RFI: Vocal jazz songform

Ha, I just bought a 2CD Lambert, Hendricks, and Ross collection.

That's the album with 3LPs on two CDs? That's really good. I just got a King Pleasure album called Golden Days. I was a little worried when I realized that the version of "Moody's Mood For Love" was a rerecord of the original hit, but the whole thing still sounds great. Also a prime candidate for the Wacky Liner Notes thread, having all this weird stuff about something called "Planetism."

i was just listening to lambert, hendricks, and ross the other day. god, i love them. they are up there with jackie & roy and the hi-lo's in my unholy trinity of awesome 50's vocal groups.

so great:

http://4.bp.blogspot.com/_Q2dEe-_Mu0I/SmRTOq53ekI/AAAAAAAABqo/OgMXC01a6QU/s400/Hi-Lo%27sAllThatJazz.jpg

I saw Annie Ross a few times earlier this year. She appears most Tuesdays at a place called the Metropolitan Room. Obviously she can't quite sing like a trumpet anymore, but she's still got it.

I have two words for you: Blossom Dearie.

Jon Hendricks and Kurt Elling
https://www.youtube.com/watch?v=nY7LHziBDcI&NR=1

Which is not vocalese, but you should still click on it.

Did not know about this Eddie Jefferson vocalese version of Coleman Hawkins's version of "Body And Soul."

Wikipedia page on the subject uses LH&R's "Twisted" as sample example http://en.wikipedia.org/wiki/Vocalese

http://www.harmonyware.com/JonHendricks/vocalese.html

One last thing while I have your attention: earlier this year I saw John Pizzarelli and his wife Jessica Molaskey do this crazy Jazz vs. Broadway "medley" where he sang some Jon Hendricks part which alternated with her answering him with a completely different song (by Sondheim), all of which added up to one super patter song that seemed to get faster and faster, His Girl Friday-style. It was amazing.

OK, that would be "Cloudburst/Getting Married Today" and was released on Jessica Molaskey's Make Believe album.

https://www.youtube.com/watch?v=q7EcZPCbnbE

https://www.youtube.com/watch?v=DqmUgDUx7o0&feature=related

https://www.youtube.com/watch?v=StDLnFrbi78&feature=related

https://www.youtube.com/watch?v=anrXYEAkg8U&feature=related

So apparently there is a new documentary about Annie Ross called No One But Me.

https://www.youtube.com/watch?v=brmd0G_X1ig

Prior version of "Twisted" went missing, so here it is again
https://www.youtube.com/watch?v=APS_3Q3mGlQ&feature=related

WIth Count Basie! And a grinning Tony Bennett in the audience!

Lambert, Hendricks & Ross - Airegin (Sonny Rollins)
Newport Jazz Festival 1960

Wow

https://www.youtube.com/watch?v=Ul54NWmwLxs

Never knew the name for this type of singing. Possibly the one thing that grates on me more than musicals and gospel.

https://www.youtube.com/watch?v=JRiZG8B9rmY

what a shite post!

RIP Annie Ross.

love Mark Murphy’s “Stolen Moments”

https://www.youtube.com/watch?v=Vinwc5EBXzc

RIP Annie Ross.
Thought this was what the revive was going to be about.

King Pleasure, The Source:Think I may still have this double-LP collection: first platter is the essential, starting with his Greatest Hit, "Moody's Mood For Love,"-singing his words to James Moody's instrumental version of "I'm In The Mood For Love," (vastly improved by JM and KP, also by Pleasure's guest,Betty Carter). Also got an Eddie Jefferson anth somewhere, and think he might be considered more legit or something? And maybe Pleasure lifted some of his choice of originals? But frankly Mr, Shankly, I much prefer KP's words and singing.
https://www.discogs.com/King-Pleasure-The-Source/master/579137

Oh well okay wiki sez "Moody's Mood" words written by Jefferson, and some prob think Pleasure's voice is too slick, but he still sounds better to me.

https://www.youtube.com/watch?v=ERpyU7oiDUE

With Annie Ross:

https://www.youtube.com/watch?v=qGllWVcZAfg&list=PLnNUq-jBzQWhDJCqHeBLxeplezf0z1kbO&index=9&t=0s

Aw crap. Anyway, most of his best stuff is on the 'Tube.

