Bikini Kill - C or D?

come to think of it, BK's singles compilation is probably my favorite punk rock of the '90s. I'd certainly rather listen to it now than Nevermind.

however, i'm pretty sure the singer from the gossip lives in my apartment complex, so that's good enough for me.

(i stand by that.)

crikey! what's the matter with you, I would've made my move earlier...as far as the q is concerned I haven't heard them.

regarding Thurston Hearts The Who - I love that thing, actually. the built up noise/rant, breaks down completely with kathleen hanna moaning the lyrics in the background while tobi finishes... whatever the fuck she's reciting, everyone starts screaming, the instruments all jump and the percussion starts to fold in on itself...

it's an absolutely beautiful and meaningless moment.

Besides, Huggy Bear were WAAAAAYYYYYYYY better.

You're not alone -- I'm in total agreeement there.

You've obviously never been to the west coast u.s., then...

I take it you've never been to a Ladyfest. Any of the 40,000 of them.

I find Riot Grrl - philosophically - far too simplistic for the issues that they claim to address. And my whiny freshly lesbian 20 year old tolerance is pretty low. Musically - it just does not do it for me.

I think that the movement STARTED with some pretty interesting ideas and concepts (Suzy has a collection of inspiring zines and things from a decade ago) but got completely derailed.

Anyway, we've had the Riot Grrl: Classic Or Dud discussion before, I seem to remember.

The Gossip should change their name to The Thieves. Jess keep a real good eye on your stuff. Don't ever invite them over to listen to records.

"Feels Blind" from the "Revolution Girl Style Now" debut cassette is one of those few songs that truly "changed my life," and seeing them live was one of the few concerts that did the same. I liked Huggy Bear's "Her Jazz" and a few other tunes, but there's just no comparison. BK's music was unique (girl-group meets Iggy surf meets soul), their politics were new, their confrontational stance was classic.

They has sex, controversy, cred, a real "movement," good records/CDs/tapes. I think there's one absolutely classic compilation to be made of all their stuff but riot grrrls apparently don't believe in box sets.

this is probably a matter for another thread, though.

I like Bikini Kill, although I like Le Tigre more; I think 'Hot Topic' might not do much to develop the argument that we need to re-evaluate our cultural output from an outlook with less of a masculine bias, but that doesn't make it any less catchy.

YES. IT. FUCKING. IS.

For exactly the reasons that that Thom described in his posts above and more.

(overgeneralisation alert!) 90% of the "riot grrls" that I have met have been 20 year old girls freshly politicised by college with little to no experience of real life sexism and real life dilemmas. Their philosophies are as simplistic as their experiences, black and white, clear cut and as dogmatic and inflexible as this post is probably sounding.

Yes, I've met exceptions to this rule. But...

the movement is as varied as the women/men who participate.

Yup. That says it right there. College age, white, suburban, middle-class and freshly politicised. REALLY varied movement, Riot Grrl is.

I can discuss the music of AC/DC without discussing their overwhelming sexism. I can't discuss BK without discussing their feminism. Why?

I don't have anything AGAINST political bands, I mean, more power to them for addressing something non-ephemeral. But when the politics overpowers and becomes more important than the CHOONS, then I think that there's something wrong there.

Riot grrl as a MUSICAL movement is as outdated as Grunge or Crusty or anything else that was floating around concurrently.

*YOUR* answer is so typical of every riot grrl I've ever met. As soon as I make valid critcisms, riot grrls shrug and refuse to discuss the issue rationally, as dogmatic as all born agains.

That is one of the fundamental problems that I have with riot grrl, is their and/or the press's wish to dismiss ALL female rockers as being part of a tiny subculture. That is marginalisation, and that is wrong.

That's as insulting and dismissing as say all black musicians = rap. It's just not true.

Do you consider yourself a Riot Grrl, Di? That's a serious question.

To clarify matters, I am NOT one, yet the moment I start shooting my mouth off about feminism, I get dismissed as one by the mainstream. Yet to "real" Riot Grrls, I bear about as much relation to one as a liberal does to a Marxist. (Maybe that is part of why I dislike the movement... nah. It's just insult to injury.)

do you think all punk music is outdated, kate?

Yes. I think most punk music IS outdated. (Most ROCK in general is outdated, but that doesn't stop me from playing it.) Punk was a reaction to certain socio-economic constraints and cultural mores. To play punk in 1970s UK or late 80s/early 90s US was a revolutionary political and musical statement.

