― A Nairn (moretap), Saturday, 5 April 2003 03:10 (twenty-one years ago) link
― Alex in NYC (vassifer), Saturday, 5 April 2003 03:12 (twenty-one years ago) link
― A Nairn (moretap), Saturday, 5 April 2003 03:13 (twenty-one years ago) link
― Alex in NYC (vassifer), Saturday, 5 April 2003 03:14 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:14 (twenty-one years ago) link
― Dan I., Saturday, 5 April 2003 03:15 (twenty-one years ago) link
― Chris P (Chris P), Saturday, 5 April 2003 03:15 (twenty-one years ago) link
― A Nairn (moretap), Saturday, 5 April 2003 03:16 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:16 (twenty-one years ago) link
I was bored with Begotten
― A Nairn (moretap), Saturday, 5 April 2003 03:17 (twenty-one years ago) link
Understandably,....but it was so utterly preposterous that I can't help but love it.
Surreal-wise, I'd cite Peter Weir's early stuff like "The Last Wave" and my beloved "Picnic at Hanging Rock."
― Alex in NYC (vassifer), Saturday, 5 April 2003 03:34 (twenty-one years ago) link
― Mr. Diamond (diamond), Saturday, 5 April 2003 03:36 (twenty-one years ago) link
― Chris P (Chris P), Saturday, 5 April 2003 03:40 (twenty-one years ago) link
I forgot Peggy Ahwesh and Peter Hutton, who are not only great filmmakers but nice people too!
― hstencil, Saturday, 5 April 2003 03:40 (twenty-one years ago) link
― ducklingmonster (ducklingmonster), Saturday, 5 April 2003 03:44 (twenty-one years ago) link
― jess (dubplatestyle), Saturday, 5 April 2003 03:45 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:47 (twenty-one years ago) link
i think i burnt out on this stuff in film school. actually, i think i burnt out on all movies in film school.
― jess (dubplatestyle), Saturday, 5 April 2003 03:50 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:52 (twenty-one years ago) link
― jess (dubplatestyle), Saturday, 5 April 2003 03:53 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:54 (twenty-one years ago) link
― hstencil, Saturday, 5 April 2003 03:55 (twenty-one years ago) link
Ouch...bad acid flashback of dragging my parents to see that movie in the theater. No wonder I had the shit beaten out of me during my childhood.
I only remember two things from that movie - the stupid ending with Cosby's wife dousing him in his food and the fact that the superweapon had three different colored liquids in it that Cosby switched with dishwashing liquid only to find out that it WAS filled with dishwashing liquid. (Which, of course, I found hilarious at the time. It is true - little kids are just drunken midgets.)
― Girolamo Savonarola, Saturday, 5 April 2003 05:14 (twenty-one years ago) link
― Chris Barrus (Chris Barrus), Saturday, 5 April 2003 05:22 (twenty-one years ago) link
http://www.match-cut.de/img&snd/mbad.jpg
L' annee derriere.
― Erik, Saturday, 5 April 2003 07:00 (twenty-one years ago) link
It's almost, not always, true that if it's a really cutting edge film, no one will know the name of it because no one will have seen it. Non-representational films, for ex., esp. animation created by scratching and coloring, that "liberate" the filmmaker and which are the first days homework in any film school animation class. "Look, continues images don't show up as continuous images. The 24 f.p.m. standard is a compromise between flicker and the appearance of motion created by the persistence of vision." "Oh, wow."
Cinema is a rules-based artform. For the most part, these visual and narrative conventions are liberating, rather than restrictive. Visually and stylistically renegade filmmakers sometimes are useful when they develop a new technique that can be expropriated by more mainstream filmmakers.
But this is nothing new. The art for art's sake movement is relatively new, the product of the industrial revolution giving a lot more people a lot more money and leisure time. Great art has always been popular art. Raffaele and Leonardo were sought after not because they were great artists but because they were popular and each pope/prince had to keep up with the Joneses.
"Every picture tells a story, don't it."
― Skottie, Saturday, 5 April 2003 07:15 (twenty-one years ago) link
Dead Man, while not being experimental or avant-garde, is also one of my favourite films of all time.
― Nordicskillz (Nordicskillz), Saturday, 5 April 2003 08:24 (twenty-one years ago) link
― Mary (Mary), Saturday, 5 April 2003 11:19 (twenty-one years ago) link
― mark s (mark s), Saturday, 5 April 2003 11:20 (twenty-one years ago) link
Would "Cabeza de Vaca" qualify?
― badgerminor (badgerminor), Saturday, 5 April 2003 13:28 (twenty-one years ago) link
― Chris P (Chris P), Saturday, 5 April 2003 13:47 (twenty-one years ago) link
― slutsky (slutsky), Saturday, 5 April 2003 14:07 (twenty-one years ago) link
Mark cuts to the heart of it all.
― Ned Raggett (Ned), Saturday, 5 April 2003 14:22 (twenty-one years ago) link
― Martin Skidmore (Martin Skidmore), Saturday, 5 April 2003 14:35 (twenty-one years ago) link
― Ned Raggett (Ned), Saturday, 5 April 2003 15:57 (twenty-one years ago) link
Chantal Akerman - "News From Home"Jean-Luc Godard - "Weekend"Abbas Kiarostami - "The Wind Will Carry Us"Andrei Tarkovsky - "Nostalghia"
― o. nate (onate), Saturday, 5 April 2003 16:30 (twenty-one years ago) link
Also, the treated street car film mentioned above may be Bruce Bailey's (I think that's his name) film Castro Street, which consisted of very colorful images sliding across the screen.
― nickn (nickn), Saturday, 5 April 2003 22:40 (twenty-one years ago) link
bad movie: pretty much any experimental film. For example the quay brothers "institute benjementa". It's just too complicated and it's black and white. Which makes it suck. Switching scenes too slowly completely ruins the flow of the story. A nice predictable and simple story line is always better.
― Pashmina (Pashmina), Saturday, 5 April 2003 22:49 (twenty-one years ago) link
― Pashmina (Pashmina), Saturday, 5 April 2003 22:51 (twenty-one years ago) link
rowr!!