Allan Harris and Kurt Elling two contemporary practitioners of vocalese. Harris even did an Eddie Jefferson tribute album.

King Pleasure seems to be considered kind of a weirdo maybe, but I like some of his stuff including his two Symphony Sid songs, “Jumpin’ With Symphony Sid,” which I believe was the vocalese or at least vocal version of Sid’s theme music, composed by Lester Young (and on some kind of split artist album with some Annie Ross material) and “The New Symphony Sid,” recently redone by Van Morrison. Eddie Jefferson seems a little more respectable and I like his stuff, but seem to recall Will Friedwald dismissing him for some reason.

I saw James Moody once at the old Iridium and he played -and sang! - “Moody’s Mood For Love” which was great.

The Van Morrison connection just came up, sort of, in Elvis Costello’s recent post about Annie on FB, about how he first came to know of her through a Georgie Fame cover. It’s was decades before I knew that “Yeh Yeh” (which EC’s wife Diana Krall did a duet with Georgie on a few years back) was a cover of the Jon Hendricks vocalese version of a Rodgers Grant composition.

Co-composed with Pat Patrick of Sun Ra’s band.

Which first appeared on Mongo Santamaría’s Watermelon Man album.

Album has an exclamation point so Watermelon Man!

xxxpost: Oh yeah, Moody could be great---did time in Vegas pit orchs, but re-emerged and kicked my butt via radio concert in the 80s. In "The South's Gonna Do It Again," Charlie Daniels seems to be fiddling the main "Syphony Sid" riff (the part that Pleasure sings as "Jumpin' with my boy Sid in the City" and so on). The track with Annie Ross I tried tp play is "Don't Get Scared": "When you see dan-ger facing you, little man don't, get, scared" (like they're telling you to dwell on "Get, Scared!") "Parker's Mood" starts with open arms, sunrise sound, "Come with meee, if you wanna go, to Kan-sas City." But somehow he works his way around to , "Goin' to Kansas City, sorry but I can't take you," which also seems very Bird, if he bothered with words.
Other faves: "I'm Gone" and "Red Top."

Actually I had heard that Herbie Hancock was subbing for Rogers Grant in Mongo Santamaría’s band when the lightning struck and they first played “Watermelon Man” together but apparently Chick Corea had been the pianist in that band right before that happened. The more you know! Guess Rodgers was the piano player right before Chick.

http://jazzstation-oblogdearnaldodesouteiros.blogspot.com/2012/04/rip-rodgers-grant.html?m=1

Mongo's "Afro Blue" was a big gateway...
for scatting (with some blending in of words at times), Louis Armstrong, Ella Fitzgerald, and Sheila Jordan are the best I've heard.

Love that tune. Just looked it up, first recorded version was with Cal Tjader’s band, with Paul Horn (!) playing the flute solo, Willie Bobo on drums or timbales, and some other guy other than Mongo taking the conga solo for some reason, Francisco Aguabella. Didn’t know/forgot that Oscar Brown later wrote the lyrics.

Will Friedwald definitely does not like Eddie Jefferson. One of his blind spots, like Jackie and Roy, although lots of people don’t care too much for them I guess.

Didn't know there were lyrics added--thread-relevant after all! Oscar Brown Jr. would be just the guy to do it.
Oh one other thing about Lambert Hendricks and Ross: on their trio=formative Sing A Song of Basie they got into/emerged via overdubbing, when that was not well-known (Sidney Bechet had done it, maybe Les Paul by then). I think they would add up to four tracks each---not seeing that exact figure here, but Friedwald makes the point, while describing the creative situation:
https://www.wnyc.org/story/great-jazz-and-pop-vocal-albums-lambert-hendricks-and-ross-sing-song-basie/ Maybe a career-making album, even though it elaborated quite a bit on what became their signature sound (at least live; I don't know if they ever took it this far in the studio again).