Now it stinks of retrofetishism. Don't play your grandparent's music as a form of rebellion against your parents.

yes i do consider myself a riot grrrl, although i often make music that doesn't fit into the olympia-style format. and i also believe punk is important too, though obviously not in its neo fake blink 182 form. if it weren't for punk and riot grrrl i would never have picked up a guitar. everyone has to start somewhere, right? i don't subscribe to the idea that everyone has to be a master at their instrument before they can make interesting original music. but i also don't believe that people should stick to formulas either.

and i believe thats one of the reasons why the riot grrrls did the whole press blackout thing

If they'd stuck to the original press blackout thing, fair enough. But these days... having been part of a rugby style pile-on of neo-riot grrls stabbing each other in the back to get access to The Mainstream Press, well, it makes one a bit cynical.

Maybe my problem was that I was too OLD for riot grrl. My first exposure to women in music was NOT riot grrl, I had already been in a band for a couple of years when it exploded. So it seemed simplistic and overstating the obvious, to me.

I think that the original Riot Grrls knew that from its inception, the movement was going to be misunderstood and misinterpreted, but my understanding was that, the British version at least, (which I have slightly more respect for than their American cousins) was BUILT with an expectation that it would explode and end, like situationism, like dada. Hence why I get so irritated when people are still at it 10 years later, like don't you UNDERSTAND the point? The Riot Grrls I have the most respect for are the ones who grew up and took their political and feminist ideals out into the world, instead of just staying in this treehouse club.

if it weren't for punk and riot grrrl i would never have picked up a guitar. everyone has to start somewhere, right?

Fair enough. If it wasn't for the Shop Assistants and Sonic Youth, I'd probably have never picked up a guitar. I don't believe everyone has to be a prodigy to start a band, but I do believe that you should aspire to aquire some technical skills as you go on. (Kathleen Hannah still has to have Amy Ray change her guitar strings for her onstage! sheesh!)

All musical movements stultify and stagnate as they mature, and become reduced to formulae. It's happened to punk, too.

When music as an artform becomes secondary to philosophy or politics, that's where I get off. I dislike that in all artforms, be it punk rock or conceptual art.

One of the many reasons I love the woman.

(Why is it every time I type CL, I want to type CTCL, much like I can't type Blue without automatically typing Blur?)

My god, three posts in a row, I'm turning into Doomie! Help!

but I do believe that you should aspire to aquire some technical skills as you go on
i wholeheartedly agree with this. thats what i meant regarding people not sticking to formulas.

Just one more comment before I go to rehearsal (famous last words... I'm going to be late for the first time ever because of this):

About the technical proficiency issue. The world of music is loaded with stories of bands who were so wildly creative that they did not fully know how to play their instruments when they recorded their first album (Echo and the Bunnymen, Joy Division, etc.) but this does not reflect badly on the artists in question, for some reason, in fact, it only serves to build their legends.

One of the principles of Riot Grrl was that passion and having something to say were more important than technical ability. Yet instead of underlining *their* native genius, somehow this gets filtered as support for the wildly innaccurate press view that girls cannot play guitar.

Is this entirely the fault of the press, or is riot grrl somehow complicit in perpetuating the stereotype? I can't answer that question, I'm biased.

But anyway, back to Bikini Kill - I CAN never and WILL never be able to get past the abrasive quality of Kathleen Hannah's vocals. I just can't do it. Didn't we have a thread on that topic? I should really go post her on it. Might actually be tempted to like the band if it wasn't for her voice.

Is this entirely the fault of the press, or is riot grrl somehow complicit in perpetuating the stereotype?

good question. i guess this depends on how you define riot grrrl. i have a pretty loose definition, such that i would say sleater-kinney count as riot grrrls, even though they have long since rejected the label. they can definitely play their instruments (carrie, oh my godess). however because they seem to be the only riot grrrl band that counts as far as the music press goes, i think they get treated as the exceptions that prove the rule. so yeah i think it is mostly the fault of the press (although bands like the c**lies - and i'm sure there are bands like that everywhere, certainly don't help to nip that myth in the bud).

nor do i (only if it's MUD FITE!).

julio's a good reason of why it was good that riot grrl existed.

oh no! the curse of ILM!! oh no!!!

