nonsensical distinction between "form" and "content" that ends up with people saying, "well, it used the eyeline match! therefore it is reactionary." which is p retarded imho

No one has said this.

So, NRQ, you're saying there is absolutely NO value to the concept of smuggling in content into a genre/for an audience that would not normally bottom for it willingly?

Ugh, Chuck & Buck. I tricked myself into thinking that was good back then. Quickly came to the conclusion I was dead wrong.

I think I forgot to vote for RGM but it was my just about my favorite post-2006 movie.

that's where the argument ends, is what im saying.

how is the "form" reactionary?

xp to alfred

So, NRQ, you're saying there is absolutely NO value to the concept of smuggling in content into a genre/for an audience that would not normally bottom for it willingly?

― queen frostine (Eric H.), Tuesday, February 9, 2010 9:18 PM (18 seconds ago) Bookmark

im saying sirk didn't smuggle in anything and nor did ang lee. im fine with the idea, but audiences aren't stupid, and i can't think of a time when it's happened.

The form isn't reactionary. That's the point. It's made for granny knows-no-gay-relatives.

(Which, I guess I hasten to add, is the fault of the gay relatives not speaking up.)

smuggles radical content into a totally conservative style of filmmaking.

By which I think the critic meant to say "BBM wasn't made for you, but its existence could enlighten a few people you should want enlightened."

― queen frostine (Eric H.), Tuesday, February 9, 2010 3:10 PM (6 minutes ago) Bookmark

it's Got Problems but it'll Do Good. they say the same things about harry potter getting kids to read novels. i dunno, seems like the kind of argument you'd want to put some numbers on rather than return to as a defense. "could enlighten"? yeah well maybe not. did it or didn't it?

http://didisin.files.wordpress.com/2009/11/another_gay_movie.jpg

audiences aren't stupid

hahaha

the discouse this all belongs to says the individualistic ("psychological") narrative, and the filmmaking techniques devised to tell it, are bourgeois-reactionary. it's not what i think, j./s, tho, that's where the argument comes from.

xp

So, NRQ, you're saying there is absolutely NO value to the concept of smuggling in content into a genre/for an audience that would not normally bottom for it willingly?

Perhaps, but even if you manahe to smuggle the content it won't automatically make the movie great. Also, as has been pointed out, the content here isn't that subversive, it's basically the good ol' Tragic Homosexual, which had already been smuggled to mainstream cinema a decade earlier in Philadelphia.

I'd say the gay Hollywood film of this decade was Chuck & Buck, no way HRC & GLAAD were tempted to cheerlead for that.

the weird thing about C&B for me is that its sexual politics are really kinda inscrutable. it ends up being a moderately positive portrayal of two adults (one ostensibly straight and the other, um, developmentally arrested at best) engaging in some kind of intensely eroticized nostalgia routine... its just so inexplicable. on the one hand it seems wildly unrealistic and idealized (i.e, Chuck's fantasy is fulfilled and he is happy!), and you have to wonder what kind of political position it is that recommends adults getting together with their childhood playmates to indulge in sexual hijinks as therepeutic...

x-posts

Rachel Getting Ignored

ANT

i'd say 'the informant!' did s.thing p cool re smuggling in radical content, and it did it by completely fucking itself as a story... and no1 saw it ne way lol

Chuck and Buck almost made my ballot. Owen Gleiberman's #5 of the decade!

what is this, the straits of hormuz? there is no smuggling of anything going on here

I think Chuck & Buck being 2 sides of the same person is a plausible reading.

(that said, I didn't vote for C&B. All the real good gay movies are foreign. TWO DRIFTERS)

"bourne ultimatum" is gonna be pretty high huh?

"supremacy" is truly amazing, the apartment fight scene is mesmerizing

i love "rachel getting married" so much -- probably my favorite use of digital handheld that i can remember

those are two of my... top 8 i think

i am finally going to watch RGM tonight, i think. after this poll is over i will have 20 films i liked enough to vote for, just 2 weeks too late ; )

Calling Chuck & Buck a Hollywood film is bizarre. You joking about it being set in LA?

/smuggles radical content into a totally conservative style of filmmaking./
--pro bono publico (history mayne)

I thought maybe he was referring to that Chuck & Larry movie.

what is this, the straits of hormuz? there is no smuggling of anything going on here
--goole

i enjoyed the first bourne film. years later i saw the second one, having forgotten much of the first, and i didn't understand a moment of it.

This thread is the Straits of Homoz amirite

i couldn't possibly comment

couldn't care less about RGM or any of the Bourne movies, personally. I think I've snoozed through at least a couple of the Bourne movies on TV/plane rides. RGM just doesn't contain any elements that sound enticing or interesting to me at all.

there you have it folks

shakey mo, ridin' the tv/plane.

it's a bird, it's a tv/plane, it's shakey mo!

(sorry. i've been out all afternoon and i come back and have ... nothing to say about any of these movies, really. except i guess that i know a lot of people who liked 24 hour party people despite knowing almost nothing about any of the bands in it.)

interesting, helpful comments

xposts

ladies and gentlemen, dr. morbius mo collier

BBM no masterpiece but it's underrated I think. I took it as a very moving depiction of the tragedy of being "gendered" at all (in the Judith Butler sense).

if someone wants to explain what's so unique/interesting about RGM I'm all ears - is there more to it than the "family melodrama at a wedding centering around an uptight, angst-ridden heroine" that all appearances would seem to indicate? is there some auteurism in action because its a Demme vehicle? it just seems horrid to me on the surface.

just see it or not.

hahaha I am also not super-interested in seeing RGM but I also know that "uptight" is not quite what Rachel is supposed to be, just from, you know, watching trailers and reading reviews

i wasn't that interested because it doesn't look like my kind of movie but a lot of people said it was good, so i will give it a try before i say it's stupid

shakey it's a good movie but i'm not really interested in arguing with your snap judgment based on a poster or something

er apparently I didn't know enough to keep from making the obvious mistake re: Anne H's character's name, oops

hi dere getting pwned

So ... is that it for today?

sorry guys, just got back from lunch. almost ate at a restaurant that's supposed to be good but i didn't like the sign or the name of the place.

more to come, 26-32!