― Pashmina (Pashmina), Saturday, 5 April 2003 23:04 (twenty-one years ago) link
― N. (nickdastoor), Saturday, 5 April 2003 23:14 (twenty-one years ago) link
― Mary (Mary), Sunday, 6 April 2003 21:09 (twenty-one years ago) link
resnais mon oncle d'amériqueLuis Bunuel The Phantom of Libertydebord la société du spectacleNagisa Oshima In The Realm Of The Sensesmichael snow so is this
― Sébastien Chikara (Sébastien Chikara), Sunday, 13 April 2003 10:25 (twenty-one years ago) link
― Erik, Sunday, 13 April 2003 10:37 (twenty-one years ago) link
That's the person I was trying to think of in my original post to this thread. The film that features rapidly alternating perspectives from within a hallway. It has been bothering me ever since (particularly as I'd seen the film in question multiple times), and it came to me tonight.
Serene Velocity. Great film. Anyone know this one?
― Mr. Diamond (diamond), Friday, 16 May 2003 06:11 (twenty years ago) link
The Nine Lives of Thomas Katz...where end of the world in coming to London, windows speak and the subway has it's own gods.
Watch the K Foundation Burn a Million Quid...where the boys from KLF burn a million pounds of their own money. It really happened.
Don't Touch the White Woman!...where the famous battle between general Custer and the Indians takes place in modern-day Paris. Marcello Mastroianni plays Custer, and Catherine Deneuve is his mistress.
― Tuomas (Tuomas), Friday, 16 May 2003 06:37 (twenty years ago) link
i thought the K foundation thing had been officially discredited now?
― arthur woodlouse (arthur woodlouse), Friday, 16 May 2003 09:56 (twenty years ago) link
― Matt (Matt), Friday, 16 May 2003 10:02 (twenty years ago) link
What do you mean by that? I heard Drummond & Cauty have destroyed all the existing copies of the film, but nothing about it being discredited.
― Tuomas (Tuomas), Friday, 16 May 2003 10:14 (twenty years ago) link
which surprises me. i kind of thought he had gone through with it. seemed like that kind of bloke from his writing. [naive fool that i am]
― arthur woodlouse (arthur woodlouse), Friday, 16 May 2003 10:16 (twenty years ago) link
― Tuomas (Tuomas), Friday, 16 May 2003 10:26 (twenty years ago) link
― miloauckerman (miloauckerman), Saturday, 2 October 2004 00:26 (nineteen years ago) link
― jed_ (jed), Saturday, 2 October 2004 00:38 (nineteen years ago) link
every once in a while i check amazon..i don't know how to start a request or a waiting list for a release, so all i do is hope..
now, the only maya deren- related dvd out at this point is the excellent documentary "in the mirror with maya deren" on zeitgiest films.
― reo, Saturday, 2 October 2004 00:49 (nineteen years ago) link
― reo, Saturday, 2 October 2004 01:05 (nineteen years ago) link
George Landow - On the Marriage Broker Joke...
― Girolamo Savonarola, Sunday, 3 October 2004 12:20 (nineteen years ago) link
how about "Holy Mountain" by Jodorowsky
― You've Got to Pick Up Every Stitch (tracerhand), Sunday, 3 October 2004 12:48 (nineteen years ago) link
# Hairspray (1988)# Desperate Living (1977)# Female Trouble (1974)# Pink Flamingos (1972)# Multiple Maniacs (1970)
― EComplex (EComplex), Sunday, 3 October 2004 14:57 (nineteen years ago) link
― Adam Bruneau (oliver8bit), Sunday, 3 October 2004 16:00 (nineteen years ago) link
― miloauckerman (miloauckerman), Sunday, 3 October 2004 16:02 (nineteen years ago) link
The Color of Pomegranates -Sergei Paradjanov
WR Mysteries of the Organism -Dusan MakavejevSweet Movie - Dusan Makavejev
(under no circumstances read _any_ plot summary of Sweet Movie before watching the film)
http://www.brightlightsfilm.com/33/makavejev.html
All Bunuel after 1960 is worth watching at least once, also don't miss El
― (Jon L), Sunday, 3 October 2004 19:51 (nineteen years ago) link
found this site looking for a good link for Zulawski's film Possession. have seen about 75% of these, which bodes well for the ones I haven't.
― (Jon L), Sunday, 3 October 2004 20:15 (nineteen years ago) link
― latebloomer (latebloomer), Sunday, 3 October 2004 22:47 (nineteen years ago) link
i thought this was the thread where one of the noize dudes threw a hissy fit because they thought i criticized a brakhage film, but i guess not
― amateur!!!st (amateurist), Sunday, 3 October 2004 22:49 (nineteen years ago) link
(sorry)
― miloauckerman (miloauckerman), Sunday, 3 October 2004 23:29 (nineteen years ago) link
― Tous Les Garcons S'Appellent Little Lord Travolta (nordicskilla), Sunday, 3 October 2004 23:52 (nineteen years ago) link
― Tous Les Garcons S'Appellent Little Lord Travolta (nordicskilla), Sunday, 3 October 2004 23:53 (nineteen years ago) link
An Evening w/ Ernie Gehr at NYC MoMA tonight (there were still tix 2 hrs ago).
http://moma.org/calendar/films.php?id=6243
― Dr Morbius, Monday, 29 October 2007 20:06 (sixteen years ago) link
Recent obits for Curtis Harrington refer to a series of early underground movies, including one, 'Wormwood Star', featuring the fabulous Marjorie Cameron from 'Inauguration of the Pleasure Dome'.
Anyone seen any of this?
― Soukesian, Monday, 29 October 2007 20:30 (sixteen years ago) link
By next year, every expensive uptown arts venue that screens a-g film will be devoted entirely to Ernie Gehr.
― C0L1N B..., Monday, 29 October 2007 23:03 (sixteen years ago) link
'Pleasure Dome' is fucking awesome! There's a collection of Kenneth Anger's films (vol. 1, more forthcoming I hope) on DVD now from Fantomas, I got it through Netflix. I liked all five of them on the DVD. Marjorie Cameron was the wife of Jack Parsons, crazy fucking world.
― Abbott, Monday, 29 October 2007 23:23 (sixteen years ago) link
Chappaqua, anyone?
― ian, Monday, 29 October 2007 23:47 (sixteen years ago) link
Anger v.2 is out.
Gehr was a funny little guy, talking about his friendship w/ Michael Snow: "Then he moved to Canada. And there was no email, it was the '60s! People were living in caves!"