Jeez...it was only a joke (you riot gurls take things far too seriously).

no, that's Jess' good point, which is why I'm in the ''jokey'' sunday afternoon, there's-nothing-here mood.

I don't care if you think it was funny or not maan!

I rather think that's the point.

Speaking from my silly ol' heart, both Kate and Di rock, and rock well. Different sources, different experiences etc. helped give them the desire to get on stage and actually do something, and as they said above, this is a case -- like so many other musical or artistic or social movements (and punk is as good an example as any in the larger scope) -- that what for one is cosseting and limiting is for another angle thrilling and liberating. All depends on where yer at, who you are, hell even when you were born.

I do think it's interesting that we're having the same kind of heated discussions over Riot Grrrl now that we did in 1991. You very rarely hear people discussing whether Nirvana sold out or why Ian MacKaye disapproves of drinking alcohol...but bring up Bikini Kill or Riot Grrrl, and it's like that cut still hasn't scabbed over after 12 years.

I have seen discussion of that actually.

Jess only if they have lots of cute boys with shaggy haircuts, tee hee!!

Oh, GOD, no! If you're referring to Bobby G and Primal Scream, I canNOT BEAR to listen to that man going on about politics. But his political oversimplifications only prove his stupidity, and I find dumb men REALLY attractive in a himbo sort of way...

If they themselves have rejected and abandonned the label, is it really fair to continue to pidgeonhole them? I no longer thing of S/K as anything even approaching a riot grrl band.

(although bands like the c**lies - and i'm sure there are bands like that everywhere, certainly don't help to nip that myth in the bud).

Too many riot grrl bands still take this approach. We played with an Oxford riot grrl band who actually announced before their set "we didn't bother tuning. But it's OK cause we didn't bother rehearsing either." Someone in the audience yelled "Yeah, and it shows!" And it did indeed show, which I found incredibly frustrating, considering the amount of effort my band had put into rehearsing and preparing for the show. Yet WE get judged by the low criteria girls like THEM establish.

Julio: Jeez...it was only a joke (you riot gurls take things far too seriously).

Remember, Riot Grrls are still participating in the Great Feminist Humour Boycott of 1973. Womyn will boycott humour until equality is achieved!

Q: How many feminists does it take to change a light bulb?
A: That's not funny!

Q: How many riot grrls does it take to change a light bulb?
A: None, cause riot grrls'll never change anything.

Sorry, I'm really enthusiastic. Rehearsal ROXORED today. I don't know when we turned into the sort of band that broke into impromptu covers of Back In Black halfway through middle 8s, but I *like* it. Take that, "Girls can't play guitar" Riot Grrl bee-yatchs!

Oops I forgot, must be more ploitically correct (and be more telepathic!).

probably not fair. however they may not make punk rock anymore but the RG concerns (all hands) and influence are still there. haha postriotgrrrlism!

I think that the latter part of this sentence is still pretty much the case in most societal outposts.

Also it's quite troubling to me that a lot of the outward signifiers of riot grrrl -- NB i was really into riot grrrl music in late high school/early college but very removed from the actual organization, in (probably larger than I want to admit) part because of old adolescent female wounds that made me fairly wary of dealing with large groups of women -- got turned inside-out and transformed into badges for younger women who would rather be fat than feminist. But perhaps that's fodder for a different discussion? Or is that the end result of what Kate cites as 'simplistic' political imagery?

And in case you were wondering: 'Carnival,' 'Feels Blind,' 'New Radio,' and pretty much all of PUSSY WHIPPED are classic, 'Reject All American' pretty dud.

There you go proving my point again. As Kool as Cool Thing was, the song PREDATES riot grrl by about five years.

john it was five past midnight!! i am old but not that old

thing is that comment was my feeble attempt that was designed to provoke. and it worked!

''riot grrl is eternal''

OK then so what was the top ten riot grrl alb of the year (and will you vote for it on the wire end of year poll as 'avant' rock).

Yup -- Chels is a good friend of mine, and her thesis rocks. It's called Because and is going to be revised for publication by Routledge, so just keep yer eyes and ears open. :-)

ah, amm and bikini kill (separated by a few years but anyway)...that's what i call 'good' music policy.

Feminist and Riot Grrl are NOT synonymous, though people treat them as if they are. I am a feminist. I am NOT a riot grrl. All dachsunds are dogs, but NOT ALL dogs are dachsunds. Remember basic logic, please.