Adding lyrics to a melody not quite the same as vocalese. But yeah, thread needs all the help it can get.

Just picked up Dee dee bridgewater version of Afro Blue which was reissued by Mr Bongo a few weeks back.
Nice.

Also there's a recording by John Hendricks with an early version of the Grateful Dead on the compilation of their pre1st lp recordings that came with the Golden Road box.

What?

Bob Weir:

”Jon’s mind and mouth are so fast that he’s able to get a lot of words into each measure with perfect enunciation. Just being in his presence made us think. Truckin’ has that same vocalese and vocal-harmony feel in places. I thought of Jon as we worked on Truckin’.”

Don’t know how I feel about Jon Hendricks being blamed for “Truckin’”

https://www.youtube.com/watch?v=16VLBmF8kXc

suddenly want to hear a LHR or maybe Andrews Sisters cover of “truckin”

Maybe, but only if done in a medley with "Bei Mir Bistu Shein."

Annie Ross, 1938

https://youtu.be/99OB6YeGjeU

sorry, her star turn is at 4:44

xxxxpost Speaking of Dee Dee B. and words added to instrumentals: dunno when Horace Sliver wrote lyrics of "Song For My Father"---maybe when he wrote the melody, but I didn't hear it sung 'til Andy Bey; my fave version is Bridgewater's, but worth hearing by whomever:

I wrote a song for my father in hopes it would give him a thrill after seeing Brazil.
My father’s music came through me but never got to me until
I went down to Brazil---
In Rio all day long, I heard my father’s song...
His father was Portuguese-Cape Verdean, born on a CV island.

Thanks for the Dee Dee tip, Dow, really enjoy this “song for my father” performance of hers here:

https://www.youtube.com/watch?v=AapII8zmsdc

Oh your're welcome; yeah, she did a whole album of songs by and associated with Silver, lots of other sets worth checking out too--most recently, I think, a tribute to Nina Simone. Just now turned on the radio and heard most of a Radio Deluxe ep from 15 years ago: Annie Ross just happens to drop in on Jessica Molasky and John Pizzarelli, and hey Dad Bucky P. and a pianist are here too--they talk and listen to a couple of tracks from Annie's latest, I Want To Sing---more talking than singing, but tenacious, savoring the beat---also they listen to Joni Mitchell's version of "Twisted," and she tells how xpost Sing A Song of Basie came about, calling up Miles for him to listen to an early take ect., more stories,---quite a visit.
https://www.mixcloud.com/RadioDeluxe/aug-1-annie-ross-recalled/

Also, elements of "Song For My Father" appear in/are built on in Steely D.'s "Rikki Don't Lose That Number" and Stevie W.'s "Don't You Worry 'Bout A Thing."

From "Interlude," with lyrics credited here to Sarah Vaughn, later known as "A Night in Tunisia," words by Ella Fitzgerald? But wiki sez Raymond Laveen---anyway https://www.jazziz.com/a-short-history-of-a-night-in-tunisia-dizzy-gillespie-1942/ Striking, militant take from Tunisiatourism.info: https://www.tunisiatourism.info/en/articles/a-night-in-tunisia-histoire-dune-chanson I've long liked Chaka Khan's version, maybe I'll try to post it:
https://www.youtube.com/watch?v=9ZEMoXjl-Xg

From What Cha' Gonna Do for Me(1981), which I may still have somewhere. Liked it pretty well---remember it as blending her trademark sound w elements of jazz in various ways.
wiki: reminds me it haswith a guest appearance by Gillespie himself as well as what today would be called a 'sample' of Charlie Parker's legendary four bar alto break from his 1946 recording of the title. Khan's vocal interpretation also features lyrics written by the singer herself.[8]