Serene Velocity is hypnotic, for those who aren't susceptible to seizures... Side/Walk/Shuttle might be in my top 3 San Francisco films now.
― Dr Morbius, Tuesday, 30 October 2007 13:59 (sixteen years ago) link
pleasure dome is def. my favorite anger
― impudent harlot, Tuesday, 30 October 2007 14:44 (sixteen years ago) link
Didn't Jack Parsons claim at one point that Marjorie Cameron wasn't actually human, that she was the magic(k)al result of a ritual that he and L Ron Hubbard had been working?
― aldo, Tuesday, 30 October 2007 14:50 (sixteen years ago) link
So, anyone want to talk about structural film? I know virtually nothing about it, but nevertheless assigned myself the task of writing about it.
On that note, I love how This video is a response to Global Swine Flu Cases Close To Pandemic Level
― EDB, Saturday, 23 January 2010 02:01 (fourteen years ago) link
https://www.youtube.com/watch?v=mY7B2-Wqj6ghttps://www.youtube.com/watch?v=u-v4kZPzZzY&feature=related
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:01 (thirteen years ago) link
I'm kind of amazed at what's on Youtube sometimes. Nothing beats seeing an actual PRINT of the Lipsett though!
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:02 (thirteen years ago) link
https://www.youtube.com/watch?v=_avIZO8DoOs
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:09 (thirteen years ago) link
https://www.youtube.com/watch?v=BnakPuaDELk&playnext_from=TL&videos=LFTNLVlm3Y0&feature=rec-LGOUT-exp_fresh%2Bdiv-1r-2-HM
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:14 (thirteen years ago) link
fucking love arthur lipsett, even though he's been a big influence on george lucas / coppolla etc it is astounding to me that I made it to 2009 before hearing about him. bruce conner is cool and everything but where the hell were the prints of lipsett's films when I was in film studies 101?
I have a copy of this and I even listen to it: http://www.discogs.com/Arthur-Lipsett-Arthur-Lipsett-Soundtracks/release/792458
http://www.diagonalthoughts.com/?p=64
― Milton Parker, Wednesday, 30 June 2010 17:15 (thirteen years ago) link
I have the Lipsett soundtracks too!
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:15 (thirteen years ago) link
we're pretty much legion
― Milton Parker, Wednesday, 30 June 2010 17:28 (thirteen years ago) link
Some loops for y'all:https://www.youtube.com/watch?v=nzMvQtVEXok&feature=relatedhttps://www.youtube.com/watch?v=8pe8O5h9EEs&feature=related
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:30 (thirteen years ago) link
These look like shit, sorry:https://www.youtube.com/watch?v=P_9D_JB3TBA&feature=fvwhttps://www.youtube.com/watch?v=e2LuqpirHl0
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:32 (thirteen years ago) link
https://www.youtube.com/watch?v=yDoH_KGTR7A
― querelle: the last fassbinder (donna rouge), Wednesday, 30 June 2010 17:34 (thirteen years ago) link
https://www.youtube.com/watch?v=retMJjM3iBY&feature=related
― querelle: the last fassbinder (donna rouge), Wednesday, 30 June 2010 17:36 (thirteen years ago) link
Woah love the split frame in that last one.
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:39 (thirteen years ago) link
https://www.youtube.com/watch?v=G2OBNPN7818&feature=related
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:41 (thirteen years ago) link
https://www.youtube.com/watch?v=mTarJ0Op7W8&feature=related
― Salted gnocchimole (admrl), Wednesday, 30 June 2010 17:43 (thirteen years ago) link
Oh man, I love that Martin Arnold, I haven't been able to see it since we watched a 16mm print in my sophomore year of college.
― ENERGY FOOD (en i see kay), Wednesday, 30 June 2010 18:47 (thirteen years ago) link
this has been boggling me lately:
http://thesoundofeye.blogspot.com/
― bug holocaust (sleeve), Wednesday, 30 June 2010 19:59 (thirteen years ago) link
ha I see they took down the Ira Cohen film that was reissued by Arthur...
― has arlen specter never heard clarence thomas's laugh? (Shakey Mo Collier), Wednesday, 30 June 2010 20:09 (thirteen years ago) link
i'm pleased da intawebs has somewhat put pay to the "harder core than thou" aspect of fanboyism that has historically plagued the appreciation of "such" film. i think there's much experimental which doesn't evoke any feeling of "magic" - fair enough - the "real", scabrous, harsh & unforgiving in a situationist / docu style has it's place. but i will say in defence of the magical to check at your leisure fellini's "satyricon" & "casanova" & power rangers lost galaxy "return of the magna defender" i do not joke here.can you help me tho, i wonder? i'm looking for an old film i thought was either man ray or duchamp (might not be): something like " poeme cinematique " or similar title - very art deco surrealist i think perhaps concentrating on NY or Paris architecture, shadows, the play of light on water etc any ideas? vielen dank !
― igloo ferrigno (bob snoom), Thursday, 1 July 2010 20:54 (thirteen years ago) link
Ballet Mecanique?
https://www.youtube.com/watch?v=9SgsqmQJAq0
― Salted gnocchimole (admrl), Thursday, 1 July 2010 22:23 (thirteen years ago) link
ah super, thank you, but not the film in question. i think the one i'm seeking (based on a hugely fuzzy ancient memory) is a little (just a little) more recent. sadly i can't give you much more than that. sorta swimming cap flapper art deco abstract tourist board film dappled shadows scintillations of water reflections. no worries if you're drawing a blank, so am i!o:honorable mention for masaki kobayashi's "kwaidan" ( super cinematic ghost stories in glorious technicolor w/ super toru takemitsu score ), nobuhiko obayashi's "hausu"/ "house" super cheesy scoooby doo style haunted house 70's teen-schmaltz-horror, whatever folks directed "funky forest" gentle contemporary pop-surrealist sketch-show film,most dario argento, most cronenburg, the m.barney canon, and season 2 & 3 lexx haha!
― igloo ferrigno (bob snoom), Friday, 2 July 2010 11:53 (thirteen years ago) link
Hello bob snoom, yr descrip kinda sounds like a mash-up of Vigo's Apropos de Nice and Taris, tho' i don't suppose its either.
i think you might also like Dreams That Money Can Buy by Hans Richter
― Ward Fowler, Friday, 2 July 2010 12:03 (thirteen years ago) link
"dreams..." i know, it's a smasher ! - will def check out the others thank you.maya deren gave me nightmares.