I'd say nearly everything: Hit It or Quit It early issues (Sonic Youth interviewed in #3); all those great singles by BK, Bratmobile, Tiger Trap, Heavens to Betsy, Huggy Bear; the hilaroius mainstream press coverage; the old arguments that still piss people off; the Zeitgeist contributions of Slant 6, comic book artist Julie Doucet, Lisa Carver, Beat Happening, live concerts by Babes in Toyland, Susie Bright, and, yes, Kim Kim Kim.

Today HIOQI is still going, Bratmobile is still damn exciting live, Hanna is making the best records of her career, Sleater Kinney is Sleater Kinney. We have Bust and Bitch and Punk Planet, and still have Bright and Carver. Ladyfests are popping up across the country. I went to the one in Chicago last year, shortly before 9/11, and came away believing in idealist urges again. The brand name may be history, but Riot Grrrl as a movement/moment is no more or less dead than punk rock...

You're fucking kidding me... I came away from a Ladyfest fest tour wanting to listen to nothing but Eminem and AC/DC. A furious feminist (female) friend went to Ladyfest Chicago and was frankly disgusted.

Who is doing what wrong or right?

The Spice Girls did more (good or bad) for feminism than all of riot grrl put together: DISCUSS.

Same here. In that sense I think KH is the Eminem of riot grrl.

Actually KH reminds of Eminem in many different ways but that would take up more time to explain than I have right now.

And I loved Heavens to Betsy so please don't pull the old "ooh you horrible post-feminist riot grrl hata!" line on me.

I wish Riot Grrl, or anything that approximates it, would have jumped onto sounds like the early days of The Need or Mocket. But nope. (See God Is My Co-Pilot thread)

i DO think riot grrl was a positive, but at this point i'm not particularly interested in debating it. living in olympia has certainly skewed my take on riot grrl and "indie politics" in general, i won't deny that. in two weeks (i think), nancy will be dragging me to homo-a-gogo where they are promising a broad range of art and music representing queer views. but i bet i get a. a lot of video art b. screechy hardcore/fumbling indie/possibly something with a drum machine. and you know what: while i will and should find this incredibly tedious, for the masses of 18-22 girls and boys who attend, for whom this may well be their first exposure to a wider perspective on feminism or queer politics, it may well be "life changing." i find approaching things like riot grrl from the jaded and cynical perspective of an older mind.

as someone who doesn't view riot grrrl as being a genre, i disagree. its right to say they aren't riot grrrl punk, but as with s-k the riot grrrl aspect is still there in political concerns and influences.

All I can say is I find Le Tigre more fun. If I'm being perfectly honest the only Bikini Kill songs I enjoyed were 'Carnival', Rebel Girl' and 'Feels Blind. Whereas I enjoy all of the first Le Tigre album.

I'm trying not to get into the riot grrl, feminist argument here, because 'Bikini Kill classic or dud?' in my opinion should only be about did they sound good? Same as early Public Enemy sounded great regardless of the message.

i disagree with this statement as well. its is clear that the movement has changed as movements do, just like feminism has changed since the 70s. that doesn't mean that its not the same movement - or if it does mean its a different movement, then its one that is inextricably linked to the original one. as for community being a defining feature of riot grrrl, where does that leave someone like me who doesn't belong to a riot grrrl community, and doesn't strictly make punk rock?

their womens night are for "women-born women" only. i've just been reading about protests at their NY gigs re: transphobia on another messageboard i post at. apparently there were even counter-protests protesting the protests.

okay i've found out the real deal on this: its not about them having women-born women only nights at all (urr please excuse this misinformation), its actually that le tigre have refused to sign any petitions against the MWMF policy, and won't state where they stand on the matter. even so, i don't think that counts as indirect transphobia.

Watt also did a crummy cover of "Rebel Girl".

But I've only ever been kissed by a Spice Girl (unless you count Billy). (And I do.)

"Rebel Girl" is great!

she's got the hottest trike in town

It's pretty much the best ever imo.

That song reliably gives me goosebumps when she starts screaming...

No mention of "Anti-Pleasure Dissertation" on this thread. That's one of my favourite songs ever.

That song reliably gives me goosebumps when she starts screaming...