"Boy, you suck. Just my luck. I'd rather get hit by a truck. Lose/My/Number lose. It." sings Allegra Levy on Lose My Number: Allegra Levy Sings John McNeil, where she adds words and sometimes acatting to the trumpeter's tunes. She's usually more subtle than that, I think---she could be a little louder sometimes, she makes me listen more, and never oversings. Got a tight, kinetic piano trio, and McNeil himself shows up sometimes, like on "C.J.," where the scatting first appears, and the bracing "Strictly Ballroom." "Dover Beach" is my fave headphones ballad, with unusually-well mic'd cymbals and drums (bass always sounds great), never obtrusive. Gonna try to link it from YouTube, c'mon ilx,do me right:
http://www.youtube.com/results?search_query=allegra+levy+%2B+lose+my+number

Oh well at least Firefox shows the playlist link, if not the link in image.

here's the front cover of CD (out Fri.), w personnel listed:
https://images-na.ssl-images-amazon.com/images/I/61Nnge4usEL._SL1417_.jpg

listened to the title track, good stuff

Yeah, and forgot to mention that the album sometimes reminds me of Sheila Jordan and Steve Kuhn's albums, also that they and Steve Swallow performed the music he wrote for Robert Creeley's poems, on the album Home. Playground might be a better place to start w Kuhn-Jordan or Jordan-Kuhn projects overall, but think this is the most thread-relevant.
(Complete personnel:
Steve Swallow - electric bass
Sheila Jordan - voice
Steve Kuhn - piano
David Liebman - saxophones
Lyle Mays - synthesizer
Bob Moses - drums)

And I was wondering about who sings Coltrane, when I saw this, on Rolling Jazz--if my first ever attempt to post a link from one thread to another doesn't work, just search on there (or YouTube) for John Coltrane Giant Steps Carnatic Scatting
Rolling Jazz Thread 2020

I love Les Double Six's version of Naima. Big influence on Robert Wyatt, I think.

Will have to check Les Double Six, thanks for reminder.

Last night on John Pizzarelli's and Jessica Molasky's xpost Radio Deluxe, LH&R casually twisted me a new earhole once again, sending me toward rabbithole--now I'm wondering about these 4-albums-on-2-CDs sets, reissued on Avid, also others on Acrobat, Jasmine, Sony Canada, for that matter---do they sound good??
https://www.amazon.com/s?k=lambert+hendricks+and+ross&crid=2FOPQHGG1GODK&sprefix=lambert+h%2Caps%2C195&ref=nb_sb_ss_i_3_9

I’ve never listened to that show but it sounds like I finally should. John’s website has them but it seems to be a week behind?

Oh but the show has its own site as well.

There might be more that they've posted on Soundcloud---see the one I linked upthread.
B-but you didn't answer *my* question!

Mixcloud, that is (the link is right).

I must say I’ve been enjoying Dee Dee Bridgewater’s Horace Silver album a lot... but I think I love her album of Kurt Weill songs even more. Favorite new-to-me artist of the year!

Great, glad you dig her. I like Ja'l Deux Amours too, from 2007, when she was living in France:
Dave Gelly of The Guardian stated, "'J'ai Deux Amours' was the number with which Josephine Baker captivated Paris in the early 1930s, and Dee Dee Bridgewater is her nearest equivalent today, a star both at home in the US and in her adopted country. Her singing is as expressive as ever, but what really caught my attention was the arrangements, a collaborative effort by the singer and her band. Harmonically sophisticated and at times fairly abstract, they quickly banish any idea of sentimental, Gallic wallow."
...Jason MacNeil of AllMusic commented, "These Parisian café tunes bring out the best in this stellar jazz singer, particularly on the opening title track. Accompanied by accordion, which introduces the song, Dee Dee Bridgewater takes you from Paris down to the French Riviera with a warm, slightly island sound as she sings en français. And she has no problem creating her soothing jazz pipes regardless of language."
...[1] The Buffalo News review stated, "Bridgewater still shows her skill at shaping a phrase, her ability to bring out the depths of every word. She sings in French with obvious relish. But I hope she doesn't forget her fans back home."[3] She hasn't, but
also went further South and made Red Earth with Mali musicians.
More info: https://en.wikipedia.org/wiki/J%27ai_Deux_Amours

Sounds rad, will check it out!

There might be more that they've posted on Soundcloud---see the one I linked upthread.
B-but you didn't answer *my* question!

Sing A Song Of Basie is phenomenal!!

