OPO:Willie Nelson

I forget the date (late 70's--early 80's). Warhorse standards (Sunny Side of the Street, Georgia On My Mind, Don't Get Around Much Anymore etc.) that he completely ownz, produced/backed by Booker T (& some other MG's, I think). Dock it points for not having any Willie compositions on it, or maybe cheez factor, but there's nary a misstep. A sentimental but canny American pop document.

(plus my dad had a tape of it in the car when I was wee...)

To remove Dave Matthews fears, listen to the grand and good cover by Chris and Carla.

jp

i miss doorag :-(

The new box set is unstoppably great.

"Always On My Mind"

Funny, I was thinking of that exact song when I went to get the box.

But I have to go with "Me and Paul"

Does anyone have (and maybe want to share) a copy of the album Teatro? I think my ex kind of absorbed my copy.

I swear I saw a video of Willie Nelson doing a heartbreaking acoustic 'I Will Always Love You' sometime somewhere, but since haven't even been able to find evidence of its existence. Anyone?

any chance it was 'you are always on my mind'? i know he's done loads of medlies with dolly parton, but can't recall 'i will always love you' off the top of my head.

yeah it probably was. I've just convinced myself that it was 'I Will Always Love You' so much that I can't help but feel the need to hear a song that doesn't exist.

really feeling his version of "a song for you" (at the end of the incredible "shotgun willie" lp) these days.

what a weird trajectory. early on he was just a songwriter, then he was that songwriter with the sort of reedy voice who wanted a solo career. then he had the biggest solo career in country music. then he stopped writing songs and became almost exclusively an interpretive singer. now he's pushing 80 and his voice is as strong as ever. wtf.

by the way this guy must have more albums, full stop, as any major american musician working. 60? 70? more?

also this may just be that he's good at projecting his persona, but is there a musician you'd rather hang out with than willie nelson? he just seems like a bro.

been into "can i sleep in your arms" a lot lately.

i'm terrified by the vastness of Willie's catalog btw.

love this guy. 70s catalog is deep and amazing

been into "can i sleep in your arms" a lot lately.

yeah, that's a good one.

Phosphorescent did a tribute album To Willie last year. I particularly like their covers of Can I Sleep In Your Arms & Reasons To Quit.

"Scarlet Ribbons" "Sad Songs and Waltzes"

Oh, also no one has mentioned "Pancho and Lefty"

love this video of all the old country fellows (let's see... Porter, Mickey Gilley, Kris Kristofferson, Bobby Bare) watching Willie play this one...

https://www.youtube.com/watch?v=iZaZqx9v3dU

god country used to be great

& here is a posthumous duet by Hank Williams & Willie Nelson

from the album "Half Nelson"

feat. a solo by Willie

amazingly, their styles blend very well

https://www.youtube.com/watch?v=v1FLXEb8KKM

holy shit

fwiw the original television version of "edge of darkness" prominently features "time of the preacher" from red-headed stranger, and joe don baker even sings along with it at one point

Pancho & Lefty of course was a Townes Van Zandt track originally. My fave version might be the Emmylou Harris tbh.

Emmylou Harris is interviewed in that TVZ documentary, and frankly she doesn't come off terribly well. She refers to P&L as "my song" and said she was a little chagrined that Willie and Merle had a hit with it. She doesn't really seem to acknowledge any irony.

kinda shocking to hear a country music singer be so posessive, esp of a song she didn't write

and about 1,000 people recorded it in the interim

been into "can i sleep in your arms" a lot lately.

"Hands on the Wheel" makes me cry, and I'm not ashamed to say so.

Didn't Willie write "Hello walls", "Crazy" and "Funny how time slips away" in one week? That's incredible.

He says he wrote "Crazy", "Night Life", and "Ain't It Funny How Time Slips Away" in one week.

http://www.digitalinterviews.com/digitalinterviews/views/nelsonw.shtml

DI: Once you first got to Nashville, you put out some all-time classics.

WN: I was working in Houston in fact, living over in Pasadena -- driving all the way from Hempstead Highway back over to Pasadena every night. I wrote songs on the way, back and forth. In one week over there, I wrote “Crazy,” “Funny How Time Slips Away” and “Night Life.” So, when I went to Nashville, I had those ready to go. It was a good week.

Best week ever, more like it.

