The Cure: Classic or Dud?

We know there's a couple of new songs at least since they've been playing them on tours over the past few years, and they're on the big 40 year anniversary show release. But it is notable it always seems to be those two songs.

i can believe him that they've recorded a bunch of new material but whether or not it will actually come out is a whole other thing after 4:14 scream etc.

I haven't heard this CUREILLAZ

(i'm not going to hear this cureillaz)

Cureillaz de Ville
Cureillaz de Ville
If rip doesn't hear it
The rest of us will

The Cureillaz track came out last year and he’s done it live with them a few times (two were lockdown ppv shows, dunno about last week’s)

iirc (aimn) 4:14 Dream is a single album waiting for Robert to write melodies and lyrics and record them, the next Cure album is a double waiting for Robert to write melodies and lyrics and record them, and his solo album of guitar noise is even less recorded than that. and that’s the positive spin version!

Cranes, live and instrumental with Porl and Robert filling in for a sick Alison Shaw.

https://www.youtube.com/watch?v=wh0XQI6XPjs

Rather than waiting for a new one, can't the fans go back and reevaluate The Top or something

I ALREADY HAVE AND THE MIGHTY BANANA SONG IS KING

That's the spirit

The Top rules, sorry if that offends

holy shit Pearl in that Cranes performance!

Speaking of rehabilitating unloved Cure LPs, I saw some mag has done a long piece on Wild Mood Swings featuring commentary from Robert Smith. I tried to listen to WMS a few weeks ago, it is surely bad but worse it is boring. Quite liked Jupiter Crash when I saw them play it live once.

holy shit Pearl in that Cranes performance!

i know it's kind of a cure obsessive cliche by this point, but the b-sides from wild mood swings really do make one wonder who tf was in charge of the track list.

(i'm joking; we all know it was rs just like we all know he's been a bumbling buffoon since wish)

i mean honestly:
https://www.youtube.com/watch?v=sHPl35Sty10

wasn't better than fucking "return"??????

(song in video is "it used to be me")

I don't much agree -- I played WILD MOOD SWINGS recently and loads of it stood up very well. I knew 'Treasure' was touching, but I'd forgotten how staggeringly raw and serious 'Bare' was. 'Jupiter Crash' also one of the best crafted songs that Smith has written.

(I agree with poster Imago FWIW: there is so much Cure material, I'm not sure we need more of it to enjoy them.)

B-sides being good is an indication that a band has written and/or recorded good songs and want you to hear and enjoy them, not that they are idiots, imo

Harold and Joe is better than Never Enough

B-sides being good is an indication that a band has written and/or recorded good songs and want you to hear and enjoy them, not that they are idiots, imo

― bobo honkin' slobo babe (sic), Sunday, August 22, 2021 8:10 AM

and yet, 'club america' exists.

Club America is silly fun 🤗

(and a curio to hear Robert writing such clear, direct lyrics about real experience)

I don't mind that song.

'Harold & Joe' is one I should hear again. Must have had it on the cassette single bought a year after it came out!

'harold + joe' a longtime favorite on my "songs that have inexplicable whistle solos" playlist.

also, wish b-sides ftw. you'll be missed, simon!
https://www.youtube.com/watch?v=_XqswqTdvEI

("a foolish arrangement")

Oh, the B-sides of 'Letter to Elise' were high quality!

Not that I even own it, but doesn't the existence of the glossy JOIN THE DOTS: CURE B-SIDES make it moot that the band left these tracks off LPs?

(Not to mention the B-sides on STANDING ON A BEACH side 2, or whatever it was called, which I found frequently marvellous aged 17. One thing I loved was how every B-side sounded similar to its relevant A-side.)

fyi Club America is just the worst, fucking terrible nonsense

The 13th, OTOH, slaps

i mean, i've made my peace with wild mood swings to the point that i kind of like "mint car" by now, but they did not put the best material from those sessions on the proper album. one of the singles from that era that i've always thought was underrated was "gone!" it really is a throwback to the japanese whispers material; esoteric, but infectious, pop. they even took it a step further with this "critter remix" from the 'strange attraction' single:
https://www.youtube.com/watch?v=ibYvdmpSwDg

'strange attraction' also an abysmal piece of shite, btw.