It’s sand, man!

Yeah, that one is great.

jaymc would something like amina claudine myers' african blues fit with style you were looking for? https://www.youtube.com/watch?v=hk2fg2cE27I

So today on WBGO for Dave Brubeck’s centennial (which is actually today), Michael Bourne played a musical Brubeck wrote with his wife Iola, The Real Ambassadors, starring Louis Armstrong and featuring Lambert, Hendricks and Ross, which I was glad to hear, since I had read about but never listened to it. The musical was recorded in the studio first, but by the time it was performed live at the Monterey Jazz Festival Annie Ross was gone and had been replaced by Yolande Bavan. I went down a tiny rabbit hole and found this [u=https://www.jazzwax.com/2007/11/a-chat-with-yol.html]extremely interesting 3-part interview[/u] with Bavan, and am now listening to the live albums of that trio, including Live at Newport ‘63, featuring another centennial artist of this month, Clark Terry.

Oh yeah, Clark Terry's "Mumbles" routine counts as vocalese or close enough. Had neglected the LH & Bavan era, thanks for tip.

Yeah, I enjoyed a few of those Mumbles routines today, "Mumbles" itself and this one called "Never."
https://www.youtube.com/watch?v=f7XtciQyhJA

LH & Bavan from the 1962 (not 1963) Newport Jazz Festival
https://www.youtube.com/watch?v=xgxfCsGTVhY

Thanks! Don't think I've ever heard that line-up before---what a position to be in, having to follow the tenure of starpowered Annie Ross. So I think I read that Dave Lambert stopped to help a stranded, maybe injured motorist and got struck himself, fatally. Hendricks, with his offspring or whomever, used to irritate me on radio shows in the 80s: his voice had gotten too dry and stiff for all that spotlight, and maybe it always was, other than brief solo breaks in the trio format. But good to hear more prime-of-life trio, thanks again.

Yes, that’s what happened to Dave Lambert, unfortunately. Bavan tells a somewhat detailed version of the story in that interview I linked.

Yeah, didn't want details; I know and know of several people that's happened to, resulting in major injury at least (Andre Dubus got all tore up, lastingly). Reminds me also of a transcribed conversation between Jon Savage and JG Ballard: Savage mentions how motorway design and construction lead to psychopathic behavior, making it so easy to hit and be hit, thus hard not to run.

In some areas, anyway.

Hey, check it out. https://jazztimes.com/reviews/books/peter-jones-this-is-bop-jon-hendricks-and-the-art-of-vocal-jazz-equinox/

Reviewer A.D. Amorosi in the spirit: "Having a fellow jazz singer and the author of the award-winning This Is Hip: The Life of Mark Murphy tackle the roots of bop vocalese and its firestarter...is sort of like asking one of the Apostles to take on the entire Bible...requires nothing less than a surgeon’s skills and a comedian’s ability to pace oneself to the punchline." Author Peter Jones is a jazz singer too? Is he good?

No idea. Good question.

Michelle Hendricks, daughter of Jon, brings words, voice, and something of a new spark to an old fave, "Song from The Old Country," by and with the now late great, always jumpin' Adams-Pullen Quartet:
https://www.youtube.com/watch?v=HpZW5ulfWYM

(Lewis Nash in there, doing just fine in the wake of Dannie Richmond RIP)

Should have said "Michele," sorry.

Speaking again of xpost "Song For My Father"---this was posted just now on So, does anyone know what "Rikki, Don't Lose That Number" is about?

I did find this:

In his 2006 autobiography, Let's Get to the Nitty Gritty, Silver recalled events leading up to the iconic 1964 recording following a visit to Brazil as a guest of pianist Sergio Mendes during the week-long Carnival festivities.