The Pigtails Are Gone: Willie Nelson Cuts His Hair

(AP) AUSTIN, Texas (AP) - Country music fans have come to expect a little eccentricity from legendary crooner Willie Nelson, but he pulled off a real shocker this time. He cut his hair. "Oh Noooooo!," wrote one fan who saw a picture of Nelson's new do on the website of Nashville TV and radio personality Jimmy Carter. Nelson's waist-deep, reddish pigtails have long been one of the singer-songwriter's signature features. But spokeswoman Elaine Schock said Nelson, who's been hanging loose in Hawaii, got his hair cut in the past couple of weeks. She said the Texas-born performer didn't make a big fuss about the makeover, but she thought he might have grown tired of dealing with long locks. "There's a lot of maintenance," she said.

http://3.bp.blogspot.com/_E7UTvjLxuuY/S_02W0_EXeI/AAAAAAAABVI/MLyPa5rtpZA/s1600/1048_1274874836.jpg

Still almost shoulder length. Looks like a wig, kinda

I'm more surprised that he's playing electric guitar.

yeah, where the hell is "Trigger"

My favorite Willie song is "Me and Paul"

I swear I saw a video of Willie Nelson doing a heartbreaking acoustic 'I Will Always Love You' sometime somewhere, but since haven't even been able to find evidence of its existence. Anyone?

― Ralph, Waldo, Emerson, Lake & Palmer (Merdeyeux), Friday, May 1, 2009 11:37 PM (2 years ago) Bookmark Suggest Ban Permalink

any chance it was 'you are always on my mind'? i know he's done loads of medlies with dolly parton, but can't recall 'i will always love you' off the top of my head.

― Old Big 'OOS (AKA the Cupwinner) (darraghmac), Friday, May 1, 2009 11:43 PM (2 years ago) Bookmark Suggest Ban Permalink

yeah it probably was. I've just convinced myself that it was 'I Will Always Love You' so much that I can't help but feel the need to hear a song that doesn't exist.

― Ralph, Waldo, Emerson, Lake & Palmer (Merdeyeux), Friday, May 1, 2009 11:57 PM (2 years ago) Bookmark

so obviously it was 'You Are Always On My Mind', but I still hadn't been able to find it. Until last night, when it was on a BBC 4 show called '...Sings Elvis'. Pleasingly it ended up on iplayer, so in my small contribution to society I ripped it and uploaded it:

https://www.youtube.com/watch?v=lj0yyyu8WkY

I like it a lot more than I do the recorded version, the way Willie's irregular vocal phrasing goes against the grain of his equally irregular guitar phrasing is perfect.

mentioned over on the Highwaymen poll -- but this Complete Atlantic Recordings set is AWESOME and only $2.99 on amazon mp3. http://t.co/f1H5UApR i've got all the records on vinyl, but the outtakes/alternates are killer and there's a whole kickass live show. woooo.

That live show is killer. I bought that box a few years ago and don't regret it one bit.

happy 80th to willie!

agreed. he's masterful on just about every level--especially as a guitar player. (if you ever see Night & Day, an all- instrumental album he made, grab it and don't let go; you won't regret it.) my ignorant OOP: "Always on My Mind," because he totally OWNS the fucker, and accomplishes the rather amazing feat of making the jerk narrating it actually sound like someone you'd wanna go have a beer with.

― M Matos, Tuesday, July 30, 2002 8:00 PM (10 years ago) Bookmark Flag Post Permalink

boom, hello, spotify

listened to stardust last night, that album is perfecto.

as much as i adore stardust, and i will always think of it as the kind of willie nelson ur-text (though when it came out i imagine its novelty was that it was anything but!) - red headed stranger is just fucking uhhhhhh-mazing on every single level

not that stardust isn't

yeah, i haven't heard em all but it seems as though he could do no wrong in the 70s...

there's something so evocative about the little song-snapshots on red headed stranger; each is perfectly constructed yet each is less than a song. they're these little glimpses into a life, into one person's story, and the album seems to invite the idea that this story is itself a little glimpse into another, larger, rolling history of the west

now the preaching is over
and the killing's begun

you are all wrong shotgun willie is his best album

(also love: me and the drummer, yesterday's wine, a bunch of the live albums, and the troublemaker)
(yeah red headed stranger is great but a little silly in parts no? and the narrative conceit doesn't work for me)

His best record is the Live at the Texas Opry disc that came with the Atlantic Sessions set.

oh that's a good one.

though as a music snob i am obliged to note that i have some bootlegs that are just as good, even better

Oh yeah, there are some better boots for sure. But as far as official releases, that's my pick.

i think i only have one willie nelson bootleg shamefully (boarding house '75, i believe?). which ones do you recommend?