WHEN WE KISS I TASTE THE REVOLUTION

Listening to Reject All American for the first time in ages and ages. Holds up really damn well IMO. Yeah, it's a little more polished but it's also a little more varied...I appreciate the moody ballads for what they're trying to do, there's some serious feeling there, and then the shiny, borderline pop-punk songs just sound amazing coming out of the speaker. "Jet Ski" is pretty much my favorite BK song possibly... certainly my favorite Kathleen Hanna performance. So much force, so much gut.

favorite band of 90s

the singles >>>>>>>>> reject = pussywhipped > the c.d. version etc

favorite line prob "it's a predictable point of view / this group dynamic caters to / i think you know when it caters to you / and if you do know don't act like you don't cuz it's really annoying and if you don't know well let's just say you're a lot lot STUPIDER THAN I THOUGHT"

Big Washington Post interview article (coinciding with re-release of debut ep):

http://www.washingtonpost.com/lifestyle/style/bikini-kill-was-a-girl-punk-group-ahead-of-its-time/2012/11/18/3fdc61bc-31d8-11e2-bfd5-e202b6d7b501_story.html

plus extra interview material that didn't get included:

http://www.washingtonpost.com/blogs/arts-post/post/bikini-kill-in-dc-memories-from-kathleen-hanna-kathi-wilcox-ian-mackaye-jenny-toomey-and-ian-svenonius/2012/11/18/9e32c736-31d0-11e2-9cfa-e41bac906cc9_blog.html

Couldn't find any chat on here via search about it, but the Kathleen Hanna documentary 'The Punk Singer' is tremendous and moving, unexpectedly personal. Recommended.

I've been meaning to watch that, thx for reminder

chaki was blowing chunks about it all over fb recently but I'm not sure why. still haven't watched it.

Hmm. Not sure Chaki is the first person I'd ask for opinions about this movie tbh.

^^^

I watched it heavily hungover and wired on strong coffee early on a Sunday morning with a load of huge KH fans and feeling a bit cranky, I may have overstated the emotional part but I'm pretty sure it was good.

saw 'the punk singer' about a week ago and reacted pretty much the same way: great, moving, just about everything i wanted from a KH documentary. kinda stunned me to realize that even though i've been a fan for like 15 years i knew basically nothing about her as a person.

i was kinda surprised by how committed she seems to her own myth. like, i expected her to have a more nuanced take than a revolution grrl style now fist pump. (followed by 40 minutes of "rich lady suffers from lyme disease in her palatial lakeside estate.")

in the documentary that is

they do a bunch of stupid stuff in the documentary (clumsy text interjections etc) but overall a pretty moving portrait, I thought. Her and Adrock's interactions were disarmingly sweet.

Search/Destroy: BIKINI KILL

Her lyme disease medical problems are back. More in this other Bikini Kill thread

https://news.avclub.com/bikini-kill-reunites-for-shows-in-los-angeles-brooklyn-1831778445

Could they have, I dunno, waited a year or done some sort of benefit show before advancing directly to "American Express Presale"

Waited a year for what?

been a band again for a year before selling out so grossly, I assume

playing three shows = selling out? what am I missing

the last three words in ET’s post?

Amex presale? Ok...

FWIW, Hanna played “some kind of benefit show” just last week:

So thrilled to be playing a few songs at this Planned Parenthood Benefit! pic.twitter.com/ycPHrqUvn3

— Kathleen Hanna (@kathleenhanna) January 8, 2019

I got a ticket. I am beside myself. I saw LT twice but never got to see BK. This is huge for me and apparently the NY shows sold out in 2 mins. I am so fucking excited.

I don’t give a shit if this is considered selling out or whatever you’re all implying above. This has been a dream of mine for 25 years. Ahhhh.

👍👍 (the L.A. show apparently sold out instantly, too)

I saw! That has to be boys buying loads of tickets for scalpers right? It’s crazy and I almost feel bad that I got one when so many ppl didn’t but also I can’t fucking wait. People are asking KH to add more shows or identify the bots and release those tickets so maybe that will happen.

i managed to get tickets for the first LA show, but it felt like a miracle. there has to be a better way to do this.

from former ilxor Nate C via FB:

"Didn't get a Bikini Kill ticket? Let me tell you something:

Booking psychology 101:

1) Announce major reunion at a single festival, or a "tour" comprised of only NYC and LA.

2) Sell it out in seconds. Create market place panic.

3) Once the first show(s) are completed, announce full US tour the very next morning, also in venues slightly too small for the act."