"Believe me, Carnival provided much excitement," he wrote. "After returning home to New York from my visit with Sergio and (drummer) Dom Um, I was haunted by the bossa nova rhythm I had heard in Brazil. So I said to myself, 'I'm going to try to write a song using that rhythmic concept.' I sat down at the piano for a few hours and came up with a new song using the bossa nova rhythm. However, the melody didn't sound Brazilian to me; it sounded more like some of the old Cape Verdean melodies my dad had played. Dad had always wanted me to take some of the old Cape Verdean songs and do jazz interpretations of them. This didn't appeal to me, but when I realized I had written a new song with a Brazilian rhythmic concept and a Cape Verdean melodic concept, I immediately thought about dedicating the song to Dad. So I titled it 'Song for My Father'."

https://www.wrti.org/arts-desk/2021-06-18/the-story-behind-horace-silvers-song-for-my-father

― birdistheword, Monday, October 4, 2021

(Because of the "SFMF" lift on "Rikki")

To be fair:
Fagen told All About Jazz in 2011: “There was never a conscious thought about picking up Horace Silver’s intro… as for the piano line, I think I had heard it on an old Sergio Mendes album. Maybe that where Horace heard it, too (laughs).”

xxxpost Speaking of Dee Dee B. and words added to instrumentals: dunno when Horace Sliver wrote lyrics of "Song For My Father"---maybe when he wrote the melody, but I didn't hear it sung 'til Andy Bey; my fave version is Bridgewater's, but worth hearing by whomever:

I wrote a song for my father in hopes it would give him a thrill after seeing Brazil.
My father’s music came through me but never got to me until
I went down to Brazil---
In Rio all day long, I heard my father’s song...
His father was Portuguese-Cape Verdean, born on a CV island.

― dow, Tuesday, July 28, 2020

(Also performances etc. posted upthread)

Andy Bey just turned 82. Not sure if he is performing anymore these days, but still a lot of recordings to listen to.

Sheila Jordan, "Bird's Song" (based on "Relaxin' at Camarillo"):
https://www.youtube.com/watch?v=z1JuKM8lOj4

Oh, man, my heart skipped a beat when Shelia's name just showed there. I went to see her recently and talked to her a a brief moment but of course kept my mask on and was afraid to breathe on her.

She did that “Bird’s Song” recording at the age of 89. She’s 93 now.

Wow, I thought the age was finally beginning to show in her voice, but I still like it.
Xpost Sorry,James! Yeah, that's gonna happen w the actuarial tables kicking in all over the place these days.

Not vocalese, but Susannah McCorkle was one of the most word-wise of jazz singers---also a prize-winning short story writer, but wouldn't do original lyrics, said she didn't have it---did do wonderful English lyrics for Brazilian ballads---no idea how accurate as translations, but they sound great---here's a 17 -minute excerpt of a vintage comma wine-fine Xmas set---singing and comments on some songs---rerun Dec. 24, 2021 (following John Waters on his favorite Christmas songs, so look for that segment too:

TERRY GROSS, HOST:

This is FRESH AIR. We're celebrating Christmas Eve with excerpts of shows from our archive. Next, we go all the way back to 1988 for a great concert of Christmas songs performed by the late Susannah McCorkle. 1988 was also the year she was described as the outstanding female jazz singer of her generation by jazz critic Francis Davis. Full disclosure - he's my husband. Susannah was also a writer and translator, and her love of language was apparent in her interpretation of lyrics. Joining Susannah for this concert in our studio was pianist Lee Musiker and bass player Dean Johnson.
https://www.npr.org/2021/12/24/1066327058/jazz-singer-susannah-mccorkle-performs-a-holiday-concert-for-fresh-air

Not jazz, but out to lunch for sure--John Waters plays some of his Christmas favorites:
https://www.npr.org/2021/12/24/1066805815/filmmaker-john-waters-puts-his-own-spin-on-christmas

O Susannah! Used to love to turn jazz vocal noobs on to her when I worked in the CD store:
We Remember Singer Susannah McCorkle
May 25, 2001 12:00 AM ET
Heard on Fresh Air
with excerpts from her Fresh Air interviews and concerts. She died last weekend after jumping to her death. She was 55. She had 17 albums to her credit and a repertoire of more than 3000 songs. Besides being a literate interpreter of American popular song, she was also a prose writer who published fiction in Mademoiselle, Cosmopolitan and The O. Henry Book of Short Stories. We also talk with Susannah McCorkle's ex-husband and former manager Dan Dinicola.(REBROADCASTS from 7/17/87, 12/23/88, 4/12/91, 7/3/96).
https://www.npr.org/templates/story/story.php?storyId=1123480

