Pan Sonic Kesto

i like pan sonic a lot but i prefer vainio's solo work as Ø

check out the compilation tulkinta, the albums metri and olento and then move on to the album oleva

man all I have is Tulkinta (which I love), gotta pick up some of those other ones

see also: Philus

RIP. Was lucky enough to see Pan Sonic twice ... or maybe only once, depending on your definition. The first time was just before they changed their name, the second time was a couple of years later but they walked off stage about five minutes into their set because the acoustics of the venue weren't to their liking. The promoter was pissed and had to refund everyone's money. AFAIK they never played again in Toronto after that.

man it felt like there'd just always be a steady stream of hq noisy techno coming out from vainio for the rest of my life. r.i.p. miss this dude a lot already :-/

fearless artist, much respect, RIP

Paul Smith on Mika: http://daily.redbullmusicacademy.com/2017/04/mika-vainio-rip

very good, thx

https://soundcloud.com/ninja-tune/solid-steel-radio-show-1252017-hour-2-panasonic-live-1996

Hey, nice

https://boilerroom.tv/microsite/sahko-the-movie/

Artfully shot on 16mm by Jimi Tenor in 1995, Sähkö The Movie - a title fans have given the film in the absence of any official one - is a suitably abstract portrayal of the singular label in its prime. Finnish artists featured include Sähkö co-founder Tommi Grönlund, Mono Junk, Hertsi, IFÖ, and, of course, Mika Vainio himself.

oh man, I forgot that they were going to be premiering that

apparently it was either shown or released very briefly years ago but it seems like a great, if sad, time to really bring it to prominence. I've heard it's pretty great.

https://editionsmego.bandcamp.com/album/net

Ilpo Väisänen returns to Editions Mego under the guise of I-LP-ON with an immense tribute to the outfit he played in alongside his friend and former creative partner Mika Vainio.

ÄÄNET takes inspiration from the life of PAN SONIC, the outfit they inhabited for over 2 decades. Recorded in Kuopio, Barcelona and Karttula, ÄÄNET is made up of a series of minatres that harness the many shadows this legendary act absorbed: Industrial, ambient, dub and club all figure into this edgy slow burning menace of a release. Featuring recordings made on the 2000 PAN SONIC world tour Väisänen has crafted a unique homage to the outfit which redefined experimental electronic music by embracing pulsing club aesthetics coupled with more abstract avant garde tendencies.

The seismic fingerprint left by PAN SONIC avoids dating and genre identification finding a new definition here both as a nod to a notorious past whilst laying the groundwork for reigniting something utterly contemporary. ÄÄNET is an essential release of Väisänen’s as it allows further expansion and broadening of the paths carved out from this resolutely unique form of scratchy and sublime electronic music.
credits

released November 9, 2018

just listening to it now, excellent.

it is!

I've been meaning to check these guys out for ages, now jumping in by listening to A for the first time. This is incredible, some of the most *future* music I've ever heard. It's glitchy and techno-y but nothing about it feels dated or tied specifically to the "glitch era." I'll tackle Kesto eventually, but can anyone give a rundown of the other stuff?

A is my favorite, Kesto is my 2nd favorite, not as big a fan of Kulma, the B EP is almost as good as A, and def check out Mika Vainio's solo work

I am also partial to the austere Vainio side projects Philus and (ought sign) whatever the ASCII code is for that

Ø

Kesto is basically "here's four different albums showing four different sides of our approach"