― igloo ferrigno (bob snoom), Friday, 2 July 2010 12:13 (thirteen years ago) link
https://www.youtube.com/watch?v=upHAWrEj1qY
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:24 (thirteen years ago) link
https://www.youtube.com/watch?v=rjnHUJ455Ss&feature=related
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:27 (thirteen years ago) link
https://www.youtube.com/watch?v=VsYCeRlSFwI
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:30 (thirteen years ago) link
https://www.youtube.com/watch?v=bMDez_kGL2Y
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:31 (thirteen years ago) link
https://www.youtube.com/watch?v=V-cvJq3m7pw
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:33 (thirteen years ago) link
https://www.youtube.com/watch?v=yALxXKDjI1k
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:35 (thirteen years ago) link
:DDDDDDDD that is lovely, want to see the rest now
oh cripes xposts!!!!!!!!!! um I was talking about the John Smith one
― acoleuthic, Wednesday, 15 September 2010 23:35 (thirteen years ago) link
https://www.youtube.com/watch?v=i1x-9dLboDo
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:36 (thirteen years ago) link
https://www.youtube.com/watch?v=grbscpyrWgg&feature=related
― Nano McPhee (admrl), Wednesday, 15 September 2010 23:39 (thirteen years ago) link
inland empire - david lynch, if not mentioned already. yeah i realize he's the cliche go-to for surrealism, but i have never been more scared watching a movie than that one. really sucks you in.
― lieutenant jimmy john (kelpolaris), Wednesday, 15 September 2010 23:55 (thirteen years ago) link
thank you admrl
― puff puff post (uh oh I'm having a fantasy), Thursday, 16 September 2010 00:00 (thirteen years ago) link
https://www.youtube.com/watch?v=rMY-3Wg3eE0&feature=related
― *group snuggle!* (admrl), Saturday, 16 October 2010 20:10 (thirteen years ago) link
https://www.youtube.com/watch?v=B4Ty4TTAX48
― *group snuggle!* (admrl), Saturday, 16 October 2010 20:12 (thirteen years ago) link
More Alys:https://www.youtube.com/watch?v=tC4-op71sa4
https://www.youtube.com/watch?v=Vryg0DE7L70&feature=related
― *group snuggle!* (admrl), Saturday, 16 October 2010 20:13 (thirteen years ago) link
Feel like I may have already posted this but too lazy to check:https://www.youtube.com/watch?v=kzniaKxMr2g&feature=related
― *group snuggle!* (admrl), Saturday, 16 October 2010 20:15 (thirteen years ago) link
https://www.youtube.com/watch?v=bJcqk3PcOlg
― *group snuggle!* (admrl), Saturday, 16 October 2010 20:17 (thirteen years ago) link
Ooops, this one has English subs:https://www.youtube.com/watch?v=ItEHvYi8KZI&feature=related
thanks adam.
― not everything is a campfire (ian), Sunday, 17 October 2010 02:25 (thirteen years ago) link
caught a Jordan Belson retrospective last night at the Pacific Film Archive, really amazing.
― unorthodox economic revenge (Shakey Mo Collier), Thursday, 20 October 2011 20:17 (twelve years ago) link
Experimental fucked-up film - Mishima's Patrotism:
http://www.ubu.com/film/mishima.html
― xyzzzz__, Thursday, 20 October 2011 21:04 (twelve years ago) link
LA ppl should not be missing out on the alternative projections series going on right now (and that i really hope tours at some point). caught peter mays' 'death of a gorilla' last weekend, which is all kinds of incredible
― vitameatawalloginavegamin (donna rouge), Thursday, 20 October 2011 21:23 (twelve years ago) link
Really LOVE Hollis Frampton.
http://www.ubu.com/film/frampton.html
Been watching a lot of experimental film this last week and he does interest me a bit more - its certainly the static rigour, but also the nhilistic streak. Nostalgia is the example, for me, here is a guy burning away what might have meant something to him, at one time.
Maya Deren also good - more surreal and dreamlike - but she is so good at making something out of dance - Meditation on Violence must be mentioned.
Chris Marker - 2084:
https://www.youtube.com/watch?v=MGkSAe0SzIg
― xyzzzz__, Monday, 24 October 2011 18:41 (twelve years ago) link
UK cats: Dreams That Money Can Buy is on Film4 right now! Quick!
― emil.y, Friday, 13 April 2012 01:08 (twelve years ago) link
Yeah saw that years ago at the Renoir, missed last night's showing.
― xyzzzz__, Friday, 13 April 2012 17:42 (twelve years ago) link
this is cool!
http://www.handmadecinema.com/
― moesha my reflection (donna rouge), Thursday, 19 July 2012 18:37 (eleven years ago) link
Went to an experimental program at the 20th anniversary of the Innis Film Society tonight. (The Society was around from '85-93; I graduated in '84. When you start attending anniversaries you predate...) There were ten films, and the only one I'd seen before was Anger's Kustom Kar Kommandos. I quite liked four of them. Bruce Conner's Cosmic Ray: excellent use of "What I'd Say," kind of anticipates the Vietnam-rock 'n' roll films like Apocalypse Now and Full Metal Jacket. Brakhage's Dante Quartet: beautiful to look at, amazing to think about (how he did it). Owen Land's On the Marriage Broker Joke... (extremely long title): bizarre, very funny, impossible to describe. My favourite was Keewatin Dewdney's Maltese Cross Movement from '67. Wish I could find it online (what's the name of that site that houses all sorts of experimental films you can watch for free? I always forget its name). Unsettling.
I feel like I can take most anything in the way of aggressive sound and/or image, but 12 minutes of Paul Sharits' Touching was a real test.
― clemenza, Saturday, 29 March 2014 02:16 (ten years ago) link
Saw Asphalt Watches at Cinematheque Vancouver a week or two ago. I wasn't quite sure what to expect - kind of thought it would be cheap and with a teenagey tOtaLLy rAnDoM feel to it... but it was really very nice. Surprisingly warm in its treatment of the odd characters occupying its space. The two reviews I read said it dragged at times, and I kept thinking to myself "is this when it's going to start dragging?" and in the middle of that, the film ended.