My first and still favorite is probably 2/26/75 Panther Hall, Fort Worth, TX.

OTOH live at panther hall ballroom and...um... i need to look through itunes when i get home

xpost!

Great minds, etc.

no... wait.. my panther hall boot is from the mid-1960s

from his pre-outlaw period, lots of bad/good jokes between songs

Oh, I need to hear that! Mines the Red Headed Stranger tour and it SMOKES.

for some reason, it has never even occurred to me that there would be live bootlegs of Willie from the 70s. the one live album I have of his is awesome though.

btw shotgun willie has the greatest pack of ballads nelson ever wrote (or didn't):

- sad songs & waltzes
- local memory
- slow down old world (the best thing he ever wrote? might be)
- she's not for you
- a song for you

i mean what

oh and

- so much to do
- you look like the devil (which i sometimes forget is a ballad b/c it's so mean-spirited)

I love the frenetic Willie and Family Live from '78, but it's not as good as the Texas Opry or Panther Hall shows from earlier in the decade.

Shotgun is probably my favorite Willie front to back. I wouldn't really call Local Memory a ballad fwiw

also don't sleep on me and the drummer... i don't hear that one mentioned much.

if you stay away from his guest-stars-a-plenty crossover albums from the last 20-odd years, it's really hard to go completely wrong with willie albums. and there are, what, like 200 of them by this point?

yeah i guess local memory is kind of mid-tempo... actually the verses alternate between slow and mid-tempo. a nice effect btw

You know what's slept on? The IRS Tapes. Was totally surprised when I finally heard them.

saw willie play at westbury(?) in new york a few weeks back, knowing little about him beforehand, and it was a real illuminating moment. he was wonderful, especially how he played guitar. just bought a joblot of willie vinyl off ebay and hoping there's some treasure in there, particularly glad the song 'me and paul' is on one of the albums.

Toy Armadillo Stolen in NY After Nelson Concert
By THE ASSOCIATED PRESS
Published: September 24, 2013 at 11:07 PM ET

PORT CHESTER, N.Y. — A missing toy armadillo with a connection to Willie Nelson has sparked a search in the New York suburbs.

A stuffed armadillo beloved by a member of Nelson's crew was stolen from the stage at The Capitol Theatre, in Port Chester, after a Nelson concert last Thursday, theater general manager Tom Bailey said.

Grainy video shows a woman walking onto the stage as the crew packs up, boldly grabbing the armadillo and sauntering off with it, he said. The critter is known as Ol' Dillo, he said, and is a treasured possession of Nelson's monitor engineer, Aaron Foye.

Theater workers looked through more video on Tuesday in hopes of identifying the woman, Bailey said.

A posting on Nelson's Facebook page asks for help finding the thief. And a commenter says, "We hang armadillo thieves in Texas."

Nelson's publicist, Elaine Schock, told The Journal News she was unaware of Ol' Dillo and didn't know it had been filched.

"When you go to a Willie Nelson show," she said, "the last thing you notice is an armadillo."

Nelson, singer of such hits as "Always on My Mind" and "On the Road Again," postponed his Wednesday concert in Carmel, Ind., according to his website, which didn't cite a reason.

Long profile in RS: http://www.rollingstone.com/music/features/all-roads-lead-to-willie-nelson-rolling-stones-definitive-profile-of-the-country-icon-20140902

Yeah, nice. So far I'm not too thrilled with Band of Brothers, which mostly seems like a cranky ol' self-pitying rich man's break-up album. But he really outdid himself last year with To All The Girls..., though it shoulda been titled With All The Girls..., or Women, 'cause of all the duets. And the mostly instrumental, mostly awesome Let's Face The Music And Dance/ The Stone piece reports he's taking guitar lessons, getting more into Django. Sure sounds like it! Heroes is the best of his alternating-styles collections, the best of those in whatever decade this is, anyway (the 2010s? Naw).