Jazz Critics poll 2021 Vocal jazz list

Vocals

Veronica Swift, This Bitter Earth (Mack Avenue) 17
(tie) Gretchen Parlato Flor (Edition) 9
(tie) Sara Serpa, Intimate Strangers (Biophilia) 9
(tie) Jen Shyu & Jade Tongue, Zero Grasses: Ritual for the Losses (Pi) 9
(tie) Jazzmeia Horn and Her Noble Force Dear Love (Empress Legacy) 7
(tie) Esperanza Spalding, Songwrights Apothecary Lab (Concord) 7
(tie). Mary LaRose, Out Here (Little (i) Music
(tie) Kate McGarry + Keith Ganz Ensemble, What to Wear in the Dark (Resilience) 6
(tie) Theo Bleckmann and the Westerlies, This Land (Westerlies Music) 4 (tie) Samara Joy, Samara Joy (Whirlwind) (tie) Roseanna Vitro Sing a Song of Bird (Skyline) 4

So Veronica Swift is breaking out finally?

I guess so. Out of touch with current jazz vocalists me is just hearing of her

II didn't even know she put out a full album yet.

I don't think I ever knowingly heard Susannah McCorkle's voice before today. Man, she really was great.

Yeah, this is one of my faves by her:

Sabia AllMusic Review by Scott Yanow
Susannah McCorkle spoke Italian, Spanish, German, and Portuguese in addition to English; she had worked as an interpreter before she devoted herself to singing. On her second Concord CD, McCorkle sang ten Brazilian songs plus "Estate," switching between English, Portuguese, and Italian. There is no communication problem as far as conveying her feelings and the high quality of the melodies, so this is a more accessible release than one might think. The vocalist's backup group includes pianist Lee Musiker, Scott Hamilton on tenor, and guitarist Emily Remler.
https://www.youtube.com/watch?v=Z4c8rcJ4rVw

Veronica Swift, This Bitter Earth (Mack Avenue)-- Jazz critic poll winner

Veronica Swift's opening rendition of the title track has a different and contemporary arrangement to it, but the rest sounds more traditional and even studied to me

Listening to this now. First track is really interesting. Have been on the fence about her singing for the past two years. She's obvious got a Big Voice and this album of diverse material may be suited to her but we will see.

There is another newer singer who I became aware of a tiny bit later who think I prefer slightly, of Armenian origin and her name is...

Lucy Yeghiazaryan.

And she recently married one of her musical collaborators who is also really good and that is....

Grant Stewart

Will check---speaking of studied, or anyway bourgie, but mainly they're really into it!
New York Voices: "Sing! Sing! Sing!"

https://www.youtube.com/watch?v=Vf6wxhtEJz8

What other New York Voices vocalise is good?

I dunno but I sort of got used to them because they would always show up on Michael Bourne's show before he retired recently.

Some good vocalizing at Smalls the other day showed up recently in my feed. Perhaps I will post the link.

http://twitter.com/i/timeline

try again

I've enjoyed KP's vocalese since getting most of the best on Fantasy twofer The Source in early 70s, but think the below was mostly instrumental? TP lifted the stuck in gorilla bit from a Robert Bloch story (RB's mental revenge on real life poisoner of neighbor kid) https://t.co/sSDcko7fgO

— Don Allred (@0wlred) August 28, 2022

real life drug poisoner of neighbor kid, in Topanga or Laurel Canyon I think---scary story.