I'd watch it again.
― fennel cartwright, Saturday, 29 March 2014 02:24 (ten years ago) link
i think you mean
T,O,U,C,H,I,N,G
i love that movie, but yeah i always have to walk out and get some fresh air 1/2 way through.
― espring (amateurist), Saturday, 29 March 2014 03:02 (ten years ago) link
Keewatin Dewdney's Maltese Cross Movement
that's the one w/ the beach boys "gettin hungry" on it. it's pretty great (and beyond bizarre).
― espring (amateurist), Saturday, 29 March 2014 03:03 (ten years ago) link
bruce conner is unquestionably my favorite A-G filmmaker. my favorites of his are take the 5:10 to dreamland and valse triste,but it's all amazing.
― espring (amateurist), Saturday, 29 March 2014 03:04 (ten years ago) link
did you mean Ubuweb clemenza?
http://www.ubu.com/film/
― invent viral babe (Noodle Vague), Saturday, 29 March 2014 03:12 (ten years ago) link
whole bunch of avant/etc shorts [through the years] coming up on TCM this Saturday AM (4 or 5 hours from now)
― Paul, Saturday, 29 March 2014 04:07 (ten years ago) link
sorry, make ^that^ this Sunday AM, March 30th, from 2am onwards
― Paul, Saturday, 29 March 2014 13:56 (ten years ago) link
thanks, Paul. Lots of good stuff and that "Free Radicals" doc I haven't seen yet
― Iago Galdston, Saturday, 29 March 2014 14:09 (ten years ago) link
I should watch more experimental film. I watched Hans richter's every day today at the library, it was awesome. Soviet montage-style short set in London & featuring eisenstein and a stop-motion bangers & mash dancing
― every moser (wins), Saturday, 29 March 2014 14:31 (ten years ago) link
(xpost) That's the site, NV--thanks. I was hoping the Dewdney film would be on there, but no. (amateurist: I've never owned Smiley Smile, so I never would have guessed that was the Beach Boys.)
― clemenza, Saturday, 29 March 2014 15:08 (ten years ago) link
ubuweb is great
― every moser (wins), Saturday, 29 March 2014 15:20 (ten years ago) link
Can be a frustrating experience at times -- some films that you wish were in a better state.
― xyzzzz__, Saturday, 29 March 2014 15:47 (ten years ago) link
There were ten films, and the only one I'd seen before was Anger's Kustom Kar Kommandos...I feel like I can take most anything in the way of aggressive sound and/or image, but 12 minutes of Paul Sharits' Touching was a real test.
― clemenza, Friday, March 28, 2014 9:16 PM (Yesterday) Bookmark Flag Post Permalink
Ha, I distinctly remember watching these in Innis Town Hall in my Cinema Studies classes.
― Fiddler on a hot tin roof (ed.b), Saturday, 29 March 2014 17:01 (ten years ago) link
I think the running joke (well, I guess it's not actually a joke) is that T.O.U.C.H.I.N.G. is the only thing that most the kids who take the intro to cinema class remember from it, just 'cause, y'know.
― Fiddler on a hot tin roof (ed.b), Saturday, 29 March 2014 17:03 (ten years ago) link
What's on TCM? Is it over?
I like "Free Radicals" but Maya Deren excepted, it bums me out that that particular history of avant-garde film is just a series of old straight white guys. It's nice that he includes a couple of films in their entirety though.
― Kornblud (admrl), Saturday, 29 March 2014 17:42 (ten years ago) link
Ah I see it now. It's all stuff mentioned in Free Radicals. Nice to think of Ken Jacobs on tv at 3AM though!
― Kornblud (admrl), Saturday, 29 March 2014 17:44 (ten years ago) link
When were you there, ed? I was '79-'84 (needed an extra year because there was a city adjacent to the campus, and that caused problems). I took the intro course with Joe Medjuck, and I don't recall experimental film being a part of it.
― clemenza, Saturday, 29 March 2014 18:26 (ten years ago) link
Going through this thread picking up recommendations, just watched the youtube of Tusalava - so good!
― emil.y, Saturday, 29 March 2014 21:41 (ten years ago) link
I did my BA there from 06-11, so missed you by a hair. They've also fortified the dept somewhat since then.
― Fiddler on a hot tin roof (ed.b), Sunday, 30 March 2014 01:32 (ten years ago) link
T,O,U,C,H,I,N,G screening was also a super memorable college experience for me. Audible exasperation across the room. People walking out. I was completely enthralled and hypnotized though. To this day one of my favorite pieces.
― circa1916, Sunday, 30 March 2014 15:52 (ten years ago) link
Free Radicals is really annoying. They hid well in the title that the film is mostly this father and son team of filmmakers promoting themselves. And may I ask, what is the deal with Stan Vanderbeek? I never thought he was in the same league as Breer, Conner, Brakhage et al and yet you never see anything these days without him. His estate must have a hell of an agent--they take up like 20 minutes on the guy.
― Iago Galdston, Sunday, 30 March 2014 18:21 (ten years ago) link
yeah I didn't like that movie too much (free radicals).
― espring (amateurist), Monday, 31 March 2014 06:21 (ten years ago) link
such promise tho
― espring (amateurist), Monday, 31 March 2014 06:22 (ten years ago) link
someone will come along and do a good one, this just isn't it
― Iago Galdston, Monday, 31 March 2014 14:07 (ten years ago) link
Tomorrow @BFI
― xyzzzz__, Monday, 31 March 2014 14:32 (ten years ago) link
that's james tenney giving her the business in fuses btw
― espring (amateurist), Tuesday, 1 April 2014 00:32 (ten years ago) link
It was sadly not part of last week's programme.
However we saw Kitch's Last Meal (Carolee Schneemann, 1973-78) - Probably one of the best re-screenings I'll watch this year. In conjunction with some of her newer films which have something to them but are a lot looser.
Kitch is her cat, its dual projection (one image on top, another at bottom of the screen). It has, while not exactly a structuralist's discipline -- where the top image will have a train going to the LHS, the bottom image will have another train in the RHS -- something utterly logical to their flow. It has a great script too. It is partly diaristic, intersected with conversations with her then BF, then shots of her feeding and caring for the cat (it will die so not one for the squeamish). The diaries are her life, including struggles with men who are making and writing about other structuralist films and don't seem to like her work. The person introducing it picks up on that and makes something that doesn't bear out in the screening: that she is far more fun than the boys, that she is daring by being diaristic and looser with form. It was a v banal: men are so logical and not personal whereas Carolee is.