Legacy Recordings will release Willie Nelson and Sister Bobbie's December Day, the first installment of the Willie's Stash archival recordings series, on Tuesday, December 2.

An eclectic album collaboration from outlaw country legend Willie Nelson and Sister Bobbie Nelson, December Day debuts intimate new recordings of the siblings performing 18 songs they love.

Not sure how this is an archival recording and new recordings at the same time. Bummer, cause I thought it would be like Dylan's bootleg series or Neil Young's performance series. Willie must have a lot of that stuff, right? Although he did release a ton of stuff throughout his career so maybe not?

haha, yeah that is confusing.

they are new to us!

willie doesn't have the best quality control, I can't imagine he has a ton of great stuff still in the vault. he releases like five albums a year.

of course, dylan left some of his best stuff of the 70s-00s off of his official albums, so who knows.

friend of mine just posted a pic on fb with willie at austin/bergstrom

Saw Willie last night with my parents, on Willie Nelson Blvd no less. Willie was lovable and had an endless supply of bandanas and the largest Texas flag ever. Sister Bobbie got a couple nice spotlight songs where she transformed a grand piano into a pleasingly plinky saloon upright. Willie's harmonica player was probably the standout in the band. At the end of the show, Willie signed posters and other merch for nearly everyone in the audience. My only complaint is that there were several moments during the show where Willie appeared to be auditioning for his very own "Willie Shreds" youtube.

:/

red headed stranger is great but a little silly in parts no? and the narrative conceit doesn't work for me

dead to me

^^^

Impossible.

The Willie/Kacey/I don't recall tour is among the shows I most regret missing in 2014, several others of which were profiled in the Times yesterday.

Comments from my Nashville Scene ballot (the annual reviewer round-up etc)

Willie Nelson & Sister Bobbie, December Day: Non-Xmas, but seasonal in the winter light, seasoned sense(s). Flexing ivories, geetar darts, lyrical & blunt.
He seems a little short-winded at first, but vocal levels shift as needed: he's scrawny, full-bodied, nasal, well-rounded, etc. Ivories are also flexible, while the geetar darts, jabs, practices Djangology (he said recently he'd been taking lessons in that, but sounds the same). She contours and solos too, given more space than usual (though also check last year's Let's Face The Music and Dance)(not to mention her own ‘07 Audiography).
Each track lives in its own story, its own moment.

Willie Nelson’s Band of Brothers does incl. some good songs: the title track is disgruntled, almost a kind of anti-anthem: “We’re all a band of brothers, and sisters, or whut-ever,” also setting the record straight: “I love you and you love me, but you cain’t tell me what to do,” here that, entourage? But their charm is affected by the querulous ol' context (c'mon Willie, you're gonna give us geezers an even worse name). Mostly, or too often, It’s a cranky rich man’s breakup album, sometimes addressed to wimmin who just cain’t take a hint, although the waltz where he compares one of ‘em to infectious, persistent diseases could make for an effective, plausibly candid flashback (via the Woman’s A-Side or Man’s B-Side) on the otherwise maturely dealing-with-it Phases and Stages. Like Blood On The Tracks’ “Idiot Wind,” but Willie’s note is from a suavely succinct poison pen. Cover of Billy Joe Shaver’s “Hard To Be An Outlaw” just sounds like another dumb complaint from the majestic bus (which he’s said he sometimes stays in even when he’s “home.”) But “The Songwriters, “ one of the few he didn’t write, does infectiously celebrate his well-earned privilege and power.

Shoulda acraped off scraped off the second sentence (first & sec orig. a tweet), since I repeated and elaborated on it, sorry.

Should not try to cut and paste on tinyass phones, either; sorry again

whenever i think to check in on willie nelson he's released like 18 more albums!

i've come around on red headed stranger... i never /disliked/ the album, i like it a lot, i guess the narrative aspects of it never "did it" for me. but i should listen harder.

Wonder if he has recorded as many as Tito Puente yet?

Willie on Austin City Limits in 1974. Just a fantastic show.

https://www.youtube.com/watch?v=5VQsexJuiTI

So many good songs and performances

what are we gonna do when he dies

Post on ILM.

i suppose so

mourn how time slips away

STARDUST must be the best LP you can pick up in any dollar bin

he seems to release a good record every year

saw him perform in toronto on sunday, voice is still p good

that's so cool! would love to see him, but doubt he tours Europe

His Sinatra covers album is kind of fun, if completely inessential.

xxp I was at that Toronto show too. It was a little troubling when he played 'Jambalaya' twice within three songs of each other though.