Guess who's back

Longtime bassist Simon Gallup has apparently rejoined the Cure after announcing his departure in August https://t.co/XQ5DbplRdg pic.twitter.com/ThAmJpnAo8

— Stereogum (@stereogum) October 15, 2021

lmao

He's Si Gallup
The real Si Gallup
All you other Si Gallups
Should all just go shut up
So won't the real Si Gallup
Please stand up?
Please stand up?
Please stand up?

(head on the) revolving door

Friday I'm in the Cure

called it:

i'm sad about this news but i think like before they will work it out...

― Bee OK, Monday, August 16, 2021 11:06 AM (one month ago)

My lack of surprise. Third time wasn't the charm!

That said I can't fucking blame the guy at this point simply because there's at least a couple of albums sitting around...waiting.

what a pushover

Why are you not the Cure's new bassist Mr. schwitterz

Pull down the blinds
I'm leaving The Cure uh, for an hour

I guess he won his power play move to name the new album "Back to Bass-ics."

Magspies much-anticipated reunion called off at the 11th hour

https://www.nme.com/news/music/the-cure-announce-uk-and-european-tour-for-2022-3111944

The Cure have shared details of a 44-date UK and European tour next year, including five arena shows in the UK.

Fans will be treated to a 135 minute show, with mention in a press release of a “67 minute” new album that is yet to be announced. The Cure’s last album was 2008’s ‘4:13 Dream’.

In a tweet to fans, Smith also confirmed that shows in the rest of the world were being “finalised” and would “announced in due course” – as well as promising to air material from the new album.

The Cure have also confirmed that the line-up for the tour will feature bassist Simon Gallup.

<blockquote class="twitter-tweet"><p lang="en" dir="ltr">'ROW' SHOWS ARE BEING FINALISED - A LOT OF THEM GOT PUSHED BACK - THEY WILL BE ANNOUNCED IN DUE COURSE - BUT WON'T NOW HAPPEN UNTIL SPRING 2023... AND YES, WE WILL BE PLAYING SONGS FROM 'THE NEW ALBUM' IN 2022 X <a href="https://twitter.com/hashtag/waitingforgodot?src=hash&;ref_src=twsrc%5Etfw">#waitingforgodot</a></p>— ROBERT SMITH (@RobertSmith) <a href="

'ROW' SHOWS ARE BEING FINALISED - A LOT OF THEM GOT PUSHED BACK - THEY WILL BE ANNOUNCED IN DUE COURSE - BUT WON'T NOW HAPPEN UNTIL SPRING 2023... AND YES, WE WILL BE PLAYING SONGS FROM 'THE NEW ALBUM' IN 2022 X #waitingforgodot

— ROBERT SMITH (@RobertSmith) December 6, 2021

messed up that one...

good to hear some somewhat official news from them. as for the album, i'll believe it when i can actually hear it.

so indifferent about the prospect of a new Cure LP

i think the only thing that would pique my interest at all would be a lineup change or a really interesting choice of producer - get the dude from Chvrches in!

(yes i know this lineup has not actually recorded together - or does terrible single Wrong Number count here? - but it is also really unpromising IMO)

"Wrong Number" is not terrible!

love the hashtag on the RS post

Wrong Number rules, but it was recorded by COGASM, not The Cure (so 3/5 of the 2012-2022 lineup)

Wrong Number could've been so much better if it had been shorter. Doesn't need to be 6 minutes long.

I support the idea to have the dude from Chvrches to produce it. He kind of merged the sounds of both bands in "How Not To Drown" and made really great use of Robert's voice.

‘135 minutes’ is a curious length to announce in advance of shows.

That's the length of Simon's "A Forest" outro.

yah chvrches/cure collabo crossover wld be a good move