But when you set this aside Frampton's Nostalgia this male/female distinction collapses (would've been much better to screen this alongside Kitch's last meal). There were clearly battles and she has def experienced idiotic commentary on her films but from my perspective she is applying rigor to her images (many of which are gorgrous shots of light, sunsets and snow) that could be construed as male. When she begins to stop using that rigor, you get the later films that simply aren't going to be more than curios.
― xyzzzz__, Monday, 7 April 2014 10:02 (ten years ago) link
Today's viewing:
Werner Nekes - HynningenTeinosuke Kinugasa - A Page of MadnessJoseph Cornell - Rose Hobart (an old favourite whose name I had forgotten, took me ages to track this down again)
― emil.y, Saturday, 5 July 2014 17:11 (nine years ago) link
y'all know about this?
http://www.slantmagazine.com/dvd/review/masterworks-of-american-avant-garde-experimental-film-1920-1970
― skateboards are the new combover (Dr Morbius), Tuesday, 20 October 2015 14:38 (eight years ago) link
Yeah, saw that review when it was posted. Probably a library checkout for me.
― Exit, pursued by Yogi Berra (WilliamC), Tuesday, 20 October 2015 14:43 (eight years ago) link
Saw this tonight:
https://www.youtube.com/watch?v=pXGtYpcAQbQ
I mentioned earlier in this thread how trying it was for me to sit through T,O,U,C,H,I,N,G last year. I don't know that it would be any easier today, but the documentary did provide enough context that there are some others I'd like to try: Razor Blades, S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED, 3rd Degree, and (especially) Epileptic Seizure Comparison. A lot of the explanations and analysis here (from Annette Michelson, Bruce Elder, etc.) was very dense; I get stupider by the day, so a lot of that was just out of reach for me. The film was lighter on biography (the filmmaker was there and explained that decision), but Sharits' last year or two and death was grim. One thing I realized: long before I had any idea who Sharits was, I remember seeing this cover of Film Culture, and the image stayed in my mind (maybe it was reproduced in a book somewhere).
https://s3.amazonaws.com/files.collageplatform.com.prod/image_cache/700x525_fit/53da626f69921a805e010656/ce837cf36ae4bd1947c4aacd1498c341.jpeg
― clemenza, Tuesday, 10 November 2015 04:57 (eight years ago) link
ok, who's seen any Dore O?
http://www.spectacletheater.com/dore-o/
http://www.bkmag.com/2016/02/08/windows-of-the-soul-the-mysterious-experimental-films-of-german-artist-dore-o-at-the-spectacle/
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 10 February 2016 05:34 (eight years ago) link
Those look pretty sick.
― AdamVania (Adam Bruneau), Wednesday, 10 February 2016 05:58 (eight years ago) link
"Alaska" and "Kaldalon" are both on youtube. 480p but better than nothing.
― AdamVania (Adam Bruneau), Wednesday, 10 February 2016 06:04 (eight years ago) link
ok
NYC revival slate + new stuff is maddening, and that theater has about 35 seats
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 10 February 2016 18:23 (eight years ago) link
Try living in a Scottish village. You never see anything.
― inside, skeletons are always inside, that's obvious. (dowd), Wednesday, 10 February 2016 19:48 (eight years ago) link
well ive never seen a Scottish village, might be nice.
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 10 February 2016 19:49 (eight years ago) link
It is, in it's way. (actually I've just been made homeless, so probably won't post for the next year or so.) Anyway, isn't the real avant garde making your own films, which no-one wants to watch?
― inside, skeletons are always inside, that's obvious. (dowd), Wednesday, 10 February 2016 19:56 (eight years ago) link
:( :(
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 10 February 2016 19:57 (eight years ago) link
Ha, well I'm taking my camera with me, so maybe I can make some Ken Loach-esque poverty porn.
― inside, skeletons are always inside, that's obvious. (dowd), Wednesday, 10 February 2016 20:02 (eight years ago) link
anyone know Ed Atkins' work?
http://www.bam.org/film/2016/ed-atkins
― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 8 March 2016 20:03 (eight years ago) link
how about Basma Alsharif?
http://www.bam.org/film/2016/basma-alsharif
― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 8 March 2016 20:05 (eight years ago) link
i guess i should see some Bruce Baillie in NYC this weekend
http://www.filmlinc.org/festivals/art-of-the-real/
― we can be heroes just for about 3.6 seconds (Dr Morbius), Friday, 8 April 2016 02:50 (eight years ago) link
i did.
Andrew Noren?
http://www.moma.org/calendar/film/1629?locale=en
― we can be heroes just for about 3.6 seconds (Dr Morbius), Friday, 15 April 2016 17:08 (eight years ago) link
soliciting Straub / Huillet recomms for May (only seen Not Reconciled)
http://www.moma.org/calendar/film/1641?locale=en
― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 26 April 2016 20:07 (seven years ago) link
I bought Anti-Clock on a whim the other day. It's supposed to be pretty abstract and hard to follow- a sort of Finnegan's Wake of British cinema. Anyone seen it?
― TARANTINO! (dog latin), Tuesday, 26 April 2016 23:18 (seven years ago) link
Haven't managed to get a copy yet but have seen clips and love what I've seen so far. I am an ardent Arden stan, though (I love both Separation and the Other Side of the Underneath, though the latter is intensely harrowing). There's an element of 60s/70s feminist performance theatre to her work that I think some people struggle with, as well as the abstraction.
Afraid I can't help with Morbs' request, but would like to hear a report back.
― emil.y, Tuesday, 26 April 2016 23:33 (seven years ago) link
You've got Anti-Clock! I bought it you in the last few months..
― lilcraigyboi (Craigo Boingo), Wednesday, 27 April 2016 09:16 (seven years ago) link
V jealous of that Straub/Huillet retrospective - only know Chronicle of Anna Magdalena Bach, thanks to this Region 2 DVD set (guess I should get around to watching the other two films there)
http://www.newwavefilms.co.uk/view-film-detail.html/?viewListing=Mjc=
― Chicamaw (Ward Fowler), Wednesday, 27 April 2016 09:21 (seven years ago) link
xxp I tried watching it (alone) but I wasn't really watching it properly. Not much happens but a lot happens if you know what I mean. It's easy for my attention to wander and then miss out on a lot of detail. I'll give it another go next time I've nothing to do. The DVD has loads of extras and additional short films.
