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Marcus all the way, since he's my favorite rock writer. As someone
else said, he's better when writing at length (Lipstick Traces,
Invisible Republic, the "Presliad" section of Mystery Train) than in
his shorter columns, which are pretty hard to fathom unless you've
read everything else he's ever written first. His obsessions pop up
incessantly in his work, which a lot of people probably find
annoying, but I think he looks for the same qualities in music that I
do, and he's never been particularly trend-influenced. He's still
turned me on to a hell of a lot of music (Sex Pistols, early Elvis,
Mekons, Raincoats, X-Ray Spex, mid-eighties Elvis Costello, Sleater-
Kinney and Sly Stone) I wouldn't have paid much attention to
otherwise.
Christgau, on the other hand, is excellent in his shorter reviews and
practically unreadable in his essays.
And I don't get Richard Meltzer at all. He's one of the worst writers
I've ever read. Self-indulgent, grating, and completely clueless
about most of what he writes about. He's also another one of
those "Rock died some time before 1980" people - how I hate that.
― Justyn Dillingham, Friday, 16 November 2001 01:00 (twenty-two years ago) link
Rock died in 1969, or earlier, acc. to Meltzer. Stillborn, rilly. I like that notion.
― Sterling Clover, Friday, 16 November 2001 01:00 (twenty-two years ago) link