O Susannah! Used to love to turn jazz vocal noobs on to her when I worked in the CD store:
We Remember Singer Susannah McCorkle
May 25, 2001 12:00 AM ET
Heard on Fresh Air
with excerpts from her Fresh Air interviews and concerts. She died last weekend after jumping to her death. She was 55. She had 17 albums to her credit and a repertoire of more than 3000 songs. Besides being a literate interpreter of American popular song, she was also a prose writer who published fiction in Mademoiselle, Cosmopolitan and The O. Henry Book of Short Stories. We also talk with Susannah McCorkle's ex-husband and former manager Dan Dinicola.(REBROADCASTS from 7/17/87, 12/23/88, 4/12/91, 7/3/96).
https://www.npr.org/templates/story/story.php?storyId=1123480

Thanks dow - I actually just discovered her music. (I bought a large shipment of Penguin-recommended jazz CD's for peanuts and her Johnny Mercer album was one of them.)

I looked her up on Wikipedia after enjoying the album and saw what happened with her. Tremendously sad. The address where she lived (and took her life) is actually close to where I used to work back in the early 2010s, and I walked past that location many times while I was there.

Glad you dig her, bird----check xpost Sabia too!
Haven't heard the Mercer, but reminds me that she was sometimes tagged as retro, which she found creepy--the people that wanted her to "wear long white gloves" and so on---also the possible political implications, like the "conservative" connotations of early Jazz in Suits, also what happened with her Cali peers the Carpenters, praised by Nixon for all things pure(actually it now seems like they were just into the West Coast hot house sunshine pop sensibility, a la Curt Boettcher and so on). She was a child of Berkeley, but *musically* not much in thee swim of things out there, or not in terms of what she wanted to perform (although she did do Paul Simon's "Train In The Distance," for instance).

Getting back to or toward vocalese: local station has been playing Carmen McRae's take on "Ruby My Dear," re-titled "Dear Ruby."

Feel like Carmen McCrae gives Jon Hendricks a serious run for his money in the Monk vocalese department.

It's from McRae Sings Monk, originally released in 1990. with Hendricks contributing lyrics only; his voice was pretty worn down by then. Wiki sez, of apparently the most recent reissue:

All music composed by Thelonious Monk, lyricists indicated.
Due to copyright restrictions the song titles of these standards were modified (with the exception of "'Round Midnight"). Monk's original titles are indicated after the track titles.

"Get It Straight" ("Straight, No Chaser") (Sally Swisher) – 3:58
"Dear Ruby" ("Ruby, My Dear") (Swisher) – 6:01
"It's Over Now" ("Well, You Needn't") (Mike Ferro) – 5:28
"Monkery's the Blues" ("Blue Monk") (Abbey Lincoln) – 4:56
"You Know Who" ("I Mean You") (Coleman Hawkins, Jon Hendricks) – 3:31
"Little Butterfly" ("Pannonica") (Hendricks) – 5:15
"Listen to Monk" ("Rhythm-a-Ning") (Hendricks) – 3:05
"How I Wish" ("Ask Me Now") (Hendricks) – 4:56
"Man, That Was a Dream" ("Monk's Dream") (Hendricks) – 2:55
"'Round Midnight" (Monk, Cootie Williams, Bernie Hanighen) – 6:32
"Still We Dream" ("Ugly Beauty") (Ferro) – 3:27
"Suddenly" ("In Walked Bud") (Hendricks) – 3:41
"Looking Back" ("Reflections") (Hendricks) – 5:35
Tracks on original CD release, but omitted on LP and MC

"Suddenly" – 3:13
"Get It Straight" – 3:26
Previously unreleased, alternate takes added since 2001 reissue

"'Round Midnight" (Alternate Version) – 7:11
"Listen to Monk" (Alternate Take) – 2:59
"Man, That Was a Dream" (Alternate Take) – 3:23
Personnel
Carmen McRae - vocals
Clifford Jordan - soprano saxophone, tenor saxophone
Eric Gunnison - piano
George Mraz - double bass
Al Foster - drums
Live at Great American Music Hall on January 30 & February 1, 1988 (tracks 1 & 12)
Charlie Rouse - tenor saxophone
Larry Willis - piano
George Mraz - double bass
Al Foster - drums

Ahem, I feel like taking issue with Jon’s voice being “worn down” at that point.

Judging by the way he sounded on the radio, especially live (late 80s-early 90s): kinda sandy and not very loud. Maybe I just heard the wrong stuff.