― TARANTINO! (dog latin), Wednesday, 27 April 2016 09:22 (seven years ago) link
Going to see this on Sunday, a former ILXOR tell me that a Dwoskin retrospective DVD set is in the works
http://luxscotland.org.uk/events/screening-lux-scotland-presents-pain-is-by-stephen-dwoskin/
― Chicamaw (Ward Fowler), Wednesday, 27 April 2016 09:25 (seven years ago) link
Ward - you've got to watch Sicilia! ASAP, its the best.
― xyzzzz__, Wednesday, 27 April 2016 10:08 (seven years ago) link
Crossing the Threshold: Experimental films and live performances from Malcolm Le Grice
― (Henry) Green container bin with face (Tom D.), Wednesday, 27 April 2016 10:15 (seven years ago) link
soliciting Straub / Huillet recomms for May (only seen Not Reconciled)http://www.moma.org/calendar/film/1641?locale=en― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 26 April 2016 Bookmark Flag Post Permalink
― we can be heroes just for about 3.6 seconds (Dr Morbius), Tuesday, 26 April 2016 Bookmark Flag Post Permalink
You've got to see Too Early/Too Late
So much good shit - I'd get to the Holderlin and Pavese adaptations and def Sicilia! (which at nearly 70 mins is not a short)
― xyzzzz__, Wednesday, 27 April 2016 10:24 (seven years ago) link
Hate how these are relegated to galleries - what's the screen at MoMa like?
In the meantime the BFI is treating to a Spielberg season #bumsOnSeats policy y'all!
― xyzzzz__, Wednesday, 27 April 2016 10:27 (seven years ago) link
Thanks xyzzzz, will get right on it
― Chicamaw (Ward Fowler), Wednesday, 27 April 2016 10:58 (seven years ago) link
The MoMA screens are proper theaters; i haven't checked how many are in theater #1, the biggest room and screen
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 27 April 2016 11:56 (seven years ago) link
― lilcraigyboi (Craigo Boingo), Wednesday, April 27, 2016 10:16 AM (4 hours ago)
Doh, you know what, I had *completely* forgotten this and was gonna ask to borrow your copy. FFS, me.
― emil.y, Wednesday, 27 April 2016 13:46 (seven years ago) link
Werner Nekes - Hynningen
Music by Anthony More of Slapp Happy (along with a lot of other films by Werner Neukes).
― (Henry) Green container bin with face (Tom D.), Wednesday, 27 April 2016 13:51 (seven years ago) link
Hoberman's piece on Straub-Huillet in the Times today is not going to set off a MoMA stampede -- he quoted Straub saying their movies were made to be walked out of, and finished by asking the curator if he was feeding the audience "spinach."
― we can be heroes just for about 3.6 seconds (Dr Morbius), Wednesday, 4 May 2016 19:07 (seven years ago) link
TBF, it's hard to think of a 'campaign' that would result in lines around the block for a complete Straub-Huillet retro, if gross deception is not involved. In a way, emphasising the alienated difficulty of these films makes them seem more alluring, more of a challenge to be taken on.
Thanks to xyzzzz, I watched Scilia! - not on a big screen, unfortunately (it's worth saying that it's a very beautiful film in places, cinematography by frequent Rivette collaborator William Lubtchansky, though the framing/editing is totally Straub-Huillet's own - incredible repetition of unmotivated slow pans over empty rural landscapes, other shots that carry on well past their 'end'). In places, it reminded me of Costa's Horse Money, or seemed like it could be one source for Costa's style, a way of presenting historical narrative, giving voice to the unvoiced etc.
― Chicamaw (Ward Fowler), Wednesday, 4 May 2016 19:44 (seven years ago) link
Hilarious quote from Straub.
Glad you liked Sicilia! Ward - source novel is very much worth reading btw (I think its a great visual intro to those landscapes in mid-cent Italian Lit of Pavese, Vittorini, Moravia, Morante)
And Costa worked with Straubs. Some of Haneke's work is very much S/H (Haneke stole the sequence in Egypt in Too Early/Too Late for the end of Hidden)
― xyzzzz__, Wednesday, 4 May 2016 23:10 (seven years ago) link
some of huillet/straub's films are quite amazing, so it's impossible to dismiss them, but i also find it kind of impossible not to find them (and some of their more ardent supporters like tag gallagher) a bit silly in their conviction that somehow three-hour films of nonactors declaiming communists texts fromthe 1930s while standing in a calabrian forest are going to aid the Revolution.
― wizzz! (amateurist), Thursday, 5 May 2016 00:04 (seven years ago) link
even in their worst films, there is something undeniably gripping about the way they record sound, the way they frame people and landscape, their cutting rhythms, etc. it's just that the political conceits behind their "program" seem really misguided to me.
actually, one of the better critiques of their recent (by which i mean last 20 years) work is actually in a trotskyite publication of all places. scroll down to about halfway through: https://www.wsws.org/en/articles/2002/05/baf3-m20.html
i actually kind of like pedro costa's first two features but otherwise i have to say he seems like something of a charlatan to me. if anything he has all of the huillets' self-seriousness and not enough of their filmmaking skill.
― wizzz! (amateurist), Thursday, 5 May 2016 00:07 (seven years ago) link
here's another attack on straub and costa from the World Socialist Website critic David Walsh, who despite having some serious blinkers on a lot of time, is not at all a bad critic: https://www.wsws.org/en/articles/2015/03/25/fic3-m25.html
― wizzz! (amateurist), Thursday, 5 May 2016 00:08 (seven years ago) link
re: Costa being a charlatan. You may or may not like what he is doing but I think his work in the inner cities is deeply felt, committed and comes from a genuine place.
From a scan those pieces don't really give me much to re-think. Looking at the events in mid-70s Portugal from the POV of Cape Verdians is a great way of looking at those events - and carry even more of a charge today, given what is happening in Europe.