I would expect it to be more like Jawbreaker, not a regular tour run but flying in to big shows around the country. I think the Austin crowd where I saw them was like 7k people outdoors and it wasn't a sellout.

Could they have, I dunno, waited a year or done some sort of benefit show before advancing directly to "American Express Presale"

half of me wants to grouse about how the death of physical media, as advertised, has meant that almost nobody can afford to be pure about this kind of thing any more. the other half is the half that will never ever have any "American Express presale." that is unless it turns out Amex actually pays cash money for the privilege because these medical bills etc do not pay themselves

I just realized a typo in my last post - meant bots not boys obv. I’m sad about this whole thing because I keep seeing people post about being sad they weren’t able to get tickets. I do hope they add shows or fix it some other way.

It does feel very against the whole spirit of the band etc.

But i still can’t believe I’m actually going to get to experience them. Gah.

i have no personal stake in this but i will note that the situation has caused my brother to lose the last shreds of his faith in humanity

I tell every woman that is waffling about asking for the most money possible in any situation. GET YOUR MONEY. GET YOUR MONEY. GET YOUR MONEY.

I don't care if people think we are spending all our money on purses. No one else is going to watch out for us besides ourselves.

I am hoping they add more shows in NYC.

Not in Terminal 5. That place sucks.

It was the only one I could get a ticket for. They could play in a dumpster though and I’d still go. Is it really that bad?

I still don’t get the issue with an American Express presale. Do true punks only carry the Discover card or something?

Oh it's fine. It's just really out of the way and the staff seems disorganized. It gets suuuuuper crowded in there. The last show I saw there was PJ Harvey and everyone was on top of each other.

It's a weird venue. I don't know what it is about it. I went with ian once to a show there and we timed it poorly and missed Dinosaur Jr and totally left before sonic youth because the place was sucking so bad.

I think Bowery Presents has a partnership with amex.

That’s the other thing — I assume these venues are partnered with agencies who do that, the band probably has no say? (tho I’m not in the biz.) Isn’t that just modern life for most venues larger than small clubs?

I still don’t get the issue with an American Express presale. Do true punks only carry the Discover card or something?

you honestly don't get a disconnect with an ideological punk band deliberately taking steps to make their tickets hard for punters to buy while facilitating both exploitative financial institutions and scalpers?

I don’t know a ton about the band, but I thought they were known for feminism, not being anti–credit card.

I also don’t see how a presale enables “scalpers”; if anything, it probably prevents scalping, no(?) But as I pointed out above, I they also probably don’t have control over whether these venues offer presales for their show. Maybe I’m wrong there.

Finally, I assume many of their fans are, like the band, people in their 40s rather than “punters.” Even if you see credit cards as somehow fundamentally “exploitative,” do you really think most ppl buying tickets online don’t already have one (even if not Amex)? Is your take that this particular band is “selling out” if they’re not playing small venues that sell tickets for ca$h only?

BK were vocally anti-capitalist

"I'm not / your bulletproof vest or your VI SA CA HAARD"

Ok, then I guess it’s NOMB if fans who are big on that ideological aspect want to consider them sellouts.

Finally, I assume many of their fans are, like the band, people in their 40s rather than “punters.”

If your argument is that actual fans of the band would not go to see them live because they are in their 40s, and therefore scalpers and youthful randos may as well have all the tickets, I can see why you're nonplussed!

do you really think most ppl buying tickets online don’t already have one (even if not Amex)?

hmmm

Is your take that this particular band is “selling out” if they’re not playing small venues that sell tickets for ca$h only?

I don't have a hardline take on that, I was volunteering to take a stab at interpreting ET's take

i think the part that's annoying most of my friends is they all sold out in some kind of mysterious amex-exclusive "presale" before the 12 noon on friday that i was waiting for

Well not all of them - I do not have an Amex and did not get it in the pre-sale. I was on at 12 and after two tries had a ticket by 12:02. I do understand from what I’ve read online that I got very very lucky and that most ppl were unable to get any.

If your argument is that actual fans of the band would not go to see them live because they are in their 40s,

xp My argument (or just assumption) was actually that most core fans of this band are at an age where they are as likely to have/use credit cards as fans of any other band from the ‘90s (even if they’re aging punks). It’s not like this is a young band that was playing all-ages house parties last week, and suddenly jumped to the big leagues. But if BK fans are more likely to be anticapitalist, than I am wrong there.

