The producer known as ACTRESS and his r&b concrète

I like this album a lot but it might be more fair to call it a beat tape

His entire footballing career could have been one slow slide down the pyramid from West Brom and it would still have been more exciting than his music.

or your posting

fuck excitement

liking this a lot more than ghettoville so far

I like it a lot and think it does justice to the "r&b concrète" Nakh description in thread title.

I cant even remember what Sweet Exorcist sounded like, but a lot of this is vibing listening to them on a tape walkman in the early 90's.

One of my favourite Actress collabs

https://www.youtube.com/watch?v=c1KLmphseFs

New album is pretty great I think.

This might be a bit of a shot in the dark, but if any Glasgow posters were thinking of going to see him at the Art School this coming Saturday, I have a ticket but can't make it, so post here or Ilxmail me if you want it.

You would get the bonus prize of hanging out with ilxor paolo for the evening.

Event details here for anyone interested:
https://www.residentadvisor.net/event.aspx?946991

HIYA! my email is scottjamesramage at googlemail dot com

Just sent you an email :)

Why is "senorita" from his 1st album only 2 minutes, should have been 10 minutes or something, arrgh. Some other tracks too.

I was disappointed by his new AZD I must say, too straight forward. But I saw it on the record store yesterday day and almost bought it.

His latest album is beautiful and I cant stop listening to it and not enough people are talking about it

AZD?

I agree, I'm a big fan of Actress generally but it took me a long time to listen to this for whatever reason. I think there's something that happens in all popular music but seems amplified in electronic/techno, where the novelty of a new sound or approach wears of very quickly. So AZD is a perfectly elegant and beautiful expression, but it doesn't have that shock of the new. It's definitely been overlooked/underheard.

I'm not well versed in Actress but definitely found AZD approachable while still esoteric, so A+ here

AZD has been growing on me. Hearing it the car has helped me appreciate its innate strangeness a lot more.

there is an early Warp feel to this in places that reminds me of listening to Sweet Exorcist when I was a kid. I can understand it not getting universal love, but I have a lot of time for Actress's thing.

It's been growing on me as well, since I wrote here earlier. Guess I had to listen to it in one long stretch, not the detailed listen, to appreciate it.

Texture has always been one of the primary concerns of Actress (aka Darren Cunningham), his music melding peculiar samples with decayed dancefloor sounds to create abstract, R&B concrète

https://www.barbican.org.uk/whats-on/2018/event/actress-london-contemporary-orchestra

tried this album a few times.
didn't really do much for me.
but its possible I was not in the right place for it.

that levantis "romantic psychology" record is flipin spiffy. a cold damp cave / ceremonial robes

ahh .. i should clarify, I meant the actress vs LCO album that's due out soon.

it's not so different from the new oneohtrix, but still has that more subdued/poised, soupy actress quality that I find makes it very listenable

ah man i LOVED the vs LCO single, looking forward to the album

wasn't really feeling AZD apart from "blue window", for some reason!

in the realm of 21st c. electronica even 'texture' doesn't seem adequate enough to describe the vibes actress is involved in.. it's more like "physicality" and "sensation".. really hard, high level lysergic interactions with textures and stuff.. idk ymmv

Someone ordered a London Contemporary Orchestra

Possibly while high

'Faure in Chrome' from AZD does a better job of incorporating orchestral textures than most of LAGEOS, I'm afraid.

revisiting splazsh today, jesus christ "hubble"

jesus christ the whole record really, i definitely loved it at the time but it's even better than i remembered, broken and perverse but also pretty straightforwardly funky and danceable, fractured techno swaddled in vast atmospheres + disintegrated vocal samples, and then at the end it gets kinda ugly and violent! love it

Actress rules. I'll never not look forward to new material by him.

def one of the best artists of the decade

Absolutely, total hero

yeah agree

i was disappointed by r.i.p at the time, idk, maybe bc of the absence of vocals and it being less apparently danceable, it felt like a collection of inwardly-turned idm fragments to me. i am discovering, to my regret, that this was an extremely surface-level reading!!! "raven" and "shadow from tartarus" and "caves of paradise" are amazing and i don't even know what "jardin" is

I like the description of it as "a twilight interzone between rest and wakefulness"

(from the Wire end of year 2012)

feels in retrospect like R.I.P was a peak along with Splazsh

although Hazyville, Ghettoville, and AZD were all pretty much equally amazing

R.I.P. and Ghettoville are both amazing

splazsh and ghettoville are my favorites

also he is an amazing DJ

This could either be something special or a complete mess:

https://www.southbankcentre.co.uk/whats-on/131511-actress-x-stockhausen-sin-x-ii-2019

ghettoville is my favorite, absolutely scraped out

feel like i could put any track from it on a mix with early godflesh and no one would blink

https://www.youtube.com/watch?v=yo0BniC5oco