― xyzzzz__, Thursday, 5 May 2016 07:51 (seven years ago) link
re: Straubs. I actually don't see the fuss. From the half-dozen I've seen they seem very watchable and I can only imagine there being other reasons for the difficulty in presenting their work at the BFI. I've seen old arthouse 'classics' in old prints with four fucking people over the years. Seriously, what's the hold up?
― xyzzzz__, Thursday, 5 May 2016 07:59 (seven years ago) link
I've been hot and cold on Costa, but i generally found Horse Money hypnotic on first viewing. I am gonna steer clear of the more "declamatory"/lengthy S-H films tho. That leaves enough for me to dip my toe.
― we can be heroes just for about 3.6 seconds (Dr Morbius), Thursday, 5 May 2016 11:19 (seven years ago) link
S-H roundup, including link to Hoberman
https://www.fandor.com/keyframe/daily-jean-marie-straub-and-daniele-huillet
― we can be heroes just for about 3.6 seconds (Dr Morbius), Friday, 6 May 2016 16:53 (seven years ago) link
and linking this Pinkerton piece on S-H because I walked out on History Lessons at the two-thirds mark last week, feeling Straub wouldn't mind. The Bach film was fine, though.
http://frieze.com/article/we-make-our-films-so-audiences-can-walk-out-them
― we can be heroes just for about 3.6 seconds (Dr Morbius), Thursday, 19 May 2016 20:02 (seven years ago) link
Only the strong survive Straub-Huillet – and I wouldn’t have shirked the test for all the world.
#maMan
― xyzzzz__, Thursday, 19 May 2016 20:14 (seven years ago) link
Although I was just talking abt my struggles with Brecht's prose on ILB.
― xyzzzz__, Thursday, 19 May 2016 20:15 (seven years ago) link
Read this as Straub / Huillet romcoms, which would be great.
Although, if anyone can recommend a good place to start with them, that would also be great.
― ed.b, Friday, 20 May 2016 19:18 (seven years ago) link
ed.b, if you still have access to a DVD machine capable of playing Region 2 DVDs, I would recommend this two disc set from New Wave films, which contains Straub-Huillet's biggest hit - Chronicle of Anna Magdalena Bach - and Sicilia!, which xyzzzz astutely recommended above.
Aren't all their films romances?
― Chicamaw (Ward Fowler), Friday, 20 May 2016 19:36 (seven years ago) link
RIP Peter Hutton
https://www.youtube.com/watch?v=rM4V7lAy74M
http://www.nytimes.com/2016/06/27/movies/peter-hutton-filmmaker-with-austerely-romantic-worldview-dies-at-71.html
― helpless before THRILLARY (Dr Morbius), Tuesday, 28 June 2016 16:47 (seven years ago) link
:(
― Acid Hose (Capitaine Jay Vee), Tuesday, 28 June 2016 16:51 (seven years ago) link
Straub / Huillet retrospective at UC Berkeley, starts on Jan 26, until May 2017
http://www.bampfa.berkeley.edu/program/not-reconciled-cinema-straub-huillet
― sbahnhof, Monday, 2 January 2017 05:41 (seven years ago) link
coming to America
https://thefilmstage.com/news/grasshopper-film-to-release-catalogue-of-legendary-filmmaking-duo-jean-marie-straub-and-daniele-huillet/
http://grasshopperfilm.com/film/straub-huillet-collection/
― Supercreditor (Dr Morbius), Wednesday, 19 April 2017 19:33 (six years ago) link
Yvonne Rainer recommendations?
https://www.filmlinc.org/series/talking-pictures-the-cinema-of-yvonne-rainer/#films
― Supercreditor (Dr Morbius), Wednesday, 19 July 2017 19:53 (six years ago) link
Journey from Berlin is all I've seen - can't remember much about it, except thinking it was good.
Would so see Madame X. Ulrike Ottinger is really good.
Have fun!
― xyzzzz__, Wednesday, 19 July 2017 21:15 (six years ago) link
obit roundup for Paul Clipson
https://www.criterion.com/current/posts/5371-the-daily-paul-clipson-1965-2018
― ice cream social justice (Dr Morbius), Wednesday, 7 February 2018 18:24 (six years ago) link
RIP Jonas Mekas
http://gothamist.com/2019/01/23/jonas_mekas_avant-garde_film_auteur.php
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Wednesday, 23 January 2019 17:15 (five years ago) link
re: the straub/huillet discussion upthread, full retro happening in london over the next three months: https://www.goethe.de/ins/gb/en/ver.cfm?fuseaction=events.detail&event_id=21471962&
― devvvine, Saturday, 2 March 2019 08:23 (five years ago) link
RIP Barbara Hammer
https://www.criterion.com/current/posts/6250-barbara-hammer-s-legacy
― a Mets fan who gave up on everything in the mid '80s (Dr Morbius), Monday, 18 March 2019 16:21 (five years ago) link
word seems to be spreading that straub has passed
― devvvine, Sunday, 20 November 2022 11:41 (one year ago) link
:-(
― xyzzzz__, Sunday, 20 November 2022 12:59 (one year ago) link
Straub and Godard In the same year, damm. And Rest in Provocation.
― Ward Fowler, Sunday, 20 November 2022 14:00 (one year ago) link
RIP. I saw From the Cloud the the Resistance, Antigone and Machorka-Muff just this year. All amazing, and the first is so singular and strange.
― glumdalclitch, Sunday, 20 November 2022 15:58 (one year ago) link
Here's a lovely curated playlist of shorts:
http://www.youtube.com/playlist?list=PL5xOztE613KMOvfW_L5zaa6j3cdLUwO4c
― glumdalclitch, Sunday, 20 November 2022 16:07 (one year ago) link
I have more vivid memories of reading Richard Roud's Straub book than the films themselves, intriguing though they were.I should get around to watching Sicilia!, which James Quant of TIFF was always talking up.
― Halfway there but for you, Monday, 21 November 2022 03:56 (one year ago) link
couple of days left to catch two, imo, unmissable online retrospectives of female experiemntal filmmakers:
ellie epp on ultra dogme: https://ultradogme.com/2023/08/18/ellie-epp/
jun kurosawa on equinox: https://equinox.film
― devvvine, Wednesday, 30 August 2023 12:24 (seven months ago) link
👍
― xyzzzz__, Wednesday, 30 August 2023 12:55 (seven months ago) link