Obviously it suxx to be left out of an Amex presale if you don’t have a Amex card; that’s true for any band/show. My guess is that real ppl are buying that particular tranche of tix rather than scalpers, but that’s just a guess. I don’t know how to solve the bot/scalper problem, obviously limiting tix to ppl with particular cards isn’t a good way.

My guess is that real ppl are buying that particular tranche of tix rather than scalpers,

$900 on StubHub

Are those definitely the presale tix tho?

(What I strictly meant was that I assume at least scalper bots can’t do the presale thing — maybe I’m even wrong about that — but it does stink if regular ppl are buying and flipping them.)

not for nothin but while tix to that show are definitely, most obviously being scalped, most of them are in the under $200 range. any in the $700 - $900 are probably the same types of people who put tickets up for sale to non-sold out shows for ridiculous amounts, either as a placeholder, or some other weird reason. they never sell.

still tho...Terminal 5 show going for like $189 at the cheapest for a GA show.

Update from https://bikinikill.com

Hi everyone, we wanted to apologize to anyone who had a bad experience trying to get tickets to our upcoming shows. We weren’t aware of the pre-sale for people with a certain credit card in NY until it was too late and that will not happen in the future. Also as soon as we realized there were problems we tried to put as many obstacles in front of scalpers as we could and are trying to figure out a better solution going forward. Thanks for all the interest and support of these shows - it is beyond anything we expected and we are excited to play for you!

Bikini Kill has added 2 shows!
Thurs May 2, 2019
LA, CA @ Palladium All Ages.
7pm doors $39.50 https://t.co/DvXxvYrAps
LA on sale: Friday 1/25 Noon PT

Wed June 5, 2019
Brooklyn NY @ Kings Theatre
All Ages 7pmhttps://t.co/YZqVwHJBc8
NY tix on sale: Friday 1/25 Noon ET

— Kathleen Hanna (@kathleenhanna) January 23, 2019

Riot Grrrl pioneers Bikini Kill (Bikini Kill Records) will play a European exclusive show at O2 Academy Brixton on 10th June 2019! This will be the band’s first time in London in 23 years.

Tickets on sale Friday at 10am.

We went tonight - killer show. Erica Dawn Lyle slams as hard as Brian James or the Young brothers and uncovers a hidden glam rock/pop sensibility that was obviously there all along. The entire Palladium singing along to "Rebel Girl" was an earworm the scale of the Sweet. In the merch line after the show we got talking to two women who drove 1200mi from Monterrey, Mexico to LA for the show. They said that 17 years ago they taught themselves how to play music by singing along to BK songs.

https://www.youtube.com/watch?v=6DXAIEEYZm0

https://www.youtube.com/watch?v=sMUQel9928M

Awesome. I am so so so excited to see them soon.

Okay, so if I only ever get one trip in a time machine, I will use it to travel to the early '90s so I can inform Kathleen Hanna that Billy Ray Cyrus's daughter is going to perform 'Rebel Girl' at the Super Bowl in thirty years.

FWIW, if you're in NYC and would like to go to tonight's show at Irving Plaza, there's a TON of ridiculously cheap tickets on Stubhub.

https://www.stubhub.com/bikini-kill-new-york-tickets-7-9-2022/event/105268869/

I grabbed one for "$11" an hour ago (wound up being $19 after fees) but asking prices have dropped further.

IIRC, StubHub stops selling concert tickets four hours before showtime, so you only have 20 minutes as of this posting.

https://www.youtube.com/watch?v=9uegwd_rBek

Just bought her book last week after Marcus raved about it.

(Kathleen Hanna, that is.)

Saw one of their revival shows at the Brooklyn Paramount last week. It was pretty great. Kathleen Hanna was quite the chatterbox, but it is nice when older groups talk about the old days and reflect on how their lives have changed since then, and even send out positive messages to the younger generation, all of which they did.

For NYC locals, the Paramount is a gorgeous venue, don’t hesitate to go there. Only problem is drink prices are outrageous, you won’t have more than one drink there.

I missed their two Baltimore gigs due to conflicts. Haven't seen them in a long time. They had Birthday Girl DC (with one of Brendan Canty's kids, and one of Alec Mackaye's kids) open one night.

currently reading Rebel Girl, it's good! not very far into it so I don't have much to say yet.