My only complaint is that there were several moments during the show where Willie appeared to be auditioning for his very own "Willie Shreds" youtube

He's on ACL rn, and his playing--similar to that description--is kind of cool: Jazz licks banging into acoustic skronk.

Exactly. Cowboy Django Sharrock, pickin' on the world's ugliest guitar, named for a dead horse. I love it.

Can I interest you guys in jazz vocalists Gabrielle Stravelli’s Willie Nelson covers project, Pick Up My Pieces? She is a great singer who can sing anything and this project was a labor of love for her, she really is a fan and knows a lot about him. I just thought he because I can hear her voice in my head talking about “Trigger.”

Vocalists

Thought about her

Never mind

Can I interest you guys in jazz vocalists Gabrielle Stravelli’s Willie Nelson covers project, /Pick Up My Pieces/?I

So I figured

yes you can

My only complaint is that there were several moments during the show where Willie appeared to be auditioning for his very own "Willie Shreds" youtube

He's on ACL rn, and his playing--similar to that description--is kind of cool: Jazz licks banging into acoustic skronk.

I feel like people that complain about Willie's guitar playing at his live shows have never actually heard a Willie Nelson record

he has *always* had this inscrutable, off-kilter, jazzy phrasing. he constantly pushes ahead of or plays behind the beat, snaps the strings really hard, throws in weird runs and unusual chord voicings. Now that his voice is mostly shot (or, at least, he doesn't have as much lung power as he used to) it's remarkable that his guitar playing is still as great as it ever was.

his guitar playing was my favourite thing about the wonderful show I saw him play six or so years ago

how does this dude have yet another new album coming out?

https://www.youtube.com/watch?v=3ticn0QrQwc

he's released like ten studio albums since Daft Punk released Random Access Memories.

I am listening to Country Willie (1975). Allmusic says "While not a bad record, there is really nothing here to recommend it."

If this is weak Willie, I'll take it all.

^Trigger Warning

Have been listening to Yesterday's Wine a lot this year and its been sounding like a masterpiece

First Rose of Spring is mostly really good, up to his usual standard. Also got new book coming out, w Sister Bobbie: a joint autobio.

Sad news: Bobbie has passed.

https://www.rollingstone.com/music/music-country/bobbie-nelson-willie-nelson-family-band-dead-obit-1319861/

reading this now: really good alternating chapters of each sib's POV of situations, phases and stages, concise and vivid:
https://www.whiskeyriff.com/wp-content/uploads/Lukas-Nelson-2-1024x647.jpg

Tribute on Willie's Instagram too.https://www.whiskeyriff.com/2022/03/11/willie-nelson-shares-memorial-post-for-late-sister-piano-player-bobbie-nelson/

And as I said on Rolling Country, before I got the book:
Good on Bobbie: knew about her husband's band, which incl. her & Wille, but not the aftermath, ongoing consequences; also, I've got her rollin' Audiobiography (Willie and Johnny Bush show up some), and one of the duet sets w W, the remarkable December Day, but will have to check their earlier albums mentioned here, also still need the joint memoir:
https://www.npr.org/2022/03/11/1086000679/bobbie-nelson-a-country-music-pioneer-and-willie-nelsons-sister-dies-at-age-91

How have I never heard the words don’t fit the picture. What a stunning album

One thing I didn't get to during lockdown was listening to all 100+ (150?) Willie Nelson albums in chronological order. Some are much better than others, but it's possible every single one has something to recommend, which is pretty ridiculous.

What are your favorites so far?

Phases and Stages and Spirit are probably my two favorites. Also the compilation Nite Life: Greatest Hits and Rare Tracks (1959-1971) - I still need to give the early albums another listen, especially ...And Then I Wrote, but Nite Life was how I first got introduced to that era. And that massive run in the '70s is amazing, beginning with Yesterday's Wine (which Nite Life touched on) all the way through Stardust.

Besides Spirit, later stuff is often interesting, like Across the Borderline (surprising guest stars galore), the Lanois album, and his most recent stuff too, which I didn't start exploring until I caught his two more recent shows in NYC.

https://www.nytimes.com/2022/08/17/magazine/willie-nelson.html

That's a really good piece, but I'm listening to the new album right now on Tidal and he sounds like Rowlf the Dog imitating Willie Nelson at this point.

I don't know why I've never connected that strongly with his music. I suspect it's because there's so much of it. Even if I find a couple of albums I like, there are still a hundred more, and too many of them just seem like dumb ideas or unnecessary somehow (the reggae album, children's albums, blah blah blah). I get the appeal, but not the worship.

My favorite from the new one: https://www.youtube.com/watch?v=i_-J_keVBY8

Saw him live in New York a decade ago with his band (including Paul!) and it was revelatory for me

unperson, you might like some of his w a bit of country jazz appeal: the all-instrumental Night and Day, the mostly instrumental Let's Face The Music and Dance, Willie and the Wheel(certainly does Asleep At The Wheel a solid, re their often bland vocals), Summertime: Willie Sings Gershwin, both of his Sinatra songbooks, and To All The Girls...: duets w a good variety of female singers.

Don't recall his duo album w Wynton that clearly, although I liked it---retain a stronger impression of Here We Go Again: The Genius of Ray Charles, where Marsalis provides some wild horn charts, reminding me of Cab Calloway, also he sings okay, as does Nora Jones, no longer Snora, more of a cool blue chanteuse, knowing when to shut up, as do Willie and Wynton.

No, see, all of those sound absolutely nightmarish to me. I'm sure if I listened to a random sampling of his "straightforward"/"country-country" albums I'd find a bunch of individual songs I'd like, but because they're country songs, with the exact same melodies and chord progressions over and over and over, they'd all blend together into momentarily room-filling vapor, with the occasional well-written verse or chorus popping out while it's playing but gone as soon as it ends. I mean, I listened to half of his newest album (eight songs out of 14) two hours ago, and liked most of them well enough, didn't actively dislike any, but I can't remember how a single one of them went.

And that massive run in the '70s is amazing, beginning with Yesterday's Wine (which Nite Life touched on) all the way through Stardust.

It didn't bowl me over immediately because it's so understated musically, but Yesterday's Wine has become one of my favorite albums of all time. Its concept--telling "the story of a man--from birth to death" is extremely ambitious, but somehow he pulls it off in under 30 impressionistic minutes. The way it gradually shifts in theme from the religious to the secular is really compelling, and it has some of his most beautiful tunes (esp. "Summer of Roses", "December Day")

No, see, all of those sound absolutely nightmarish to me. You mean you listened to them, or my descriptions put you off? Sorry either way, thought those might be closer to your usual likes. But I wouldn't have thought anything to do with country was much for you, 'til you indicated here that you'd tried to get into it.

You mean you listened to them, or my descriptions put you off?

The latter. If I'm gonna listen to country, I'm gonna listen to country, not some country guy trying to do jazz. But as you say, it does almost nothing for me about 99% of the time. Really the only exceptions are Merle Haggard, Buck Owens, Dwight Yoakam, and Loretta Lynn. Beyond that, I just can't.

How have I never heard the words don’t fit the picture. What a stunning album

thank you for turning me onto this gem, Heez! mentioned it to a friend who turned me onto mp3s and have been digging it since.

Really the only exceptions are Merle Haggard, Buck Owens, Dwight Yoakam, and Loretta Lynn. Damn---that's a LOT to get from a genre otherwise useless to you.

Not really. If I could only name four rock bands whose music I actively enjoyed, and I told you that almost every other rock act I had heard had inspired feelings of rage and contempt, you wouldn't call me a rock fan.

And I don't call you a country fan, but that's a good stash to take away from it.

Anyway, looks like this might be another good book with David Ritz:

Willie Nelson Announces New Book About Longtime Drummer Paul English
Me and Paul: Untold Tales of a Fabled Friendship chronicles Nelson’s 70-year partnership with English—the country legend’s closest pal, tour accountant, and former bodyguard

It didn't bowl me over immediately because it's so understated musically, but Yesterday's Wine has become one of my favorite albums of all time.

I went deep on yesterday’s wine over the pandemic and I agree, definitely my favorite willie album at this point

not some country guy trying to do jazz

This is ironic bc while I’m a country fan generally what put me over the edge into really loving willie was realizing that he is a jazz vocalist who sings country songs

Jody shared the full transcript of his interview with Wynton Marsalis on Willie and I strongly recommend a read:

https://www.facebook.com/jodyrosen/posts/pfbid0eHMpmyzJ1KfJ2GDYNh8NqhfkQPxaqhPTzhVGUv4EaHfJwoRrsMUtFTCiPrexExaxl

Merle's jazzier stuff is great

Would read the shit out of a book by Willie about Paul

Haven't read the interview yet, but there's always been kind of an underacknowledged connection between country and jazz, especially in Western Swing.

Yeah a lot of ostensible country music from the 40s and earlier sounds indistinguishable from blues and jazz of the era, to modern ears. Jimmie Rodgers recorded with all kinds of jazz players, incl Louis Armstrong.

Willie's talked about how some of his favorite music early on was Western Swing ( may have still been a teen when he produced a local concert for Bob Wills. which lost money, but no regrets atall) and the Hot Club Swing of Reinhardt and Grapelli. And he mixed them sometimes, like when he did that Austin City Limits ep feat. "Lady Be Good" and so on. Messing with the beat in his singing came in part from jazz, and from country singer Floyd Tillman, who also showed up on one of Willie's ACL evenings: "Baay[-a-bee!"

His guitar solos get pretty skronky sometimes too.

https://www.youtube.com/watch?v=KX1WMqdSSck

Hard to beat This 1980 performance of blue eyes

Picked up a lovely copy of Phase & Stages for £1.50 at a junk shop yday. A good weekend!

Yeah, that one still passes through my head without warning. Break-up album: A-side is hers, B-side is his, equally remarkable. Spoiler: they both go on to other"---phases and stages---circles and cycles, scenes that we've all seen before. Let me show you some more."

(did we mention he won Grammys forA Beautiful Time and "Live Forever," title track of that good Billy Joe Shaver trib---his other track on there, "I Been To Georgia On A Fast Train," elso ace.)

Out since March 3, haven't yet played it:

https://m.media-amazon.com/images/I/71ZK-pVCxRL._SL1500_.jpg

Amongst the nearly 150 albums that Willie Nelson has released, he has a number of amazing full-album tributes to songwriters from Kris Kristofferson and George Gershwin to Ray Price and Cindy Walker. Adding to that list is a new studio album dedicated to songwriting legend Harlen Howard who has scores of country hits including a number that crossed over to pop and even R&B charts. A member of both the Country Music Hall of Fame and Songwriters Hall Of Fame, Howard wrote hits for Ray Charles (“Busted”), Buck Owens (“I’ve Got A Tiger By The Tail”), Conway Twitty (the title track), Bobby Bare (“The Streets Of Baltimore”) and so many more. Produced by longtime collaborator Buddy Cannon and featuring a murderers’ row of crack Nashville musicians, I Don’t Know A Thing About Love is an amazing addition to Willie’s unparalleled catalog.
Featuring cover art by Micah Nelson (Willie's son), I Don't Know A Thing About Love was produced by longtime musical collaborator Buddy Cannon and debuts 10 studio performances. The band on the album includes Willie Nelson (Trigger, lead vocals), Larry Paxton (bass, tic tac bass), Lonnie Wilson (drums), Bobby Terry (acoustic guitar, electric guitar), James Mitchell (electric guitar), Mike Johnson (steel guitar), Mickey Raphael (harmonica), Jim "Moose" Brown (piano, synthesizer, B3 organ, Wurlitzer), Wyatt Beard (background vocals), and Melonie Cannon (background vocals).

Willie Nelson (Trigger, lead vocals)

.. that's a nice touch...

Long article now in The New Yorker by Alex Abramovich.

scary revive!

Today it’s “Bloody Mary Morning”

Is the New Yorker where this Dylan quote came from?

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Goddamit.
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https://www.youtube.com/watch?v=ktOxjeOiIaU

^^^ think this will always be my favourite Willie song. Paul was still in the band when I saw Willie, 15 or so years ago in New York. He played on a rotating stage, and drunken women were pouring towards the stage at him, slowly and obeying their own unique laws of physics, like the rockets in Missile Command. I didn't really know his work in any deep sense at the time, but the show was so fantastic I made sure to change that ASAP.